Talking Bread Loaves

“Talking Bread Loaves” PART 1 and artist Jerry Shawback

Self Portrait (18″X24″) by Jerry Shawback

For many of you that regularly read Creative Potager and its “sprouts,” artist Jerry Shawback’s contributions are a familiar sight. There is no direct connection between “Talking Bread Loaves” and Jerry Shawback. I am simply impressed with his work, his community building and his support of artists. Later in today’s post, Jerry is featured along with a few more images of his work.

“Talking Bread Loaves” will be told in three parts over the next three days. I am considering it for inclusion in my new book Mona’s Work.

Mona’s influence is multi-generational. My mother, Mona’s daughter, learned the art of amusing children, while she was cooking, from her mother. This is how I end up knowing about talking loaves of bread. At the age of five my family and I lived eighty miles from the nearest store. We went to town for supplies once a month. Good homemade bread was a staple. It was also my favourite food, particularly still warm from the oven, cut thick and slathered in butter with wild raspberry jam dripping off the edges and running down between my fingers.

Each week my mother would use her “magic “to make eight fresh loaves of bread. The reason mom needed magic was mostly to keep me amused, not because it was necessarily part of making bread…

Wrestling my way out from under a mountain of covers, I make my way to the kitchen. I know bread is going to be made by the bowls and pans already on the counter. Mom has the yeast set aside to soften in a very large, heavy bowl. The melted lard and yeast are floating on the warm sugar water. Standing on a stool, I stick my nose right over the bowl. I can smell the beginnings of bread. Mom makes a crater shape out of the flour on the table.

I put my fingers in the flour but mom scolds “Ahk! You will make the dough run out and spoil the magic.”

I knew that to spoil the magic meant the loaves of bread wouldn’t be able to tell her when they were done. So I take heed, carefully twisting my fingers together to keep them out of the flour crater.

Continued in PART 2 …

Sprout Question: How do you use your creativity to arouse the imagination of others?

Bonus: I connected with Jerry Shawback through his twitter account and was blown away by his generous “retweeting” of links tweeted by artists he is following (his support of Creative Potager tweets has been incredible). Sometimes I spend an hour or more just viewing the links he has sent along. However, one of my challenges has been getting to see Jerry’s work because his tweets about his own work are minimal. This is one of the reasons I asked Jerry if I could feature him on today’s post. I want us to pause and take note of Jerry Shawback’s art as we recognize his support of other artists.

sketch by Jerry Shawback

sketch by Jerry Shawback

More of these exquisite daily line drawings can be viewed in Jerry’s flickr portfolio. I suggest watching them as a slideshow.

Self Portrait (11″X18″) by Jerry Shawback

On March 13, 2010 Jerry’s portraits will be shown as part of the Gallery 9 “FACES” exhibit. Gallery 9 is affiliated with thewhole9.com, an international community for creative people where Jerry is a recognize community builder and active participant on the site.

p.s. Who is Jerry Shawback?

“Self portraits have the inherent ability to expose the depth and breath of human nature.” – Jerry Shawback

The artist’s self portrait series explores identity through multiple approaches to the same subject matter. Stylistically varied, they reveal the strange and vulnerability essence of the human condition.

His affinity for people, observation of life and strong draughtmanship is apparent in his depiction of the human form and informs Jerry’s painting. Other influences include: Rico Lebrun, Egon Schiele, Francis Bacon, Lucien Freud and his mentor Cornelius Cole III.

After studying communication design in Los Angels at the Otis Art Institute of Parsons School of design, a division of the New School for Social Research, Jerry worked as a freelance designer, commercial artist, and animator for the entertainment industry.

In 2007, after a ten year hiatus from the art world, Jerry returned to painting as a primary focus. He is currently working on a series of self portraits encompassing various artistic motifs, while maintaining an underlining vision, cohesion and emotional honesty. Jerry also produces works on paper documenting the lives and experiences around him, and his continuing study of the human form. His work has been featured in shows throughout Southern California as well as in private collections.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Cheating

Bravely going off in another direction

Does it ever happen to you where you set an intention to do something only to find that you have done something else? That is what happened to me yesterday. I was all set to start writing up some story cards from the source material for Mona’s Work. As I turned around to pick up the material, I locked attention on my oil painting in progress.

(18″ X24″ 1.5″ canvas)

That was it. Next thing I know my creative energy was thrumming at a low hum and hours had disappeared as follows…

I paint the sandstone cliffs with their heavy underbelly colours. The sea rushes towards my brush – pushing and pulling. I witness the internal tension.

Exactness is not the same as expressing the exact emotion in your work.

I knew I needed the cadmium underpainting to hold the seascape together – I did not know it would also hold me together as I painted.

I remind my self to breathe through my nose as the sea air catches me – yet the only sound is the swish, swish, swish of my brush on the canvas. Stretched tight under my enthusiasm every now and again there is throng drum before the swish. Linseed oil seeps through where there had been the smell of the salt from the sea.

I haven’t forgotten, I know the spring of the canvas, I know that sandstone needs a hint of crimson in its tan mix, I know – yes I know. Ohhhhh! I know nothing! What is this tangle paint scrapping it out on the canvas? Time to stop.

Will it make a painting? Yes, it already is a painting. Will it make a gallery painting? This is never my painterly question.

Swish, swish, swish – brush on canvas – a sound as soothing as the surf coming ashore.

Mona’s Work is pushed forward into tomorrow, March 2, 2010 (the painting will take a few days to get tacky enough to work on again anyway).

Sprout Question: Have you ever felt like you cheated on your creative intention?

Oil painting is very different from my usual medium of water colour painting. With water colours I go from light to my darkest colours at the very end. I still block in my composition with underpainting but I have to be able to “live with” what shows through. With oil painting, I start with a contrasting underpainting colour to block in the composition. Because of the strong divergence of colour that will be in this finished painting, I stayed with one range of colour in the underpainting. In both mediums, I build the painting up over a series of sittings. However, it has been over 30 years since I have painted with oils. My brain feels the stretch from working the colours from dark to light, as I had been taught by an Australian trained artist, Sheila Timmins, when I was about fourteen years old. The water miscible oils paints I’m using now are a little different but I’m not sure exactly how yet.

Bonus: Here is a photo of a finished oil painting “The Cow” by my sister Sue Wiebe whose work some of you had asked to see. Excellent control of shadow and light.

And here is a close up of Sue Wiebe’s “Water Lilies” that shows the layering of paint which allows the water to flatten on the canvas and the lily pads to float on top.

Thank you sis for sending me these images to share. Artist Sue Wiebe lives in Armstrong, British Columbia, Canada. With an undergraduate degree in English, she has also completed a year at Emily Carr University of Art and Design. Every once in a long while she finds a free moment to sprout on Creative Potager.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Turning Pages

March is for Mona’s Work


Leah’s  Creative Every Day theme for March is stories. If there is a fit for me, I like to participate in her themes because she has an outstanding blog to support creative efforts along with an outstanding readership who comment regularly on her posts. For creative people it is like having a coffee shop with a talented host and an open mike just for them.

I’m committed to working on my book Mona’s Work which has an introduction on my Gaia blog and an entry here on Creative Potager in “Potatoes to Potato Salad.”

My challenge: how much or how little do I share with you as I go? The writing will be “hot” and like most writing, it is better when it has cooled, been reviewed, and is then served to you after editing several times. I am leaning towards providing snippets of writing and mostly blogging about the writing process and my behind-the-scene challenges and decisions as I work through the source material, my memories and the developing of the structure of this book.

I’m sure this challenge will work itself as I set down to prepare the blog post each day. However, I would be delighted to hear what aspects of Mona’s Work YOU most want to find when you click to open your Creative Potager post, Monday through Friday for the month of March.

Sprout Question: How do YOU decide when it is right to share your creative efforts?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada