Painting Spring

Something happened yesterday on the official first day of a late west coast spring. At the end of last week I was still in my contemplative winter mental attire. My grey, northern, rain forest interior is filled with homemade soup warmth, maybe a touch red-wine melancholy, smoothed over with by woolen thoughtfulness and a sparkle from a waterproof jacket garnish. It is a savory mix best served hot. During this time I often explore the underbelly of my daily life both in painting and in words. But the garment of winter fell free as easily as the first night of hearing the frogs in the pond in the valley below. Consequently, I had something intricate and dense simmering about the language of painting for this post. But it is not to be, at least not for this week. The joyous zealous brushstrokes of spring are here. Who can ponder at a time like this!?

So I dug through the archives and have chosen seven springtime paintings or painting sketches representing a variety of locations I have been over the past four years. There is a spring work to enjoy for each day of week. Happy spring!

Spring in Tuscany 20 x 30 cm acrylic sketch on canvas board and a rare painting where I have overtly included the painter in this Florence, Italy countryside.

Prints available HERE.

Villeneuve lez Avignon France 24 x 36 inch oil on canvas with its layers of memories and visible history.

Original painting available HERE.

Fremont Hills California Early Spring 18 x 24 inch walnut oil on canvas. Painted from a plein air day of reference material with a colleague and friend, Lena Levin.  We were just talking last week about how our paintings were so different even though we were standing almost right beside each other.

Original painting available HERE.

Cherry Blossoms Mayne Island Japanese Garden 20 x 24 inch oil on canvas. The gardens are a divine place to be in spring and a local year-around treasure.

Original painting available HERE.

Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas. Know as our real west coast, spring is the time that the sun breaks through the winter rains and spirits are lifted as high as the rollers coming in from the open sea.

Original painting available HERE.

Rolling Spring Storms Rocky Point PEI 20 x 40 inch walnut oil on canvas. Bit of weather out there today, someone will likely comment. Collars of light jackets will be turned up and tightened at the neck but the smiles, they tell us one thing – spring!

Original painting available HERE.

Blooming Point PEI 8 x 10 inch acrylic plein air sketch on gessobord. Spring comes a little later to Prince Edward Island. So on this particular year we had two springs! The first on the west coast Canada and then a most lovely second on the east coast.

Prints available HERE.

Now that we have been to Florence Italy and Avignon France in Europe, Fremont California in the United States, Mayne Island and Tofino on the southwest coast of Canada and finally to Prince Edward Island on the East coast of Canada, what about you?

Is it spring yet where you are?

And yes, I am publishing a day early this week. Why not, it is spring after all.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Death by Insignificance – Contemporary Landscape Easel Painter

Six inches of wet whiteness filled our long driveway. At its end there is a narrow trail down the middle of the secondary road, with mounds of molded heavy snowballs guarding each side of the single lane made by the plow truck. I power the Outback down the first part of the driveway so as to glide up and over the crest of the steep hill on the secondary road that follows. Now, if I don’t meet anyone until I get to the main road, all will be good. All is indeed good.

Reaching the Japanese garden on the other side of our small island, I notice that the snow has stopped temporarily in the -1 degree Celsius early March wintry weather. I gather a few photographs for a friend and then settle into painting after setting up my French Box easel in the bamboo shelter on the east side of the gardens. I paint feverishly for an hour. It starts to rain and then rain and snow as I am finishing up. My toes are cold from damp wool socks from when I stepped in a puddle getting out of the car. By all accounts the midday light is bleak, the weather miserable and I am thoroughly chilled. But the work is done. I feel like an explorer exhilarated by having clawed my way over a mountain to a new and promising land.

This 11 x 14 inch walnut oil sketch on a panel board is a series of half-finished sentences in a shorthand painting language that provides rough reminders for a later more thoughtful and larger painting.

Early March Snow Japanese Garden Mayne Island BC

Why do I bother I ask myself. Painting as a representational art form offers nothing new to a world that craves discovery and sensational entertainment. Easel painting has been declared dead as art with predictable frequency for the past 150 years. Yet, here I am – painting. Here you are following my adventures, saving the work to your phones, ipads and laptops and even buying a few finished works now and again. The latest of my art books As We Breathe may even grace your coffee table. So why? What is it about these representational landscape paintings and quick painting sketches that repeatedly hold your attention?

My landscape paintings are of everyday moments. They are ordinary easel paintings and the techniques are familiar contemporary impressionists’ renderings. There is nothing new or sensational or entertaining in my. In art history, the subject of landscapes has always been just a little vulgar and unrefined and uninteresting for the tastes of highbrow fine art galleries and juried exhibitions. So right from the start with my choice of subject, the work is placed at the fringes. Eugène Delacroix’s landscape paintings were painted for his own private pleasure and were only sold after his death. Delacroix was a renowned history painter but it is his landscapes that recently discovered and I most enjoy. The impressionist and post-impressionist painters used the immediacy of landscapes to render light and shadow and then to later reintroduce the importance of form before this painting approach gave way to cubism and abstraction. Though a lot of credit is given to the major breakthrough of these painters, it was only towards the end of these impressionist and post-impressionist movements that any of these artists saw what might be considered success. Some were already dead by the time recognition of their efforts, such as Van Gogh whose hard-working sister-in-law was able to successfully promote his work after his death. The history of Canadian Modernism in art exemplifies the landscape paintings of Tom Thomson, Group of Seven, Emily Carr and the Beaver Hall Group in what is touted to Canadians as a uniquely Canadian art approach. But how globally unimportant these works actually are to world art movements is obvious when reviewing a rather extensive European and North America History of Art Timeline. Canadian art is not mentioned – landscape or otherwise.

So I ask again – why? Why do I bother? Why do you bother to view, save images and purchase my work over and over again? What is it that makes you want to feel the sun on your back, the splash of the sea or the wind blowing through your hair as you look at these simple, insignificant, quiet almost meditative landscape paintings? After all, you just need to step outside into nature and notice these moments for yourselves. Possible, though you have stopped noticing as North Korea, U.S.A., Japan, South Korea and China posture on the brink of yet another war on our small planet. Or maybe you read about several famines expected in the next six month that could kill 20 million people? Or possibly you will be impacted by the U.S.A. travel ban or changes in the health care act? Or is it Brexit that is about to separate you from a country you have called home for many years? Under these circumstances, possibly mundane nature moments drift over your sensory apparatus without even a ripple of recognition – until you view one of my landscape paintings. Then you are reminded and even comforted by the work’s ordinariness. I suspect this because it is what you tell me in comments on social media and during studio visits. So it is not a wild guess but rather a plausible hypothesis. This, on some levels, is a good thing. It means there is no immediate danger by your natural surroundings. You do not need to notice the moving light or rising tide or buds on the plum trees. Basically it is safe not to notice the natural landscapes as they change around you. Your energy is free to contemplate other pressing matters.

So why might you notice and use precious minutes of your valuable time viewing these irrelevant landscape paintings? I believe the answer is as simple and uncomplicated as the paintings themselves. These hand-rendered easel paintings speak to our sensory experiences and memories. These paintings help to remind the viewer that they are alive and that this life, their life, is precious, unique and valuable. At least that is my intention and it is something you so often confirm when viewing the results.

There is the potential for this landscape painting language to be vital, fresh, and unique. These landscape easel paintings attempt to capture the essence of a particular time on a specific day. Similar to a snowflake, or a fingerprint, no two brushstrokes of an immediate moment are ever exactly the same. For an art culture, a micro-culture in a larger herd of humanity, that is obsessed with originality and progress, the immediacy of a changing landscape subject and the painter’s individual brushstrokes guarantee uniqueness (please note I am not implying that “quality” and “uniqueness” are the same thing). It would seem reasonable then that landscapes would be the highest most esteemed subject. However, such that “uniqueness” is the strength of landscape paintings, so is “uniqueness” its weakness. Value is most often created by rareness or scarcity. There is nothing rare about the landscape. Further, it is a given that it will always be changing so change is of no more interest than the ticking of a clock. It is a naked fact, that beyond our pleasure from the landscape’s sensory triggers, my paintings are of little of interest and of even less importance to ART with capital letters. For these easel paintings to become significant their subjects, the landscape, would need to become threatened or disappear. Melting ice caps, rising sea levels, or the potential a rupture in the Cascadia Subduction Zone in the next 50 years are not yet enough to declare any kind of rareness. Only once the landscape can no longer be experienced directly and no more painting of it can ever be painted, then there is a possibility, if the paintings were to survive, that they would become important or significant to art movements and human history.

On this note then, I wish for death by insignificance! Whether it is a quick painting sketch like the one above or a more thoughtful work that has been months in the making below, there is something ridiculously freeing in having the paintings overlooked – not by you of course, or by the equivalent of a small city-size of others who follow my work. But overlooked by an abstract subjective notion about what is important contemporary art.

Winter Late Afternoon Georgina Point Mayne Island BC 18 x 24 inch walnut oil on canvas

I can assure you that any description of an important contemporary artist does not include a middle-aged woman living off the southwest coast of Canada who paints the natural world around her. Nope! Her work is of no particular worth in this current context….. and, let’s hope this remains so for the sake of us all!

Besides it leaves you and I to enjoy our time by the sea, in the Japanese Gardens or along the trails under the arbutus trees without the clambering crowds. I kinda like the joy and freedom of this landscape easel painting perspective. It is fortifying, generous, kind and, for the most part, devoid of trolls.  I find it is good and simple way to live in a competitive, chaotic, globally connected world.

Happy International Women’s Day! As and independent artist with a small business, I have my red apron on in solidarity and I shall spare you the details about inequality in the Arts. Maybe another time. Though if you found the fate of landscape painters bleak, we should wait a while. 😉

What do you think? Do I have the answer to the “why” about right?

If you care to browse, new work has been released in my online gallery HERE.

What do you value that has no generalized worth in contemporary society?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Painting Edges to the Edge of the Sea

The West Point Lighthouse Prince Edward Island, 30 x 24 inch oil painting, is now finished. The Storytelling Arbutus Tree Mayne Island BC, 60 x 40 oil painting, is now finished. A painting sketch was sold immediately picked up for delivery. The grounds have been painted on four blank canvases. And the edges have been painted on three medium size landscape and seascape paintings.

painting-edges-in-the-studio-by-terrill-welch-img_0432

This is enough for one week don’t you think?

So do you want to skip out and come with me to the gather reference material by the sea? It is sunny. We should have the shores to ourselves, along with the birds of course. Yes? Okay! Off we go for a wee short break. Don’t forget your sunglasses and windbreaker.

Well, that was invigorating!

I suppose, I might as well show you to the latest two completed paintings while you are here.

West Point Lighthouse PEI 30 x 24 inch oil on canvas

west-point-lighthouse-pei-30-x-24-inch-oil-on-canvas-by-terrill-welch-img_0278

Storytelling Arbutus Tree Bennett Bay Mayne Island BC 60 x 40 inch oil on canvas

storytelling-arbutus-tree-bennett-bay-mayne-island-bc-60-x-40-inch-oil-on-canvas-by-terrill-welch-img_0405

Yes, if you remember from previous posts, this is a good-sized painting and will need a good-sized wall.

I will get them up in the online gallery soon and let you know over on the website at TerrillWelchArtist.com. But today is a town day to get Seaside Mayne Island, the large 60 x 36 landscape painting, framed for the collector before I deliver the painting sometime in April. I will need to pick up more canvases and sleeves for the latest batch of greeting cards too. Then when I get back there are local group shows to submit work to and planning for the booth at Art! Vancouver Fair in late May where I accepted a request to be the lead artist showing in the Artists In Canada booth. Nothing too unusual really, just the rhythm of a landscape painter’s ordinary everyday life on a small island off the southwest coast of Canada.

 

What is the rhythm of your ordinary everyday life these days?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

How a rainy day by the sea painting saved a west coast Christmas morning

This is a true modern-day story about how a “Rainy Day by the Sea” painting saved a west coast Christmas morning…

The shopping mall was stuffed with shiny objects, seasonal jingles and the grimaces of determined shoppers during the last weekend before the holidays. A woman stood stoically in the middle of the good cheer with her children draped casually against her side. There was one present left to get for her person, the love of her life, and the father of her children. Disappointed, she concluded that nothing in these many shops of splendour really seemed worthy of this occasion. What was she going to do?

Meanwhile, on a small southern Gulf Island, there was an artist noticing the evening settling in around her. The quiet valley was expecting another rare snowfall overnight. Despite the weather warning, she was cosy and content in their strawbale timberframe home. There were still a few presents to wrap but, the parcels that needed to be mailed had been sent. The new range had arrived that morning in time to make the seasonal shortbread. Life was peaceful and good.

The island artist has a studio home with oil paintings and acrylic painting sketches that lean two and sometimes three deep against banisters, walls and even windows. She has a great online gallery and social media presence but limited and sporadic bricks and mortar storefront exposure. Hence, holiday seasons are usually quiet for the artist. Besides, original oil paintings are often too personal and too expensive to be purchased as Christmas gifts. This is usually her reflective time, family and friends time and planning for the next year time.

However, upstairs in the studio loft was a petite oil painting, a small gem that measured a wee size of 5 x 7 inches. It was a tiny study for a larger painting from a few years earlier and had lost its place on the studio walls to later works. Now the small painting sat rather forlorn in the loft window seat. Even the resent dramatic southern west coast snow seemed to conspire against the quiet colours of a “Rainy Day by the Sea.” What was the tiny work going to do?

Just then, with all the brilliant zazzle, shouting gizmos and screaming gadgets swirling around her, the woman in the mall became calm and centred. She had an idea. Pulling out her phone, right there in the bulging shelves of opportunity, she sent a private Facebook message to an artist she knew and whose work she admired on Mayne Island.

“Hi Terrill! Hope you are well on this crisp day. I just had a last-minute brain wave of buying X a painting of yours for Christmas. However, my budget is small… $xxx. I realize this might not be possible, but thought I’d ask anyway. I think your daughter mentioned you are coming here for Christmas, so perhaps transport could happen that way. Anyway, I have other ideas if it isn’t possible, but wanted to see what you thought. I am standing here in a mall feeling depressed at my surrounding options! Let me know your thoughts and I hope I haven’t insulted you with my budget!”

The artist assured the woman that she wasn’t insulted by the budget size at all. She thought for a moment and was sure she could help. She prepared her response and gathered the specific links to a couple of tiny paintings listed in her online gallery and sent them off.

The return message from the woman with her children in the shopping mall was prompt.

“Okay! The kids and I agreed on Rainy Day By The Sea!!! Thank you so much!!!!!!!!”

“Shall I pay with an e-transfer? Or what do you prefer?”

The artist confirmed that an e-transfer was great and that gift wrapping and delivery on Christmas Eve day were also included in the price. She then went up to the studio loft window seat, where the small painting now sat in the winter darkness. Carefully, the painter lifted the painting up, selected an appropriated box, and carried both downstairs to the table with the wrapping paper. She thought she could see the little painting smile. It was wearing a badge of local, original, handmade significance. It was the “Rainy Day by the Sea” painting that would save a west coast Christmas morning for a true love, a best friend and a cherished father. The petite painting’s last wish was that the artist would choose the brightest wrapping paper so that the small box wouldn’t be missed on Christmas morning. The artist was sure this final wish could be granted.

And this is the true modern-day story about how a “Rainy Day by the Sea” painting saved a west coast Christmas morning.

SOLD! Rainy Day by the Sea, 5 X 7 inch oil on canvas.

rainy-day-by-the-sea-5-x-7-inch-oil-on-canvas-by-terrill-welch-img_8831

View other paintings and painting sketches currently available at: https://www.artworkarchive.com/artwork/terrill-welch

 

Do you have a modern-day Christmas story to share?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

In the Words of Strangers

By now you may have guessed, as a Canadian artist, I often have conversations strangers about my work when I am traveling. It comes with geographic proximity to my landscape subjects and other human beings. These engagements are frequently brief and fleeting in nature but this does not diminish their impact as a kind of concrete gentle-kindness to fortify my solitude as I put brush to canvas over and over again.

detail wave Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas by Terrill Welch July 15 2016 IMG_7009

This same kind of engagement also happens through the vast and complex inter-connectedness of the world-wide-web.

Oh, I suppose could tell you about new works painted, several art shows and painting sales in the month since I have been home (my website has this information if it is desired). But, it has also been an unprecedented time of quiet recognition of my work. Complete strangers often contacted me to make requests about sharing my work elsewhere online. In the process, they frequently articulated why they wish to do so. Sometimes their words leave me rather stunned and deeply humbled with gratitude. Here are a couple of brief snippets as examples…

Received in my inbox today:

“I discovered your paintings from a Google image search of paintings of the Canadian coast. I grew up in ….. BC and spent much time sailing through Desolation Sound and the Gulf Islands. You’re paintings truly capture much of the beauty inherent in the
region. I was wondering if I could share one….”

Fog Inside Passage 12 x 24 inch oil on canvas

fog-inside-passage-12-x-24-inch-oil-on-canvas-by-terrill-welch-2013_02_03-064

Details and purchase information available HERE.

What do you think my answer was to this request!?

And here is part of a public comment this week on my TerrillWelchArtist.com website contact page:

“I have to tell you –though I hesitated to write this because I did not want to provoke anything which might disturb whatever wonderful thing it is that enables you to produce these works–I have spent numerous hours at the Musée du Quai d’Orsay fixed on one or another impressionist painting–usually one by Van Gogh. Your paintings have a similar effect. Your artistic sensibilities, while uniquely yours, seem to have a resonance with what I see communicated through Van Gogh’s pieces. Please don’t take offense at a comparison. Your work is truly original and beautiful–as is his. No mere imitator of Van Gogh, however talented, could ever hope to match this peculiar sensibility. I’m convinced that it must be something innately shared and, for me, your work expresses it in a way that’s of course your own. But these works could easily hang beside anything in the Orsay’s permanent collection.

It is no wonder to me that collectors snap up your paintings as soon as you finish them. If I had a fortune or was a curator at a major museum, I’d be collecting your paintings with the same interest that I’d have for any work by Van Gogh or Matisse or Raoul Dufy.”

Signed “P.”

One of the paintings of particular interest to this individual is Spring Tea, 16 x 20 inch oil on canvas, one of three paintings showing this weekend on Mayne Island at “La Vida Rústica” — multi-disciplinary reflections on the rustic life.

Spring Tea 16 x 20 inch oil on canvas plein air by Canadian Artist Terrill Welch 2015_04_25 140

Well, I must say, I really don’t know what to say when faced with such frank remarks…. except thank you, thank you – Thank You!

What is particularly powerful and meaningful to me is the clarity with which the paintings moved these commenters – it is as if the brushstrokes were felt even more than they were seen. There is no higher compliment or recognition as a painter I could ever wish for my work. This is a clean and perfect match to my intention and the driving force that brings me back to the studio again and again.

May the painting continue, without interference, and yet gently supported by the words of strangers!

On that note, I think we shall conclude with one of the latest paintings and the first large works from Prince Edward Island the East Coast of Canada.

In Studio placing last brushstroke on first large East Coast #PEI painting by Terrill Welch  IMG_6453

 

Can you share a time when you were moved by the insight and kindness of a stranger?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Cherry Blossom walk in Mayne Island Japanese Garden

Clouds of pink blossoms fill the morning sky with petals drifting slowly onto the garden paths. It is Cherry blossom season in Mayne Island’s Japanese Garden. Come with me and we can stroll along together!

Walking the paths Mayne Island Japanese Garden IMG_2227

Or we can also say: the season of sakura is here! Want to go hanami? Shall we go over the bridge?

Bridge Mayne Island Japanese Garden by Terrill Welch IMG_2224

We turn around in wonder until our gaze settles, just for a moment.

ink outline standing together in Japanese Garden by Terrill Welch IMG_2298

However, there are so many other supporting actors besides these pastel-crinoline-petticoat-wearing drama queens.  Take this dapper Dove Tree blossom for instance. Elegant and handsome as they come.

Dove Tree blossom from China by Terrill Welch IMG_2343

Or maybe Rhododendron blossoms that are as large as my hand.

Rhododendron blossoms by Terrill Welch IMG_2284

Then there are the weeping Crabapple blooms.

weeping crabapple blossoms by Terrill Welch IMG_2350

But if we are honest with each other, I am sure we would agree that all we really want to see are Cherry blossoms!

Japanese Garden Cherry Blossoms Mayne Island by Terrill Welch IMG_2247

Of course, we could sit in the hut and contemplate the question.

ink outline of Hut in Mayne Island Japanese Garden by Terrill Welch IMG_2232

We could study the pond for a while as we debate the issue. But my best guess is that all we are likely to notice is the reflections of….. Cherry Blossoms!

Cherry Blossom reflections Mayne Island Japanese Garden by Terrill Welch IMG_2256

So, Cherry blossoms it is!

Cherry Blossoms by Terrill Welch IMG_2400

We close our eyes and what do we see?

Well, I don’t know about you but I see a cheese sandwich with a hot cup of peppermint tea. I am famished after all this walking, looking, composing images and then photo-editing Cherry blossoms!

What do you see if you close your eyes?

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Joy of the Ordinary

When a cold/flu virus sends a couple to bed for the better part of four days, with large glasses of water and several seasons Grey’s Anatomy, it is the perfect recipe for appreciating the ordinary. We are maybe not really completely recovered yet today but we made it out of our pajamas with no fevers for 24 hours and down to the Bakery for breakfast. We gave no hugs, asked that everything we touched be wiped off and tried not to breathe on anyone. We are pretty sure we are no longer contagious but just want to sure. This bug was nasty! All I have to say is we have done a darn good job of building up our immunity. In fact, we were feeling so good that we went for a wee stroll.

It is only 9:30 am but the winter light is already changing and becoming harsher on a sunny day. So not too much to show you really, just the joy of the ordinary.

The joy of an old arbutus snag catching the sun in Bennett Bay.

Bennett Bay Arbutus snag by Terrill Welch IMG_8386

The joy of walking up and down along trails on the soft natural earth.

February morning trail by Terrill Welch   IMG_8395

The joy of looking out across the Strait of Georgia and seeing blue sky reflected on the water.

Sun came out for BC Family Day IMG_8401

And then there is the simple joy of taking a moment to reflect.

David taking a break by Terrill Welch  IMG_8417

I have no idea how I will catch up and be ready for everything that is scheduled for the rest of February. But I trust I will be better able to manage these tasks after enjoying just a little bit of the ordinary.

 

What ordinary pleasure did you notice today?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

West Coast Sunrise New Year’s Day 2016

A shirt, a sweater and a down coat. Wool socks and gloves. No it is not the far north but the seaside on Mayne Island off the southwest Coast of Canada. The temperature is -2 Celsius and white frost drapes over the landscape while a light mist rises off of the water. It is is just before 8:00 am with still a bit of time until sunrise.

Looks like we have a blood orange start to 2016.

Blood orange start to 2016  by Terrill Welch 2016-01-01 IMG_7158

But it doesn’t hold for long and farther to the northwest the blue-mauve hues still dominate.

Mist off the sea New Year's Day morning by Terrill Welch 2016-01-01  IMG_7166

The light is breaking shore on sea. Gulls cry and geese call against the quiet of gentle waves. I yearn for something that has no name.

Breaking Shore New Year's Day 2016 by Terrill Welch 2016-01-01 IMG_7191

But before any rational clarity can surface, the sensation is gone, replaced by softer notes on Mount Baker across the way.

Across the Way New Year's Day Sunrise 2016 by Terrill Welch 2016-01-01  IMG_7206

Such is sunrise for this being on the first day of a New Year in 2016.

Dawn on New Year's Day 2016 by Terrill Welch 2016-01-01  IMG_7255

Nothing terribly dramatic nor unusual. But a good start to the day!

What is on the rise in your New Year?

This about it for now I think. Happy New Year!

P.s. If you would like to view my choices for the Best 15 painting of 2015 they are now posted over on the website HERE.

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Mystery of the Ordinary in the Japanese Garden on Mayne Island

If you know only one aspect of my creative intention, I would like it to be my gift of the ordinary in our everyday. Yes, there are grand moments, brilliant moments and even tragic moments in our lives. But it is the everyday, the ordinary which holds the greatest mystery. On this day, Thanksgiving Day in the United States, I feel compelled to take you with me on a quiet walk of thankfulness in our local Mayne Island Japanese Garden. This garden is a work of volunteer love and healing in recognition of the Japanese Canadians who lost their homes and lands on Mayne Island during their interment during the second world war.

Through the trees in the Japanese Garden on Mayne Island by Terrill Welch 2015_11_26 036

Looking through the trees and standing in between I am thankful for all that is.

Standing in between in the Japanese Garden on Mayne Island by Terrill Welch 2015_11_26 031

Standing still and quiet as the winter birds shuffle the last of the fall colour on the ground, I breathe easy.

Last of the fall colour in the Japanese Garden on Mayne Island by Terrill Welch 2015_11_26 020

Have a seat and we shall stay a while longer.

Have a Seat by Terrill Welch 2015_11_26 012

Then, when you are ready, we shall walk across the bridge and out onto the small inner island of the Japanese garden.

Bridge in Japanese Garden on Mayne Island by Terrill Welch 2015_11_26 022

There is evidence that the seasonal Christmas lights are being strung. Today though, it is just the natural warmth of winter light and the last bits of gold in contrast to a thin layer of ice on the pond.

What is your own most powerful mystery in the ordinary of your everyday today?

© 2015 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Once In a Blue Moon 2015

Though we are well into August, my heart often drifts back to the evening of July 31st and the rising of our second full moon or the blue moon. The sun is setting very close to the moon rising. I wasn’t the only one settling in for the wait. A small group has gathered at the Seaview Rd beach access on Mayne Island. We wait and we watch until the first sliver becomes visible and then a substantial slice of the moon can be seen on the horizon.

Tip of Blue Moon rising from Mayne island by Terrill Welch 2015_07_31 052

I sigh and click away. It has the promise of being a real beauty!

Seagulls on a log and Blue Moon rising by Terrill Welch 2015_07_31 065

Even the seagulls seemed to have stopped flapping about and sit still on a log for a few minutes as the not-so-blue-moon appears to slide up into the sky.

Mayne Island Blue Moon rise July 31 2015 by Terrill Welch 2015_07_31 170

Prints and products available HERE.

Eventually, the sky is dark enough and the moon is high enough to give us a one of those good old moon reflections.

Blue Moon Reflections Mayne Island July 2015 by Terrill Welch 2015_07_31 216

Prints and products available HERE.

Darkness settles as Blue Moon rises. I am glad I brought a jacket as I watch and savour the wonder.

 

Darkness settles as Blue Moon rises by Terrill Welch 2015_07_31 227

Prints and products available HERE.

Then it is time to pack up the camera and the moment but the memory is one that will be revisited many times – way more times than once in a blue moon!

 

What is going to be YOUR next once-in-a-blue-moon experience?

 

Note: all of these images are available in high-resolution. I have chosen three to release at this time. But if one of the others takes your fancy just let me know and I can make it available.

 

© 2015 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com