A Quieter Time

For much of the year,  I thrive on a creative rhythm of quick short inhales with repeated exhales of joy and possibility in our ordinary day. Blogs are posted weekly. Classes are taught spring and fall. Solo art shows are proposed and curated. Requested application deadlines are met for the following year. I take us on hikes, painting trips, studio views of work in progress and this year into the new gallery. Then it is November. The days are short. Winter storms arrive. My internal rhythm shifts. The inhales are longer, deeper and the exhales reveal little to outside world until early spring. This is my restorative time. Social media posts become sparse. I always announce that I am taking a break during this time. I am not though. Not really.

Road to Everyday – 36 X 24 inch oil on canvas by Terrill Welch (available)

What I am doing is diving deep into my own creative well and wandering the trails, reading books, visiting with friends and neighbours and, with few interruptions, covering canvases with paint! This time of year I need this just as the rest of the year there is a steady flow of engagement outward. I know and trust we will all be better for it. Or, at least I will.

So, just so you know, posts of all sorts will be unscheduled from now until early in the new year. They will still happen but on my internal whim rather than a schedule.

What does your winter schedule look like?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

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Red Yellow and Blue for You

Autumn flashes her best colours across our small island during these last few weeks. Now that it is the first of November, I feel I must gather this late season gold together for safe keeping during the winter rains which will surely come soon.

There has been a plein air painting day in the Japanese Gardens.

There has been a morning walk by sea before an anticipated storm.

Best of all though, there has been time to just be and watch the leaves drift down from my favourite maple tree….

Ah yes! October, so many pleasant gifts you have given!

What October Gold are you tucking away?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Feeling The Joy of Complete

In recent years, I have not asked myself to be “out there” on the stage of public life as much as in the past few months.

There are oil painting classes to teach in person and online each week.

There are new art shows to curate and hang in the gallery every few weeks.

There are new paintings to paint, edges to finish, hanging wire to add and get into the inventory to be released.

There are paintings that sell and must be packaged and funds deposited using new technology. Here are two recent works off to new homes….

I can now do  “SQUARE” with a whole new meaning.

In between there are the usual life necessities and yet we still find time for a long lunch after buying art supplies in nearby Sidney.

And there are still the daily walks, though often later in the day.

Walks with the trees and the sea of course.

Always the Trees…

Then it is back to the gallery the next morning again, refreshed, grounded and ready for another day.

What feels complete in your life at the moment?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Show Time for Beauty of Oils Painters

After a summer of chasing the morning light painting en plein air, three students from the Beauty of Oils Painting class and myself are ready for a fall group show in our local Mayne Island Library. Details are in the poster below. The featured painting in the poster is by Jody Waldie.

These fellow painters carved out time on most Thursday mornings from May to September to brush in patches of colour on canvas from various vantage points around Mayne Island in British Columbia, Canada. Here are just a few of the paintings that will grace the freshly renovated walls the library for local or visiting viewer’s pleasure.

House on Stilts – Active Pass, 11 x 14 inch oil on canvas by Katherine Cox Stevenson

Spring at the Lighthouse, 11 x 14 inch oil on canvas by Glenda King

Summer Tide, 10 x 8 inch oil on canvas by Jody Waldie

Morning Along the Island Road Mayne Island BC, 20 x 16 inch oil on the canvas by Terrill Welch

For anyone who has ever attempted painting with oils out in the open air, it goes without saying that we know it takes years of practice and skill-building to render a proficient canvas. Still, from the very beginning, using some basic methods and processes, there is an aliveness, a deep pleasure of the moment, a delight in colour and movement captured on the canvases that is worthy of sharing.  I am honoured to have had the opportunity to have provided some of these basics in oil painting lessons and to have been invited to paint side-by-side with these fellow painters as our brushes flew across the canvases capturing our glorious island summer landscapes. There comes a point when nothing can replace regular practice, and more practice. At this juncture a painter has only one reasonable choice – get out there and do it! And we did. I am thrilled to not only having been invited to paint but also to be asked to include a couple of paintings with this group for the fall show. Seeing a selection of our summer’s paintings hung together will warm the chill off the months ahead like winter preserves.

How do you like to render your summer joy for winter preserves?

P.S. With a  bit of luck, we shall have another spring show from the Beauty of Oils Painters at the Mayne Island Community Centre following our winter/spring Studio Intensive oil painting class. The fall class is full with 10 in-person students for the skill building Beauty of Oils painting class and the online sister class is also at its maximum for the pilot class. I do not do much marketing of these classes and it is mostly by word of mouth or if a person happens to catch a Facebook post where I mention the offering. If this is something you think you would like to do either in-person or online you are welcome to let me know via email or messenger on Facebook and I will add your name to the list to be notified of future classes.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Deeper Change Of Season

Under the heavy warmth of blankets, I can hear my alarm twittering loudly from across the room. It is 5:30 am and dark. Sleep has a stranglehold on all of my sensory facilities. I really don’t want to wake up and I certainly am not going to leap cheerfully to the floor to greet the day! Stiffly, I sit up and reach for my glasses. Somehow during the night I misplaced the exact location of my nose and ears and must fumble to sort out lenses, arms and facial parts. I suppose, I should go turn that little pest of a clock off. My half-awake brain reminds me that this early start is my choice. I am choosing to get up before daylight, just like I chose to buy a new jar of honey even though there is still a third left in the old jar and just like I chose to put two extra leaves in the kitchen table for six even though only David and I shall be eating at it. The quick, almost nonsensical, answer for these seasonal choices is that the evenings are shorter and the days are cooler.

The longer deeper answer is that there is still some part of me that gathers the equivalent of a squirrel’s nuts for the winter months. It is irrational behavior really. I tell myself that the honey will keep for years… but so will the dark brown sugar I already have. I do not need to start cooking dinner earlier and go to bed earlier but I do. So much so, that when the track lighting in the kitchen quit working six years ago we have neglected to replace it. Oh, we think about fixing it alright. We have even pick out new lights and talked to the electrician.  But mostly we hardly notice. Dinner is made and cleaned up before dark year round or we move a lamp over to the kitchen counter if we have guests and are eating later. Then we notice. But this doesn’t happen very often. So we forget again.

The thing is, we tend to live naturally in harmony with the way of the seasons – most days without even conscious reasoning. Let’s put the extra leaves in the table this week we say. We do not have a specific reason. But within a few hours books we are reading creep onto the surface and there is a notebook for writing down fragments of ideas. A sketchbook is then added and then a few drawing pencils. I think about the candles up in the loft and how nice they would look with the large table-cloth. They are idle thoughts. Nothing is rushed, orderly or precise. One minute I am considering whether we need more flashlight batteries and the next about picking up a bag of local apples to make crisp. There is seemingly no connection between these two fragments of seasonal activities. Yet, they linger, waiting for to respond. Like the low golden light that lasts thorough the autumn afternoon, there is comfort in their presence.

Other parts of my life are more rushed, scheduled and structured. There are new fall oil painting classes to teach, someone wants private painting lessons and another person schedules a personal visit to the gallery midweek before the latest show changes. These things squeeze up against my precious painting time – time that has to puff out its chest just to be able to reach the brushes between all the other demands.

But the painting still holds, still reaches and most weeks still happens. Two new works are ready to have their edges painted later this afternoon. One of them is this one….

Just Before Sunset Mayne Island BC “resting” 30 x 24 inch oil on canvas

This is the reason I am writing a blog post, the 616th blog post since late December 2009, before daylight. It is because this afternoon is reserved for painting! Painting edges, painting grounds and just painting…. and then maybe a long walk.

What natural rhythms of autumn seasonal changes do you notice in your own life?

P.S. Remind me to write early next week about a new group art show coming up with The Beauty of Oils Painters.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Another Visit with Claude Monet

I have been visiting with Claude Monet since I was a teenager, even before I knew who he was.

“Late Morning in August by the Sea” – 9 X 12 inch oil on canvas, not for sale.

So strong was Monet and the other Impressionists’ influence of our understanding of light colour that is likely true for many of us. In my first oil painting classes at 14 years old, I remember the process of underpainting and then following the light in patches and shapes of colour across a whole canvas building it up to the same level of completeness at once. I remember the joy of mixing the pigments right on the canvas as I went, layering them wet-into-wet until I was satisfied with the end result. The paintings weren’t much – the work of a child learning her craft. But the process, oh how I loved the process! These were evening classes or Saturday classes and work was created from memory or reference images mostly. At home though, I worked mostly from life, observing the fast moving light and seasonal changes. This is still a significant part of my painting practice today more than forty years later .

Finishing “Melancholy Seas” – 14 X 18 inch oil on canvas, available.

What was missing in this early education was explaining to me that the oil painting approach I was using was that of the impressionist painters and Monet in particular. Or possibly, I was too young to remember as I was too busy actually painting. Whatever the reason, it would be many years before I realized that my approach to oil painting and painting in general came from this specific school of understanding light, colour and shapes. So, in this way, I first visited with Monet without even knowing his name.

Plein air painting “Early March Snow Japanese Garden Mayne Island B.C.” Walnut oil on gessobord, available.

Since then, I have read whole books about his life and work, studied many images of his paintings, taken in talks by art historians and seen his paintings in person in Toronto, Canada and Paris, France and Basil, Switzerland. To say that his work has had a profound influence on my approach to painting may be taking it too lightly. People teasingly call me “the Monet of Mayne Island” with good reason! At one time, in the summer of 2012, I even vowed (unsuccessfully) to divorce Monet and shake his hold on my painting hand. I argued and demonstrated the strength of letting the darks be dark. I pointed my brushes towards Cezanne and the necessary strength and influence of form. But it was no use.

“Blooming Point PEI” 8 X 10 inch acrylic plein air sketch, not for sale.

In my mind’s eye, Monet lightly shrugged and went back to painting his pond, the light through the trees and the lily pads. Over time, I conceded to my love affair with light, even in the shadows. Hence, though we have an amenable separation, Monet’s painting process and sensibilities and my own painting practice will never be divorced. The confluence of history and our mutual love of light and colour has not allow it, at least not yet.

“Storytelling Arbutus Tree Bennett Bay Mayne Island B.C.” 60 X 40 inch oil on canvas, available.

So Monet and I have visited again, yesterday, at the Vancouver Art Gallery where 38 of Monet’s paintings are on exhibit. Later, I shall decide if we have more to say to each other. For now, this is enough.

What great master in your field of expertise has visited with you the longest?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

 

 

The Arbutus Tree and an Ordinary Life

I am about to share how discovering the arbutus tree is a great metaphor for living an ordinary life in a series of photographs from a recent walk. But before I do, I have an update for us on “The Moon Is No Longer There” series of work.

My extended leave to travel is drawing to a close. My purpose has been to bring you “the moon” in a way you will remember and notice for all time. In order to do this, I am living my best life. I am traveling deeper and even more focused than ever before. My intention remains clarified. My inner compass set. My resources and research materials are in full use. I continue my journey to capture something unforgettable, rare and valuable – our ordinary, everyday, natural world.  When I started in January, I didn’t know if this new series of work “The Moon Is No Longer There” would take a year or a life time. Only one thing was absolutely clear – my spiritual, emotional and physical bags were packed. I was ready.

The Moon Is No Longer There” series has led me to some of my best work like the “Storytelling Arbutus Tree Bennett Bay Mayne Island BC.”

In addition, this intention has also set me on a path that has allowed me to share paintings from as far back as 2012 in my brand new Terrill Welch Gallery. In just two weekends, for 5 hours each day, I have confirmed a most compelling personal discovery.

The moon is always visible in my work and most viewers can see it even if they wish not to do so – like the “Last View Chesterman Beach Tofino Tsunami” painting.

What has changed since last January you might ask? Well, since the international art fair in Vancouver in late May and opening the gallery on Mayne Island a couple of weeks ago, I have had the pleasure of watching viewers respond to my work before they can edit their body language or even realize I have seen them. These observations are not just at a brief opening that is hectic and I occupied with hosting. These observations have taken place over several hours on a specific day. It is a fascinating, almost voyeuristic, observation practice I do not get from sharing my work online. I know, you do tell me how you experience my work. This is true but it is not the same as seeing your unedited responses for my own self. This has given me confidence, not just in the work but also in the viewer. The essence of the moon is always there for those that are present and to my profound delight – you are all, for the most, part present! A deep relishing pleasure in an ordinary day in nature is a common desire and a treasured experience. Painter and viewer are most often one and the same in front of the finished work. We understand each other’s language as presented on the canvas. Oh, I will always keep striving to go deeper, to refine the engagement to its purest most intense form but I shall never again doubt my ability to render its significance – nor the viewer’s ability to receive its strength. I have discovered that moon is always there for those that wish to see it and we do!

Now, my latest engagement with arbutus trees.

At first, there is just a massive tangle of branches that confront the sensory apparatus with its confusion.

Eventually, a branch comes into focus but it is not clear yet what is of importance.

I walk on and sink close to the ground observing a whole arbutus tree beside the path.

I look way up at another, naked to the waist, in the cool August evening shadows.

Another juts out into a swiftly moving patch of sun. By now my brain can quickly categories and name even a partial branch of an arbutus tree. The unorganized tangle and variation of each tree is recognizable.

Then I come upon the perfect specimen!

My search is complete. I continue along the path in the fading light, knowing I will never be finished with these special trees… but it is enough for today.

 

How do you learn a subject that gets under your skin and refuses to let go of your attention?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Life during Hazy Days in British Columbia

British Columbia is burning. The wildfires have devoured a land mass larger than the province of Prince Edward Island. The fire season is not over yet. There might be a little rain on Sunday but it won’t be enough. Air quality warnings are frequent but unnecessary. I only need to breathe in next to the open window to know how many particles there are in each square inch of smoke-filled air. The sunsets are as eerie as they are beautiful.

No long hikes for me. A casual stroll to sit by the water is all that this week can offer.

I did manage to get out to do a small plein air painting though.

Hazy Morning Active Pass 5 x 7 acrylic plein air sketch

The painting sketch is now off on an adventure of its own – the eighth painting to do so this past five weeks.

But the Terrill Welch Gallery! Now it has enjoyed the soft light from outside through the feature window.

I will be there again on Friday at 10:30 to do a live recording on my Art of Terrill Welch Facebook Page for the first Friday Art Stop feature. If you have a moment, drop on in. I did an introductory video, a sort of sample,  for this new project that you may enjoy in the meantime.

 

I suppose today’s post is my best efforts to find my way forward during uncertain times.

 

How do you process things that you cannot change? Like wildfires? Like threats of nuclear war?  

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Two Arbutus Trees Rendered One for New Gallery One Sold

I am still paintings as we are rounding the last corner into the home stretch for the Terrill Welch Gallery to open Friday August 4th. This is my new normal as I learn the rhythm of both/and between studio and gallery.

Yesterday, saw the eight painting sketches arrive at the gallery for the first show.

The lights are now up and I am thrilled with the quality of luminescence I will have to work with for photographs.

Last Thursday, Friday and Sunday were painting days. The first is a plein air over two mornings of an arbutus tree caught between the sea and the road.

Morning along the Island Road Mayne Island BC 20 x 16 inch oil on canvas plein air

Details and purchase information HERE.

The second is a small study of a favourite arbutus tree from reference images.

Arbutus Tree with a View 8 x 10 inch acrylic study on gessobord

This one is sold already. Other new works are released in the online gallery HERE.

On Friday morning with a bit of luck we will have a live video of the opening of the gallery on the Art of Terrill Welch Facebook Page. If you want to be there in our virtual world head drop by the page at 10:00 am Friday August 4th. A few people who helped with the raising of the gallery and collectors will be there and the gallery will open to the public at 11:00 am.

 

How do you stay in the flow when adding something big to your life?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Summer Paintings of Farmers Fields

The weather is fine and a tractor was making the rounds in the field below us yesterday. It was likely the last day for a while because we have entered extreme fire hazard. All day equipment ban in effect Wed. July 26. No spark producing tools. However, I am still inspired to share a few of my summer paintings of farmers’ fields with you, just for fun as we wait for the Terrill Welch Gallery to open on August 4, 2017. No heavy equipment or spark producing tools were used in the making of these paintings or in posting them for your viewing today.

Haying – 14 x 18 inch oil on canvas

Haying time signifies summer and this impressionist style painting holds the desire for coolness in the deep shade of the big tree. This is one of the Deacon Vale Farm fields on Mayne Island in B.C. where I was doing a photo shoot of the harvest and later completed this work in the studio.

Purchase information available HERE.

August Fields – 12 x 16 inch oil on canvas

An ever-changing view with eagles and turkey vultures often at eye level as they glide by – fields and hills changing with the season and the passing of each hour. This is the Meadowmist Farm field below us on Mayne Island and it was painted plein air from our outside deck.

Purchase information available HERE.

Road to the World – 12 x 16 inch oil on canvas

This painting was completed in two plein air painting sessions on my parents’ farm outside of Vanderhoof  B.C.

Purchase information available HERE.

I have painted other summer fields but these are three of my favourites.

 

Do you have a favourite farmer’s field near you?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com