Artist Biography

Artist Terrill Welch’s Biography

Artist Terrill Welch painting in her studio  by photographer Allison Mullally _MG_5876

(photography by photographer Allison Mullally)

British Columbia artist and photographer Terrill Welch’s distinctive palette, quick sure painting strokes, and photographic images capture forest, sandstone, sea and sky.  In addition to her landscape work, Terrill has an ongoing summer affair with still life photography and painting. Terrill’s work reminds us that there is only one moment – this one. Where does her powerful yet gentle creative expression come from?

Born in the village of Vanderhoof in north-central British Columbia, Terrill’s art training came at an early age and continued more in the European style of mentoring and tutoring. At seven years old, Terrill unexpectedly was enrolled in correspondence for home schooling. Her mother decided drastic changes were needed after Terrill’s first year of public school. Her mother had driving twenty miles each way while meeting logging trucks on unplowed winter roads, to get Terrill to school in Horsefly, a small village in rural central B.C.. This, combined with Terrill’s chronic tonsillitis, made the decision easy. She would be home schooled for grade two.

“Fortunately, large rolls of paper, cans of dried paints, crayons, construction paper, pencils and paint brushes were purchased in bulk supply,” Terrill recalls. “Art supplies were considered necessities along with mail-order library books from the Vancouver public library.”

Terrill was not a natural scholastic shining light. Mathematics and reading were hard work for her during those early years. However, she thrived in the structured art assignments which taught scale, perspective, composition, shading and colour in the grade two curriculum. Between lessons she would sit and read — and reread — the material for each assignment, often working far ahead in the course work, just for practice. The once-a-month trips to town meant that she would have new books to read. She paid as much attention to the illustrators as she did the authors.

A slightly tattered heavy-weight paper replica of Van Gogh’s “Cypress and Wheatfield”, belonging to her mother, hung on their two room cabin wall.  Terrill found the same painting in her art book.

“It was about this time that I knew I was going to be an artist,” Terrill explains. “Though we lived in the middle of the bush, eighty miles outside of the small town of Williams Lake, and I would not see an art gallery until I was much older, I knew that there were great paintings… and I was going to paint.”

At fourteen years old, Terrill was invited by Australian trained artist and teacher Sheila Timmins into an adult evening painting class. There she began her first in many years of art training by individual course work. That year Terrill sold her first 12X18 inch oil painting. Her parents were now living on a large acreage along the Stuart River twenty-seven miles outside of Vanderhoof. Each art class meant her parents would have to drive for an hour each way so she could take the class.  They said yes.

Having planned to go to art school upon graduation Terrill sought advice from her teacher and mentor Sheila Timmins.  Sheila set up a special private lesson for Terrill where she was asked to do a series of exercises. At the end of the exercises Terrill was asked to evaluate the quality of each piece and how she felt when she was doing the work. Based on this review, Sheila advised that because Terrill had learned the backbones of drawing and painting at such a young age, art school would be tedious. It likely wouldn’t have much new to offer.  Even worse, it might undo some of the lessons that had become intuitive and automatic to Terrill’s creative process. Reluctantly, Terrill accepted this advice. She continued to develop her talents as a young artist without seeking a degree in art.

By her early twenties, Terrill switched to the more difficult medium of watercolours, to reduce toxic fumes and drying time. She painted in the late hours. Her days overflowed as a single parent with two small children working full-time in the social service field and going to university part-time.  In her late twenties, Terrill went to school full-time and worked part-time in Victoria, with only the odd art class in charcoal drawing to sustain her creative drive.

During the next eight years, growing children and a thriving career as a program coordinator and public servant kept Terrill’s art work on a slow simmer, with flashes of flambé type presentation. She had two solo art shows during the 1990’s and several paintings were shown in group exhibits. Terrill received juried honours recognition for one of these paintings. During this time, Terrill’s paintings were selling quickly, sometimes even before she could get them framed or shown. The pieces were going into the private collections of everyone from jewelers, massage therapists, nurses, and owners of logging companies, to university professors.

At her first solo show, the gallery owner introduced Terrill to a rather wild lean looking character adorned in a weathered hat and long mustache.  The gallery owner began by saying: “Oh Terrill, you know Bill don’t you?”  Astutely reading Terrill’s raised eyebrows, she continued “this is Bill or sometimes known as author W.P. Kinsella. He was wondering if you could personally show him your work.” Terrill had read several books by W.P. Kinsella and happily gave him the full guided tour through her water colour paintings, answering his questions. He didn’t buy a painting but he did give the show a memorable moment of celebrity status.

Watercolour artist and teacher Jack Peterson was Terrill’s instructor and mentor during these years of evening and weekend classes while she was living and working in Prince George B.C.

Employment in more senior positions for the Province of British Columbia, and the then “Ministry of Women’s Equality,” took Terrill to Victoria B.C. For the next four years the demands of her leadership positions reduced her art to a small ember. But upon leaving government in 2002, to start her own executive leadership coaching business for women leaders, Terrill again picked up her creative work under the direction of artist and renowned Canadian teacher Glenn Howarth. She took three years of figure drawing and painting lessons in small classes of less than six students. During this time, she learned more about how humans see, and how that can translate into a drawing or painting than at any other point in her art career. Terrill attributes the strength of her current work in oil painting and her photography to Glenn Howarth’s brilliant tutelage.

In May 2007 Terrill moved to Mayne Island B.C. with her partner, where she now has the time in the most perfect location to focus fully on her art work.  Her other work fits into the few openings left between photograph shoots, studio time and writing. Terrill’s rural upbringing and her relationship to the natural environment is a strong influence in her impressionist and intuitive style of creative work.

Though locally appreciated, Terrill Welch is internationally recognized.  Her paintings and photographs are sold to art collectors throughout Canada and the United States as well as in Australia, England, Norway and Switzerland.

Terrill”s work is in collections that also include such renown Canadian landscape painters as Emily Carr, A.Y. Jackson and Lawren Harris.

Terrill Welch is named as one of 21 Artists to watch for 2011 by Skinny Artist in its world-wide review.

For information about current and past shows of her work go to the TerrrillWelchArtist.com Gallery Info Page HERE.

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches

Redbubble photography and painting prints and merchandise

Work in progress BLOG –

Creative Potager – first place new work is unveiled. Subscribe to stay current.

SELECTED INTERVIEWS WITH TERRILL WELCH:

CBC radio interview with Mainstreet PEI Host, Karen Mair, and Artist Terrill Welch is available for online listening HERE . (May 30, 2016)

Kim Anglin’sInterview with Artist Terrill Welch” published at Happy Bondi (November 14, 2014)

Charles van Heck’s interview  “Impression and Perspectives from Mayne Island: An Interview with Terrill Welch, Part 1 ” published in the international online magazine Life as a Human (November 10, 2013).

Satya Robyn of Writing Our Way HomeAn interview with Terrill Welch: Artist”  (September 9, 2011)

Bill Maylone of The MayneLiner, “TCAC Art on Mayne Terrill Welch(Monthly magazine June 2011)

Sam Juilano of Wonders in the Dark, Artist and Nature-Lover Terrill Welch: Mayne Island’s resident Creativepotager” (Blog article August 23, 2010)

 

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27 thoughts on “Artist Biography

  1. Congratulations, Terrill. What beautiful work you’ve created! So sorry I can’t be at Mayne for your show.

    All the best! Christine

    • So very good to hear from you Christine. I will keep you posted for when I have a show in Victoria. And thank you:) You have been supporting and encouraging my art work for a very long time now.

  2. This sounds so exciting. I am happy for you. And while I may not be able to attend your show, I have thoroughly enjoyed seeing your work and reading your blogs over the last while. Take care, Sue

  3. Wow, Terrill! You are an amazing artist! You capture the sea, land and time with the skill of a master and the heart of a poet. Truly captivating…I knew you were a talented writer and coach, but now I see what a Renaissance woman you really are! Hope all is truly beautiful in your world today and everyday!
    Much love, Tara :o)

  4. Very nice and very cool too!

    If we were able to be in the area, we would surely attend.

    Sadly, we won’t, but hope to be heading to the pnw sometime soon, and hope we will be able to meet…………

    Cheers !

    • Coffee Messiah if you get all the way over the Gulf Island you be sure you make plans to drop in and say hello and then you can get a personal tour from the artist in her little studio space. So glad you dropped in- very nice surprise:)

  5. dear terrill, it’s taken me till now (why so long?) to send you a gushing letter in admiration of your photography. after living on neighbouring Galiano Island for 21 years and moving to Victoria two years ago, I felt a strong tug on my heart strings when i saw your sensual images of your island. in gratitude, peter

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  10. Terrill….can’t sleep so while checking out fb and email I spotted your Creative Potager and must say I enjoyed the read (your Bio) as much as your work! I still remember being somewhat awed by your talent in 8th grade (when I first realized just how talented you were).
    Thanks for sharing! B

    • Beverly I hope you realize how important your comment is to me. To have you read my biography and share your experience from all those years ago is grounding and affirming. You are welcome and thank you for taking the time to leave these treasured words.

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  12. Hello there, I am a 1st year art student, and was wondering if I could paint your “out on a limb” for a cropped composition exercise we need to do?

    • Yes you may Linda. It would be apleasure to share in this manner with you. I am assuming that you have reference protocol but what I usually ask is for reference back to my photograph with my name and a hyperlink to the blog post where you saw the image when you show or share you work. Best of luck with your exercise!

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