Sea and Shore – building up paint

Building up paint on a large canvas, after the underpainting is completed and dry, takes big brushes, time and daring or as my friend Elena Maslova-Levin says in quoting Rainer Maria Rilke – to go through the experience of seeing all the way to the end, to where no one can go any further“. *

But eventually the shapes start to appear and the painting starts to come alive.

The most challenging aspect is to stay in the energy of the original conversation with my subject. I have the painting sketch. I have the reference images and I even have a couple of video clips. But at some point I must let whatever has stuck guide me and just paint. I am at the “just paint” stage.

The only thing that can be done now – it is to simply start…

I make slight adjustments to the composition as I go…

My arm and shoulder begin to feel the strain of reaching. I keep painting!

And painting!

And painting some more.

Now it is time to build on the tensions, the life blood of the place while adding in the dancing light of this moment with is deep history of conversations between sea and shore. Can I do it? Will the painting soon be breathing on its own?

Well, we shall have to wait and see. We are not there yet… but soon!

What was the last long, exhilarating journey YOU have taken? 

* quote is from the introduction for the catalogue book CONVERSATIONS ON EDGE written and edited by Elena Maslova-Levin for the two artist show with Terrill Welch on Mayne Island during the spring of 2018. The book can be previewed and ordered HERE.

PART 1 “Sea and Shore – A beginning” can be viewed HERE.

 

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Sea and Shore – a beginning

The soft grey of morning is still settling out of my physical being as I lift the large 36 X 48 inch canvas onto the easel. Cascading light and colour roll with the waves over the shapes gathering across my inner landscape. The endless beating of sea and shore vibrates through the heartwood of an old hanging arbutus swinging above the sculptured shore. But alas, there is only whiteness reflection back at me…

I only have an hour before I must be down in the village. Can I do something with this?

“Only if you promise to remember to go open the gallery on time!” I mutter, as I squeeze the cadmium yellow and red oil paint onto a clean palette.

Those lines!  This light!

I remember my smallness…

as I looked up into the tangle of trunks.

The quick painterly notes start to multiply on the canvas…

Sweeping curves round above seal-shaped forms below.

Light and shadow intertwine in a symphonic melody.

Waves and ferry wake are fierce dance partners, bending the spine of the sandstone in its embrace.

I am standing.

I have stood painting this small 11 x 14 inch study below…

And now, on the big canvas, I am 25 steps further to the right, closer to sea. I must start again. I must hunch down and grasp all-that-was and all-that-will-be, swing it high over my head then spiral it down, until it is rooted deep into the earth, with confidence, in each brushstroke.

But this is yet to come. For now, I must wash the one-inch flat hog hair brush, take off my weathered carmine paint-splattered apron, remove any wild run-away cadmium red or yellow streaks on my face and head to the gallery.

Oh but there is more! So much more!

I must wait. We must wait. And remember, it is only paint and a canvas. 😉

What, may I ask, are YOU waiting for?

PART 2 “Building Up Paint” is now posted HERE.

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Achival record or mindfulness practice: painting the southwest coast of Canada

Am I archiving our southwest coast of Canada in my paintings?

The very idea has my hands go clammy and a coolness run from tailbone up to the very crown of my head. What a strange assumption I at first thought! But then it came up a couple of more times. But the concept is no longer presented as a question.

“You are creating archival records of these beautiful trees and seascapes!”

Northeasterly Morning Strait of Georgia Mayne Island BC 20 x 40 inch oil on canvas by Terrill Welch

It is a concerning accusation, at least by definition…

“In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value.” (Wikipedia)

I am more than a bit squeamish about the idea that my paintings might be considered historical evidence collected to preserve something that no longer exists. I have held higher hopes than this for the influence of these works! I have had no intention of creating historical records with my brush. Instead, I have wanted to create a desire to preserve and protect the land, the sea and our humanity that knowingly or unknowingly rely on them. I want to strengthen our direct relationship and connection with our natural environment, pure and yet not so simple it seems.

Have I failed if the paintings, even before I am dead, even before this fragile environment is damaged beyond repair, are being considered as important historical archival documents?

As our Canadian federal government agrees to buy an obsolete, yet-to-be-built twinning pipeline from big oil stakeholders for a whopping 4.5 billion of taxpayer dollars while the Provinces and First Nations head for the courts, I am going to go paint!

I am going to drive to my location in my 2012 Subaru Outback with my water-mixable, vegetable oil, paints that use no solvents. Yes, as you can see, I find this sustainability and transition to clean energy complicated. Yet, I trust we will get there or parish trying. (These are the only two options really.)

I am going it go paint, not as an act of creating a historical record but as a meditation, an act of mindfulness in appreciation of what is.

Therefore, I beg of you – experience these paintings as reminders of what we need to protect rather than coveted records of something that will likely disappear, through oil spills, through climate change, through our collective lack of regard! A painting is nothing, absolutely nothing, in comparison to the real thing – in comparison to you experiencing the ordinary moments in an ordinary day somewhere on the southwest coast of Canada. This I am sure of!

Summer Lowtide Morning 16 x 20 inch oil on canvas plein air by Terrill Welch Aug 17 2017 IMG_0461

May the Salish sea breeze ruffle your hair as starfish wink in the low tide, speckled with seagulls, seals, leaping orcas and children playing in the pools of warm water while grandparents watch from under the shade of an old arbutus tree.

We can do this hard thing! In this I believe.

What about you? 🙂

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Trees: As we breathe with West Coast Canadian Artist Terrill Welch

Trees: As we breathe is a special and very personal show to me. I hope you enjoy it both online and in-person.

Canadian Contemporary Artist Terrill Welch

Large oil paintings of trees, mostly arbutus trees,  grace the walls of the Terrill Welch Gallery from Friday, May 18, 2018 to Sunday, July 23, 2018. A very few smaller plein air sketches and studies provide balance and perspective to these larger canvases.

Trees: As we breathe is an invitation, a reminder to our human connect to trees for our very breath. Rendered in each brushstroke is Canadian west coast landscape artist Terrill Welch’s passion and pure pleasure in trees.

The paintings are about the elegance of this often forgotten relationship as we race towards deadlines, commitments, dreams, goals and personal expectations for human achievement.

This show is about giving a nod, taking a pause and being like the trees we so rely on for life. This show is about love, beauty and aging in place. This show is about loss, companionship and spirals of time.

The paintings in this…

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Summer Art Oil Painting Masterclass To Go

Yahoo my friends! Are fine weather has finally arrived 🙂 And of course, I have an idea…

Summer Art Oil Painting Masterclass To Go!

“I’ll have three colour mixing tips, two reference gathering methods and a handful of composition considerations please!”

“Would you like a side of perspective and underpainting suggestions to go with that as well today?”

Yes! I am considering piloting my Beauty of Oils Skill Building Masterclass so you can take it with you this summer as an independent online study course. It is all the same great material and more packaged for access anywhere you have an Internet connection. You can work at your own pace, review lessons and do the painting activities as many times as you like… and be invited join a bonus Painters Group monthly live painting problem-solving chat for extra support.

Sounds good? Let me know by comment, private message or whatever works for you! If there is enough interest, I will make it happen in the next couple of weeks.

I know! I am always up to something and this I think is going to be really, really good 😉

What do you think?

UPDATE: You thought “yes” and the independent study class in oil painting is now available. More information is available HERE.

 

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

When Your Hometown is the Province of British Columbia

Road trips! Long or short, they always leave me with a sense of living in a bigger place that is much smaller than I often realize. What do I mean by this? Well, the best way to explain is to provide an example of traveling from Mayne Island to Williams Lake British Columbia in 9 hours including ferry, big horn sheep, two large herds of deer and too many cows and calves to count.

I was delivering 20 paintings to The Station House Gallery for a solo exhibition of my work. My “thank you” note after the opening evening says it all…

I would like to thank the Board Members and Executive Director, Diane E Toop, and Clayton of The Station House Gallery and the sponsors (Community Arts Council of Williams Lake) for a beautiful opening evening and their warm welcome for the “Light of Place Exposed” solo exhibition.

I also want to thank Terri and her mom who traveled down from Vanderhoof and Sue who came up from Armstrong B.C. today. Both directions are 4-4.5 hours of driving time.

It was a pleasure to meet many new people, including someone who had lived on Mayne Island for six years and to visit with everyone in general.

Below are a few photographs of the show before the opening. Enjoy!

When you first enter the room, its spaciousness for viewing large contemporary impressionist paintings is immediately apparent.  Later I appreciated how many guests it would hold during the opening.

Yesterday, when I was driving back down the Province I remember someone looking at at the painting on the left and saying “that is the Stuart River” without even a glance at the title for any other clue than my brushstrokes. The viewer knew the area well.

There were lunches with old friends and cousins and a long visit or two with my aunt and my sister.

There were people who knew where I went to school and lived beside the remote area of the McIntosh Lakes outside of Williams Lake.

There were people who knew my parents and the paintings from the farm were immediately recognized… even though this place is about a 5 hour drive away from where the show is located.

I lost track of the number of times I was asked if I knew so-and-so who now lives in such-and-such a place.

There was a friend who honked her horn at my sister and I walking down the street (which we didn’t hear as we were deep in conversation) who was in the area working but lives in Langley, British Columbia.

So you see, though I was born in Vanderhoof B.C., I moved with my parents often to various rural areas outside of Williams Lake starting when I was three years old and then back to the farm they still have outside of Vanderhoof the summer I turned twelve years old. But once I graduated from high school, I continued to travel the province from one end to the other for work and school. Some of these connections have lasted and others keep getting added. Our province is large and this recent trip didn’t even take me as far as the geographical middle. Consequently, we will travel a long ways to meet up with each other and always want to pass along “hellos” to those we might know in common. So, it occurred to as I was driving through the snow, sleet and rain yesterday, that my hometown is actually the Province of British Columbia.

Do you too ever feel like your “hometown” is as large as a Province or State and as small as a village?

“Light of Place Exposed, Landscapes by Terrill Welch” can be viewed in the main gallery at The Station House Gallery in Williams Lake, British Columbia from Thursday, April 5th to Saturday, April 28th of 2018.

The Station House Gallery Hours: Monday – Saturday 10:00 am to 5:00 pm and Closed Sundays. More information and directions to the gallery at: https://terrillwelchartist.com/2018/03/05/light-of-place-exposed-landscapes-by-terrill-welch/

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

A Short Pause During the Incompleteness of Painting

Yes, it is my first blog post of 2018. The last I wrote specifically for Creative Potager was December 21, 2017. I have been waiting for some kind of clarity or direction that I wanted to take us next. None has surfaced. Instead, I woke this morning with a desire to assess, summarize and begin again to just write notes to you as needed. A painter’s life seems to be like that. There are these short pauses during an overall incompleteness of painting, organizing, showing, and shipping paintings to new homes. Writing posts and sharing often comes in fits and starts and then ebbs away for a bit. I have learned to trust this process and let it be what it is.

The light of a resting catches a surface.

The brushes seem to linger over a canvas and then it is moved and another takes its place. The work continues for a bit and then it too is moved and yet another is set on the easel.

One brush mark after another, a new shiny wet painting begins to appear.

This morning, with its steady rain, I am feeling a little push around by the twenty paintings ready to packed up for travel to a solo exhibition a day’s drive away on next Tuesday. Then there are the two large canvases that have come to the home studio after being completed in the winter studio at the gallery. They seem to be standing at the edges of my life wondering where they are going to go.

At the moment I have no answer for them. But we will get there. They are designated for a show about trees in May. The reason they have come home of course is there is the two artist exhibition “Earth & Water: A Conversation on Edge” with Elena Maslova-Levin that will open April 13th. I am still waiting impatiently for eight of her paintings to find their way to the island. They have traveled promptly from California and then been held up between Richmond and Nanaimo for better than a week. I have cleared the gallery, put up posters around the island and done everything I can think of to open up the energy flow for their arrival. Now we wait… some more.

This 16 x 20 inch oil on canvas “Evening View Over Navy Channel” commissioned painting is ready for travel to the United States now that the new special shipping boxes has arrived.

I am also critically low on small 8 x 10 inch painting sketches as we head into the busy season. I have one left. Just one.

Then there are painting lessons to prepare and present each week to eager and dedicated students.

My husband is making his breakfast and we confirm that we will go to figure drawing in the evening. It is his area of interest but it is also good for a landscape painter to practice this kind of unforgiving drawing. And it is something we can do together with others, a date night of sorts. 😉

Easter weekend is coming up and if the weather is decent my daughter and two grandsons plan on coming to camp in the local campground and visit.

My parents have three calves on the ground already this spring in rural north central British Columbia and dad has a snow fence built as it has been a long deep snow winter up there. They are in their eighties and still farming. I phone on Saturday mornings to catch up and visit. I have to phone early or I miss catching them in the house. Rural farm life is like that.

But right this very moment, I must get the six-inch thick bundle of receipts and invoices to the city and handed over to the accountant so that our income tax will be filed on time.

As you can see, there are a whole series of projects at various stages of incompleteness between new works needed, finished works, exhibitions coming up and work to be shipped and so on. There are also various relationships that are important to me that I must make room for between the demands of a painter. But I am still here, sipping my morning coffee, listening to the rain on the tin roof and smiling into the possibilities of today. This is not a small thing. I have lost several friends, some of them fellow painters, before their 70th birthday’s this year. I will be sixty years old this summer and I know that each day I wake and then settle into the soft quite of the evening is a gift.  I assess, revisit and conclude  – I am doing what I must do as a painter and a teacher of painting. I am doing what I need to do as a partner, mother, grandmother and daughter. I am doing what I love to do in the process of being in all areas of my life. I have no desire to change a thing. It is a good feeling.

What about you? How are you?

© 2018 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Earth and Water: A Conversation on Edge with artists Terrill Welch and Elena Maslova-Levin

And the first of the season st the Terrill Welch Gallery is a two artist international show…

Canadian Contemporary Artist Terrill Welch

Opening the season at theTerrill Welch Gallery is a two artist international exhibition, April 13 — May 6, 2018 on Mayne Island in British Columbia, Canada.

Earth & Water: A Conversation on Edge with Terrill Welch and Elena Maslova-Levin

Sixteen landscapes. A multitude of conversations.

The timeless conversation between Earth and Water, shaping the edges of continents and islands we inhabit.

The conversation between the observer and the observed, shaping our visible reality.

And between the artist and nature, from which paintings emerge and invite the spectator to take part in the conversation.

And finally, the conversation between artists, in words and in paintings — an ongoing exchange of insights and impressions, challenges and breakthroughs.

Preview all sixteen paintings and learn more about the artists and the show HERE.

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches

Redbubble painting and photography prints and merchandise

Work…

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Light of Place Exposed Landscapes By Terrill Welch

You haven’t heard from me for awhile because I have been considering what I would like to do with Creative Potager. But it doesn’t mean I haven’t been busy painting. Here is news about my first solo exhibition of the season. Enjoy!

Canadian Contemporary Artist Terrill Welch

Each place and each moment has its own light and to expose this everyday mystery is something that is often behind the brush marks of Canadian artist Terrill Welch. She has twenty landscape oil paintings that will be traveling up the province of British Columbia to be shown in the Williams Lake public gallery during the month of April, 2018.

A Tall Tale of Autumn Stuart River 16 x 12 inch oil on canvas is the poster painting for this show and you can preview all twenty paintings in the solo exhibition at her online gallery HERE.

Solo exhibition “Light of Place Exposed, Landscapes by Terrill Welch” can be viewed in the main gallery at The Station House Gallery in Williams Lake, British Columbia from Thursday, April 5th to Saturday, April 28th of 2018.

The Station House Gallery Hours: Monday  – Saturday 10:00 am to 5:00 pm and Closed Sundays.

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Happy New Year with best 5 paintings of 2017

Happy New Year and all the best in 2018

Canadian Contemporary Artist Terrill Welch

As we approach the end of the calendar year, we again select the artist’s choice for the best paintings of 2017. This year, we have decided on 5 out of the 29 new works that have been released – and three of those are just being released today in the online gallery! So be sure to check it out. The link is included below.

Here is the 1st and likely the public favourite…

Storytelling Arbutus Tree Bennett Bay Mayne Island BC
By Terrill Welch
Size (h w d): 60 x 40 x 1.5 in
Medium: Oil On Canvas
Available: HERE

In 2nd place for the artist’s choice of the best five paintings completed in 2017 is…..

Northeasterly Morning Strait of Georgia Mayne Island BC
By Terrill Welch
Size (h w d): 20 x 40 x 1.5 in
Medium: Oil On Canvas
Available: HERE

In 3rd place for the artist’s choice of…

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