An invitation to buy a painting

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The nuts and bolts of buying an original painting

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Seasoned Drama Queen

Enjoying one of life’s great mysteries as no two days at the beach are ever  the same. 

(image is available for purchase here.)

Seasoned Drama Queen

Old sandstones baked on the reef until lustfully sultry,

while awaiting the sea’s caress.

Together with the sky’s blue,

these three perform like a seasoned drama queen,

making so much out of so little.

Sprout question: What sensory experience has your creative juices flowing?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Port of call – Mayne Island

Near Mayne Island while traversing the inside passage from either direction, the Gulf Islands B.C. Ferry vessel loudspeaker will crackle. The captain then announces variations of “We are approaching Villiage-Bay-Mayne-sland. This is also the transfer point for passengers going to…..”  This last part of the announcement changes depending on what ferry you are traveling.

It is pretty hard to miss your stop. But knowing if you even want to come or how to get this far in your trip can be a little tricky. Fortunately, our Mayne Island Community Chamber of Commerce makes it easier.

Regular Creative Potager readers may recognize the photographs on the front panel and the inside of this four-fold brochure. Yes, they are mine.

Earlier this year I was asked by a chamber member if I would consider submitting some photographs for use in the brochure. There had been a community-wide call for submission. I hummed and hawed feeling that my images are not really marketing sunshine and fun. They are often quiet, subdued, reflective and moodily dramatic. Since most of my photographs are taken in low-light during fall/winter or during the bookends of a spring or summer day, I wasn’t sure what I had to offer. But I agreed to let the committee have a look at my redbubble portfolio. To my delight they chose these two images. This is the second time this year that my images have been requested for promotional purposes – a pleasant addition to my artistically aimed photography.

But you might be saying “where is Mayne Island anyway?” The Chamber brochure has a pictorial answer on the back panel. Off the west coast of North America, snuggled into a cluster of Canadian Gulf Islands and the United States San Juan Islands, that darkly coloured island is home.

Now I bet you want to know exactly where Creative Potager is on Mayne Island – right? If you open up the brochure there is a map of the island. I love the crunchy tactile unfolding of maps. This brochure has a particularly satisfying soft and earthy feeling to the touch.

Creative Potager is marked by a white-squared number 35. See it there, just below the Mt Parke Park signage near the centre of the island.

The white-squared number 35 Creative Potager home studio is open by appointment.

The best way to get a home studio tour of our timberframed strawbale la casa de inspiracion is to email me at tawelch@shaw.ca .

You will need a brochure, or wait for the chamber website to be updated, to know exactly what else is marked on the map. I can tell you that yellow-squared numbers are accommodation, green are farms, orange real estate, red services, and white shops and galleries. If you would like your own brochure it will be on the ferry or drop me a line and I can mail you one.

My STUDY OF BLUE  solo exhibition of 15 original oil paintings, opening Thursday June 30, 2011, will be held at the yellow-squared number 9 and blue-squared number 17 which is the two listings for the Oceanwood. One is for accommodation and one for the restaurant.

Fly into Vancouver or Victoria in British Columbia, Canada, rent a car, catch a ferry and you are here. It is just that easy. During the busy summer season it is recommended to make reservations for the ferry from Vancouver to Mayne Island and for accommodation while you are here. I look forward to seeing you sometime soon.

Best of the weekend to you!

Sprout question: What is your creative port of call?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

AUTUMN BOUNTY and COURTNEY IN THE MOONLIGHT by Sue Wiebe

As promised here are two more original oil paintings on canvas by artist Sue Wiebe.

Learning and practicing how to create depth and shadow is an ongoing process for most of us that apply paint to canvas or paper. COURTNEY IN THE MOONLIGHT provides a direct work out for this artistic muscle.

COURTNEY IN THE MOONLIGHT, 12 X 16 inch original oil painting, by Sue Wiebe

Well done Sue! Exquisite!

Sue painted this next oil painting, AUTUMN BOUNTY, during the time that she was working on WATCHING, the painting of the cougar.  There are only so many hours an artist can paint fur before there is an unrelenting desire to break free. This painting certainly does this in spades.

AUTUMN BOUNTY, 11 by 14 inch original oil painting on canvas, by Sue Wiebe.

I have AUTUMN BOUNTY as my laptop background at the moment and smile every time I sit down to do some work.

Sue, thank you for being our feature artist this week. It is always a pleasure to have you here at Creative Potager. I look forward to seeing your work in person in a week from now. There is nothing like a studio walk and a face-to-face viewing.

Sprout question: What creative muscle are you exercising at the moment?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

WATCHING original oil painting of a cougar by Sue Wiebe

I have a treat for us today with a feature post and a painting by another artist. I hope you enjoy the adventure.

Do you ever get that feeling that you are being watched? Then you turn around, slowly, and sure enough you are being stalked? In this case, artist Sue Wiebe’s daughter, Courtney, found that it was a cougar and was able to take a photograph of it that Sue used as a reference for her original oil painting WATCHING.

Fortunately for us, Sue took some photographs of her painting in progress. We will start with a look at the underpainting.

Next we see the painting building and coming alive.

In the finished work it feels like the cougar is ready to spring from her hiding spot under the edge of the log – those ears slightly flattened, attentive, watching.

WATCHING 20 X 30 inch original oil painting by Sue Wiebe.

I asked Sue if she could tell us about her experience of painting this incredible painting:

It is the biggest oil on canvas I have done so far.  It taught me to painting standing up so I had a better range of motion.  But the truth of the matter is, I think, the name says it all.  The cougar watched me through the whole painting.  I would set her aside, sometimes for long periods of time, as other aspects in life needed to be attended to or I puzzled over achieving the effect I wanted, but she was always watching and waiting.  Sometimes, even demanding, that I take the time to finish.  She is finished, and yet, she watches.

If you remember from time to time over the winter Sue would comment on Creative Potager about the hours it was taking to paint fur. Well now you know the rest of the story.

Sue has been featured on Creative Potager in the past but for those of you who didn’t know she is my sister. Painting is something that we share with equal passion. On Friday I have two more of her paintings that I will post for you to see. They are a still life with the most stunning shades of orange AUTUMN BOUNTY and a limited palette painting called COURTNEY IN THE MOONLIGHT.

Sprout question: What is a creative passion you share with a sibling or other family member?

STUDY OF BLUE  solo exhibition opens Thursday June 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Guess who I met on the road?

If your read Monday’s post “Story of the Henderson Hill Original Oil Painting,” you may remember that we had to go into Victoria for dentists appointment and to pick up my dear 20-year-old blue Ford F150 4X4 pick up – Miss Prissy. I am happy to report that she will likely be of reliable service for a few more years yet.

While we were at the dentist, we had a guest come to see us. Can you guess who? Does this help?

He traveled by grey hound and city bus for over an hour just to say hello. Coen was a bit of a weary traveler and took to a nap after visiting and taking yet another city bus ride when we were through at the dentists.

Of course he wasn’t traveling alone.

In fact he doesn’t go very far from his mom at anytime yet. Who can complain about seeing the dentist with visitors like this? Not me, that is for sure. By the way, these three photographs were taken with a little android phone because that was all we had.

On another note, I didn’t get anymore painting done yet this week but I do have a photograph you may want to see.

(this image may be purchased here

The photograph Underneath is akin to sitting under a table as a child. It is about being in the forest looking out onto the rest of the world. I like the privacy and the unusual perspective that the image offers.

Sprout question: Tell us about a time your creativity came from underneath?

Best of the weekend to you!

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Story of the HENDERSON HILL Original Oil Painting

Have you every had that feeling where you know you have made a mess of something and there is nothing you can do but start over again? My painting of HENDERSON HILL has come out of such an experience.

The beginning started reasonably well. I had decided to do my underpainting in blues so I could paint on it wet.

The elements of the composition settled into place without much trouble.

I continued to paint, working happily away until…

It was a mess. I poked and dabbed and added and moved the paint around on the board. It did no good. The painting appeared to be resisting my best efforts. There was nothing left to do. I scraped.

But the idea for this painting still intrigued me. I waited. This past Saturday, ten days after my first attempt, I try again. It needs some finishing touches but I believe it will make a painting.

Yesterday, I finished it.

(prints available of this image here)

HENDERSON HILL 20 X 16 inch original water miscible impressionist oil painting on gessobord with 2 inch birch cradle by Terrill Welch.

This painting will be part of my upcoming solo exhibition “STUDY OF BLUE” opening June 30, 2011 at the Oceanwood Resort onMayneIsland. The painting is currently priced at $900 Canadian. Please contact me directly at tawelch AT shaw DOT ca if you would like to hang this lovely on your wall.

Sprout question: When was the last time you walked away from a creative mess?

UPDATE May 15, 2011:

Every once in awhile a special connection is made between a painting and another creative being. In this case it is with poet and more, Bat-Ami Gordin

Henderson Hill

On Henderson Hill any time of the year
  the branches arabesque in the breeze.
Birds boldly appear, on the tips of twigs
  that smear into clouds from the trees.
As a doe grazes calmly with her twins,
  the heavens and sky, seem to  freeze.
Prepare your mind to paint serenity;
  equanimity pacifies enduring unease.

© 2011 Bat-Ami Gordin, All rights reserved.

Posted with permission. You may have notice her poem posted in the comments below but I decided it needed to also be places up here next to the painting. Thank you so much Bat-Ami Gordin! It is an honour to connect in such a collaborative way.

This week is jammed! There is voting on Monday and going to pick up the truck. Dentist appointments on Tuesday and a full day of meetings and commitments on Wednesday. I shall be able to get back into the studio on Thursday IF I am lucky. Who knows what I will have to share on Friday. We shall just have to wait and see. Have a wonderful week everyone.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Quit Fracking with our Water

Being a Canadian artist faced with an imminent Federal election on Monday May 2, 2011 and B.C. provincial election not too far off, I like to think of myself as reasonably well-informed. But then I watched GASLAND (2010) directed by Josh Fox. I felt sick and like I had been duped somehow. Not a good a feeling, I assure you. This documentary film is about hydraulic fracturing or “fracking” for natural gas in the United States. From the looks of things, these drilling practices appear to, possibly, place our potable drinking water and health and safety in North America at risk. That’s a rather worrisome possibility and worth a close review.

water stone wood by TerrillWelch

Don’t be fooled by the occasional discrediting remarks about this Sundance Festival winning film – keep digging and see where they are coming from. Put simply – it’s a mess. I am feeling physically ill from the disheartening circumstances we find ourselves in. In order to come to terms with its content, this film requires broader research. I have settled on these links to get you started.

Gasland: A film by Josh Fox (close the annoying donation popup and read – then, if you want, go back and donate) http://www.gaslandthemovie.com

PBS interview with Josh about Gasland (March 2010)http://video.pbs.org/video/1452296560

Gasland – Wikipedia http://en.wikipedia.org/wiki/Gasland as it outlines the film and a few critiques about points of accuracy that Fox addresses in greater detail this link here http://1trickpony.cachefly.net/gas/pdf/Affirming_Gasland_Sept_2010.pdf.

ladies in waiting  by TerrillWelch

The practice of hydraulic fracturing or “fracking,” using a cocktail of substances lots of water, is impacting or is likely to 34 States in the United States.  And, though this is not covered in the film, it is also happening in northeastern British Columbia and has just been suspended in Quebec until the potential health and environmental impacts are better understood. GASLAND holds out one small ray of hope for the possibility of legislation that could prevent this disaster from happening in the Pennsylvania watershed that supplies drinking water New York City and Philadelphia. Who knows. In a link to a related article about Pennsylvania at the end of this post it doesn’t sound very promising. But in British Columbia and in Canada? Without a change in political will, I sense there is little hope for legislative intervention:

According to a report from B.C.’s Oil and Gas Commission, the oil and gas sector was permitted to use (and contaminate) 86 billion litres of surface water in 2009 alone, and would thus not be regulated under the new ground water regulation. Annual groundwater use was not reported, but is a small fraction of the 86 billion litres based lifetime groundwater well production for natural gas (6.6 billion litres).

Source: http://ourwaterbc.ca/find-out-more/oil-gas-considerations-for-bcs-new-water-sustainability-act

How can this be? I feel like I’ve been blindsided. Where are our water and air protections? What is going on? Could MY Canada really be playing a fool’s game and allowing extraction of natural gas using hydraulic fracturing with minimal scrutiny into the potential consequences? It appears so. In fact, The GreenMuze reports:

the BC government has been pushing drilling for unconventional sources of natural gas since at least 2005, offering $50,000 (€36,500) royalty credits for every well drilled before December 2008, and selling oil and gas “sub-surface rights” at a fever pitch.

Both BC and Saskatchewan have been courting the industry with lax or no environmental regulations and promises of low royalties charged to the companies. The Petroleum Services Association of Canada (PSAC) predicts a 10 percent increase in drilling in BC in 2010, mostly in the Montney shale field of northeastern BC and the Horn River Basin near Fort Nelson.

In 2006, researchers for West Coast Environmental Law published a report noting that the oil and gas industry had identified at least six areas of BC holding coalbed methane (CBM) natural gas potential: Peace country in the north east; Elk Valley in the southeast; Vancouver Island; the south central interior (around Merritt and Princeton); northwestern BC (around Telkwa and Iskut); and the Queen Charlotte Islands.

Nanaimo Daily News (Nov. 7, 2009) reported that Vancouver Island’s CBM gas deposits – stretching from Chemainus to Parksville, and in the Comox-Campbell River area – are currently not of interest to the industry. Nonetheless, a group called Citizens Concerned About Coalbed Methane-Vancouver Island, has for the past year been pushing for development under its action plan, “Building a Safe Future for CBM.”

In 2008, BC took in a record $2.4 billion (€1.75b) from these leases, which is now its biggest source of royalties’ income.

Fracking is also in high demand in the Bakken natural gas field in southern Saskatchewan, where 1,000 wells have been drilled and fracked over the past five years. PSAC is predicting 1,935 new wells will be drilled there in 2010, and 300 new wells in Manitoba. As a result, Alberta has just announced that it is removing environmental and regulatory “hurdles” in order to entice the natural-gas industry back.

Huge shale developments are also planned for Quebec, New Brunswick and Nova Scotia. The Utica shale gas field in Quebec covers an area of 5,000sq.km (1,930sq.m) that runs along the St. Lawrence River from Montreal to Quebec City.

The industry is especially interested in the Utica shale because it is close to the New York City market, with export capacity available on TransCanada Corp.’s pipeline system. If the US curtails natural gas development in the Marcellus shale, the Utica could provide gas to the New York market.

Source: http://www.greenmuze.com/climate/energy/2562-ugly-reality-of-fracking.html

stones throw  by TerrillWelch

GASLAND and my related research, cited at the end of this post, scare the pants off me. I had no idea this was happening and it has been going on awhile now.

soft yellow tulip  by TerrillWelch

SHORT RANT: I am appalled by our human greed and how we do things knowingly on so many levels to our earth and ourselves that cannot be repaired. Once we contaminate our soil and our oceans, and lose our drinking water it doesn’t really matter how much natural gas we have – the risks are not worth it. As you can tell, I have an opinion about this. If we can’t safely extract natural gas without destroying our water supply we need to be changing our dependency on fossil fuels. And if that needs to be done faster, then let’s do it, before it is too late. I hope you take the time watch and read for yourself. Shared knowledge is power.

vessel by TerrillWelch

ACTION: Feeling a little like a small chicken shouting the sky is falling, I am compelled to take action. What am I going to do?

First ACTION: With mostly environmentally friendly cleaners, scour the house until it shines. DONE! I never start a big project without a clean house. It seems to interfere with a person’s ability to think or at least this person’s ability to think.

bee in salal blossom  by TerrillWelch

Second ACTION: Get my voting decisions sorted out. DONE! If you are Canadian, here are some sites that will help you strategically vote in our next federal election:

You may like this video “I vote for Canada”  http://www.youtube.com/watch?v=jISlelzxKyI I like it because it moves away from party positions and into what it is we want to see.

Vote Compass was a fascinating exercise in clarify where the parties stand on various issue in relation to where I stand http://federal.votecompass.ca/ No real surprises – just nice to see it laid out.

I also have found the Catch 22 approach useful http://catch22campaign.ca/

Then the Swing 33 convinced me to donate $100 to the Liberal riding in Esquimalt http://swing33.ca/

 And just in from Avaaz: Canada: Democracy = Majority

http://www.avaaz.org/en/canada_elections/?vl

late sun rushes in by TerrillWelch

Third ACTION: Find ways to raise awareness. In progress.

Step one – write blog post. DONE! I include some of my photographs to remind us about our sacred relationship to our planet earth.

Step two – invite. Hum…. how might the Creative Potager community be able to spearhead a creative project to expand our awareness and take strategic action. I wonder? Do you have any ideas? What might we do?

Step three – Ask. I now ask that you help by sharing this post through twitter, facebook and on your own blogs. Because Josh Fox can’t change a thing on his own, neither can I and neither can you. But together we can and will make a difference. With grace, compassion and humility, I pass the next ACTION over to you!

Sprout question: How might fracking and natural gas extraction influence your creativity?

More BC and Canada research:

A Fracking Disaster in the Making: Report by Andrew Nikiforuk http://thetyee.ca/News/2010/10/15/FrackingDisaster

Shale gas decisions in Quebec raise questions about B.C.’s approach http://ourwaterbc.ca/blog/shale-gas-decisions-in-quebec-raise-questions-about-b.c.2019s-approach 

No right to water in Canada  http://www.vancouverobserver.com/blogs/water/2011/03/10/no-right-water-canada

Our Water Secretly Sucked Away by Shale Gas Industry by Ben Parfitt, March 15, 2011 http://ourwaterbc.ca/our-water-secretly-sucked-away-by-shale-gas-industry

Letter outlining shortcomings of British Columbia’s Water sustainability Act Policy Proposal http://ourwaterbc.ca/find-out-more/oil-gas-considerations-for-bcs-new-water-sustainability-act

Talking Points document that was supposable dropped by an oil and gas representative when leaving a landowners property. There is no source given by Green Environmental Coalition but whether this is true or not – the talking points are well worth reading:

http://www.greenlink.org/uploads/pdfs/OIL_TalkingPoints.pdf


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