Life during Hazy Days in British Columbia

British Columbia is burning. The wildfires have devoured a land mass larger than the province of Prince Edward Island. The fire season is not over yet. There might be a little rain on Sunday but it won’t be enough. Air quality warnings are frequent but unnecessary. I only need to breathe in next to the open window to know how many particles there are in each square inch of smoke-filled air. The sunsets are as eerie as they are beautiful.

No long hikes for me. A casual stroll to sit by the water is all that this week can offer.

I did manage to get out to do a small plein air painting though.

Hazy Morning Active Pass 5 x 7 acrylic plein air sketch

The painting sketch is now off on an adventure of its own – the eighth painting to do so this past five weeks.

But the Terrill Welch Gallery! Now it has enjoyed the soft light from outside through the feature window.

I will be there again on Friday at 10:30 to do a live recording on my Art of Terrill Welch Facebook Page for the first Friday Art Stop feature. If you have a moment, drop on in. I did an introductory video, a sort of sample,  for this new project that you may enjoy in the meantime.

 

I suppose today’s post is my best efforts to find my way forward during uncertain times.

 

How do you process things that you cannot change? Like wildfires? Like threats of nuclear war?  

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

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Two Arbutus Trees Rendered One for New Gallery One Sold

I am still paintings as we are rounding the last corner into the home stretch for the Terrill Welch Gallery to open Friday August 4th. This is my new normal as I learn the rhythm of both/and between studio and gallery.

Yesterday, saw the eight painting sketches arrive at the gallery for the first show.

The lights are now up and I am thrilled with the quality of luminescence I will have to work with for photographs.

Last Thursday, Friday and Sunday were painting days. The first is a plein air over two mornings of an arbutus tree caught between the sea and the road.

Morning along the Island Road Mayne Island BC 20 x 16 inch oil on canvas plein air

Details and purchase information HERE.

The second is a small study of a favourite arbutus tree from reference images.

Arbutus Tree with a View 8 x 10 inch acrylic study on gessobord

This one is sold already. Other new works are released in the online gallery HERE.

On Friday morning with a bit of luck we will have a live video of the opening of the gallery on the Art of Terrill Welch Facebook Page. If you want to be there in our virtual world head drop by the page at 10:00 am Friday August 4th. A few people who helped with the raising of the gallery and collectors will be there and the gallery will open to the public at 11:00 am.

 

How do you stay in the flow when adding something big to your life?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Summer Paintings of Farmers Fields

The weather is fine and a tractor was making the rounds in the field below us yesterday. It was likely the last day for a while because we have entered extreme fire hazard. All day equipment ban in effect Wed. July 26. No spark producing tools. However, I am still inspired to share a few of my summer paintings of farmers’ fields with you, just for fun as we wait for the Terrill Welch Gallery to open on August 4, 2017. No heavy equipment or spark producing tools were used in the making of these paintings or in posting them for your viewing today.

Haying – 14 x 18 inch oil on canvas

Haying time signifies summer and this impressionist style painting holds the desire for coolness in the deep shade of the big tree. This is one of the Deacon Vale Farm fields on Mayne Island in B.C. where I was doing a photo shoot of the harvest and later completed this work in the studio.

Purchase information available HERE.

August Fields – 12 x 16 inch oil on canvas

An ever-changing view with eagles and turkey vultures often at eye level as they glide by – fields and hills changing with the season and the passing of each hour. This is the Meadowmist Farm field below us on Mayne Island and it was painted plein air from our outside deck.

Purchase information available HERE.

Road to the World – 12 x 16 inch oil on canvas

This painting was completed in two plein air painting sessions on my parents’ farm outside of Vanderhoof  B.C.

Purchase information available HERE.

I have painted other summer fields but these are three of my favourites.

 

Do you have a favourite farmer’s field near you?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Melded Time

Try as I might, the mix of experiences this past week refuse to be organized into a meaningful story. It all feels like beautiful colours tangled into a day with no breaks in the string, no long pauses and no rest points. New projects, such as getting a gallery up and running, are often like this I think. The past seven days went something like the late ferry sunset building to a perfect moment.

With a couple of thoughts about the morning’s plein air painting time with a fellow painter and friend,

And another thought about the gyroscope jewellery coming in mail from another multi-talented painter and jeweler friend,

and it is over…

As the sun drips into the sea, we turn away preparing for night and see the almost-full moon reaching out to greet us.

In this flow of melded time, knowing one of these moments, someday, will be our last, one is often tempted to think about the strange concept of forever.

 

What moments this past week have tempted you to think about forever?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Coming Soon Terrill Welch Gallery

Yes, you read correctly and I shall tell you more shortly. But first let’s catch up. I started writing this series of blog posts a little less than seven months ago following a conversation about how everything has been done before that we can no longer see the moon for all its representation in painting, sculpture, installation, film, writing and song. My purpose has been to bring you “the moon” in a way you will remember and notice for all time. In order to do this, I knew I must live my best life. I have been required to travel deeper and even more focused than ever before. My intention was clear. My inner compass set. But how are we faring so far? Is the actual and symbolic “moon” more noticeable in your daily adventures? Please tell me, I truly would like to know because I am about to approach this moon seeing challenge from a slightly different perspective.

These past couple of weeks have been invigorating, focused, exhilarating and short on sleep. You may have noticed from last week’s shared post from the website “West to East Coast Canadian Landscapes in Paint” solo exhibition is up at Shavasana Art Gallery & Café on Mayne Island. Two painting sketches have sold already and I am working on a request for a small arbutus tree painting sketch that may result in a new series of arbutus tree paintings before “their” work is rendered. Here is the first release as part of exploring where mine and the collector’s vision may meet.

Arbutus Ridge 10 x 8 inch acrylic plein air sketch on gessobord

Details and purchase information available HERE.

This past Sunday morning, following the opening, I worked on a plein air painting in oils standing looking out on the view at the gallery.

I went back for a second and final painting session the next morning and it is now released and will be on display at the gallery by this coming Friday.

Summer Seas, 14 x 18 inch oil on canvas

Details and purchase information available HERE.

“But what about this Terrill Welch Gallery business?” you ask.

Well, I have rented a modest commercial space in a 1928 house where there are other retailers and small businesses in the central area of Miners Bay on Mayne Island. I have a vision for this gallery space that will focus on current art and painting conversations – such as “the moon is no longer there.” I anticipate, because of my own placement in exploring these intriguing questions, this will take on a global or international flavour. Selling work to collectors will likely be more of an afterthought or value-added option for in-person and online gallery visitors. The intention and focus instead will be on meeting and getting to know specific pieces of art, including the work of a small number of other artists, through conversations with possibly art historians, art teachers, art students, art collectors, art fans and maybe even art critics. The art in the gallery will primarily represent painters because this is what I am interested in and know the most about. There will be an intimacy and simplicity by design. The Terrill Welch Gallery will focus on depth and meaning rather than breadth and wall coverings. There will always be an online component as well as the bricks and mortar gallery space. Less is more, will be uniquely configured in this fresh (or refreshing) gallery approach. The opening is anticipated for early August. Seasons, days and the hours of the gallery will reflect island life and the needs of a working artist. For now, with the help of friends, I must tackle a different kind of painting – walls! Do I need to say that I how I feel about painting walls is similar to how I feel about painting edges on paintings? No? I didn’t think so.

So there you have it – the adventures of one artist off the southwest coast of Canada. I am fired-up with ideas and blowing purposefully, softly, on the flames of possibilities. There are at least a thousands good and rational reasons to say – no. The calculated risks are that I can fail miserable in front of a very public audience. Still, my heart says – you must do this hard thing. You have no time to stand shy on the sidelines of your own life’s adventure. Get in there and give it your best! Who can argue common wisdom with one’s heart and hope to hold sway? Not I.

For now, the Terrill Welch Gallery will be presented within my usual online platforms. It will receive specific mention in the Creative Potager posts and in my current website at TerrillWelchArtist.com.

 

What about you? What is your heart’s advice to you today?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

A Potpourri of Painting Adventures

In getting ready for the “West to East Canadian Landscapes in Paint” solo exhibition opening on June 30, 2017, I have inhaled the passionate fragrances from many rendered experiences of the last few years.  From climbing along the bluffs recently of Galiano Island

to painting with umbrella rattling in the breeze

while rain, sun and mist tumbling endlessly across the horizon

(The Bluffs Galiano Island 8 x 10 inch acrylic plein air sketch)

to maneuvering carefully on the narrow  red cliffs of Prince Edward Island last May,

Canada has an exhilarating and engaging topography!

(Cap Egmont Lighthouse PEI 18 x 24 inch oil on canvas)

From one crashing sea on the west coast

(plein air painting on Chesterman Beach in Tofino, B.C.)

to another on the east coast,

( plein air painting sketch at Cavendish PEI)

my brushes are hardly every still. There is more to capture the heart and imagination then there are tubes of paint to feverishly brush onto a surface. Still, I give it my best!

(Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas)

Though this solo exhibition of 25 works is inspired by Canada 150 celebrations (and it will open on the Canada Day long weekend), there is so much more influencing these canvases, thousands of years more!

What natural environments bring your own heart to crescendo of emotion?

Note: Specifics about the solo exhibition are now available in a recent post on TerrillWelchArtist.com HERE.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Beauty of Oils Class of 2017 Art Show

I have a surprise for us today but first, a little context is helpful.

In my experience most people think they have a pretty good idea what it takes to paint an oil painting of a subject from life. Most may even feel that if they had the time and desire they could dash off a Monet without too much trouble. I mean really! Look at what can be done during paint and drink night at the neighbourhood pub! However, if people have tried to paint, and found it harder than they thought, then they wrongly assume it is because they have no talent. Yes, some talent is useful but it is only about 20% of the equation to render a pleasing result. Few people consider that to become a skilled painter it takes hours and years of practice. You, my dear readers, are a small portion of art viewers who are well-informed on at least my painting process from your years of following Creative Potager. You are a knowledgeable exception to the average citizen. Most individuals have little idea about the range of skills development and study required beyond putting paint on a brush and applying it to a canvas. If they did, I would never be asked – how long did it take you to paint that? Well, none of this can be said about the four students that have completed the twelve session studio intensive oil painting class at the beginning of February. They know intimately what it takes to render an oil painting of a subject from life.

Some of these artists held their first brush in my three session pilot oil painting class a year earlier and then went on to take the eight session fall skills development oil painting class. Another artist started in the fall with previous drawing and basic painting skills in acrylic paints. Yet another painted in water colours and wanted to learn how to use oils. All painters still have painted less than 20 oil paintings in their life. All have been learning my long-hand process of solving painting problems on their own with instructional support from the very beginning of choosing their own composition, sketching and taking photographs of their ideas, making notes about their subject, observing different natural light condition, learning how to mix the colours they wanted, preparing a ground or underpainting, and painting wet-in-wet. They have painted from their own reference photograph and painting sketches in the studio classroom. They have braved the elements and painted en plein air. They have learned a method that will allow them to tackle painting any variety of subjects from everyday life. Then they went on to prepare their work to be “show ready” with painted edges or frames, titles, inventory numbers and so on. Now it is time to show the results! Each artist has six beautiful works to hang for viewing on Saturday, May 13th at the Mayne Island Community Centre between 3:00 – 7:00 pm.

Let’s briefly allow each painter to introduce themselves and share a sampling of their work so you can see what I am all excited about.

Glenda King – Living on Mayne Island allows me to have many possible beautiful compositions, whether it be a seascape, landscape or wildlife & birds. I have left my focus open until I find what my passion is….right now I am enjoying all that I have done & hope that you enjoy it also. The paintings I have done have come from my own photography or plein air, the latter being the preferred way to paint for this style.

Serenity 8 x 10 inch oil on canvas plein air – SOLD

Miners Bay Lookout 18 x 14 inch oil on canvas – AVAILABLE

Elspeth Westby – My focus has been to learn how to use the oils (I chose to use walnut oils by M. Graham and Co.), the different brushes and tools and become comfortable with an easel with the hope of doing “en plein air” painting. I really enjoy spending time observing my environment and long to paint it. To my surprise and delight, I love the oils and seem to be managing landscapes!

Springwater on Active Pass 11 x 14 inch walnut oil on canvas panel plein air – AVAILABLE

Plum Blossoms (Japanese Garden) 14 x 11 walnut oil on canvas panel – NFS

Katherine Cox Stevenson – I paint to more deeply align my soul with nature. From a young age, I craved living life from my heart. Instead due to life circumstances I lived my life from my head – I even have a PhD to prove it. I live on Mayne Island for two main reasons: the abundance of exquisite nature and sense of community. I am now becoming part of the arts communities, a rich and enlightening experience. Being able to stand in awe of the nature scene in front of me and with color, brushes, and strokes I can interpret it for the canvas. My hope for the viewers of my paintings is that they can pause and experience a moment of deep inner peace and perhaps a magical moment of connecting nature with their souls.

An Afternoon by the Sea Shore 12 x 16 inch oil on canvas – AVAILABLE

Time to Reflect 14 x 18 inch oil on canvas – AVAILABLE

Jody Waldie – After two years as a full time resident of Mayne Island I am still in awe of its natural beauty. Through my learning process as a new painter I strive to experiment and discover how to represent this beauty of nature through the use of colour and light with oil paint media. I purposefully chose to focus on colour and light to allow myself to step away from the contrived images that excess attention to detail was bringing to my painting. I am drawn to the rawness of nature and strive to capture this through my painting.

Spring at the Gardens oil on canvas 12 x 16 inch oil on canvas plein air – AVAILABLE

Pause and Gaze on Harmon Hill oil on canvas 20 x 16 inch oil on canvas  – AVAILABLE

As you can see, each artist even at these early stages of learning a new process and medium has a distinctive unique painting fingerprint. Now how exciting is that!? Hopefully over the next couple of years we can bring them back for further cameo appearances and you can see where their discipline and skill development has taken them. If you see a work you would like to purchase or if you would like to know more about a specific painter just send me an email at tawelch@shaw.ca and I will be happy to connect you up with the artist.

For now I ask all four painters to take a bow as we shout, whistle, cheer and applaud their accomplishments.

Note: If you would like to learn oil painting or the process of painting wet-in-wet both using studio reference materials or en plein air you can send me a note at this same email shared above and I will add you to my contact list for future offerings. These classes may also include three-day weekend plein air workshops over the summer in both acrylic and oil – if there is enough interest and I can find the time.

What are you spending hours and years learning to master?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Standing with the Sea Painting from Life

“I don’t know how she does it, but Terrill’s paintings make me feel the rush of being there, of being part of it,” comments Anita Lewis, who shared on Google Plus the following completed painting.

I wish I had an adequate answer for Anita. The truth is I am not exactly sure. I can tell you that the landscape painter must have the courage to stand in the moment with as much raw, unfiltered honesty as possible. In this case, I am standing with the sea.

At first this standing is about the grey that shifts continuously in rolling spring storms. It is about a tide that seems to neither want to come in or go out as I set up the easel.

It is about enduring the dreariest gulf islands spring since the beginning of weather records. This has followed on a winter that saw snow on the west coast during most months.

I have come to realize that we are likely to miss out on are usual warm days of spring this year. Now my endurance is settling on an early summer. But at the moment rain is coming. It is time to pack up and leave with the 22 x 28 inch canvas roughly blocked in using walnut oil paints.

The next day it rains a steady drizzle. No plein air painting is going to be possible. I sigh and move on to other tasks. The following day seems like it may be promising. But it isn’t. As the painting class and I huddle under a gazebo in the national park near the painting location, they get a good chortle. The sun is shining through the rain but it isn’t going to be enough to break the spell and let us plein air paint. We retreat to the Mayne Island Community Centre and I provide tutorial examples while answering various painting problems posed by the students. The day is salvaged through our collective flexibility.

It is a long day which becomes even longer that evening when I learn that a long-time friend has lost his gallant 20 or-so-year battle with cancer. We had spoken only a few short weeks earlier. He had basically called to say good-bye. At the time he commented that he wasn’t sure if the cancer would get him or if his heart would fail first from an unrelated issue. In the celebration of life notice his family has asked that donations be made to the Heart and Stroke foundation instead of bringing flowers. I am assuming this might be a clue to how his question was answered.

From the time we could barely call ourselves teenagers, through our wild years, into young adults, on into our mature years and finally to becoming grandparents – we never lost sight of being friends. Even if years sometimes passed without so much as a phone call, there was no question – we were friends. Though I will miss him, I cannot help thinking he suffered more than his share to remain with us as long as he did. He fulfilled one of his greatest wishes and saw his children grown and had time to enjoy his grandchildren. He knew great love and what deep caring really means through his relationship with his partner. His life was fully lived around what I feel matters most – love, family, friends, frank honesty and hard work.

The next morning has offered up the promised sun. I am standing before a grey-scale roughed in painting with a heavy heart, squinting into the sky blues. Yes, I definitely will miss him. I look across the Strait of Georgia which seems to widen with every glance. I put up the sunshade to keep my canvas neutral.

I work diligently as if without skin and bone protecting the most vulnerable parts of my being. I listen to the sea as it rolls waves forward with each passing boat and ferry. The moments are filled with frequent commas from song birds that are occasionally punctuated more heavily by seagulls and eagles. The sea lions roll up to the surface with their unmistakable breathing raising the hairs above my pinched shoulder blades. I am consumed by salt air, spring grass and exposed seaweed. The breeze lifts the branches of the fir trees behind me and the escaping sun warms my back in brief fragmented caresses. What blue? What blue do I need most? I mix and layer and release the colours onto the canvas within the rhythms of the sea, the rhythms of life…. and the rhythms of our immediate and pending death. Finally the brushes still.

I take the painting back to studio. After letting it rest for a bit, I add a few more brush marks over the afternoon and a few more the next day before calling it done.

The painting was only five days from start to finish. Yet, the world, my world, is forever changed. I am reminded of a line from a poem “The Speed of Darkness” by Muriel Rukeyser – The universe is made of stories, not of atoms.

A final photograph is still needed of course but this one will do for today.

So the “how does she do it” remains a mystery in some ways, even from me – hidden in unedited, intuitive renderings of experiences from life onto a canvas.

When was the last time you stood by the sea and asked it to share with you its greatest mystery?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Times When We Simply Proceed

A spring cold gathered momentum on Thursday morning requiring medication to keep my fever in check. There were studio guests arriving on the island and a painting class to teach. Both pleasant activities though I was functioning far below optimum. However, I simply proceeded.

Only while doing a quick painting sketch at the edge of the pond in the Japanese Garden did I forget how miserable I was feeling.

This was likely because I did not need to talk and I was warm in the afternoon sun.

Last evening I was reminded of this moment while reading about the chemical attack in Syria. I asked myself, when do we break and crumble under the weight of adversity? When is it that we can no long simply proceed, as if it was only a common spring cold?

Earlier in the day I had read Dina Nayeri’s powerful article “The Ungrateful Refugee: ‘We have no dept to repay’” which was the long read in The Guardian on Tuesday April 4, 2016. I will share with you just her closing paragraph….

“Still, I want to show those kids whose very limbs apologise for the space they occupy, and my own daughter, who has yet to feel any shame or remorse, that a grateful face isn’t the one they should assume at times like these. Instead they should tune their voices and polish their stories, because the world is duller without them – even more so if they arrived as refugees. Because a person’s life is never a bad investment, and so there are no creditors at the door, no debt to repay. Now there’s just the rest of life, the stories left to create, all the messy, greedy, ordinary days that are theirs to squander.”

After dinner, I was reading an opinion piece in the New York Times by Ariel Dorfman bring “A Message From the end of the World” in Santiago Chile. In his climate change impact summary of events on the southern tip of the Americas, he tell us about the widening of the gap in the Antarctica ice shelf and how it will eventually crash into the sea causing a rise in seawater. Chile is the first place that will be impacted.

I leave the table with plans to come write today’s blog post. But I don’t. Instead I simple proceed to clean up the kitchen and stay with these feelings of overwhelming disgust, horror, helplessness and a kind of deep hopelessness. It is too late for a long walk which is my usual line of first defense when the world falls short of my expectations. Instead, I just sit with the feelings, unable to write until this morning.

I should be celebrating with you this week. Two paintings have left the studio for homes of their own and the small postcard size painting sketch that was sent to England for the TwitterArtExhibit sold on opening night. Over $10,000 in U.S. dollars were raised for a local charity, Molly Olly’s Wishes, in the first night. Instead, this morning these bright spots in an artist’s life seem garish, insensitive and above all, unimportant. What to do?

My answer comes easily. I shall post this note and go for a long walk and listen to the spring birds. I shall breathe in time with waves on the sea. I shall inhale the scent of the blossoms on the breeze. I shall run my hands along the length of the arbutus tree. Then I shall paint. This is what a landscape painter does. After this is done, then I shall see if there is anything else I can do. In times like these, first we must simply proceed until we decide what else can be done.

When was the last time you asked yourself to simply proceed?

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

 

Painting Spring

Something happened yesterday on the official first day of a late west coast spring. At the end of last week I was still in my contemplative winter mental attire. My grey, northern, rain forest interior is filled with homemade soup warmth, maybe a touch red-wine melancholy, smoothed over with by woolen thoughtfulness and a sparkle from a waterproof jacket garnish. It is a savory mix best served hot. During this time I often explore the underbelly of my daily life both in painting and in words. But the garment of winter fell free as easily as the first night of hearing the frogs in the pond in the valley below. Consequently, I had something intricate and dense simmering about the language of painting for this post. But it is not to be, at least not for this week. The joyous zealous brushstrokes of spring are here. Who can ponder at a time like this!?

So I dug through the archives and have chosen seven springtime paintings or painting sketches representing a variety of locations I have been over the past four years. There is a spring work to enjoy for each day of week. Happy spring!

Spring in Tuscany 20 x 30 cm acrylic sketch on canvas board and a rare painting where I have overtly included the painter in this Florence, Italy countryside.

Prints available HERE.

Villeneuve lez Avignon France 24 x 36 inch oil on canvas with its layers of memories and visible history.

Original painting available HERE.

Fremont Hills California Early Spring 18 x 24 inch walnut oil on canvas. Painted from a plein air day of reference material with a colleague and friend, Lena Levin.  We were just talking last week about how our paintings were so different even though we were standing almost right beside each other.

Original painting available HERE.

Cherry Blossoms Mayne Island Japanese Garden 20 x 24 inch oil on canvas. The gardens are a divine place to be in spring and a local year-around treasure.

Original painting available HERE.

Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas. Know as our real west coast, spring is the time that the sun breaks through the winter rains and spirits are lifted as high as the rollers coming in from the open sea.

Original painting available HERE.

Rolling Spring Storms Rocky Point PEI 20 x 40 inch walnut oil on canvas. Bit of weather out there today, someone will likely comment. Collars of light jackets will be turned up and tightened at the neck but the smiles, they tell us one thing – spring!

Original painting available HERE.

Blooming Point PEI 8 x 10 inch acrylic plein air sketch on gessobord. Spring comes a little later to Prince Edward Island. So on this particular year we had two springs! The first on the west coast Canada and then a most lovely second on the east coast.

Prints available HERE.

Now that we have been to Florence Italy and Avignon France in Europe, Fremont California in the United States, Mayne Island and Tofino on the southwest coast of Canada and finally to Prince Edward Island on the East coast of Canada, what about you?

Is it spring yet where you are?

And yes, I am publishing a day early this week. Why not, it is spring after all.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com