One Large Painting Delivered and Hung

The car is loaded with one large 60 x 36 inch framed painting for delivery and two small bags clothes for a three day weekend trip. We catch the morning ferry and upon filling the gas tank in Ladner B.C., we head cross country up the Fraser Valley and then over the mountain summits. There is snow on the sides of the highway but the roads remain bare with only occasional light rain. There are willows deepening in crimson reds and poplars with softening off-white yellowish bark as our late spring begins to warm enough for the tree sap to start to flow. Creeks and rivers are high and winter waterfalls still tumble-down in an endless flow that will eventually lead to the Strait we have just crossed at the beginning of our journey. Rock faces and mountain peaks are mostly still white. Then we come back down to where fruit trees are beginning to bloom and the grass is starting to grow. Stopping for a late lunch and to again get gas for the car, we call my sister to say we will be there in time for supper.

There is a plan in place for tomorrow’s hanging of the painting in a tall stairwell. My brother-in-law has arranged to be free for the day and has a ten foot step-ladder tied on top of his truck. That evening we talk about the logistics. We examine the hanging hardware and gather up a level and towels to go under the ladder. I already have a big thick measuring tape and a hammer in my toolkit.

The next morning my sister drives my car and I become the co-pilot putting the exact address into the GPS when we get closer to our destination. The drive is a little over one bathroom break away. With the large painting taking up the back of the car with the seats down, there is only room for two people. My husband David is riding with my brother-in-law in the second vehicle. My sister and I catch up and visit companionably as we go through towns and small communities along the lakes. With many turns and twists and climbs we eventually reach the art collector’s home.

I go and introduce myself and take care of the necessary paperwork and hand over a small gift of my latest coffee table art book As We Breathe. The painting is carefully lifted out of the back of the car and taken into the house to be unpacked. The ladder is brought in and set into place. We measure, discuss, and measure again or rather my brother-in-law does. You see, he is 6’ 2” tall. The ladder is 10 feet tall and the painting needs to be hung about 13 feet up from the landing on the stairs.

The hanging hardware with each hook rated for 75 lbs is in place. We move the ladder out from the wall until the outside leg is just on the edge of the landing. Now for the 20-or-so pound framed painting! I ask David to get down under the ladder on the far side. I carry the painting down the first set of stairs and bring it to other side. My brother-in-law reaches it from the top. David has it from the right side in front of the ladder. My sister gives us directions as we just barely have enough room to bring the painting around the front of the ladder without bumping either the wall or the ladder. We now have the painting situated between the wall and ladder. We lift up… and up again. My brother-in-law needs to move further up onto the second from the top step on the ladder. I have to climb the two steps up from the bottom and David reaches as far as he can. My sister steps on the ladder and braces to make sure it stays stable and the art collector reaches across the railing at the top right to help balance the painting. One side of the wire is hook. Then the other side is hooked. But wait a minute! The first side has come off and has to be hooked again. I am still stretching my 5’ 3 ¾ inches as far as I can to hold up my side of the bottom of the painting. We fight back a collective giggle. We instinctively know, this would not end well if we lose focus. Finally! It is hung!

The level is passed up the ladder and placed on top of the painting. All but one of us stands back at the top of the stairs and we stare at the painting. My brother-in-law taps and tips as we shake our collective heads. No. A little more up on the left. Too far! A little more to the right.  But after a few tries, all eyes and the level bubble agree, the painting is squared and centred to its world. Phewfff!

Now, would you like to see? Of course you would. I knew you would. So I asked if it was okay to take photographs.

Seaside Mayne Island, 60 x 36 inch oil on canvas, hanging in its new home.

And one from the side because this painting can be seen from various angles in the open concept layout of this lovely home.

So next time someone asks you how many people it takes to hang a painting, the best answer is likely – it depends…. but definitely bring the small car vacuum to whisk away the dust from the ladder!

What was your last adventure where you had to enlisted the help of family and/or friends?

Note: If you love the painting process posts, be sure to stop by next week because there is a new painting on the easel and I should be ready to share images from the start to the finish. Here is a little teaser…

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

 

Painting Spring

Something happened yesterday on the official first day of a late west coast spring. At the end of last week I was still in my contemplative winter mental attire. My grey, northern, rain forest interior is filled with homemade soup warmth, maybe a touch red-wine melancholy, smoothed over with by woolen thoughtfulness and a sparkle from a waterproof jacket garnish. It is a savory mix best served hot. During this time I often explore the underbelly of my daily life both in painting and in words. But the garment of winter fell free as easily as the first night of hearing the frogs in the pond in the valley below. Consequently, I had something intricate and dense simmering about the language of painting for this post. But it is not to be, at least not for this week. The joyous zealous brushstrokes of spring are here. Who can ponder at a time like this!?

So I dug through the archives and have chosen seven springtime paintings or painting sketches representing a variety of locations I have been over the past four years. There is a spring work to enjoy for each day of week. Happy spring!

Spring in Tuscany 20 x 30 cm acrylic sketch on canvas board and a rare painting where I have overtly included the painter in this Florence, Italy countryside.

Prints available HERE.

Villeneuve lez Avignon France 24 x 36 inch oil on canvas with its layers of memories and visible history.

Original painting available HERE.

Fremont Hills California Early Spring 18 x 24 inch walnut oil on canvas. Painted from a plein air day of reference material with a colleague and friend, Lena Levin.  We were just talking last week about how our paintings were so different even though we were standing almost right beside each other.

Original painting available HERE.

Cherry Blossoms Mayne Island Japanese Garden 20 x 24 inch oil on canvas. The gardens are a divine place to be in spring and a local year-around treasure.

Original painting available HERE.

Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas. Know as our real west coast, spring is the time that the sun breaks through the winter rains and spirits are lifted as high as the rollers coming in from the open sea.

Original painting available HERE.

Rolling Spring Storms Rocky Point PEI 20 x 40 inch walnut oil on canvas. Bit of weather out there today, someone will likely comment. Collars of light jackets will be turned up and tightened at the neck but the smiles, they tell us one thing – spring!

Original painting available HERE.

Blooming Point PEI 8 x 10 inch acrylic plein air sketch on gessobord. Spring comes a little later to Prince Edward Island. So on this particular year we had two springs! The first on the west coast Canada and then a most lovely second on the east coast.

Prints available HERE.

Now that we have been to Florence Italy and Avignon France in Europe, Fremont California in the United States, Mayne Island and Tofino on the southwest coast of Canada and finally to Prince Edward Island on the East coast of Canada, what about you?

Is it spring yet where you are?

And yes, I am publishing a day early this week. Why not, it is spring after all.

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Practice is a Painter’s Preparedness

Practice risk taking, practice discipline, practice different methods, practice boredom, practice not practicing but practice – insists the imagined studio master. Leading lines, point of view, colour harmony, rule of thirds, breaking rules, painting from life, painting from memory, painting wet-in-wet, using a dry brush method, starting with grounds or underpaintings, studying moving of light, noticing the cool and warm shadows…… practice!

But for what does a painter practice?

“Now, the answer to that” says the imagined studio master with a wink “is good luck.”

Not just any kind of “good luck” but “good luck” as described by Deepak Chopra where “Good luck is nothing but preparedness and opportunity coming together.”

 If we accept for the moment, that this is a workable definition, then what is preparedness to the painter? Practice! If we are enhancing our skills daily, we are more likely to be prepared when an opportunity arises. We will be able to recognize the possibilities in an ordinary and yet unexpected, profound moment.

By way of example I am going to share a story I reread recently in The Zen of Creativity by John Daido Loori on page 153-154… Ryokan, a Zen master and poet, lived in a simple thatched hut. He was born around 1758 and ordained at the age of eighteen. Shortly after receiving dharma transmission, Ryokan’s teacher died. The poet went to live in a hermitage on Mount Kugami, where he spent his time sitting zazen, talking to visitors and writing poetry. Many stories of Ryokan’s simplicity and his love of children have come down to us, as well as of his indifference for worldly honor. In fact Ryokan called himself Daigo (Great Fool)….. One evening, when Ryokan returned to his hut, he surprised a thief who was naively trying to rob the hermit. There was nothing to steal in the hut. Yet Ryokan, feeling sorry for him, gave him his clothes, and the thief, shocked, ran away as fast as he could. Ryokan, shivering as he sat naked by the window, wrote the following haiku:

The burglar – neglected to take – the window’s moon.

In the next paragraph by Loori continues… To be simple means to make a choice about what’s important and to let go of all the rest. When we are able to do this, our vision expands, our heads clear, and we can better see the details of our lives in all their incredible wonder and beauty.

This kind of simplicity and daily practice are what I seek for this next intention or project of The Moon is No Longer There. I believe it requires that I make a few changes in order to gain the perspective and rigor that is necessary. The moon is just an anchor and symbol of this intention, an everyday reminder.

But we know this don’t we? One of our greatest pianists today, Mitsuko Uchida, was recently quoted in an interview by The Telegraph as saying “It is not enough to play the piano – it takes a lifetime to understand music.” As I listened to her release each note of Mozart’s Concerto No. 20 in D minor K.466, with such preciseness, passion and excellence, I hear the music for the first time – every time that I listen. Her rigorous practice is visceral. I am, in that moment of listening, the breath between the notes. This same quality of practice is required for painting our natural world as well. It is not enough to paint a tree or a mountain or the sea – it takes a lifetime to understand our ordinary, everyday natural environment and translate these sensory experiences onto a surface. Painting from life by itself is not enough – it takes a lifetime to understand our universe. I can only hope that I may paint someday in the same way as Uchida plays! It is in the preparing or the daily practice, that I may possibly find an opportunity which provides me with the tools to render the essence of the universe in say – a single tulip.

detail-two-tulips-in-the-studio-18-x-14-inch-oil-on-canvas-by-terrill-welch-img_9096

Why am I so compelled by this project? I suppose it is an action that is driven by despair. I believe humanity has broken a sacred trust with nature. We are consciously destroying our natural world and ourselves in the process because of a pervasive character flaw – GREED. Our survival and the survival of our planet depend on our ability to understand and recognize our interconnectedness within the universe. We each have a responsibility to do whatever we can to address this situation. We are the only hope for one another and a large number of plants and animals. By our very breath, we depend on each other. Unfortunately, as an urban populous, we tend to be alienated from this simple fact. We can no longer see the moon and nor do wish to seek out its presence. For far too many of us, we have become intellectually and emotionally blind to nature and so the moon is no longer there.

This is why I must practice until I can bring you “the moon.” I must practice rendering our ordinary everyday with the best tools that I know how to use – my paints. I must practice until humanity collectively changes its ways. This is not work for a hero. It is work for the humble, the simple and possibly the fool. I find it comforting that I am not alone. This is work that is done with the companionship of many. It is collaborative work, as survival always is.

detail-one-tulips-in-the-studio-18-x-14-inch-oil-on-canvas-by-terrill-welch-img_9099

Paul Cezanne, shortly before his death in 1906, asked himself “whether the short time given us would be better used to understand the whole of the universe or to assimilate what is within our reach.” He goes on to say “I have to work all the time. I must strive for perfection, only for the satisfaction of becoming truer and wiser.” (The Life and Art of Paul Cezanne, May 5, 2014, Film, PBBS)

I find Cezanne to be an excellent companion to take with me on my travels.

The small slice of the moon or my practice that I bring you this week is…

Tulips in the Studio 18 x 14 inch oil on canvas

This is an alla prima work completed in the quiet warmth of a January afternoon in the loft studio. When I saw these beauties at the grocery store, I knew I would bring a few home as a reminder of our pending spring. Even on Mayne Island, there are no tulips this time of year. These flowers have been imported from some unknown location. Our natural world has traveled far to reach me this week and undoubtedly precious fossil fuels were burned in the process. So with this acknowledgement, and some guilt, I am determined that the sacrifice is not wasted. The elegant vase is on loan from a good friend. These kinds of colourful winter still life painting days warm my heart and keep my spirit light.

 

tulips-in-the-studio-18-x-14-inch-oil-on-canvas-by-terrill-welch-january-15-2016-img_9087

 

What practice is your preparedness?

As always, I would deeply love to hear from you and feel free to include links to your work. If this is your first time commenting on the blog, be patient, I will need to approve your comment this one time only.

If nothing comes immediately to mind, one simply practice that will engage others is in this project is to thoughtfully share this post and my work. By thoughtful, I mean introducing the post with a sentence or a paragraph of your own considerations and then invite others into conversation with you by hosting a question or an idea related to the post. Because together, we can do this hard thing – because we must! Our natural world, which includes humanity, is worthy of our efforts and is depending on us. In this I am hopeful!

And welcome to all the new Creative Potager blog followers! Thank you for joining me in my inward travels.

 

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

 

The Moon is No Longer There – notice of extended travel

Dear friends, colleagues, fans, collectors, followers and random connections, starting immediately, I shall be on an extended leave to travel. My purpose is to bring you “the moon” in a way you will remember and notice for all time.

Mayne Island Blue Moon rise July 31 2015 by Terrill Welch 2015_07_31 170

In order to do this, I must live my best life. I am required to travel deeper and even more focused than ever before. My intention is clarified. My inner compass is set. My resources and research materials are organized. I am about to begin my journey to capture something unforgettable, rare and valuable – our ordinary, everyday, natural world.  The new series of work “The Moon Is No Longer There” may take a year or a life time. Only one thing is absolutely clear – my spiritual, emotional and physical bags are packed. I am ready.

Christmas Day Full Moonrise 2015 20 x 16 inch oil on canvas

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To my 780 friends and family and the 190 followers of my personal profile and the 1,360 likes of my Art of Terrill Welch Page on Facebook, you are important, generous and supportive individuals. You have been significant and instrumental in getting 90 or so of my paintings out in the world since 2010. As I begin traveling this quiet and sacred inward journey, I shall keep you in touch by sharing links to weekly posts on my Creative Potager blog  HERE.

To the over 100,000 followers of my West Coast Landscape collection and the more than 47,000 followers of my Artist in the Art Studio collection on Google Plus, once a week postings will continue. Or, you may want to join the over 5,000 direct and indirect followers of my Creative Potager blog  HERE.

To my 4,100 tweet friends on Twitter, my experience tells me that you will most likely miss my weekly tweets completely. If you are truly deeply connected to my paintings and photographs, I suggest subscribing directly to my Creative Potager blog  HERE.

For all other social platforms such as Instigram or Ello, please be advised via this shared post that I shall only infrequently send a signal in a new post to let you know I am alive and well. You are great. You are even awesome and this is not about you. It is all about me. If you are still reading this, I am sure you have figured out what to do if you desire to come traveling with me. Yep! Follow my Creative Potager blog HERE.

For those that only wish to be notified when new paintings are released, the best option is to follow my website posts on TerrillWelchArtist.com  HERE. If you are looking for something in particular or want to see if you have missed a recent painting release just go to the Galleries page on this website and head on over to my Artwork Archives online gallery  HERE. This online gallery will always have the most current released work and let you know what is sold.

So, that is it my lovely fellow human beings. Having captured a spray of tulips in the studio this morning, I am sending them along with compassion, love and humility! I am traveling light, with conviction, trust, integrity and a small measure of reckless abandon!

bunches-of-tulips-by-terrill-welch-img_8864

If, for any reason, you do need to contact me, email, painting inquires in the online gallery, private messaging or telephone calls and text messages will still be monitored and answered along with comments on posts.

I wish you all the best in living your very own best life!

Terrill

p.s. I understand that this is going to be different and a little strange for both of us. And it will be fine, it may even be great.

p.s.s. The Beauty of Oil Paints class and its private Facebook group are not impacted by my travel schedule.

What arrangements are you making to live your best life?

© 2017 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Process of Painting Centuries of Seasons

What follows is the process of painting “Centuries of Seasons” inspired by the Currie heritage road on Prince Edward Island.

centuries-of-seasons-heritage-road-pei-24-x-30-inch-on-wood-resting-by-terrill-welch-nov-11-2016-img_2653

On this day, November 11, 2016, the painting “Centuries of Seasons Heritage Road PEI” 24 x 30 inch walnut oil on wood comes to rest, overturning most of the grey disillusionment of the past few days with the curious unexpected results of the United States election and the more anticipated death of Leonard Cohen at the age of 82 years. It is also a day of remembrance for all of those who have fought for our freedom. And finally, it is my grandson’s fourth birthday. This hodgepodge of events, experiences and emotions are most fitting to brushes, paints and a painting surface.

Today, I am drawn to the words of Canadian painter Ozias Leduc (October 8, 1864 – June 16, 1955) who lived to be 90 and was born and living much of his life in Saint-Hilaire Quebec. During his career he decorated more than 30 churches and chapels in Québec, Nova Scotia and the eastern US. The last major project he accepted at the age of 76 was a request to providing the mural paintings for the Notre-Dame-de-la-Présentation, Shawinigan-Sud. The work was completed between 1943-55. Besides his religious commissions for churches, he rendered many easel paintings including portraiture, still life, and landscape paintings. The latter paintings were mainly from his intense study of the landscape that were then painted from memory and imagination in his studio home.

“Art teaches, informs. It uncovers the soul. No doubt it also has the power to sort the chaos of the unconscious into an orderly cosmos. It leads from disorder, suffering and unbalance to stability, harmony and joy.”

(Ozias Leduc, in a letter to Paul-Émile Borduas, 1943)

1-centuries-of-seasons-at-the-start-in-the-studio-by-terrill-welch

“The sole mission of the artist is to express beauty. Beauty without servitude. Beauty as unconstrained as space and time.”

“If the earth were strictly utilitarian it would not be so dear to us. Our eyes seize all of its dazzling sights.”

(Ozias Leduc, sometime in the late 1920s, from the “Ozias Leduc Documentary Canadian Painter” directed by Michel Brault, 1996)

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Leduc was not influenced by contemporary Canadian artistic currents and trends, and he held only one important exposition, which was at the St-Sulpice Library in 1916. By helping to promote the career of Paul-Émile BORDUAS, he became quite popular late in his career. He also left many texts, poems and short reflections on art. His feelings about modern painting are expressed in the mystical thought that man lives searching for the paradise he hopes to regain through a knowledge of nature and the beauty of art.

(Canadian Encyclopedia.ca)

3-centuries-of-seasons-at-the-beginning-by-terrill-welch-img_2547

“I do not have a style of my own and do not choose to have one. Every time I paint I am seeking something.”

(“Ozias Leduc Documentary Canadian Painter” directed by Michel Brault, 1996)

4-centuries-of-seasons-in-process-by-terrill-welch

This painting has been completed during these events and with these guiding words from a Canadian painter from before I was born. It might be said to have begun on a drive down the Currie Heritage Road on Prince Edward Island this past May.

5-centuries-of-seasons-heritage-road-pei-24-x-30-inch-on-wood-almost-done-by-terrill-welch-nov-9-2016-img_2563

It might be said that I only trust my brushes today and not my own words and convictions. This is true though not uncommon I would think to seek the experience of wise counsel when processing ones own experiences.

It might be said to have begun with the first trees I ever painted. This likely equally true because to know a tree well enough to paint is to spend years in its company.

It might be said that the centuries of seasons in this painting have no beginning and no ending. This too is true as we can observe that the road has worn away from years of passage over its red dirt surface.

But the work has come to rest and this is a record of the process of its completion.

Centuries of Seasons Heritage Road PEI 24 x 30 inch on wood “resting” by Terrill Welch

centuries-of-seasons-heritage-road-pei-24-x-30-inch-on-wood-resting-by-terrill-welch-nov-11-2016-img_2653

The painting will be released once it is truly considered completed, has dried and a final photograph taken.

Now my brushes shall be cleaned and the painting shall rest. Good day to you!

 

What wise counsel is guiding your day today?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

In the Words of Strangers

By now you may have guessed, as a Canadian artist, I often have conversations strangers about my work when I am traveling. It comes with geographic proximity to my landscape subjects and other human beings. These engagements are frequently brief and fleeting in nature but this does not diminish their impact as a kind of concrete gentle-kindness to fortify my solitude as I put brush to canvas over and over again.

detail wave Sea and Sun Cox Bay Tofino BC 24 x 48 inch oil on canvas by Terrill Welch July 15 2016 IMG_7009

This same kind of engagement also happens through the vast and complex inter-connectedness of the world-wide-web.

Oh, I suppose could tell you about new works painted, several art shows and painting sales in the month since I have been home (my website has this information if it is desired). But, it has also been an unprecedented time of quiet recognition of my work. Complete strangers often contacted me to make requests about sharing my work elsewhere online. In the process, they frequently articulated why they wish to do so. Sometimes their words leave me rather stunned and deeply humbled with gratitude. Here are a couple of brief snippets as examples…

Received in my inbox today:

“I discovered your paintings from a Google image search of paintings of the Canadian coast. I grew up in ….. BC and spent much time sailing through Desolation Sound and the Gulf Islands. You’re paintings truly capture much of the beauty inherent in the
region. I was wondering if I could share one….”

Fog Inside Passage 12 x 24 inch oil on canvas

fog-inside-passage-12-x-24-inch-oil-on-canvas-by-terrill-welch-2013_02_03-064

Details and purchase information available HERE.

What do you think my answer was to this request!?

And here is part of a public comment this week on my TerrillWelchArtist.com website contact page:

“I have to tell you –though I hesitated to write this because I did not want to provoke anything which might disturb whatever wonderful thing it is that enables you to produce these works–I have spent numerous hours at the Musée du Quai d’Orsay fixed on one or another impressionist painting–usually one by Van Gogh. Your paintings have a similar effect. Your artistic sensibilities, while uniquely yours, seem to have a resonance with what I see communicated through Van Gogh’s pieces. Please don’t take offense at a comparison. Your work is truly original and beautiful–as is his. No mere imitator of Van Gogh, however talented, could ever hope to match this peculiar sensibility. I’m convinced that it must be something innately shared and, for me, your work expresses it in a way that’s of course your own. But these works could easily hang beside anything in the Orsay’s permanent collection.

It is no wonder to me that collectors snap up your paintings as soon as you finish them. If I had a fortune or was a curator at a major museum, I’d be collecting your paintings with the same interest that I’d have for any work by Van Gogh or Matisse or Raoul Dufy.”

Signed “P.”

One of the paintings of particular interest to this individual is Spring Tea, 16 x 20 inch oil on canvas, one of three paintings showing this weekend on Mayne Island at “La Vida Rústica” — multi-disciplinary reflections on the rustic life.

Spring Tea 16 x 20 inch oil on canvas plein air by Canadian Artist Terrill Welch 2015_04_25 140

Well, I must say, I really don’t know what to say when faced with such frank remarks…. except thank you, thank you – Thank You!

What is particularly powerful and meaningful to me is the clarity with which the paintings moved these commenters – it is as if the brushstrokes were felt even more than they were seen. There is no higher compliment or recognition as a painter I could ever wish for my work. This is a clean and perfect match to my intention and the driving force that brings me back to the studio again and again.

May the painting continue, without interference, and yet gently supported by the words of strangers!

On that note, I think we shall conclude with one of the latest paintings and the first large works from Prince Edward Island the East Coast of Canada.

In Studio placing last brushstroke on first large East Coast #PEI painting by Terrill Welch  IMG_6453

 

Can you share a time when you were moved by the insight and kindness of a stranger?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Until later Prince Edward Island as I leave with more painting sketches

Has the past three weeks really gone so fast that I have not intrigued you with my gallivanting from shore to hill to shore again? Well it seems so though I did share ten sketches on the website update, there has been more – so much more! But one must choose what to share I think, otherwise boredom will have you on the next global surf for website spectacular viewing. We must get on with it!

Let’s see…. oh yes, we shall start with just a few of the latest painting sketches and then a handful of photographs of subjects I find particularly fascinating.

I can never seem to get enough of the red dirt and sandstone of Prince Edward Island!

South Shores PEI study 8 x 10 inch acrylic sketch on gessobord

South Shores PEI study 8 x 10 inch acrylic sketch on gessobord by Terrill Welch IMG_5264

Cape Bear on edge study 12 x 9 inch acrylic sketch on gessobord

Cape Bear on edge study 12 x 9 inch acrylic sketch on gessobord by Terrill Welch IMG_5259

Wind Swept Murray Head PEI study  11 x 14 inch acrylic sketch on gessobord

Wind Swept Murray Head PEI study 11 x 14 inch acrylic sketch on gessobord by Terrill Welch IMG_5245

Hilltop View Above DeSable River PEI study 8 x 10 inch acrylic sketch

Hilltop View Above DeSable River PEI study 8 x 10 inch acrylic sketch by Terrill Welch IMG_5492

But in truth, it is the relationship between land, sea and sky that keeps my attention no matter if it is red or white sand and stone.

Fogged In At Basin Head PEI Study  8 x 10 inch acrylic sketch on gessobord

Fogged In At Basin Head PEI Study 8 x 10 inch acrylic sketch on gessobord by Terrill Welch IMG_5530

But there are also the lighthouses…

West Point Lighthouse 1875 PEI

West Point Lighthouse 1875 PEI by Terrill Welch IMG_4851

Colourful fishing huts…

Georgetown Harbour PEI

Georgetown Harbour PEI by Terrill Welch IMG_4896

And the churches…

This one comes with a story about its photographic capture even:

I almost didn’t get this photograph of the Roman Catholic Church of the Immaculate Conception, built 1848, in Brae, PEI. You see, there is at least one or sometimes two churches, of some sort it seems, within walking distance of pretty much every farm and fishing village on Prince Edward Island. There are large churches, small churches, plain churches, beautiful churches and unusual churches. Many, like this one, only open the doors for special occasions and eventually may be lost to more central houses of worship that can be reached easily with a vehicle. But, in a day’s adventure on this gorgeous island, we see a lot of churches!

Traveling with a landscape photographer, who is also the driver, can get more than just a little bit tedious. There is a lot of stop and go. There can be lot of turning around and going back even. So, by the time I spotted the Brae church through the trees and a ways over the fields and trees, my sweet husband was just about ready to crumble into a two-year old’s meltdown of angry despair. He is an extremely patient man but there are limits. Turning on the signal and thinking as fast as I can, I shout – LAST PHOTO OF THE DAY! while simultaneously and silently praying to the gods of fading light that I might be able to keep my word without regret. I didn’t dare look sideways at him, not even out of the corner of my eye. I just kept driving and searching for a photograph of the church from various angles as we approached. I knew I was only going to get to stop the car once without the floodgates of frustration overflowing the banks of spousal goodwill… and I was going to have to be quick about it. We were approaching the end of a long day, both of us hungry and tired.

At first I couldn’t find the shot. There were power lines everywhere and very little to use for context. Then I saw a small bridge and zipped across. Turning into the Brae Harbour Rd, I spin a slow u-turn and park. I leap out of the car and jog across the road. I had it! Last photo of the day – with nothing more than a heavy sigh and a grinning shaking of his head as he asks – did you get it!?

Phewffff! Love wins another round!

Roman Catholic Church of the Immaculate Conception 1848  Brae PEI

Roman Catholic Church of the Immaculate Conception 1848 Brae PEI by Terrill Welch IMG_4862

And then there are red dirt back roads….

Eliot River Rd PEI

Eliot River Rd PEI by Terrill Welch IMG_5362

Fresh leaves gracing Currie Rd PEI

Fresh leaves gracing Currie Rd PEI by Terrill Welch IMG_5394

Farrar Rd PEI

Farrar Rd PEI by Terrill Welch IMG_5397

No matter where we went, from North Cape to Cavendish to Summerside to St. Peters Bay, to East Point to Georgetown, to Murray Head to Rocky Point or just on the streets of Charlottetown, we were welcomed with exemplar Canadian kindness! Prince Edward Island has managed to cultivate the best of rural and urban living in its small province and it is a place that warms the heart and lifts the spirit. We will be back. We have made a promise to ourselves to have me come and work in the fall to early winter, maybe in 2017, to capture the landscape again in painting sketches and photographs during the autumn season. For now, I must go home and start working up the Prince Edward Island landscape onto larger canvases using the reference material I have gathered over the past seven weeks. I owe a huge thanks to all the islanders who have welcomed me and shared their favourite places and advice. There are too many to name but you know who you are! Thank you!!! Until we meet again!

 

I usually end with a question but I actually have not one to ask today so…

 

What question might you like to ask today?

 

P.S. Save the date for Mayne Island, B.C. – West to East Coast Art Show featuring new landscape painting sketches and recent large oil paintings by Terrill Welch on Sat. July 9th 1-4 pm and Sun. July 10th from 11 am – 4 pm at the Mayne Island Community Centre, 493 Felix Jack Road.

Terrill will be displaying over 18 of her new east coast painting sketches (prints of these works can be ordered) from her trip to Prince Edward Island this spring along with recent west coast landscape paintings that will be available to purchase.

During this pop up show, Terrill will be painting live and demonstrating how her work goes from a collection of sketches and photography reference materials to the final large oil paintings.

Come experience the magic of these landscape renderings of Canada’s west and east coasts as they are captured and translated by Terrill Welch with her brushes and paints onto medium and large canvases.

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

A few painting and image snippets of Prince Edward Island

During the last two weeks, I have taken my camera and brushes to Cavendish, North Rustico, Dalvay Beach, Savage Harbour, Blooming Point and St. Peters Bay on Prince Edward Island, Canada’s smallest province. Though it is May, the weather is mostly wool-sweater cool, with the occasional breezy sunny day.  The potatoes are being planted and the daffodils and magnolias are blooming. However, it can still get down below freezing at night. But the light! It is a photographer’s and painter’s jewel-of-a-life-time in the early mornings and anytime before ten o’clock on this fine island during the month of May. Working our way along the north shore towards the east, let’s have a look and see what we have for you in the albums.

Cavendish is the setting for the fictional Anne of Green Gables stories and these stories are the most commonly referenced attribute when I mention Prince Edward Island. I found that it was impossible to resist a wee ramble up to the Cavendish cliffs with its rather tame wild rabbits (there are signs NOT to feed them but, from the behviour of the rabbits, I don’t think this is heeded).

Sitting with the view at Cavendish PEI is for my mother who deeply enjoyed “the Anne books.” I, on the other hand, humbly admit, to never turning a page in even one of these books.

Sitting with the view at Cavendish PEI by Terrill Welch May 11 2016 IMG_3745

When I whispered this to someone in a tweet, she replied “I am pretty sure you can get your Canadian citizenship revoked if this gets widely known… or get voted off the island.”

Okay, I will think about reading them… maybe this fall or winter when I am working in the studio on larger oil paintings of this area. After all, I really don’t want to get dangled off the cliffs of Cavendish.

Cliffs of Cavendish PEI by Terrill Welch May 11 2016 IMG_3816

Something to think about while I am waiting for the ground paint to dry for a quick plein air painting sketch.

waiting for the ground paint to dry Cavendish PEI by Terrill Welch IMG_3797

As you can see, in the few minutes between photographs, the clouds are moving so fast that the sea cannot settle on a colour. I love this about the sky and the sea and how they talk and sometimes even shout at each other.

quick plein air painting sketch at Cavendish PEI by Terrill Welch May 11 2016 IMG_3809

Pulling on my heavy wool sweater, sleeves rolled up, I work as quickly as I can. The waves coming ashore provide a diversion from my stiffening fingers.

Wave connecting on the shores of Cavendish PEI by Terrill Welch IMG_3757

I end my reference work with “Shores of Cavendish in May PEI” 8 x 10 inch acrylic sketch on gessobord.

Shores of Cavendish in May PEI 8 x 10 inch acrylic sketch on gessobord by Terrill Welch IMG_3821

I could stop here and it would be a complete blog post. However, this is not wise. I do not have much time for blogging. Even though the post will be long by the time I am finished, we had best continue. This is a good time for you to get a beverage of choice and snuggle right into the adventure……

Earlier on this same morning, long before it was warm enough to want to stand still and paint, I meandered around North Rustico which is just a little further to the east of Cavendish. Pleased with my reference images, I am not sure yet if I will make it back for a painting session. It was about 7:00 am or so when I took these.

North Rustico bathed in early morning sun PEI

North Rustico bathed in early morning sun PEI by Terrill Welch IMG_3688

There is nary a fishing boat in sight at the Warf because lobster season opened on the 1st of May.

Seagulls Nest Rustico Harour PEI

Seagulls Nest Rustico Harour PEI by Terrill Welch IMG_3701

North Rustico Lighthouse PEI where red sand drifts up from the shore and onto the dirt road.

North Rustico Lighthouse PEI by Terrill Welch May 11 2016 IMG_3733

Continuing east, over hill and dale along the coast, a person will eventually arrive at Dalvay Beach. On this particular day I am joined by CBC Host/Producer of Mainstreet PEI, Karen Mair, who does an interview with me for a 5-6 minute guest appearance sometime next week on her show.

Standing on Dalvay Beach cliffs plein painting PEI by Terrill Welch IMG_3869

I am a happy painter – more red sand and warm hues to work with.

Dalvay Beach PEI 9 x 12 inch acrylic sketch on gessobord

Dalvay Beach PEI 9 x 12 inch acrylic sketch on gessobord by Terrill Welch IMG_3903

I am sure that one can’t truly claim to have been to Prince Edward Island unless they have ground red sand between their teeth after being blasted by a cloud of grit on the beach or stomped the red mud from their shoes before going in doors. This was my plein air adventure on Mother’s Day.

PEI red mud by Terrill Welch May 8 2016 IMG_3373

A friend who moved to Charlottetown three years ago took me to her favourite beach at Blooming Point. It is a warm day with fog drifting in off the water. The filtered light is perfect!

Mother's Day Blooming Point Beach PEI by Terrill Welch May 8 2016 IMG_3423

My friend walked with her dog and read while I painted.

Plein air painting at Blooming Point PEI by Terrill Welch May 8 2016 IMG_3418

Blooming Point Beach PEI 8 x 10 inch acrylic sketch on gessobord

Blooming Point Beach PEI 8 x 10 inch acrylic sketch on gessobord by Terrill Welch May 8 2016 IMG_3421

There is a large painting to come from these reference materials of Blooming Point. I can feel it in my bones!

Then there is this one day where the wind howled and I had to hang onto the car door to keep it from coming off its hinges when I stepped out to take photographs. In fact, 92 % if the island’s power was generated by wind on this day. Despite the wind, the afternoon light was stunning.

The relationships between land, sky and sea has never been stronger.

Atlantic Ocean north shores PEI by Terrill Welch May 9 2016 IMG_3505

Shores to sea, Savage Harbour PEI

shores to sea Savage Harbour PEI by Terrill Welch May 9 2016 IMG_3577

St Peters Roman Catholic Church built in 1927 next to a ploughed field PEI

St Peters Roman Catholic Church 1927 ploughed field PEI by Terrill Welch May 9 2016 IMG_3618

The red field brings up the third aspect of Prince Edward Island notoriety – potatoes!

Fields of red St Peters Bay PEI.

fields of red St Peters Bay PEI by Terrill Welch May 9 2016 IMG_3646

 

Well, there you have it!  A few snippets from the past couple of weeks. There is more of course but it shall wait for another time. I feel as if I have collected what I came to gather. Now? I am on bonus time – with still another month left to explore! I am beaming widely and relaxing into our adventure here on the east coast of Canada. So, I leave you with this novella-length post and I am off!

 

What creative adventure are you relaxing into today?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

What a Difference a Day Makes arriving in Charlottetown Prince Edward Island

It is 2:30 am when the taxi dropped us off into the quiet dark of Water Street. We have arrived in Charlottetown, Prince Edward Island from Victoria, British Columbia after making two connections – one in Vancouver and one in Toronto. The key was right where it was suppose to be along with a note from our hosts. We slipped into our small well-appointed circa 1857 house apartment. I send a quick note to our emergency contact that we were safely at our destination and it is lights out. This lasted until 5:30 am when I awoke to the beginnings of an east coast day. I toss and turn for an hour and then give up. There is nothing to do but get out there and join the rising sun! I head around the corner and down a small hill and I am at Confederation Landing.

Lower Water Street Charlottetown PEI by Terrill Welch IMG_3040

The upside down world of the harbour seems most fitting.

upside down world in the harbour Charlottetown PEI by Terrill Welch IMG_3044

There is a stunning art installation that will keep me coming back many times.

Art instilation at Conferdartion Landing by Terrill Welch IMG_3029

There is frost on the boardwalk.

Frost on boardwalk Confederation Landing by Terrill Welch IMG_3023

Pussy willows just budding out.

pussy willows in morning sun PEI by Terrill Welch IMG_3034

Crocuses coming up under the shrubs.

Crocuses morning sun by Terrill Welch IMG_3026

All these wonderful signs of early spring! Little did I take to heart just how early a sign of spring it really was.

After a solo breakfast at a place down the street recommended by the city worker near the landing, I make my way over to the long boardwalk of Victoria Park. David is much more sensible and is peacefully getting a goodnight or rather day’s sleep.

boardwalk Victoria Park Charlottetown PEI by Terrill Welch IMG_3047

Around the corner an old farm sits disappearing even with its well-worked fields.

all but gone PEI by Terrill Welch IMG_3070

I see my first small lighthouse and smile. It has been a good morning.

Lighthouse near Brighton Rd Charlottetown PEI by Terrill Welch IMG_3071

I go back to the apartment, fall into bed and sleep for another couple of hours. Our host and his daughter knock to welcome us and we have a great visit about this and that and everything. My paint supplies hadn’t yet arrived at his office. Our luggage will be coming later today as it wasn’t able to keep up with us yesterday – just ordinary friendly chit-chat in that warm PEI kind of way.

Once they leave, I started poking at David to get up so we can more easily get into eastern time.

We go for lunch at Terre Rouge and I have the best seafood chowder -ever! David decides on baked mac and cheese. I eat his salad. We each have a glass of wine. Even though this is breakfast for David, it is three o’clock in the afternoon. Have I ever said that we travel well and even better together?

Note: If you are planning a summer visit and think you might like to try Terre Rouge, a reservation was made while we were there for July 19th for two. I asked the server if this was common and she said anyone who had been to Charlottetown during the high-tourist summer months knew to make reservations ahead of time. So there you go, decide where you would like to eat in July and make the booking for the occasion at the end of April. No problem.

After a wander around the old town area we decide to go back to the boardwalk in Victoria Park. The beautiful large old dames along the shore are in perfect afternoon light.

white dames along the shore Charlottetown PEI by Terrill Welch IMG_3084

We decide to sit in the late day sun on a freshly varnished bench in this highly polished city. A woman walks by and says “Nice to not be sitting in snowbanks isn’t it?”

I agreed and let her know that we didn’t see snowbanks last winter as we were from the southwest coast of Canada. This lead to a lengthy exchange which let us know, among other things, that the first cruise-ship arrives on May 2nd. This explains why there was a whole hive of city workers scrubbing and cleaning away the leftover remnants of winter.

After the woman walked on, David turns to me and comments “you have 32 new friends and you haven’t even been in Charlottetown 24 hours!”

He may be over-estimating, slightly, the number of people we have spoken with since arriving but not by much. Everyone we meet seems to take their role as a city ambassador seriously. They are proud of their island and their city. When we ask, many people tell us they have lived here their whole lives.

As a way of explanation, people give a soft shrug and say something like “it is a good place with good people, no need to really go any place else.”

There is only one other place we have visited in recent years that can match PEI for warmth and friendliness. This a small community on the outskirts of Florence in Italy. This kind of generosity of spirit and kindness is not something one should ever take lightly. We crawl into bed that night already feeling settled and at home. Tomorrow will be another day and what a day it is….

The bright sun and light-sweater-wearing of the day before are lost behind drifting snowflakes and just below freezing temperatures.

snow covered boardwalk Charlottetown late April PEI by Terrill Welch IMG_3107

There is a white blanket on the boardwalk and the harbour is slow to wake.

Harbour morning late April Charlottetown PEI by Terrill Welch IMG_3099

The air is crisp and refreshing and the crocuses look to me as crocuses should, their beauty always most accentuated when wrapped in snow.

crocuses dusted with late snowfall Charlottetown PEI by Terrill Welch IMG_3102

I see a break in the cloud cover to the north.

light dusting of snow April 28th Charlottetown PEI by Terrill Welch IMG_3114

I am thinking the snow flurries won’t last as I admire the conte-red of the sandstone lining the Charlottetown harbour.

conte red sandstone lines harbour Charlottetown PEI by Terrill Welch IMG_3109

But I am wrong. It is snowing again as I head back down our street and it continues off and on for the rest of the day.

Water Street early morning April 28th by Terrill Welch IMG_3122

Like any seasoned traveling artist, I know a window of opportunity when I see one. We gather ourselves up to go and get groceries for the next couple of days. I always love organizing a kitchen with the things we appreciate.

shopping day Charlottetown PEI by Terrill Welch IMG_3125

There are little black-cap birds using the bird house outside the window and neither they nor us really mind the snow at all. I make chicken stew with PEI potatoes for supper, along with a side of salad greens smothered in delicious olive oil and balsamic vinegar from “Liquid Gold – tasting bar and all things olive” and artisan buns from Breadworks, difficult to find but so worth it! I served a Prince Edward Island medium dry Gamay Noir from Matos Winery & Distillery for a perfect pairing – a beautifully light-bodied red that should satisfy right into warmer weather.

By just before sunset the skies clear and I meander off to Victoria Park for a stroll. The grand ladies along the shore are looking extra fine this evening.

Last Light April 28 3016 Charlottetown PEI by Terrill Welch IMG_3163

Tomorrow will be Friday and I promise myself that I will sleep late and I do.

I rise at 8:45 am to make coffee, a cheese sandwich, apple slices and carrots. My paints arrived yesterday afternoon and it is going to be a painting day! I check the temperature and it is plus six with sunshine. I head back to the harbour close to home. Then I run back and get my heavy wool sweater. The wind is picking up to a brisk clip. I decide it is still doable but need to use my big camera as a weight hung from the bottom of the easel to keep it from blowing over. I persevere. There are only a few other people out this morning in a city that seems to walk almost as much as drive. It is cold. My hands become stiff. I must focus hard to work the brushes and keep my teeth from chattering. Then I drift into that space that painters do and the quick sketch seemed to complete itself.

Plein Air painting Confederation Landing Charlottetown by Terrill Welch iphone

I am happy with it. The light here has a sharp edge that bites with harsh contempt for the camera long before midday. This is only our third day in Charlottetown. There are new colour harmonies to rendered and I am pleased to be back at work after taking time out for the actual travel and to get orientated in our new surroundings. I am looking forward to the weeks ahead as our second spring of this year unfolds before us. Welcome to Prince Edward Island, Canada dear readers!

 

What are you looking forward to this spring?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

The Wildest of the Wild West Coast of Canada Adventures

Some people go on vacations. They want to kick back and relax. A holiday from the grind of their real life they say. Not me! My real life is already scrumptiously engaging and meaningful. Though a little sunshine in just the right place never hurts.

Sun and Sea dance Frank Island Tofino British Columbia by Terrill Welch IMG_1751

When I leave home, I usually want to do more of what I do already in an ordinary day.

Terrill Welch on holidays by Josie Olszewski

I therefore call these gallivants-into-the-unknown, adventures! This latest six-day trip was to Chesterman Beach over on the wildest of the wild west coast in southern Canada, Tofino.

Wickaninnish Inn and the Sea by Terrill Welch IMG_1723

There is nothing like rain in a rain forest. Just put on that rain gear and go for it! Neither the giant trees nor you will mind in the least.

Rainy day forest walk with Josie and O boys iPhone capture by Terrill Welch

Or maybe the weather breaks for a few moments so you head for the beach again to… dig a hole, or play in the creek, or maybe you want to practice your clambering skills? Definitely a life-long ability worth refining in rough terrain. You just never know when you might want to climb straight up a hillside for a better view or down over some rocks to get that perfect angle.

the art of climbing by Terrill Welch IMG_1761

Or, how about a little plein air painting? Five years old

Eldest O boy at five years old painting on Chesterman Beach iPhone capture by Terrill Welch

or fifty-seven years old, it is all good!

plein air painting on Chesterman Beach by Terrill Welch 2016-03-22 IMG_0734

If it is crazy unpredictable weather, go anyway. Get out there and stretch those limbs!

beach walkers on Chesterman by Terrill Welch 2016-03-23 IMG_0830

Sun, rain, hail or high seas you will love it! I am as sure of it as these three are.

Josie and the two O boys on Chesterman Beach iPhone capture by Terrill Welch

But, for a landscape painter, that isn’t the last of it is it? The adventure continues back in the studio. Here are two of the latest Tofino oil paintings.

On the Rocks in Tofino 24 x 30 inch oil on canvas

On the Rocks in Tofino 24 x 30 inch oil on canvas by Terrill Welch 2016-03-30 IMG_2079

and Chesterman Beach Sunset 20 x 24 inch oil on canvas UPDATE: SOLD April 8, 2016

Chesterman Beach Sunset 20 x 24 inch oil on canvas by Terrill Welch 2016-04-01 IMG_2064

These will be available in my online gallery along with other work if you care for more information.

Now that is an adventure! My deepest thanks to the O family for inviting me along.

Stay tuned for the next traveling artist trip which will be to the East Coast of Canada for seven weeks on Prince Edward Island. Estimated time of arrive is late April.

 

Where is your next adventure going to take you?

 

© 2016 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com