Art Opening

The large canvases are wrapped in sheets and plastic and stacked with even larger pieces of cardboard lying in between. We ceremonially carry each painting and place them into the back of my rather tired old ford pick up. The plywood dry box is already carefully stuffed with smaller canvas oil paintings. Now ready to drive the short distance to the exhibition venue I realize Miss Prissy’s cargo is worth many times more than she. But as usual, she doesn’t seem to mind. I am sure there isn’t a snobbish piece of metal in her paint-chipped body.  Tomorrow, STUDY of BLUE will open.

The Oceanwood Restaurant and Inn has done a fantastic job of creating gallery space.

We take our time, deciding on the best location for each piece of work.

The next evening, with toes sparkling new polish, finger nails buffed and decked out in a very fun balloon dress I open the show.

I handed my camera to my daughter Josie who did her best to capture the evening. However, she said people kept looking like deer in the headlights so she stopped taking photos after a while.

We do have a few though.

The food was extra delicious, delicately flavoured and served with elegance.

And there is nothing quite like seeing a painting through a grand piano.

Somewhere between 40 and 50 art-loving individuals wandered around looking at each painting.  Stepping forward. Then back. Then on occasion bringing a friend over to have a look as well. Sometimes eyes would snap with excitement and an intrigued viewer would say: “That one! That one is my favourite.”

My favourite comment of the evening was from a long-time resident who came by near the end of the evening to thank me for putting on the exhibition.

“It is good, very good. We now have culture right here on Mayne Island.”

I don’t think there was ever any doubt but it was a pleasure to be a spark for such sentiments. I would like to thank the Oceanwood Restaurant and Inn because they are ultimately responsible for orchestrating such a classy event which then garnered this comment.

At the end of the evening FIR TREE SKY sold to a lovely couple from Michigan, bringing the total sales so far for this exhibition to four original oil paintings. Considering our economic climate, I am pleased with these early results.

What is next? I have an offer to show at a venue on Salt Spring Island. I have an invitation to hang a piece or two in another local venue. There is a restaurant in Vancouver that is accepting original art work. I have also been asked to provide a cover image and feature interview for a regional magazine’s September issue. But I am wondering, is it time to seek gallery representation? If so, where might be a good place to start? Or do I put my focus into building my direct relationships with buyers? Or is it both? Possibly both but I am still thinking. While I think I shall paint.

Thank you for your special part in the STUDY of BLUE journey with me here on Creative Potager, and on twitter and facebook.

Sprout question: What is creatively next for you?

STUDY OF BLUE solo exhibition is up until July 27, 2011.

Note: Current paintings available can be viewed and purchased at TerrillWelchArtist.com

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

An invitation to buy a painting

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Apple Blossom Special

I am so close to, but not quite, finished my last painting KEEPING WATCH of the 15 that will be in my solo exhibition, STUDY OF BLUE, opening June 30, 2011. You are going to have to wait – maybe Friday, depending on how my week goes.

To sustain you until then, I have some lovely apple blossom photographs.

and another….

and another….

and another….

until finally, they are dancing on the branch….

(image may be purchased here)

By the way, I had the most amazing Friday the 13th. Two of my original oil paintings were sold in pre-sales and will be off to new homes July 27, 2011 at the close of my upcoming show.

ORANGE SEA will be off to a collector  in Victoria, B.C. Canada.

HEAVY CLOUD will be off to a collector in the United States.

May the pieces enrich and bless their new owner’s lives for years to come.

Friday must be one of my good luck kinds of days!

This now means that three of the fifteen paintings to be shown are already sold. A very good beginning – don’t you think?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

Sprout question: If you could choose anyone of the STUDY OF BLUE paintings to hang on your wall which would it be and why?

(and please don’t say the one I haven’t finished yet, it just might hurt my feelings)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Story of the HENDERSON HILL Original Oil Painting

Have you every had that feeling where you know you have made a mess of something and there is nothing you can do but start over again? My painting of HENDERSON HILL has come out of such an experience.

The beginning started reasonably well. I had decided to do my underpainting in blues so I could paint on it wet.

The elements of the composition settled into place without much trouble.

I continued to paint, working happily away until…

It was a mess. I poked and dabbed and added and moved the paint around on the board. It did no good. The painting appeared to be resisting my best efforts. There was nothing left to do. I scraped.

But the idea for this painting still intrigued me. I waited. This past Saturday, ten days after my first attempt, I try again. It needs some finishing touches but I believe it will make a painting.

Yesterday, I finished it.

(prints available of this image here)

HENDERSON HILL 20 X 16 inch original water miscible impressionist oil painting on gessobord with 2 inch birch cradle by Terrill Welch.

This painting will be part of my upcoming solo exhibition “STUDY OF BLUE” opening June 30, 2011 at the Oceanwood Resort onMayneIsland. The painting is currently priced at $900 Canadian. Please contact me directly at tawelch AT shaw DOT ca if you would like to hang this lovely on your wall.

Sprout question: When was the last time you walked away from a creative mess?

UPDATE May 15, 2011:

Every once in awhile a special connection is made between a painting and another creative being. In this case it is with poet and more, Bat-Ami Gordin

Henderson Hill

On Henderson Hill any time of the year
  the branches arabesque in the breeze.
Birds boldly appear, on the tips of twigs
  that smear into clouds from the trees.
As a doe grazes calmly with her twins,
  the heavens and sky, seem to  freeze.
Prepare your mind to paint serenity;
  equanimity pacifies enduring unease.

© 2011 Bat-Ami Gordin, All rights reserved.

Posted with permission. You may have notice her poem posted in the comments below but I decided it needed to also be places up here next to the painting. Thank you so much Bat-Ami Gordin! It is an honour to connect in such a collaborative way.

This week is jammed! There is voting on Monday and going to pick up the truck. Dentist appointments on Tuesday and a full day of meetings and commitments on Wednesday. I shall be able to get back into the studio on Thursday IF I am lucky. Who knows what I will have to share on Friday. We shall just have to wait and see. Have a wonderful week everyone.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Be Patient

Can you remember a parent or grandparent saying “Be patient!?”

Well this is what I told myself this morning. I am so close to finishing the last original oil paintings for my solo exhibition STUDY OF BLUE opening June 30, 2011 at the Oceanwood Resort on Mayne Island, British Columbia Canada. Two of their luxury rooms are already booked with guests who are planning on coming to see my paintings. One painting has sold as part of the pre-sales offered. Images of thirteen of these paintings are now in a folder on flickr in preparation for their journey to be posted in the Art of Day online gallery.

Would you agree that this is a fine start? So why am I be asking myself to be patient.

I have two paintings to complete to reach my self-imposed fifteen minimum for the show. I wanted to complete them this week. I have no particularly good reason for wanting them done this week other than I am so very close to finishing. This nearing-the-end-of-a-big-project is always a critical time for me. Starting with three “seed paintings” I have been holding the energetic space for this creative process since November of last year. I have set aside my photography to focus on my impressionist painting. I have said “no” too many things as make room for this one priority. There is an energy that builds around this kind of step by step flowing determination to reach a goal. It is like seeing the last 2 km marker when running a marathon. We know we are going to make it to the finish line but we must hold our focus for a strong finish.

This is where I am at. I have the underpainting reading on a 24 x 36 inch cotton canvas.

And I have a bit of a mess I have scraped and started again on a 16 x 20 inch birch framed gessobord.

I went to sleep with the intention of rushing flip-flopping to the finish line today. But instead, when I awoke, I told myself “be patient and finish strong.” So instead of picking up my brush, I looked at the calendar. Tomorrow is Good Friday and it is Earth Day.

It is the beginning of a four-day weekend with one more week in the month of April. I have time. I can finish these last two paintings at a moderate and inspired pace. I can finish strong. Afterall, they are not my last paintings – just the last two on this leg of my artist’s journey. The solo exhibition is an arbitrary self-defined finish line. I am about three weeks ahead of schedule. I shall be patient.

Sprout question: When was the last time you needed to be creatively patient?

Note: The next Creative Potager post will be on Tuesday instead of Monday due to the long weekend. Have a most pleasant and enjoyable Easter Weekend.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

FIR TREE original oil paintings by Terrill Welch

This week my hard drive crashed and it is not recoverable. Fortunately, most things were backed up and my photographs were on an external hard drive and most of them are backed up again on flash drives. I lost a few images but not many. Lucky! However, I did lose all my newer email addresses so if you have exchanged emails with me in the past year, and would like to continue to be in touch, drop a line and I will add you to my address book.  Somehow this all seems to be less of an issue now that we have facebook, twitter and such. I might even be persuaded to pick up the phone 🙂

I plan to write a more about this experience on Monday in a post called “impermanence.”

Now, let’s have a look at this week’s painting. I started out just going to paint a few edges but these two small canvases had a ground on them and were sitting beside the easel. Well I looked at the edges of another painting and I looked back at the two canvases. The 8 X 8 inch pair just had to be done.

I knew what I wanted to paint. We have been getting a lot of evening sun here with glorious gold light hitting the trees just before it leaves us for dusk.

Starting from “ground.”

A ground is different from a underpainting even though it may be the same colour. With a ground there is just a layer of paint that is put down with no intended painting blocked in or even in mind. Yes, I dislike wasting paint so these canvases were just too close to the last underpainting I was doing and they were grounded 😉

The painting took shape quickly.

I didn’t stop again until close to finishing.

When hung, the two paintings would be separated by a couple inches – I think, maybe more. Or they could be hung like this ….

This side by side is possibly my favourite.

Here they are trimmed up pretty with no distractions.

FIR TREE SKY original oil painting by Terrill Welch

FIR TREE POND original oil painting by Terrill Welch

I haven’t had a chance to decide if I will sell them separately or only as a pair. What do you think? Should they be kept together or be allowed to go into the world separately and be a surprise to some unsuspecting buyer that there is another half to their painting?

These paintings will be part of my upcoming solo show “Study of Blue” opening June 30, 2011 at the Oceanwood Resort here on Mayne Island.

UPDATE: FIR TREE SKY has been SOLD at the opening on June 30, 2011. FIR TREE POND has been SOLD to a separate buyer at the close of the show on July 27, 2011.

Sprout question: What keeps you rolling through unexpected events with ease?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch Online Gallery at http://terrillwelchartist.com

SALISH SEA 4 original oil painting by Terrill Welch

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Salish Sea 3 original oil painting by Terrill Welch

From start to finish a painting often has many pauses. Salish Sea 3 is a prime example as this small 8 X 10 inch seascape oil painting took two weeks from start to finish – mostly “resting.”

I begin as usual by working the underpainting.

In this series of paintings I have been inspired to paint the sky first and work into the picture from this vantage point. This isn’t a usual approach from me but it is what has been happening for the past two paintings. So we will go with it.

Next I start building up the blues.

As I continue to work a context is created for the painting to begin to breathe on its own.

Sorry about the bad photograph. I was having trouble with some glare from the light coming through the window of  the studio. Note to self: holding a painting and photographing it is not a useful strategy to resolve glare.

I begin to find my way into the painting – it is like running your hands over your bedding in the half-light of early dawn. You know where you are but there isn’t enough light to see beyond a few vague familiar shadows.

This is most often the place I pause. There is an excitement that rises from my bones and spreads up to the hairs on top of my head. I watch and wait sometimes only for a moment, sometimes stopping for tea and sometimes stopping until the paint dries. Today it was only long enough for tea. I wanted to work in the waves wet on wet.

Now it is time for a rest. It is a rest that last for nine days. I puzzle and muse. I move the painting around to different locations. I sleep on it. I glower at it. The painting is “okay… I guess” but it doesn’t have the SNAP I would like it to have. Finally, I decide what it is and what I need to do. A couple of small changes really. I will leave you to discover them if you choose. Or you can simply enjoy the finished work.

Salish Sea 3,  8 X 10 inch cotton canvas  original oil painting by Terrill Welch.

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $280 Canadian unframed.

As for my other intentions, I started another underpainting but the taxes and tune up for Miss Prissy had to be rescheduled for next week. As my father would say “it’s just the way the cookie crumbles sometimes.”

But this is far too light-hearted as I pause for a moment send light to Japan and all areas experiencing the impact of the 8.9 quake and tsunami. This post was written before I heard the news last night on twitter about an hour after the earthquake off the northeast coast of Japan.

Sprout question: Where might your creativity need a pause?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

ONE original oil painting by Terrill Welch

In a studying the shades of blue this painting of ONE has been the most demanding so far. It required the ability to work with four different blues to create the rich depth and reflections. I have little to say other than I am pleased with the results.

Palette for ONE

Beginning to work the underpainting

Working it a bit more.

Starting to get a feel for it.

Many hours later.

Making some minor corrections and time for a rest.

I came back to the painting the first thing the next day and finished it…. ta da!

ONE 24 X 36 inch cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $2,400 unframed.

UPDATE: Painting is now available in the ART OF DAY online gallery HERE.

Sprout question: What creative work is currently pushing you to the edges of your abilities?

NOTE: Last evening my original oil painting WHISPER sold to a couple in celebration of their wedding anniversary. I’m happy see it going to a most loving home.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada