original oil painting for sale

Why I hung a $2,420 original oil painting for sale at our local Farm Gate grocery store.

/ Terrill Welch / 20 Comments

Does it seem odd to you that I would accept an invitation to hang one of my large fine art original oil paintings in a grocery store? Well, let me explain. The Mayne Island Farm Gate store is not just any old place you go to get your fruit, vegetables, dairy meat, eggs and other delicious goods. Farm Gate has the finest of fine of everything that is local or just plain excellent.

Take the frozen meat cooler for instance stocked with local organic grass-fed beef, succulent lamb, decadent chicken and more.

A stew for Farm Gate with its delicate vegetables fresh from the garden is a stew to remember.

But the Farm Gate story is not just about what is good to buy. Farm Gate is about what is good about us. Most places on Mayne Island are friendly and helpful but Farm Gate takes community, friends and family to the very heart of our experience.

A coffee anyone?

Or maybe you would like to take a pound of this micro-roasted organic, fair-trade, shade-grown, bird-friendly black gold home instead?

How many of you actually know the person who makes the hummus in your local grocery store? How many of you would be delighted rather than surprised when that same person saw your vehicle in the parking lot and came in to say ‘hello” complete with an island-size hug?

Since we were both there it was a great photo opportunity. Just in from gardening here is Barbara at her working best.

Barbara McIntyre of Nomadic Routes Inc. is the same Barbara that is showing her photography at the Green House Restaurant with me. By the way, we are hanging a new show this afternoon if you want to drop in, have a bite and say hello. But back to hummus – Barbara’s organic Moroccan Hummus is a reason all by itself to stop by Farm Gate. Or you may prefer one of her kayak-travel-proof-decorated-wax-covered-chocolate-truffles. Delicious! Sssssppttt! There on the left end of the checkout counter – an easy reach. No one will say anything if you buy three.

In fact, some things at Farm Gate are so good they have to be shared with friends far away. On Laurie Buchanan’s Speaking from the Heart blog post today she tells about receiving a package from me in the mail. For those of you that know us both, it is no surprise that we have an equal passion for the precious cargo sent by air mail and arriving in a plain brown package.

When Don and Shanti, the owners of Farm Gate, asked if I would be interested in hanging some of my original oil paintings I hesitated for a second. Not because it was a grocery store but because it was such a fine grocery store. The walls are spacious with high ceiling and already well appointed with their own collection of fine art. So I thought about the work I had available at the close of the STUDY of BLUE solo exhibition which was showing at the Oceanwood Restaurant and Inn. I decided I had two pieces that were large enough and would fit well in the store. There was the painting ONE shown here and KEEPING WATCH a painting of the same size (and same price) – but it sold that same week. So when I brought ONE to hang in the spot we had agreed, even though it is 24 X 36 inches, it looked rather lost in the large space above the door next to the 25 pound bags of floor on the back wall.

Don came by as I was finishing up and said “I think you are going to need a bigger sign than that – something that actually says in big letters FOR SALE. You need to catch people’s attention.”

Don was right. The small gallery sign I had was not going to do it. So off I went to make a new sign. When I came back my painting had been upgraded. Yes, just like in a fine hotel, it now had the premium suite. They had moved one of their own collector pieces to the original location of my painting and placed ONE front and centre in the best light, with the best exposure. I was overwhelmed by the gesture. Imagine someone taking the time and creativity to think through what would work best to show my work.

That is the kind of place Farm Gate is. Besides fine groceries and fine art, the Farm Gate store is about being fine people –where your best interests are their best interests. Friendly and caring does not adequately describe this kind of lived intention. It is with great pleasure and equal honour that my original oil paint ONE hangs for sale at the Farm Gate Store.

I am sure that along with your freshly picked white cucumbers, basket of raspberries and lamb burgers for the BBQ, Erin would be happy to accept a cheque made out to Terrill Welch for the sum of $2,420 and help you package ONE for safe transport to your own fine Mayne Island retreat or other far away destination of equal fine taste. But those two little packages on the bottom far left. You can’t have those. That is David and mine’s lunch – grill zucchini, onion, and red pepper with goat cheese on a freshly baked organic croissant.  Huuuttt! I see you! Okay, you can have a bite.

There is a verse in one of Muriel Rukeyser poem’s “The Speed of Darkness” that comes to mind:

Time comes into it.

Say it.       Say it.

The universe is made of stories,

not of atoms.

I am so pleased to be part of the Farm Gate story.

Sprout question: What stories are you pleased to be part of?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island ,British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Be Patient

/ Terrill Welch / 22 Comments

Can you remember a parent or grandparent saying “Be patient!?”

Well this is what I told myself this morning. I am so close to finishing the last original oil paintings for my solo exhibition STUDY OF BLUE opening June 30, 2011 at the Oceanwood Resort on Mayne Island, British Columbia Canada. Two of their luxury rooms are already booked with guests who are planning on coming to see my paintings. One painting has sold as part of the pre-sales offered. Images of thirteen of these paintings are now in a folder on flickr in preparation for their journey to be posted in the Art of Day online gallery.

Would you agree that this is a fine start? So why am I be asking myself to be patient.

I have two paintings to complete to reach my self-imposed fifteen minimum for the show. I wanted to complete them this week. I have no particularly good reason for wanting them done this week other than I am so very close to finishing. This nearing-the-end-of-a-big-project is always a critical time for me. Starting with three “seed paintings” I have been holding the energetic space for this creative process since November of last year. I have set aside my photography to focus on my impressionist painting. I have said “no” too many things as make room for this one priority. There is an energy that builds around this kind of step by step flowing determination to reach a goal. It is like seeing the last 2 km marker when running a marathon. We know we are going to make it to the finish line but we must hold our focus for a strong finish.

This is where I am at. I have the underpainting reading on a 24 x 36 inch cotton canvas.

And I have a bit of a mess I have scraped and started again on a 16 x 20 inch birch framed gessobord.

I went to sleep with the intention of rushing flip-flopping to the finish line today. But instead, when I awoke, I told myself “be patient and finish strong.” So instead of picking up my brush, I looked at the calendar. Tomorrow is Good Friday and it is Earth Day.

It is the beginning of a four-day weekend with one more week in the month of April. I have time. I can finish these last two paintings at a moderate and inspired pace. I can finish strong. Afterall, they are not my last paintings – just the last two on this leg of my artist’s journey. The solo exhibition is an arbitrary self-defined finish line. I am about three weeks ahead of schedule. I shall be patient.

Sprout question: When was the last time you needed to be creatively patient?

Note: The next Creative Potager post will be on Tuesday instead of Monday due to the long weekend. Have a most pleasant and enjoyable Easter Weekend.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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SALISH SEA 4 original oil painting by Terrill Welch

/ Terrill Welch / 14 Comments

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

HEAVY CLOUD original oil painting by Terrill Welch

/ Terrill Welch / 22 Comments

I remember being asked one time to paint a scary monster. It was a class exercise to get us out of the habit of creating beautiful paintings. I had a horrible time. I painted a dragon-type monster. The instructor laughed a deep belly laughed and told me it was a great monster but would not likely scare anyone. I think my painting “HEAVY CLOUD” has also suffered from my optimistic nature. It is obviously heavy cloud but not very dreary.

Let’s have a look…

Starting with the underpainting you saw on Monday I began building up the painting.

It isn’t really making a lot of sense yet but feels good so I keep going.

Then I painted for a long while. I left it to rest overnight and I did a few minor edits. I believe it is done. But I reserve the right to change my mind.

HEAVY CLOUD 10X12 by 1.5 inches, cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $420 Canadian unframed.

I most often see a little light coming in from somewhere no matter how gray it gets. There is just a touch of sun catching the sky above the mountains and it is coming to rest on the tips of just a few of the great coastal peaks so we are sure not to miss it. It seems to be saying – tomorrow is another day.

Have a great weekend!

Sprout question: What creatively allows you to express dreariness, gloominess or your darker side?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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Double-Bubble to Switzerland

/ Terrill Welch / 9 Comments

Do you remember my oil painting “Rising” that was in the international Art of Day 2010 Holiday Show and Sale?

Well it SOLD.

Earlier this week, I double-bubble wrapped this 8  X 10 inch on gessobord, cradled on a 2 inch birch frame, original and sent it to a buyer in Switzerland.

I can’t say enough about James Day from Art of Day who brokered the sale. He is amazing to work with. (To view more of my oil paintings for sale at ART of DAY, go directly to the ART of DAY store.)

I get such a thrill each time a piece of my work finds a new home whether it is an original oil painting, a print of one of my photographs or a gift card. It is kind of like when your children come home with stars on their school work and your in-laws are visiting. You try to be cool but you just can’t help wearing a grin so big that it wipes out the pretend furrow on your brow. I tell myself – now don’t you go getting a big head over this! “Rising” is only one small oil painting. That is the furrowed brow. But I SOLD it – to a buyer in Switzerland! That is the great big grin.

I go through this exercise each time. Like when Annie from New York City bought “Only the Sea.”

Or like a couple of weeks ago when a large poster of “Arbutus in the Fog” was purchased by a buyer in England.

Or like when someone came bouncing up to me here on Mayne Island because she had got one of my art cards for her birthday from a friend.

No matter how humble and how chilled I know I am supposed to be, I can’t help shouting Yaaaaaaa hoooooo! Then I do a little ta, ta, ta, ta-da dance before regaining my composure and going back to creating. Does this happen to you too?

Sprout question: What is wiping out the furrow on your brow with a big grin?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada