The Nurse’s Place Clinton B.C. – Plein Air painting

There is something extremely companionable about a painter with all her gear packed in the car, a partner who likes to sleep in and an overnight stop in the small village of 740 residents in Clinton, British Columbia.  As the darkness gathered tightly around a warm late-August evening, I scouted my morning plein air location. I wanted some place a little off the beaten path but not so far I couldn’t carry my french box easel and camera. This is what I found. I was standing here ready to set up to paint at just after 8:30 in the morning…

With a blank canvas on the easel

I had about an hour to capture all I was going to capture.

What was most important? What shall I leave out? How shall I begin? With a large brush, I start to answer these questions as I rough in the view.

Notice the top of the painting and how the clip is not holding the painting in place. When plein air painting the light and the weather often change quickly. About 45 minutes into my painting session this oversight of that loose top clip becomes a grave error.

Yes, you guessed it. A large gust of wind came tearing down the valley and, to my horror, flipped this small painting off the easel and smack on its face in the gravel bits on the road. Disappointed, I pick it up and secure things a little better for next time.

While I was still assessing the damage and deciding what – if anything – I could do next, the neighbour from the place on the other side of the road behind me came up and asked if I minded if he had a look. This is when I learned that I was painting “The Nurse’s Place.” With a promise to give him a call when the painting was completed, I conceded that my time was up. I started to pack my gear and with the painting tightly secured to the easel headed back to the Cariboo Lodge where my dear sweet husband proclaimed that he loved the painting, gravel and all. I gave a grim half smile while silently saying a small prayer to the gods that look after plein air painters and their paintings to allow the gravel bits to roll off the canvas once it had dried.  Then we went for a late breakfast and I refused to look at the painting again until today.

To my delight, the small bits of gravel rolled off the canvas and I was able to finish up the painting in the studio.

THE NURSE’S PLACE CLINTON B.C. 9 x 12 inch oil on canvas by Terrill Welch

Update June 2023: This painting is now SOLD

Well, at least most of the gravel is gone. If a person looks very closely there is still a little Cariboo grit on that canvas. But I think that is only as it should be. I am calling it DONE! My next task is to place a call to the wonderful neighbour who dropped by to see how the painting was coming along.

SPROUT: When was the last time you courted disaster only to have it give you a good hard flip?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Psssst! Today is The Artist Studio Floor Show

It is here – one day only The Artist Studio Floor Show.

World Clock for this Event
09:00 (9:00 AM) CDST Aug. 31, 2012 through 09:00 (9:00 AM) CDST Sept. 1, 2012
What is a the Studio Floor Show?

Artists paint.  Artists accumulate work.  A lot of work.  It’s that simple.

Sometimes that work never finds its way to a gallery or exhibition and sits on the artist’s studio floor.  That inventory can become unmanageable, taking up valuable creative space and the artist must do something.  Throughout the years, artists would open their studios to the public and sell their work at a sacrifice in order to make room.  The art is usually stacked and leaning against walls, on the floor… hence the name.  As one patron once told me, “It’s like mining for gold”.

Historically, these shows are held in brick and mortar studios, but with the advent of the internet, it is now possible for you to enjoy the excitement of attending one of these shows… right from the comfort of your home.

The Artist Studio Floor Show will present these virtual shows on the same premise as in the real world.  They will be for one day only, for twenty-four hours from the posted start date and time.  Each participating artist will exhibit their work on this site with a link to their respective websites.  You will be able to purchase your art directly from the artist… from their studio.

 Note:  Sales at floor show prices cannot be completed until Aug. 31st, per the published time (above), and for a 24 hour period only.

Floor Show Presentation

C. J. Shane

Yuma by C. J. Shane

Yuma,   Oil on Canvas,   30″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.


C. J. Shane

Desert Home by C. J. Shane

Desert Home,   Pastel on Paper,   18″ x 24.5″ (24″ x 30″ matted)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

C. J. Shane

Dunes by C. J. Shane

Dunes,   Oil on Canvas,   16″ x 20″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Centered by Maude McDonald

Centered,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Trees III by Maude McDonald

Trees III,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

5:59 P.M. by Maude McDonald

5:59 P.M.,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Happy Hour by Melodie Douglas

Happy Hour,   Acrylic on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Oriental Solitude by Melodie Douglas

Oriental Solitude,   Pastel on paper, 11″ x 14″ (Matted for 16″ x 20″ framing)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Vessels by Melodie Douglas

Vessels,   Acrylic on Canvas, 24″ x 36″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

At the Beach by Terrill Welch

At the Beach,   Oil on Canvas,   12″ x 12″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Cabin on Shore by Terrill Welch

Cabin on Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Far Shore by Terrill Welch

Far Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.
For more about this event and other Artist Studio Floor Shows in the future please go to The Artist Studio Floor Show .

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Mayne Island en plein air painting morning

August is my favourite month of the year and the weather is finally spectacular – feels like summer at last. However, I am not good at beach-sitting but rather prefer to be beach-doing with either my camera or french box easel or both. Such is the case on this fine morning down on Reef Bay, Mayne Island…

I am feeling fairly pleased with myself. I have the 12 x 16 inch canvas blocked in and the sea is singing away as I work away for about 45 minutes. But after awhile I take and good look. It seems nothing is quite right.

The parts in the painting are separate and seem unrelated to each other. I frown and I stall by signing the work. I look out at the scene before me. I walk around eating a golden plum I had brought with me for a snack.  After awhile I acknowledge that I am still undecided and unsure about what to do next. But who can fuss on such a find day? I shrug and I set the canvas aside. I picked up my second blank canvas, slightly smaller at 9 x 12 inches and turn to the view just to my left.

This time I set to painting looking quickly and briefly at the scene as waves roll softly over and over again onto side of the reef. We seem as one – the sandstone, sea and me.

Swish, swish, swish. My brush responds with ease, leaving out the freighter and the driftwood as it focused on the relationship between the sandstone, the sea and the sky. After awhile, my bare arms begin to tingle from the heat of the sun and I am thankful I had decided to put a hat on my head. Stopping to take a long sip of cool water I squint at the painting.

It is done. Complete. Finished – and so am I 🙂

I pack up and head home. My en plein air morning is no longer morning.

Of course, you know, there is that other painting right? Well I sleep on it and get up in the morning to see what I can do with in the studio. Hum! I am not sure this helped much.

Though it is starting to come together, the overall painting is muted and lacks strength and conviction. Now what? I go back to my some reference images  I had taken and look closely at the first photograph that I showed you here. I walk away and do a few chores. Then I take another run at it – or rather brush at it. I am determined though unattached to the outcome.

Now let’s see – yes, there! Now I think we have it.

The day is shot. It is well after six o’clock. I missed lunch and am not up to cooking us dinner. We decide to slip out to the Green House Bar and Grill. I ask David if I had any paint on my face. He said “no darling you look fine.” Off we go.

The first thing the owner says to us as he hands out the menus is “hey Terrill, you have paint on your nose.”

Not only that, some how I had managed to get three different splashes of colour on the front of my t-shirt as well. But they let us in anyway 🙂
Once these two oil paintings are dry and I am satisfied that no further adjusting is needed they will be available in the  Artsy Home online gallery along with my other paintings that are currently available. However, if you are interested in having one of these hanging on your wall and you email me at tawelch@shaw.ca no later than 6:00 am PDST tomorrow, Friday August 17, 2012 I will cover the shipping for you to anywhere in North America. The 9 x 12 by 3/4 inch “Late morning in August by the sea” is currently $430. The 12 x 16 by 3/4 inch “August morning Reef Bay” is currently $675.

SPROUT: What keeps you coming back to  something until you get it the way you want it?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Sold! Art and other adventures

March 17, 2010 was the beginning of my  full-time painting and photography adventure. Starting with oils in my early teen years, I had been working in water colours for years and now decided to return to oils. These were not just any oils but water miscible oil paints. I always liked oil paints but not the toxic odor issues. About the same time, I purchased a good quality camera and began some serious shooting. In between painting and photographing I showed my work in both physical and online venues. To my humble surprise work sold and continues to sell. About 50 paintings and photographs are mostly with collectors in Canada and the U.S.A. But some have found their way to England, Switzerland and Australia. One of these is KEEPING WATCH a 36 x 24 inch of an almost iconic Mayne Island view.


I have now set up a specific SOLD! page at Terrill Welch Artist that has a few of these displayed together – not all as it would be too many – just a few. More of the photography and painting prints that are that have sold can be found in my redbubble storefront gallery where you will also see a gallery with 45 new painting details that have been specifically selected for greeting cards.  My personal favourite in this series is the detail of “Red Romance by the Sea” card.

But then there is the card from “The Sea to Me”

Or how about this one from “Pears by the Sea” ?

If you have an order of more than 16 cards there is a 30% discount which makes if an affordable option to gather a collection to have available for any occasion. With 45 different cards of painting details to choose from I am hoping you will find it easy to find at least 16 that will meet your needs and fill your heart with painting impressions.
It has been a good couple of years and a bit. But what now? A very good question. As midsummer leaves me with a lots of room to contemplate.

I am off on a bit of a solitary painting adventure which I hope shall lead me through to a new understanding and way of expression with paint. But one never knows. Sometimes these explorations just reaffirm and clarify the path we are already on.

However, it is not the paintings themselves that are at issue – rather it is my intention as I create them. When I am working things out like this the paintings are not usually keepers. They remain records and works in progress. Hence, for the most part I am more comfortable sharing bits of them – just so you know I am at work 😉

Thank you all for your patience and here is a detail from one of four painting studies I did over the last couple of days.

Happy Monday to you!

SPROUT: What is your personal practice when engaging on a new creative learning curve?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

How long did it take you to paint that painting?

 

 

I’m still working on getting that show ready to hang. With a bit of luck I should have it up by this afternoon. This morning I am putting the hanging gear on the last six paintings. Then it is just a matter of pulling the venue consignment sheet together and loading everything up in the vehicle. So while I am sipping on that second cup of coffee I thought I would check in and let you know how things were going.

Art Studio Still Life photograph by Terrill Welch

This brings me to one of the hardest questions I find I ever have to answer as an artist. Can you guess what it is?

How long did it take you to paint that?

The question brings up this jumble of activity that goes into each painting. I know if I start to articulate that list it will either sound like justification or a whine.

Who wants to hear about the years of exploration of one colour – such as blue which I got just right between the sky and the water in this particular painting. Further, it seems unnecessary to explain how it can take several paintings to figure out a particular problem that has been satisfied in this particular painting. Or the days, weeks and months I spent meandering around until I found this particular composition which pleased me enough to pick up my brushes. Of course the trips to town by ferry to buy supplies, no point in mention that either. Then there is the photographing of the finished piece, painting the edges, getting it in the inventory program, posting it on the web and sharing in social media. The actual standing there painting the darn thing was the shortest length of time in the whole process. So I don’t say. Instead I have these rather vague answers that go something like this….

Oh, it took me a couple of months to get it this far – easy shrug.

I have been working on this particular challenge of getting the light to reflect for a while now… seems it worked well here.

If pushed –

The painting itself is actually the fastest part of the process. It is all the background work, preparation and finishing work that takes the time. Not unlike repainting the walls in your kitchen. Then there is the work of getting out there so people know that it exists. That is a whole other story. – big grin.

So there you have it! Thanks for hanging out in my loft studio with me this morning while I do up the last bit of work for the next show at the Green House Bar and Grill right here on Mayne Island.

Well that coffee cup is empty and I really must get to work. Have a nice day all!

SPROUT:  What creative process do you have difficulty explaining?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

HAYING original oil painting by Terrill Welch

Recently, I have been photographing the haying process at one of our local farms. It brought back many memories from when I was still living at home in farming country. One of the images I captured really resonated with me and so I pulled out a canvas and set to work. The painting pretty much painted itself so I am going to give you just the end result this time.

A 14 x 18 inch oil on canvas  – available for purchase HERE

I was particularly pleased with how my star in the painting came together – the tractor! Here is a close look so you can see that it is just blobs of paint giving you a suggestion of a person on the tractor pulling a hay rake.

Haying time signifies summer in most farming areas in North America. This impressionist style painting holds the desire for coolness in the deep shade of the big tree yet directs our gaze to the heat in the bright sunlight in the fields.

 

SPROUT:  What summer activity sets your creativity to the sundial?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

ALWAYS ROSES is a 24 x 36 inch oil on canvas still life painting

Terrill Welch's avatarTerrill Welch

ALWAYS ROSES is a 24 x 36 inch oil on canvas still life painting

Here are a couple of images of details as well.

and the second one…

I will be finishing the edges on this painting in a few days and then it will be available for purchase. I will update this post when the painting is posted. This is a sneak preview for those who follow and love my work. If you are interested in buying this painting and you do not want to wait that long, please feel free to contact me directly.

I haven’t painted flowers in the past few years but I have done so on other occasions. It seems I paint whatever I am involved in during my daily living. For example, this week I painted a scene from the local haying I had been asked to photograph for a client (that painting…

View original post 610 more words

In the PINKS and other rose painting efforts

When I blinked my eyes open just before 5:00 am they met the moon smiling down on us in the soft hues of a clear dawn. I could have gone and got my camera to capture its deep yellow-orange but instead we just gazed at each other until the moment passed.

Now, still early, the day is well underway and I believe with a bit of luck it will be a painting day. Yesterday, in a 20 minute window, I did up this quick 5 x 7 inch study “in the pinks.”

The study is to assist me with what I need to do on a larger 24 x 36 inch canvas “Always Roses” that is in progress.

I wanted to try a new red that I thought might make a better pink for my roses. But I am not sure I am convinced. None the less, my sweetie is taken with this study so I thought I would share it with you.

Each colour has its own learning curve and it seems an infinite set of possibilities as we often discover when we go to paint a wall. I remember watching Mr. Blandings Builds his Dream House (1948) a few years ago and the wife in the movie was trying explain to the painters the colour she wanted in the kitchen or something. She is going on and on about how it was the yellow of fresh butter she was looking for but not quite. She gets more and more specific with her description in her attempt to request the exact colour she is wanting. The lead contractor final turns to his side kick who has the pencil and paper and says “you got that!” The other guy is looking at his paper and nodding as he replies “uh-um, yellow!”

In this painting I feel like the wife in the movie in search of just the right pink and my palette is recording my desire about the same as the guy with the pen and paper in the movie “uh-um pink!”

For the larger painting, I had found the perfect light one afternoon but of course the day I started painting it  is different and my squished studio space doesn’t offer anything close. So I did the best I could in combining my painting day  with the light from the day before. The lighting is completely backwards. However, I wanted to paint so we just went with it.

I decided on an approach of working from the outside in until my subject revealed itself out of necessity. You can get an idea about how this works in these two images.

But is there anything left to say about a still life vase of flowers with roses? After hundreds of years of paintings of this subject it doesn’t seem like there is much. Yet, I cannot resist. I must! In fact all of the other “to do” items have been shoved aside – including getting some food in the house to eat. Well I did find a chunk of cheese and a pear. Not starving – just limited in choices.

 

 

 

 

 

 

I notice now how I shifted the shape of the vase to fit the compositional differences in the frame dimensions I am for the painting. That definitely wasn’t a conscious choice.

 

 

 

 

 

 

 

 

 

 

Let’s see what the painting in process looks like now though the glow of wet paint is making some parts look lighter than what is actually on the canvas. I am fascinated how the image changed perspective so that the viewer is looking slightly down down on the arrangement. This is not the case with my set up. However, the canvas is so tall that I had to reach way above me to paint.

So here is a canvas that rest while humming an old familiar song of roses and other flowers arranged in a vase. It was painted just for the joy of it and to please me. Thanks for tagging along with me 🙂

Now I am off to see if I can find us the perfect pinks and see if I can finish it with some measure of success!

SPROUT: What colour have you most wanted for something and had the least ability to describe?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

PEARS BY THE SEA original oil painting by Terrill Welch

A strange relationship really, pears and the sea. However, it was a joyful occasion on the day they were wedded in my en plein air painting. How did this all come about you might ask?

Well, one day not too long ago I got to thinking how the lovely pear has been painted and photographed for what seems like forever. They are a powerful symbol of abundance, cultivation or agriculture and culture. I want to marry them – at least for a while – with the sea because the sea is, at least for me, a symbol of eternal change and continuity. My desire is to go more deeply into our human relationship to our environment. A study of pears by the sea seems like a good place to start as any.

I set up my easel as the light changed quickly.

It was a grand day by the sea!

As the sea embraces the sky – and my pears of course!

Would you like a peek at the work in progress before I show you the completed painting? Yes? I thought you might…

I may paint another still life of pears by the sea but for now – this 12 x 12 inch oil on canvas is it…

(Updated October 29, 2012: this painting is no longer available)

SPROUT: What is your most favourite unlikely relationship?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

ALONE BY THE SEA original oil painting by Terrill Welch

Don’t even ask what I was supposed to be doing this Friday because whatever it was it isn’t done. Instead, I worked on this new 20 x 20 inch oil on canvas painting that is of East Point on Saturna Island and one of Canada’s newest national parks. I took some artistic license and made the building slightly taller than it is in real live. Other than that the scene would be most recognizable to anyone who had walked out to the end of the point during a low tide and then looked back towards land.

This painting is in answer to a request by an admirer of my paintings. She asked if I could paint something with bright colours and maybe more contrast. We exchanged several posts as I remarked on how my subject – the southwest coast of Canada, is often quiet and the contrasts subtle. But I accepted her request as a challenge and asked that she leave it with me. I have been wanting to paint this particular scene for a while and I thought it would be a perfect with its deep shadows under the bank and in the crevices of the sandstone. It was a good painting problem and I greatly enjoyed saying one of artist Gabriel Boray pieces of painting advice over and over as I worked – exaggerate,  exaggerate exaggerate! This led to a whole other internal dialogue about my propensity to understate. So when all the tensions, struggles and musings had finished playing themselves out on the canvas this is what I am left with. Oh I might play a little with it yet but mostly I think it is ready to be set aside to rest. Enjoy!

UPDATE June 10, 2012: I played with the painting more than just a little based on the following feedback from colleague and artist Lena Levin

In your painting, the building looks a bit like a child drawing. I think it fits, in a way, — in that it kind of conveys your feeling of it sticking out, as though a man has been childishly modifying the nature, which looks mature and much more solid and eternal.

But just in case this look wasn’t intentional and you want to change it, it is due mainly to distortion of perspective (horizontals of the building don’t converge on the horizon line) and, as far as I can see from the photo, the lack of variation in the red of the roof (also probably the fact that two planes of the building are of the same value, as though it’s flat).

I did want the building to enhance that feeling of temporary tension between human habitation and the landscape. However, I also wanted the building to be somewhat believable. So I went back in this morning and made some minor adjustments which then led to a few other changes leaving us with what I hope is now the final painting. The building now looks much more like the actual building on this historic site. My thanks goes out to the Lena for her critical observation.

I also had a nice surprise this week. One of my small paintings “Morning” sold at the Green House Bar and Grill. I hadn’t even had a chance to show it to you yet.  However, I am going to do a separate post showing just the small paintings and will include it with these.

SPROUT: When was the last time you were glad your Friday went sideways?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com