Collecting, Gathering and Arranging

The weather has stayed unusually dry and warm for this first part of October. It is suppose to change in the next few days. The trees and shrubs will be happy with a little rain and hopefully it will take some of the summer’s accumulated dust off of our car that we do not wash during the dry spells to conserve water. There has been a lot of wildfire smoke in the air recently leaving us with hoarse raspy voices to watch eery sunsets.

One of my favourite Arbutus trees is looking stressed but still holds up its corner along the shore at Georgina Point.

I put together two yellow cedar planters that I ordered from a Canadian company to go with the two of the the three ollas I purchased in the early summer from a local potter.

I had always thought that it was lack of sun that made things difficult to grow in my garden. Though this is definitely a contributing factor, I believe it is mostly that the big trees that take all of the nutrients and water from my garden beds which is the real issue. I discovered this by putting my first olla in one of my big clay pots. The mint and a few other things thrived even in the less than ideal amount of sunlight.

So we are going to try the cedar planters next year to add to my kitchen garden with a few salad greens and edible flowers. We shall see. The worst that will happen is that I will have to find new homes with more sunshine for the cedar planters. That I can do if necessary. This is not a cost effect plan really because it will take about five years of salads to pay for the supplies. But there will be much less waste and the salads will be fresh picked every day. I think it will be worth it.

On the painting side of things, I have been plein air painting…

It was a stunning afternoon and one that was way more delicious than the resulting painting on the canvas. Still, it might work.

I am also still doing the final review and corrections on the large “Arbutus Tree on Saint John Point” painting. It is close now. I only have one or two more brushstrokes to finally finish it.

“Arbutus on Saaint John Point” by Terrill Welch, 40 x 36 inch acrylic and oil painting. To be release soon.

Today, I will take down the rest of the still life show that I started to remove yesterday in ISLAND TIME ART. The gallery artists are dropping off new paintings and picking up the ones that came out of show later today. I will then get everything in the inventory and do the hanging before the end of the day tomorrow so it will all be ready for when the art room opens on Thursday. These change overs of shows are a bit of a push for me but I like curating and the end results always make me smile.

I also spent some time in the past few days pulling together and ordering a 2023 calendar for purchase. I think it will be the last year I do this, but who knows. Maybe I will grit my teeth and do it again. The product is expensive to purchase even wholesale and it has an expiration date which means hustling to get it out to customers before it loses its value. That said, I have dedicated fans who are terribly disappointed if I do not make this happen. So if you would like one, let me know and we shall figure it out get it to you. They are basically $42 CAD including tax and shipping within North America. If you pick them up from the ISLAND TIME ART room directly, you will save $2.00. I expect them to arrive early November if not before. Here is a bit of a sneak preview.

Well, this pretty much catches us up again for the moment. As you can see, I have been doing a lot of everything rather than settling in to just working in the studio or the art gallery spaces. It is sometimes just the way it goes. I admit to being a bit weary and wanting to conserve energy where I can but it is likely just the shorter days. I will simply be kind to myself and not push too hard until I can gather myself up again. It is a time that I consider to be “one foot in front of the other” until I arrive at some new place that is yet to be determined. Do you ever feel this way?

Hope you have a pleasant day and I shall check in again soon.

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

Redbubble painting and photography prints and merchandise

Website: TerrillWelchArtist.com 

Arbutus Tree as a Figurative Painting

There is a new painting on the easel. I love the curvy strength and elegance of Arbutus trees and I have my favourites. For now, this Arbutus tree rests on a larger canvas in the middle of my Mayne Island home studio. The last evening’s sun is stretching across the valley outside the window as the weariness of having stood at the easel for the past few days catches up with me. It is a good feeling.

The work may require a brushstroke here and there but mostly it is as it will be. At least, this is how I feel at the moment.

resting “Arbutus on Saint John Point” by Terrill welch, 40 x 36 inch oil on canvas

There are certain details that I particularly enjoyed painting.

There was a quiet, loose and easy flow of moving paint from the palette to the canvas as I was leaving marks softly behind in their purest form. This is an unhurried painting with lots of movement and freedom. I don’t think I need to say that this raw intuitive approach is one of my favourite ways to paint.

Artist notes: The portrait Arbutus tree seems to be saying “see, here we are. Just follow the trail and enjoy.” And I shall, after a long pause knowing this favourite Arbutus right at the tip of the point won’t be with us for many more years.

I have studied this tree since 2018 in all the season and various times of day. Only now has it had its first portrait painted. Painting Arbutus trees remind me of painting figures. The painter wants an interesting angle and intriguing light to work with. There is a sense of getting the tree weighted accurately so appears both supple and elegant. Then there are those sensual curves that should almost make us blush and wish the tree had more clothes on… or maybe that we were viewing them in private space as our eyes caress their length and limbs. When I walk amongst them, there is usually one hand or the other running across a nearby smooth cool surface of their trunk. Arbutus trees are just like that.

Let’s put this painting in a digital room view to give us just a bit more distance and scale as we take a longer look.

The painting isn’t ready for release yet. However, inquires are always welcome. I will look at the painting out of the corner of my eye for the next few days. Then I will make some final decisions on whether it needs anything more. For now, the painting needs to separate from the painting process and be seen for its own merit. This is the benefit of the “resting” period.

Next, I am preparing another 20 x 24 inch canvas for a commission received while art collectors were travelling in the English Cotswolds. It is one of those extremely rare times that I will combine my own experience of being in England with a reference starting point from the art collectors. This painting will be part concrete reference, part memory and part imagination. We have agreed on the elements of the painting and the general imaginative composition. Now, I just need to work my magic and create the painting.

I hope you have enjoyed this latest painting adventure and I shall catch up with you again very soon.

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

Redbubble painting and photography prints and merchandise

Website: TerrillWelchArtist.com