Sold! Art and other adventures

March 17, 2010 was the beginning of my  full-time painting and photography adventure. Starting with oils in my early teen years, I had been working in water colours for years and now decided to return to oils. These were not just any oils but water miscible oil paints. I always liked oil paints but not the toxic odor issues. About the same time, I purchased a good quality camera and began some serious shooting. In between painting and photographing I showed my work in both physical and online venues. To my humble surprise work sold and continues to sell. About 50 paintings and photographs are mostly with collectors in Canada and the U.S.A. But some have found their way to England, Switzerland and Australia. One of these is KEEPING WATCH a 36 x 24 inch of an almost iconic Mayne Island view.


I have now set up a specific SOLD! page at Terrill Welch Artist that has a few of these displayed together – not all as it would be too many – just a few. More of the photography and painting prints that are that have sold can be found in my redbubble storefront gallery where you will also see a gallery with 45 new painting details that have been specifically selected for greeting cards.  My personal favourite in this series is the detail of “Red Romance by the Sea” card.

But then there is the card from “The Sea to Me”

Or how about this one from “Pears by the Sea” ?

If you have an order of more than 16 cards there is a 30% discount which makes if an affordable option to gather a collection to have available for any occasion. With 45 different cards of painting details to choose from I am hoping you will find it easy to find at least 16 that will meet your needs and fill your heart with painting impressions.
It has been a good couple of years and a bit. But what now? A very good question. As midsummer leaves me with a lots of room to contemplate.

I am off on a bit of a solitary painting adventure which I hope shall lead me through to a new understanding and way of expression with paint. But one never knows. Sometimes these explorations just reaffirm and clarify the path we are already on.

However, it is not the paintings themselves that are at issue – rather it is my intention as I create them. When I am working things out like this the paintings are not usually keepers. They remain records and works in progress. Hence, for the most part I am more comfortable sharing bits of them – just so you know I am at work 😉

Thank you all for your patience and here is a detail from one of four painting studies I did over the last couple of days.

Happy Monday to you!

SPROUT: What is your personal practice when engaging on a new creative learning curve?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

Sketching by the Sea – 7 tips for sketching with children

My grandson, Arrow, and I are on vacation over on Saturna Island this week. Yesterday was an overcast. No rain but the light was dull and lacked luster.  Photography and painting en plein air just didn’t seem to be the most appealing activities to undertake. So we did a midday hike at Narvaez Bay for lunch and then went to Winter Cove for some sketching by the sea.

 

Here are our tips for enjoying outdoor sketching:

1. Do physical exercise first – it is much easier to sit or stand for an hour to focus on sketching after a hike. The eyes seem to be able to see better when the body can comfortably be still.

2. Use good quality materials because they are easier and the results are more satisfying.

3. Find a place that offers some privacy where people are not able to walk up behind you. If they come up beside you or in front of you, they are more likely to ask to see your work than stand lurking in the background.

4. Situate yourself at the level or in the perspective that you want to capture your subject. In the photograph above we are almost at water level and in the same relationship to the scene as I would be to photograph.

5. Sit or stand  in such a position that you can see each other sketching without moving. This is extremely effective for easy conversation and learning by observation without interruption.

6. Keep the session short. When interest wanes, take a break. For example, wander around and maybe skip some rocks. Then come back to the sketching.

7. Relax and enjoy. 🙂 Don’t worry about the results or giving more than very basic instruction. Children  will observe and ask questions about what they need to know at that time.

Today, with a bit of luck, we shall have a chance to do some en plein air painting with oils on canvas.

 

SPROUT: What tip would you offer if introducing your favourite creative activity to children?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

How long did it take you to paint that painting?

 

 

I’m still working on getting that show ready to hang. With a bit of luck I should have it up by this afternoon. This morning I am putting the hanging gear on the last six paintings. Then it is just a matter of pulling the venue consignment sheet together and loading everything up in the vehicle. So while I am sipping on that second cup of coffee I thought I would check in and let you know how things were going.

Art Studio Still Life photograph by Terrill Welch

This brings me to one of the hardest questions I find I ever have to answer as an artist. Can you guess what it is?

How long did it take you to paint that?

The question brings up this jumble of activity that goes into each painting. I know if I start to articulate that list it will either sound like justification or a whine.

Who wants to hear about the years of exploration of one colour – such as blue which I got just right between the sky and the water in this particular painting. Further, it seems unnecessary to explain how it can take several paintings to figure out a particular problem that has been satisfied in this particular painting. Or the days, weeks and months I spent meandering around until I found this particular composition which pleased me enough to pick up my brushes. Of course the trips to town by ferry to buy supplies, no point in mention that either. Then there is the photographing of the finished piece, painting the edges, getting it in the inventory program, posting it on the web and sharing in social media. The actual standing there painting the darn thing was the shortest length of time in the whole process. So I don’t say. Instead I have these rather vague answers that go something like this….

Oh, it took me a couple of months to get it this far – easy shrug.

I have been working on this particular challenge of getting the light to reflect for a while now… seems it worked well here.

If pushed –

The painting itself is actually the fastest part of the process. It is all the background work, preparation and finishing work that takes the time. Not unlike repainting the walls in your kitchen. Then there is the work of getting out there so people know that it exists. That is a whole other story. – big grin.

So there you have it! Thanks for hanging out in my loft studio with me this morning while I do up the last bit of work for the next show at the Green House Bar and Grill right here on Mayne Island.

Well that coffee cup is empty and I really must get to work. Have a nice day all!

SPROUT:  What creative process do you have difficulty explaining?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

HAYING original oil painting by Terrill Welch

Recently, I have been photographing the haying process at one of our local farms. It brought back many memories from when I was still living at home in farming country. One of the images I captured really resonated with me and so I pulled out a canvas and set to work. The painting pretty much painted itself so I am going to give you just the end result this time.

A 14 x 18 inch oil on canvas  – available for purchase HERE

I was particularly pleased with how my star in the painting came together – the tractor! Here is a close look so you can see that it is just blobs of paint giving you a suggestion of a person on the tractor pulling a hay rake.

Haying time signifies summer in most farming areas in North America. This impressionist style painting holds the desire for coolness in the deep shade of the big tree yet directs our gaze to the heat in the bright sunlight in the fields.

 

SPROUT:  What summer activity sets your creativity to the sundial?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

ALWAYS ROSES is a 24 x 36 inch oil on canvas still life painting

Terrill Welch's avatarTerrill Welch

ALWAYS ROSES is a 24 x 36 inch oil on canvas still life painting

Here are a couple of images of details as well.

and the second one…

I will be finishing the edges on this painting in a few days and then it will be available for purchase. I will update this post when the painting is posted. This is a sneak preview for those who follow and love my work. If you are interested in buying this painting and you do not want to wait that long, please feel free to contact me directly.

I haven’t painted flowers in the past few years but I have done so on other occasions. It seems I paint whatever I am involved in during my daily living. For example, this week I painted a scene from the local haying I had been asked to photograph for a client (that painting…

View original post 610 more words

In the PINKS and other rose painting efforts

When I blinked my eyes open just before 5:00 am they met the moon smiling down on us in the soft hues of a clear dawn. I could have gone and got my camera to capture its deep yellow-orange but instead we just gazed at each other until the moment passed.

Now, still early, the day is well underway and I believe with a bit of luck it will be a painting day. Yesterday, in a 20 minute window, I did up this quick 5 x 7 inch study “in the pinks.”

The study is to assist me with what I need to do on a larger 24 x 36 inch canvas “Always Roses” that is in progress.

I wanted to try a new red that I thought might make a better pink for my roses. But I am not sure I am convinced. None the less, my sweetie is taken with this study so I thought I would share it with you.

Each colour has its own learning curve and it seems an infinite set of possibilities as we often discover when we go to paint a wall. I remember watching Mr. Blandings Builds his Dream House (1948) a few years ago and the wife in the movie was trying explain to the painters the colour she wanted in the kitchen or something. She is going on and on about how it was the yellow of fresh butter she was looking for but not quite. She gets more and more specific with her description in her attempt to request the exact colour she is wanting. The lead contractor final turns to his side kick who has the pencil and paper and says “you got that!” The other guy is looking at his paper and nodding as he replies “uh-um, yellow!”

In this painting I feel like the wife in the movie in search of just the right pink and my palette is recording my desire about the same as the guy with the pen and paper in the movie “uh-um pink!”

For the larger painting, I had found the perfect light one afternoon but of course the day I started painting it  is different and my squished studio space doesn’t offer anything close. So I did the best I could in combining my painting day  with the light from the day before. The lighting is completely backwards. However, I wanted to paint so we just went with it.

I decided on an approach of working from the outside in until my subject revealed itself out of necessity. You can get an idea about how this works in these two images.

But is there anything left to say about a still life vase of flowers with roses? After hundreds of years of paintings of this subject it doesn’t seem like there is much. Yet, I cannot resist. I must! In fact all of the other “to do” items have been shoved aside – including getting some food in the house to eat. Well I did find a chunk of cheese and a pear. Not starving – just limited in choices.

 

 

 

 

 

 

I notice now how I shifted the shape of the vase to fit the compositional differences in the frame dimensions I am for the painting. That definitely wasn’t a conscious choice.

 

 

 

 

 

 

 

 

 

 

Let’s see what the painting in process looks like now though the glow of wet paint is making some parts look lighter than what is actually on the canvas. I am fascinated how the image changed perspective so that the viewer is looking slightly down down on the arrangement. This is not the case with my set up. However, the canvas is so tall that I had to reach way above me to paint.

So here is a canvas that rest while humming an old familiar song of roses and other flowers arranged in a vase. It was painted just for the joy of it and to please me. Thanks for tagging along with me 🙂

Now I am off to see if I can find us the perfect pinks and see if I can finish it with some measure of success!

SPROUT: What colour have you most wanted for something and had the least ability to describe?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

An interview with Terrill Welch by Charles van Heck

Every once in a long while someone reaches out and gently grasps your elbow to steer you over to a quiet spot where they can ask evocative questions. Such has been my experience in being interviewed by writer Charles van Heck! When someone is really listening in a deep and meaningful way I often have lots to say – so this in not a short read. However, I hope you will find it an interesting one. Enjoy!

Impression and Perspectives from Mayne Island
An Interview with Terrill Welch

at Whitman Pond Charles van Heck – Woodhull Arts Journal

Whitman Pond is the website of poet and author, Charles van Heck. Welcome to Whitman Pond, a fictional place that has had a long gestation.

I know that for those of you that regularly visit here you will enjoy discovering Charles van Heck’s website and his writings and interviews.

SPROUT: Who recently asked you such good questions that you didn’t realize until afterwards how much you had to say?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

PEARS BY THE SEA original oil painting by Terrill Welch

A strange relationship really, pears and the sea. However, it was a joyful occasion on the day they were wedded in my en plein air painting. How did this all come about you might ask?

Well, one day not too long ago I got to thinking how the lovely pear has been painted and photographed for what seems like forever. They are a powerful symbol of abundance, cultivation or agriculture and culture. I want to marry them – at least for a while – with the sea because the sea is, at least for me, a symbol of eternal change and continuity. My desire is to go more deeply into our human relationship to our environment. A study of pears by the sea seems like a good place to start as any.

I set up my easel as the light changed quickly.

It was a grand day by the sea!

As the sea embraces the sky – and my pears of course!

Would you like a peek at the work in progress before I show you the completed painting? Yes? I thought you might…

I may paint another still life of pears by the sea but for now – this 12 x 12 inch oil on canvas is it…

(Updated October 29, 2012: this painting is no longer available)

SPROUT: What is your most favourite unlikely relationship?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

ALONE BY THE SEA original oil painting by Terrill Welch

Don’t even ask what I was supposed to be doing this Friday because whatever it was it isn’t done. Instead, I worked on this new 20 x 20 inch oil on canvas painting that is of East Point on Saturna Island and one of Canada’s newest national parks. I took some artistic license and made the building slightly taller than it is in real live. Other than that the scene would be most recognizable to anyone who had walked out to the end of the point during a low tide and then looked back towards land.

This painting is in answer to a request by an admirer of my paintings. She asked if I could paint something with bright colours and maybe more contrast. We exchanged several posts as I remarked on how my subject – the southwest coast of Canada, is often quiet and the contrasts subtle. But I accepted her request as a challenge and asked that she leave it with me. I have been wanting to paint this particular scene for a while and I thought it would be a perfect with its deep shadows under the bank and in the crevices of the sandstone. It was a good painting problem and I greatly enjoyed saying one of artist Gabriel Boray pieces of painting advice over and over as I worked – exaggerate,  exaggerate exaggerate! This led to a whole other internal dialogue about my propensity to understate. So when all the tensions, struggles and musings had finished playing themselves out on the canvas this is what I am left with. Oh I might play a little with it yet but mostly I think it is ready to be set aside to rest. Enjoy!

UPDATE June 10, 2012: I played with the painting more than just a little based on the following feedback from colleague and artist Lena Levin

In your painting, the building looks a bit like a child drawing. I think it fits, in a way, — in that it kind of conveys your feeling of it sticking out, as though a man has been childishly modifying the nature, which looks mature and much more solid and eternal.

But just in case this look wasn’t intentional and you want to change it, it is due mainly to distortion of perspective (horizontals of the building don’t converge on the horizon line) and, as far as I can see from the photo, the lack of variation in the red of the roof (also probably the fact that two planes of the building are of the same value, as though it’s flat).

I did want the building to enhance that feeling of temporary tension between human habitation and the landscape. However, I also wanted the building to be somewhat believable. So I went back in this morning and made some minor adjustments which then led to a few other changes leaving us with what I hope is now the final painting. The building now looks much more like the actual building on this historic site. My thanks goes out to the Lena for her critical observation.

I also had a nice surprise this week. One of my small paintings “Morning” sold at the Green House Bar and Grill. I hadn’t even had a chance to show it to you yet.  However, I am going to do a separate post showing just the small paintings and will include it with these.

SPROUT: When was the last time you were glad your Friday went sideways?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Second Hanging – this time at the Green House Bar and Grill

A hanging of small proportions happened on May 2, 2012 at the Green House Bar and Grill. No it is not an act of violence on quiet Mayne Island this week but rather the unveiling of the second exhibit of my art work. This time it is a new collection of fourteen of my small photography prints and oil paintings.

Before I take you for a stroll around the restaurant to see what is here, let me introduce you to Shawn who prepared me the most delicious grilled salmon with green salad for lunch. Hanging a new show is hungry work you know 😉 Standing beside Shawn is the owner of the Green House Bar and Grill, Gerry McCulloch, who will serve you up a smile before you even have time to sit down.

So be ready for it should you have the chance to grace this warm and friendly establishment here on our small island. Now how about we have a look around?

These seven here are the main part of the show…

The two smallest oil paintings are only 5 x 7 inches. There is room for one of these in almost any suitcase, backpack or even a bicycle saddlebag. For those that are far way, the other three oil paintings shown here can be purchased from the Artsy Home Online Gallery. But for the little wee ones you will have to email me directly to inquire until I get a chance to get them included with the others.

Here is a couple more small oil paintings….

Again, the little one at the bottom is not listed in the online gallery yet. Soon, I promise but not yet.

And a couple of photography prints…

Most of the photographs in this showing are from my 2012  Earth Day Celebration collection and can be purchased in various formats and sizes from a special album on  smugmug HERE. This collection includes some of my personal favourite of recent images of Mayne Island and neighbouring Gulf Islands.

Another  small window to the sea over in the corner…

And here are the final two photography prints…

These piece will be shown until about mid July if you are on Mayne Island and want to stop in for nice meal and have a closer look.

Some places just feel like all the best parts of being at home. The Green House Restaurant is one of these places. It is a true honour and a privileged to have my paintings and photography prints contributing to this experience.

However, you may notice that the beautiful photographs of my colleague Barbara McIntyre are missing. This is the result of yet another hanging on Mayne Island that will be opening on May 12, 2012. On Tuesday, I am planning taking us behind the yellow tape so we can be some of the first to scene. Until then my friends may you have a chance to see the supermoon this evening while enjoying the simple and good things your life has to offer.

SPROUT: If you were going to do a creative hanging where would you most likely to perform the act and who would you invite to the scene?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com