Talking Bread Loaves PART 3

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Blossoms are everywhere. It is spring in Victoria and it is Friday. What can possibly be better than this?

PART 3 and the conclusion of “Talking Bread Loaves” If you missed part one you can read part it  here and part two here.

After about an hour I help mom punch the bread dough down and she makes the loaves and sets them to rise for a second time. This is when the magic really begins. Mom starts adding “just the right sticks” of wood to the stove and every so often she places her arm in the oven. Each time she checks, I ask “Does it feel right yet?” I’m amazed that she can tell when the temperature is “right” to put the loaves in to bake. Soon she is carefully placing four loaves into the oven. I find something to do at the kitchen table so I don’t miss what I count on happening next.

I have enough time to draw two horse pictures, one barn picture and part of a chicken coop before mom opens the oven door. She lifts a loaf carefully up to her ear. I stand breathlessly beside her.

Looking intently at the frown on her face I ask “what did it say mom? What did it say?”

In a deep gravelly voice she answers “put me back in.” and just a little louder over my giggles, she continues “I’m not ready yet.”

Each loaf is lifted up in turn. In sing-song notes the next loaf responds “well, I think I’m cooked” followed by its close companion who complains “don’t be in such a hurry. I’m raw in the middle.” Then the fourth one replies with a shiver “burrrrr, close the oven door, it’s getting cold in here.”

As the first loaves finish cooking, more wood is added to the stove and the next four loaves are again carefully placed in the oven. All eight loaves have something to say when mom lifted them to her ear. There wasn’t a silent loaf in the bunch.

Sprout Question: What makes you giggle that child-belly-laugh when you imagine it?

The very best of  Friday to you and I hope you have a wonderful weekend… and take some time out for a good giggle. It does wonders for releasing creative energy.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Talking Bread Loaves

“Talking Bread Loaves” PART 1 and artist Jerry Shawback

Self Portrait (18″X24″) by Jerry Shawback

For many of you that regularly read Creative Potager and its “sprouts,” artist Jerry Shawback’s contributions are a familiar sight. There is no direct connection between “Talking Bread Loaves” and Jerry Shawback. I am simply impressed with his work, his community building and his support of artists. Later in today’s post, Jerry is featured along with a few more images of his work.

“Talking Bread Loaves” will be told in three parts over the next three days. I am considering it for inclusion in my new book Mona’s Work.

Mona’s influence is multi-generational. My mother, Mona’s daughter, learned the art of amusing children, while she was cooking, from her mother. This is how I end up knowing about talking loaves of bread. At the age of five my family and I lived eighty miles from the nearest store. We went to town for supplies once a month. Good homemade bread was a staple. It was also my favourite food, particularly still warm from the oven, cut thick and slathered in butter with wild raspberry jam dripping off the edges and running down between my fingers.

Each week my mother would use her “magic “to make eight fresh loaves of bread. The reason mom needed magic was mostly to keep me amused, not because it was necessarily part of making bread…

Wrestling my way out from under a mountain of covers, I make my way to the kitchen. I know bread is going to be made by the bowls and pans already on the counter. Mom has the yeast set aside to soften in a very large, heavy bowl. The melted lard and yeast are floating on the warm sugar water. Standing on a stool, I stick my nose right over the bowl. I can smell the beginnings of bread. Mom makes a crater shape out of the flour on the table.

I put my fingers in the flour but mom scolds “Ahk! You will make the dough run out and spoil the magic.”

I knew that to spoil the magic meant the loaves of bread wouldn’t be able to tell her when they were done. So I take heed, carefully twisting my fingers together to keep them out of the flour crater.

Continued in PART 2 …

Sprout Question: How do you use your creativity to arouse the imagination of others?

Bonus: I connected with Jerry Shawback through his twitter account and was blown away by his generous “retweeting” of links tweeted by artists he is following (his support of Creative Potager tweets has been incredible). Sometimes I spend an hour or more just viewing the links he has sent along. However, one of my challenges has been getting to see Jerry’s work because his tweets about his own work are minimal. This is one of the reasons I asked Jerry if I could feature him on today’s post. I want us to pause and take note of Jerry Shawback’s art as we recognize his support of other artists.

sketch by Jerry Shawback

sketch by Jerry Shawback

More of these exquisite daily line drawings can be viewed in Jerry’s flickr portfolio. I suggest watching them as a slideshow.

Self Portrait (11″X18″) by Jerry Shawback

On March 13, 2010 Jerry’s portraits will be shown as part of the Gallery 9 “FACES” exhibit. Gallery 9 is affiliated with thewhole9.com, an international community for creative people where Jerry is a recognize community builder and active participant on the site.

p.s. Who is Jerry Shawback?

“Self portraits have the inherent ability to expose the depth and breath of human nature.” – Jerry Shawback

The artist’s self portrait series explores identity through multiple approaches to the same subject matter. Stylistically varied, they reveal the strange and vulnerability essence of the human condition.

His affinity for people, observation of life and strong draughtmanship is apparent in his depiction of the human form and informs Jerry’s painting. Other influences include: Rico Lebrun, Egon Schiele, Francis Bacon, Lucien Freud and his mentor Cornelius Cole III.

After studying communication design in Los Angels at the Otis Art Institute of Parsons School of design, a division of the New School for Social Research, Jerry worked as a freelance designer, commercial artist, and animator for the entertainment industry.

In 2007, after a ten year hiatus from the art world, Jerry returned to painting as a primary focus. He is currently working on a series of self portraits encompassing various artistic motifs, while maintaining an underlining vision, cohesion and emotional honesty. Jerry also produces works on paper documenting the lives and experiences around him, and his continuing study of the human form. His work has been featured in shows throughout Southern California as well as in private collections.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada