Baby Lambs

On this early Friday morning of west coast rain, I first want to thank the many faithful readers and sprout question responders of Creative Potager. This new blog began on December 27, 2009 with “A Gown Remembered: A beginning.” Today’s submission makes 45 posts with 442 comments and 3,342 views. Thank you. Your engagement, encouragement, humour and insights are an integral part of what makes for an excellent creative potager.

I must be off to a writing group this morning. The underpainting is still drying on my oil canvas and it is Friday on the last Friday in February. I thought I would share a series of photos from my visit to Meadowmist Farm to see the sheep with their new lambs yesterday. The babies always make me laugh with their curious leaping and bouncing around.

Mama keeps an eye out as we wander around the yard looking at the babies.

Here is Fat and Sassy running across the top of the knoll beside us.

Now what are these three up to? They have mischief written all over them as the scuttle across the lawn.

Ah yes – a game of  “let’s chase the cat.” Bridget Joyce’s lovely farm dog watches on to make sure nothing gets out of hand.

And finally, I take a first family portrait.

Thank you Joyce Kallweit for a delightful meander with this seasons new baby lambs. The best of the weekend everyone.

Sprout Question: How do you play or have fun when taking a break from creating?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Sandstone

There is nothing more intriguing to my imagination than southern gulf island sandstone. The wearing and washing of the sea along island shorelines creates a beauty that is hard to replicate. With its abundance and ease to work with, sandstone is used for everything from walkways, front step, garden beds, to cob wall foundations. Our home, along with many others on the west coast, make practical use of this local natural material.

Yet, it is the sea that has the most talent in sculpturing this soft stone as shown in these photographs from East Point on Saturna Island.

View and purchase full resolution images here.

View and purchase full resolution images here.

View and purchase full resolution images here.

View and purchase full resolution images here.

Sprout Question: What natural substance has draped you with creative possibilities?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Wabi-sabi

Wabi-sabi castes a familiar womb-like shadow into the emptiness of creative possibility. We know wabi-sabi by what is left in the muted abundance of emptiness. As I sweep the deck with a straw broom, I hear its brush against the floor’s surface – first the wood then the jute rug. I hear my breath. I hear the pair of Canada geese honk as they land in the pond below, followed shortly by a jet gaining altitude overhead. I stop my sweeping. My hand slides over the back of the bamboo chair on my walk toward the railing. I sniff the night’s rain soaking into the ground, feeding the fir trees as they bask in the morning sun.

Winter is coming to an end. Wabi-sabi then, is spiritual in its practice of simplicity.

Read more about this topic on my post about wabi.

Read  about this topic more on my post about sabi.

Sprout Question: Does wabi and sabi meet in any part of your creativity?

Primary reference: The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

p.s. I am away today and will reply to sprout responses tomorrow.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Possible

Creative possibility comes from getting it wrong.

Studio mess – my home – time to de-clutter. 8’X11″ charcoal quick sketch.

“Oh, I could never draw or paint like that.”

“I’m not a writer like you.”

“My photographs don’t compare to yours.”

If I had a dime for each time I heard these comments or others like them, all of my creative work could be used for charity fundraising because I would be independently wealthy. The sad thing is these statements are not true. They are lies we come to believe because we compare our attempts with finished products rather than the process that lead to their creation.

Here is a best kept secret: creative excellence comes from getting things wrong. Yes, wrong. As I commented on Coffee Messiah’s blog this morning, one of my drawing teachers, Glenn Howarth, was fond of saying things like: “It is the shoulder or wrist you struggle to draw that teaches you the anatomy of an arm.”

This is why I have committed to showing you my first morning “awakener” sketch. These first sketches are to engage me in the creative process. My sleepy eyes begin to frame, compose and dig at the relationship between elements I am about to sketch. My stiff arm and hand begin to respond to these relationships. In these first sketches, few mental barriers about “getting it right” have been erected. My judgment is left aside – these are not “keepers” they are “awakeners.”

In a three-hour drawing class, I often do 30 quick sketches that progressively increase in length until it is time to settle into the last hour-long sketch. When I am doing a photo shoot, I may take 150 images with maybe three becoming “keepers.”

Hours and days of exploring “that which is not yet quite right” leads to the creative possibility for success. This is where we discover our unique creative expression. This is where we learn our craft. We learn what is possible by getting it wrong.

My first quick sketch of the day is to inspire you to say to yourself – “hey, I can do that!” And you can.

Here is the last of my chosen three out of 150 shots of mist…

View and purchase full resolution image here.

Sprout Question: What do you do to strengthen your creative possibility?

p.s. Glenn Howarth was the most outstanding art instructor I have had the pleasure of working under. I am forever grateful for the few short years I was in his figure drawing classes. Glenn Howarth died last year at the age of 62. Very little of his thinking and work is on-line but here is an article he wrote that was published in  Canadian Art and Art Resource Directory: “Pictophile – Plein Air Painting”


© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Potatoes to Potato Salad

January rains keep the mist close to our strawbale, timberframe house here on Mayne Island. Daylight feels like it may never arrive today on the Southwest Coast of British Columbia, Canada. I hardly notice. Early this morning, I set off on a memory journey to a hot July day in a more northern part of the province. The year is 1966. I will soon be eight, as my birthday is near the end of August. My younger brother and I are staying with our grandmother Mona (Granny) at the family homestead on the Stuart River.

It is early morning and haying time. My grandfather has already left for the fields. We are in the garden with Granny gathering vegetables for potato salad. Already the sun has licked the dew off vibrant green broccoli leaves as they reach skyward from their well-spaced rows. Butterflies loop their way from one plant to another searching for any hidden dampness. Thankfully, it was too warm for the multitudes of mosquitoes which would savagely dive bomb our skin again come evening. I hear bees buzzing in the tall borage plants that are leaning their fuzzy foliage out into the path near the entrance to the garden. Keeping my bare legs clear so as not to get accidently stung, I follow barefoot behind my Granny as she thins, picks, prunes and digs things up to go in her large basin that we will then take down onto the wharf in the river and wash for slug, cut worm and aphid expulsion.

My brother went directly to the carrot patch pulling up one carrot after another. The ones that are too small he pokes back into the ground – until my grandmother turns around and catches him.

“Ack!” She exclaims. We always froze mid-movement when she (or our mother) made this sound.

“If you pull them out you have to eat them.” She pauses to ensure my brother is looking at her and really listening. He is only five.

Her voice softens as she continues “When you pull up the carrot it won’t grow anymore even if you put it back in the ground. Look for the bigger ones and only pull what you are going to eat.” He nods and following her example, begins to look for the fatter tops of the carrots showing slightly above the dusty soil.

We gathered new potatoes, carrots, peas, radishes, a few green beans, small onions, parsley, and sprigs of dill. Having washed everything in the river, our wet feet prints follow my grandmother’s up the wood dock towards the house. We now had all the makings for a potato salad. We were going to have a picnic, complete with Tang orange juice and lettuce with sugar on top for dessert. The older eggs (as they were easier to shell than fresh eggs) had been boiled earlier and were cooling in cold water. The fresh cow’s cream had soured on the counter overnight and Granny had made mayonnaise from scratch.

Using the propane stove, she steamed the vegetables and drained them to cool. The wood cook stove had been allowed to go out after Granny had made us pancakes and moose burgers for breakfast. The rest of the day she would use the propane stove to try and keep the house cool.

Laying newsprint out on the kitchen table we helped to shell hard boiled eggs. My first one got grey and grungy from the ink off the newsprint. But dipped in the pot of water beside us, it came out shiny white again. My brother’s eggs broke in half but that was okay. Chopped up no one would notice. Granny rubbing the inside of her large heavy mixing bowl with fresh garlic and began to slice the soft fragrant items into its smooth surface. With our knees on our chairs and our noses close to the bowl, we watched. First, the potatoes with their jackets still on, then the eggs (with three eggs set aside for later), then the carrots, then the pebbly peas and snapped green beans. They were all sliced into a pile one-on-top-of-other into the bowl. The crisp red radishes and onions were next adding to the mountain of colour and smells.

In a measuring cup, equal amounts of mayonnaise and sour cream are combined with a dash of dried mustard, salt, pepper, lemon juice and shopped dill and parsley. With a twist of the spatchula, the whole works is plopped onto the pile already in the bowl. We are in awe. What a mountain. What a bowl. This is going to be a great picnic. Squirming around we keep our itching fingers out of the mixing. Once folded and mixed, the salad was flattened with the base of the big spoon. The three eggs that had been set aside were sliced and placed on top. Then the whole shebang was sprinkled with paprika – beautiful.

Our Potato salad was taken to the root cellar and set in the ice box to cool and let the flavour mount. The ice had been harvested from the frozen river during late winter and cut into large blocks. The blocks were then placed in the root cellar and covered with sawdust for cold storage during the summer. There was no refrigeration.

We had two whole hours to wait until it was time to pack up the picnic. After stopping to inspect the baby garter snakes sunning themselves on the top of the root cellar, we came back to the house and slide up to the table again. Taking paper, pens, pencils and crayons, we drew mountains of potato salad. Page after page filled with squiggles, circles, and colours depicting how potatoes became potato salad. My brother even had talking potatoes in his drawing.

Sprout Question: What delights and inspires your child-like creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Butterfly mornings writing “Mona’s Work”

With my toes wiggling under the same wool blanket that my mother made me for my birthday one year, I look at the photo of my painted toes from several summers ago. From present, to mid-life to childhood, I’m drawn back into my memories of my grandmother Mona. I began writing Mona’s Work in September 2007. I need to finish it. Today is a writing day.

I allow the blanket made in colours gathered from one of my gardens to drift me back to a place full of butterfly mornings…and wild flower afternoons.

I’m back where the hay is being cut in the field and I am making potato salad with my grandmother using new potatoes, radishes and green onions from her garden. I leave you here to enjoy this beautiful song by Hope Sandoval & The Warm Inventions off of “Bavarian Fruit Bread”, as I go off to my day of writing.

Sprout Question: What objects and memories do you keep close to spark your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.