Wabi-sabi

Wabi-sabi castes a familiar womb-like shadow into the emptiness of creative possibility. We know wabi-sabi by what is left in the muted abundance of emptiness. As I sweep the deck with a straw broom, I hear its brush against the floor’s surface – first the wood then the jute rug. I hear my breath. I hear the pair of Canada geese honk as they land in the pond below, followed shortly by a jet gaining altitude overhead. I stop my sweeping. My hand slides over the back of the bamboo chair on my walk toward the railing. I sniff the night’s rain soaking into the ground, feeding the fir trees as they bask in the morning sun.

Winter is coming to an end. Wabi-sabi then, is spiritual in its practice of simplicity.

Read more about this topic on my post about wabi.

Read  about this topic more on my post about sabi.

Sprout Question: Does wabi and sabi meet in any part of your creativity?

Primary reference: The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

p.s. I am away today and will reply to sprout responses tomorrow.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

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Creative Potager – where imagination rules. Be inspired.

Sabi

If wabi is a preference for very little in recognition of its unequaled abundance in the face of all else, then what is sabi?

According to Robyn Griggs Lawrence, in The Wabi-Sabi house: the Japanese Art of Imperfect Beauty , sabi means “the bloom of time.” Sabi implies an understanding that beauty and life are fleeting. Sabi is the grace of wear through the passage of time and use. Sabi is the appreciation of imperfections. Sabi is not about things of poor quality falling apart or leaving things in poor repair. Sabi is the carefully mended knee of a pant leg which is still in service.

Sabi is our lines, wrinkles, and weathered beauty.

Sabi is the waxed, worn, wooden arm of a chair.

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Sabi is rust through the oiled surface of a wood cook stove.

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Tomorrow I will put wabi and sabi together as in  wabi-sabi.

Sprout Question: Does sabi have any part in your creativity?

p.s. I am away today and tomorrow. I will reply to sprout responses when I return.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Wabi

Today’s winter wabi room quick sketch 8″x11″ artist pen .

Wabi-sabi is a difficult concept (particularly for westerners) which can have reverberating impact on our creativity. We have been dancing gently around wabi-sabi in recent Creative Potager posts.  In particular, Laurie Buchannan has repeatedly articulated and demonstrated a link between minimalism and her creative clarity. In North America, such a practice is counter to material capitalism, advertising and socialization. Yet, when we experience wabi-sabi – when we live in humble, harmony with natural decay and the beauty of imperfection – we know an inner peace that the latest gadgets can never provide – because it would be contrary to their purpose. I believe wabi-sabi is a creative necessity and fuels for originality and creative resilience.

What is wabi-sabi?  I will break it down into several posts over the next few days. Though there is much to read on the subject, since we are focus on the theme of “home” for the month of February, my primary source is The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

Wabi began as a literary concept in fifth and sixth century Japan poetry to reflect melancholy. Wabi has come to mean simple, minimalist, humble and in tune with nature. It is often said that if you are a wabi person you are content with very little. However, it is more than being content… it is the enjoyment of very little with an appreciation and the awareness about how “less is more” in a way that bubbles from the inside over the sparse surfaces of our outside. Wabi is a preference for very little in recognition of its unequaled abundance in the face of all else.

One winter wabi room at dawn this morning…

Tomorrow, we will look at “sabi” and its connection with wabi.

Sprout Question: Does wabi have any part in your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

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Creative Potager – where imagination rules. Be inspired.

Naked

With my nightgown hung on the line, I’m reminded that there is nakedness when I am home. Nakedness that usually has little to do with bare skin. Home is actually where we rarely entertain and seldom share the space with others. I think of it as the freedom to allow my energies to easily flow in the space around me. Home is sacred space… when we invite others in to our home – it is to share that sacred space with us.

On Saturday, I cleaned and cleared the cooking and eating utensils. I asked myself – how many people are we really going to have visit at one time? How much cutlery do we need? How many wooden spoons do we use?

The answer was: “far less than was actually in our stash.”

Hence, a great lovely bundle of goods are ready for the thrift store.

Then, the next afternoon, we went for a long walk in a Valentine’s Day Sunday sun. I realized that this too is part of what I considered “our home.” “Home” extended beyond our property. “Home” is Mayne Island a place where my energy flows easily within sacred space.

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And, in honour of Valentine’s Day, the arbutus tango…

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Welcome to our home.

Sprout Question: Does your creative self have or need sacred space beyond your studio or writing desk?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

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Creative Potager – where imagination rules. Be inspired.

Everyday objects

Our creative journeys are journeys shared with other creative human-beings. Even if we tend to be reclusive, their presence is with us in our homes, in our everyday objects. A sensual blue image combined with a thought-provoking article Epreuve 05 :: Epreuve d’Artiste :: Altered States by Ian Talbot of London UK, inspired my still life sketch this morning of an everyday object. Thank you Ian.

8″x11″ graphite quick sketch

As I was standing at the counter doing my “awakener” sketch of our medium-sized Bialetti stovetop (Yes it has the little man on it but it is on the other side – I’m left handed. Handles are always on the opposite side of what one usually expects.) I started thinking more about Ian’s article and how I often overlook the creativity and artistic qualities of my favoured everyday objects. Yet, aesthetics and wabi-sabi charm generally influences my choice in the first instance when acquiring the object. Why is it that the creative care embodied in the stovetop coffee maker doesn’t leap out at me before my fingers can grip its black handle? I adore my coffee ritual with a zest that not much else can compete – particularly at 6:00 am. I can see its every detail with my eyes half closed. Well, that is mostly how I see it so that isn’t much of a revelation. However, I think you get the idea….

Though living is often a messy process, simplicity and functionality attract my sense of a world-as-should-be. This simplicity can be in everyday object or in everyday nature as in the image below.

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Sprout Question: When was the last time you recognized the creativity in everyday objects?

p.s. I was interviewed this past week by Stephan Weidner COO of Noomii for coaching blog article “Dealing with your Spouse’s Stroke: Terrill Welch’s Coaching Journey” The interview provides a concise account of how Creative Potager came to be.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Possible

Creative possibility comes from getting it wrong.

Studio mess – my home – time to de-clutter. 8’X11″ charcoal quick sketch.

“Oh, I could never draw or paint like that.”

“I’m not a writer like you.

“My photographs don’t compare to yours.”

If I had a dime for each time I heard these comments or others like them, all of my creative work could be used for charity fundraising because I would be independently wealthy. The sad thing is these statements are not true. They are lies we come to believe because we compare our attempts with finished products rather than the process that lead to their creation.

Here is a best kept secret: creative excellence comes from getting things wrong. Yes, wrong. As I commented on Coffee Messiah’s blog this morning, one of my drawing teachers, Glenn Howarth, was fond of saying things like: “It is the shoulder or wrist you struggle to draw that teaches you the anatomy of an arm.”

This is why I have committed to showing you my first morning “awakener” sketch. These first sketches are to engage me in the creative process. My sleepy eyes begin to frame, compose and dig at the relationship between elements I am about to sketch. My stiff arm and hand begin to respond to these relationships. In these first sketches, few mental barriers about “getting it right” have been erected. My judgment is left aside – these are not “keepers” they are “awakeners.”

In a three-hour drawing class, I often do 30 quick sketches that progressively increase in length until it is time to settle into the last hour-long sketch. When I am doing a photo shoot, I may take 150 images with maybe three becoming “keepers.”

Hours and days of exploring “that which is not yet quite right” leads to the creative possibility for success. This is where we discover our unique creative expression. This is where we learn our craft. We learn what is possible by getting it wrong.

My first quick sketch of the day is to inspire you to say to yourself – “hey, I can do that!” And you can.

Here is the last of my chosen three out of 150 shots of mist…

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Sprout Question: What do you do to strengthen your creative possibility?

p.s. Glenn Howarth was the most outstanding art instructor I have had the pleasure of working under. I am forever grateful for the few short years I was in his figure drawing classes. Glenn Howarth died last year at the age of 62. Very little of his thinking and work is on-line but here is an article he wrote that was published in  Canadian Art and Art Resource Directory: “Pictophile – Plein Air Painting”


© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Garbage

As I open the window a crack to hear this mornings song birds, I can imagine you are wondering why garbage would be part of a blog about creativity that is focusing on the theme of “home” for the month of February. I’d say that is a reasonable query. When I returned our rented movies to the gas station yesterday I paid cash (as the money is put in a separate envelope for the garbage collector) for a $7.00 tag to be placed on one, not too big and not too heavy bag of garbage.

This morning I tied off our one bag of garbage that we accumulate every three to four weeks and carried up to the main intersection to be picked up and then hauled off our island.

We live down the hill and around the corner of the road on the right.

It is a ritual I love. Being good islanders, we compost, regift, recycle, reuse, reduce and refuse with gusto. But there is always that little bit left that no one wants or can seem to find a use. This remaining refuge becomes our bag of garbage. Our creating, cleaning and clearing of our home has us frequently contemplating environmental practices which then brings us to examining what decisions we make earlier the acquiring and creating process.

My digital camera is a step in the direction of “reduce” by only printing the best while also being able to make these images available for viewing by many. Most recently, my creativity has been influenced by the “refuse” part of the environmental practices equation. I purchased a set of water miscible oil paints because I could use my same brushes and canvases but didn’t need to use any toxic solvents nor would there be the same use of materials in framing as with my watercolour paintings. In my creative process, I’m refusing to use as many toxic materials as possible and limiting the use of materials needed to create my finished products.

A frequent responder to sprout questions and full-time artist Tobin Eckian from Newburyport, MA takes the creative environmental practice even a step further into an area she calls “upcycle” in her use of cardboard in her art. Tobin’s blog and Etsy shop delight and inspire me with her creative “upcycle” art.

And just so you don’t think my weekend was all about garbage, here is an image from Sunday afternoon’s photo shoot…

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Sprout Question: How do environmental practices influence your creativity?

p.s. thank you for reading, participating and sharing Creative Potager. This is the 31st post since December 27, 2009 and because of you, there has been 246 comments and over 2000 views.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Solitude

Home is my place of solitude and sanctuary. There needs to be an easy transition from outside/inside living. We have almost the same amount of covered deck space as we do inside space with fir trees providing the boundary of our daily living rather than the walls of our home. To flourish my creativity needs extended amounts of time with just me – in solitude, daily. For me, this kind of outside/inside space is the most inspiring solitude.

Usually my time for solitude is early morning just before daybreak. I like to rise before I sense that the rest of my world has stirred.

Quick 8”X11” sketch with artist pens and watercolour wash of bench on our front deck where we can sit and look over the valley.

Sprout Question: How does solitude influence your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Fast Water part 2

Yesterday, I shared the first part of my weekend hike along the Cowichan River near Skutz Falls. Today’s photo journal entry focuses on building and using stretchers in the wilderness. I hope you enjoy this creative adventure that is also an applied survival skill.

First, let’s take a look up river. While I am taking this photo one of the coaches is explaining that next term if the students choose they will jump in up river (with life jackets and helmets of course) and be rescued just below the bridge we are standing on at the moment. They don’t have to go in but it is a prerequisite for learning to whitewater kayak.

The senior students met us at the bridge and lead us back down the river on the north side to where they had made stretchers by cutting poles and stringing them with coats, backpacks and one with a tarp. There was also stretcher made with webbed rope made and a foam sheet used in kayaking – this showed what could be used when sea kayaking and poles may not be readily available.

Everyone formed teams and the senior students lead the groups through a series of off trail maneuvers as directed by the coaches.

Down the trail they come…

Stopping to check on how the patient is doing (a very vulnerable ride)

It’s getting dark and I have to use my flash as they go through the brush…

And on the home stretch(er)

Creativity is related to much more than the arts. Creativity is the product of our ability to imagine. Our imagination allows us to find connections and ways of doing things that we have never seen or experienced before. I can tell by the smiles of these students, as they take on what is actually a difficult task to carry someone through the brush on a homemade stretcher, they are creative beings and loving it – lucky them and lucky us. I feel very privileged to have been able to share their company for this one afternoon on the Cowichan River.

Sprout Question: Have you ever had to use your creativity to save your life or save someone else?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Fast Water part 1

Over the weekend I had the most extraordinary opportunity. I was invited to go with a group of 13 to 18 year old students and two coaches for an outdoor pursuit hike along the Cowichan River near Skutz falls on Vancouver Island. These students are amazing and I absolutely enjoyed the pleasure of their company and the opportunity to be their guest.

The Cowichan River is fast and high this time of year.

There is little time to capture its beauty because I am keeping pace with these young bodies as they leap and skip along up the south side of the trail heading west. They are quiet, talking softly in small groups as they walk single file with the river glimpsed through the trees and over the steep edge of the narrow trail. I sense a relaxed intrigue rather than boisterous, frenetic, silliness I might have anticipated. For some, this is their first semester of outdoor pursuits. They may have spent very little time before today walking on the earth’s soft uneven surface. Through the soft steady rain, low cloud coverage and mist we walk together – as if we have been doing it for years.

A smaller group of older students had separated from us before we crossed the first bridge and gone up the north side trail to practice making stretchers. They will lead teams in stretcher exercises when we meet up with them later on our return. I will cover this in more detail tomorrow.

There are protected groves of Gary Oak in the park where we are hiking. My daughter, Ms. Herman, is one of the two coaches. She waits while I grab a couple of quick photos (with no idea that the camera is pointed in her direction).

We move swiftly to catch up to the rest who are gathered for a lesson on the river bank.

I snap a couple of river shots and totally miss what this particular lesson was about. Sorry Mr. Norman.

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Next I see a series of switchbacks in front of us. A hill – this is where the 15 year olds are separated from the 51 year olds. I am thrilled to reach the top still being able to talk and not having had to stop and rest part way up. The view was worth it.

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It is a perfect spot to give a quick lesson on using a compass. The students learn how to gather all the information they already know and begin to locate themselves on a map and learn how to read and set a compass direction.

We continue on. The strength of the trees as they withstand the water flowing around them is amazing.

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Tomorrow, more about how stretchers are can be made from coats, backpacks and tarp as creativity is applied to survival skills.

Sprout Question: When was the last time you got fired up, along with a group of teenagers, on a creative adventure?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.