Late Summer

We are now solidly into what islanders call “the shoulder season”. It is the time of year that we book our eye and dentist appointments and check all our batteries and fill the pantries for winter storm power outages. Those that have wood stoves are stacking and splitting and those of us with propane back up heat check the gauges and determine when we will need to ask that the tanks be refilled. Sunflowers and other late summer flowers shine brightly. Our tomatoes and cucumbers are in abundance and various apples are ripening. I always like to do a little extra for winter this time of year.

A pan of tomatoes, eggplant and peppers with garlic, African basil and rosemary are roasted for toast and frozen in small packages for mid winter with the taste of summer pasta.

I do up a basic pickle brine and stuff two jars with a cucumber, carrots and apple. These brine pickles will last unsealed and refrigerated in their sterilized jars for over two months and are ready to start using after two days. Besides, they look so pretty. A person can add dill and garlic if they wish but I didn’t.

We made a trip to Victoria on Monday for my new lenses and had time to stop in Sidney for supper and then a walk window shopping to the pier.

The late ferry arrived at dusk and the ride was uneventful and on schedule.

Yesterday, I worked with our gallery artists to pull together a new show for ISLAND TIME ART and we used the new gallery pod that was closed for the day as a handover for work returning and a staging area for the new show that was going up. Look at that colour!

Then a couple of hours later, it now looks like this and will open tomorrow Thursday, Sept 15, 2022 at 492 Dalton Dr., Mayne Island, B.C. in the ISLAND TIME ART room within Dragonfly above the ferry terminal. I invite you to drop by and see for yourself. Browsing is welcomed and encouraged.

Day trips from Victoria are relatively easy now that we are in the shoulder season and visitors even come for the day from Vancouver sometimes. The ISLAND TIME ART room is generally open 10-5 Wednesday through Monday though it is closed this Wednesday for some electrical work in the building. The Terrill Welch Gallery Pod at 428 Luff Rd also on Mayne Island is open 11-4 Thursday through Monday for the shoulder season and by arrangement at other times.

And speaking of large still life paintings, “August Still Life with Cezanne and Matisse”, a 36 x 24 inch oil on canvas, has found its forever home and is now sold.

I have always loved this painting and had hung it in our hallway for the open home studio days that accompanied the opening of the new Terrill Welch Gallery Pod. One of the gallery’s art collectors took this painting home on trial to consider purchasing and decided to make their relationship permanent. Many of my paintings have a specific job to do in the home of art collectors and this one is no exception. I am honoured that it was chosen for the important work it has been assigned in rememberance of a very special human being I have also had the pleasure to know.

I do believe this catches us up for now and I am off to work on the next issue of our “A Brush With Life” newsletter and get the wall labels ready for the new show in ISLAND TIME ART. Take good care and we shall chat again soon.

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Breaking Blue and Gold

Starting with Monday, this has been a week of deep connection with nature, family and friends. Nature is at my doorstep. A friend made the trip to the island for a visit and my family has been connecting via telephone across many km from a different part of the province. There is a fragile, yet unrelenting, firmness that whisks itself across the carpet of our pending autumn.

Seagulls gather in rows on the reefs.

Hearing about the death of Queen Elisabeth II at 96 years old and a 70 year reign is a good reminder for me that mortality eventually has its way with us all. This confirmation, and a northwest wind facing down a clear sunny day, slices through any illusions I may have had. Without a doubt, summer has slipped on a sweater on over her light cotton dress and Canada, as part of the commonwealth, has a new King. King Charles III who is already a sprightly 73 years old. Just like that it seems, we have turned a page in time.

However, if we look closely enough, we will notice that endings and beginnings are woven together and when done well, the broken threads pass beside each other twisting to become stronger than just one thread by itself. It could be as simple as where the sea and the shore meet.

Or, in a grander flourish, we might catch the sea, mountains and sky cresting across the horizon.

The seagulls are still conferencing on the sandstone with hardly a ruffled feather.

The next day they have moved on. But the northwesterly wind has stayed.

I try to find a place to paint but I am chilled and shivering just getting references. Unlike our intuitive summer, I have left my warm sweater at home.

After a third attempt along our Mayne Island shores, I tuck up close to the brickworks dock during the morning low tide.

I lean into the crumbly structure and make a wish. Not a wish for something. Just a wish to be present. A wish to hold the space of today. In a wonky out-of-sorts-kind-of-way, everything seems to be as it should.

I’ll take it! That long breath in and then out and in again. In nature, connecting with family and friends. This is it. All that gives us a chance in life.

Low Tide at the Brickworks Dock by Terrill Welch, 10 x 8 inch acrylic on gessobord plein air.

Artist notes: An early September northwest wind was cool even in the late summer sun. I tucked up next to the brickworks dock for shelter and then started admiring its weathered features.

And so it has been for this first week of September. How about you? How has your week been?

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Latest Progress on Arbutus and Salish Sea

“Arbutus and Salish Sea” is the latest painting completed in my Red Line Series. Since its beginnings during the last week of August, I knew this work was going it be part of this red line body of work. I started the painting in the usual manner with a yellow ground with a few pencil marks on the canvas to guide the composition and design.

From there, I started painting the background first because it was going to be the strongest visual balance to the rest of the composition.

Adjustments were made to simply the design of the painting even more as I completed the blocking in stage and moved on to building up the paint. Now let’s step down into the home studio and have a look at the resting painting…

This work has happened during the opening days of the new gallery pod while we have also had the home studio open to walk in visitors. It has been a bit tricky to work between guests but I managed. I was able to get it to this stage and added the red line yesterday.

Now it is resting and the painting still needs the edges painted and a final photograph. However, I have popped it into a digital room view to take away the busyness of the home studio and so I can better decide if it needs anything else. I thought you might like to see as well.

“resting” Arbutus and Salish Sea by Terrill Welch (not yet released though inquires are still welcome) 20 x 36 inch walnut oil on canvas

Artist notes: Recent years of drought and an over population of deer eating the seedlings has been challenging for Mayne Island Arbutus Trees. The red line in this painting is there to remind us of the impacts of climate change even as the natural beauty of these trees next to the sea persists.

The painting will be set aside as I believe it is complete and another canvas will be placed on the easel.

This is how it goes in the art studio and I am so looking forward to more painting time this fall.

May our Autumn be filled with quiet abundance!

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Starting Fresh in September

The first Sunday in September is often like my second New Year. There is this natural pause and reflection just before we seem to roll into the rest of the year in earnest. At first glance this year, my living and work world seems indecipherable like this photograph of the forest from our side deck.

However, with a bit of effort the layers can be lifted off and separated until they make some kind of visual and memory sense. This is what we like to do isn’t it? Make sense of things when they just happen to naturally co-exist in overlapping movements of light and energy. Let’s see what we can make of it all.

Since last September, our physical living and my working spaces have shifted in rather dramatic ways under my guidance and inspiration to solve immediate and difficult challenges. Only in hindsight do they seem daunting. When I was in the middle of these changes it was just a matter of getting things done that needed doing. Now I can appreciate the monumental shifts that have taken place.

The first major project last fall was the completion of our main floor bedroom and ensuite bathroom renovation that had started in the spring and been delayed waiting for windows to arrive. The building contractor did an outstanding job and we were able to move our bed from the great room beside the kitchen table and put an end to feeling like we were camping out in our own home.

This project was taken on to meet my husband’s reduced mobility needs in the middle of the night when he would get up a little too stiff and disoriented to manage the stairs from what was our sunroom sleeping quarters.

What we couldn’t have known ahead of time is what a sanctuary this space would become and how it would change the way we actually lived in our home. The ability to have a separate bedroom closed off in our open plan strawbale timberframe home that still remained visible from other parts of the house has meant easy movement, sleeping and working space without feeling isolated from one another. In meeting a very pragmatic mobility need we greatly increased our quality of daily living in our home.

My home studio moved permanently into the sunroom below the kitchen where our bed used to be for the past twelve years. Even with the unrelenting south exposure it works because of the tall trees and our many west coast soft grey days.

The whole house now works as if it was always meant to be this way.

The second major change came last October when my commercial venue for the gallery rooms provided all the tenants in the building a year’s notice because the owner was going to return the space to residential use. Our small rural island has extremely limited commercial space options and few of those are ideal for showing paintings. However, the first solution came easy with a small room sublet within another business that also was moving. It meant a change in what was regularly being offered as the small space was only suitable for smaller paintings and usable art products.

The huge benefit of this new art room venue is that I do not need to physically be there. Thanks to modern Square payment technology a separate terminal was added for use at the counter of the main business.

The unexpected gift of this unique ISLAND TIME ART room has been the joy designing and choosing smaller useable art products for this space and the ease of curating and hanging new shows with a selected group of gallery artists. The art room is eclectic, lively and delightful. But it is not a gallery space and has difficulty managing to successfully show larger paintings like my other gallery spaces had been able to do. Which brings us to my final major change during the past year. The Gallery Pod.

The Terrill Welch Gallery Pod, that is now snuggled in at our front gate and opened this weekend, took nine months from idea to opening and is the last piece in our live/work solution that my husband and I didn’t really accept that we needed until it was in place. You see, on top of being a full-time landscape painter and running a gallery and art business, I am also a caregiver for my husband who suffered a major bleeding stroke thirteen years ago. The first few years were spent in gaining back skills and abilities. Then there were many years of stability. Now he is experiencing a gradual decline in both physical and cognitive abilities that admittedly has been aggravated by limitation imposed during the pandemic. So being able to have the new gallery space at our front gate has become a huge future planning benefit that we didn’t realize until it was here would also have immediate benefits in the quality of both of our lives and my ability to continue working.

This brings me to a place of realizing this first Sunday in September that we can look to the present as a fresh start in our future direction that has been intentionally and thoughtfully implemented for both living and working on this small rural island on the southwest coast of Canada. Now it is time to set some short term priorities for the last quarter of 2022…. and go make some breakfast before opening the Gallery Pod and the home studio for visitors today from 11-4.

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

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Website: TerrillWelchArtist.com 

Gifts of Sunflowers from Art Collectors

As the second day of September rolls in after a cool morning, I go to the Gallery Pod to open up for visitors between 11-4 again today. There is an ease to early September where I have chatted with a handful of people in the line up for the bakery this morning who all offered congratulations on the new gallery space. I came home and trimmed up some branches so I can see the entrance to the Gallery Pod from inside the house. Yesterday, the extension cord was placed in a conduit pipe and buried in the trench that had been dug the day before. So everything is looking sparkling and organized. I then came in and ordered two raised cedar planters for the yard. Each will have a locally made olla watering pot that I have already purchased. I liked how the first one has worked in a big clay pot this summer so I decided to see if we can at least grow some salad greens this fall or next year. The big fir trees blocking out the sunshine are the main challenge but we shall see.

In the meantime, an art collector and gallery visitor yesterday brought the most lovely local arrangement of mostly sunflowers for the Gallery Pod. Are they not just the most lovely addition?

Then a little later, another art collector suggested that I come by and see their sunflowers for inspiration. They offered to pick some for me but I knew I wasn’t going get a chance to paint them right at the moment with the opening days for the Gallery Pod that also includes the home studio and our house. So I just went over and gathered a few images to enjoy in the evening light and left the flowers to create seeds for the birds. They certainly were lovely though. They feel as big, bright and cheerful as the sun itself!

I love how much variety there is in sunflowers.

They seems to have a magic all their own as they tower over my head in the early September sky.

Speaking of September, this painting of East Point was inspired from this time of year. It is now on hold as of yesterday and a final decision will be made early next week. In the meantime it is still on the Gallery Pod wall to enjoy.

Another art collector, who is also a friend, will arrive tomorrow night to stay in a local Airbnb for a few days for a much deserved vacation. We have plans to go out for dinner and listen to live music as part of a fundraising event. I expect we might also get a morning hike or two in as well. And maybe even dinner at our house.

Over time, I have noticed that there is a lovely fluidness between serious fans and those who collect my paintings and friendship. Sometimes the art viewing and collecting comes first and sometimes the friendship comes first. I suppose it makes sense that it would be so since the paintings are so deeply personal and a significant way that I express myself in the world. Still, it is something that I am incredibly grateful for and never take for granted.

It is a Friday of counting blessing and being grateful for the pure richness in our ordinary everyday.

What is filling you with gratitude at the moment?

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September is About to Arrive

I can feel fall nipping at my heals even as the nights remain warm and the drought conditions continue likely for at least another two weeks. It is a rambling eclectic time of year with my birthday acknowledged while aggressive wasps crowd around the outside water tap for a drink. I have the road signs up for the official Gallery Pod opening 11-4 each day starting tomorrow through to Tuesday September 6th.

The show is hung and people have been slipping for an early viewing for the last few days.

There will need to be new flowers for the desk today I think but these ones have sure been lovely.

The newsletter is written and will come out as usual on Friday. Never Miss the Good bits! Sign Up Now for “A Brush with Life” the curated editorial Terrill Welch Gallery newsletter published every second Friday. (You will receive a confirmation email. Check your spam folder if you sign up and it isn’t in your inbox. If you do not reply to confirm you are not subscribed yet). 

No painting is happening at the moment. A strong individual is coming to dig a trench for the extension cord to the gallery pod today so that it is not an eyesore. My most treasured team member is coming to clean and polish our home and the home studio. I have so much gratitude for those in my life who step up when needed!

End of summer meals are wholesome but simple. Breakfast of garden fresh local tomatoes on wood fired rye toast with mayo for breakfast.

Spanish omelettes with tomato sauce and cheese with local salad greens for supper thanks to Raven Vale Farm.

I managed a sunrise this week along with an impromptu visit with a friend who arrived for the same beach just a little earlier than me.

Life is good as I get up early and go to bed late while noticing the shorter days and that distinct scent of autumn just around the corner. I tell myself, just get through to the end of the Gallery Pod opening and it will easy up. But not likely all at once I am afraid. It is now time to get everything ready for the winter months. There are off island eye and dentist appointments to get out of the way for both of us and regular twice yearly blood work to do for my partner, along with his prescriptions that will need to be renewed. All the batteries for flashlights and emergency lamps will need to be checked. And the propane tank for the fireplace that provides emergency heat if we have a longer power outage. There! A list has been started.

How is your September shaping up?

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

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We Now Have A New Gallery

The past few days have been a bit of a whirlwind. However, everything has come together and today, being as it is my birthday and it is Sunday, will be a quieter day so I thought I would catch us up….

First, I started working a new 20 x 36 inch oil on canvas of arbutus trees this week. The canvas is just blocked in but I think it is possible to see where it going. It will be another in my Red Line Series. I anticipate this series being the second show in the gallery pod but it might be the third. We shall see.

On that note, let’s go to the gallery pod. On Friday, my trusted builder, Jean-Daniel Cusin owner of Mayne Island Kitchen and Bath, dropped by to give me a hand getting the track lighting and the hanging system in. This is the third gallery space we have worked on together and I had tagged him way back in December for assistance.

You would think it would get easier since we have done this twice before but there is still a lot of fiddling finding studs, cutting things to length and running to the hardware store a couple of times to get things we needed. Still, we got it done in a few hours and the next morning I twisted in all the lights into place and put the hanging wires up to get ready for paintings.

The anchor painting for this show went up first.

Then the other two large paintings that will keep it company.

From there, the hanging went fairly quickly and now the paintings are all in place, including the guest painting by Jody Waldie. Every few weeks, there will be one larger guest painting by one of the local Mayne Island artists who show in the other Terrill Welch Gallery adventure – ISLAND TIME ART. This gallery space shows their smaller work in the blue building with Dragonfly at the ferry but it is just not quite large enough to put in many bigger work. The gallery pod can handle them though!

I will write an announcement for the website to publish later today or tomorrow that is specifically about what is in this first show and more about visiting. I still have a few wrinkles to work out. Like, do I want labels or just a list sheet of the paintings that people can take away with them? How much signage do I need if this is going to function as a self browsing location with assistance as desired or requested? How much landscaping should I try and get done right away around the gallery pod? Who needs a personal invite to feel like they have really been invited? Just a few things like this! I still have time. The official opening is 11-4 Thursday, September 1st through Tuesday September 6th, when we will have both the gallery pod and the home studio open for walk in visitors. After that time, it will be just the gallery pod that will be open during the fall shoulder season for walk-in 11-4 Thursday through Monday or by arrangement on other days. The home studio will remain open by advance arrangement or impromptu visits if it is possible. However, if you are in the neighbourhood between now and the official opening, it is possible to visit the gallery pod. I will turn the lights on and put the open sign out from 11-4 each day. The road signs will be put up as well. Almost! We are almost ready after nine months since I started planning. I am totally thrilled with the outcome so far but you will have to come see for yourself or get me to do a video or FaceTime visit for you.

So this is it for the moment. How is your day going?

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

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Pulling Canvases Off The Easel

Done and done! Ta-da! For weeks these two very different paintings had been languishing on two of my easels. Neither needed much but I still procrastinated and refused to stand in front of them and finish up. So, in a moment of clarity and gumption yesterday, I picked up my brushes and did the necessary work. Then, without ceremony, I yanked them from the easel and rested them on the stairs for one last peruse before taking final photographs and setting them aside to dry. Upon reflection, they are both early morning paintings. They do have this in common.

The first painting is part of a Red Line Series I am working on to depict the challenges of climate change on our treasured landscapes. If we look at the painting by itself, it is easier to discover.

Red Line Emerald Lake in Yoho National Park by Terrill Welch, 20 x 30 inch, walnut oil on canvas.

For more details and my artists notes click HERE.

Or we could place it in a room view with a floating frame just to give us an idea…

The second painting is primarily a memory that is revisited every year or so when I go home to spend time with my parents. This is a landscape of my childhood and the first that I drew and then started painting in oils when I was fourteen years old.

Early Morning Mist by Terrill Welch 16 x 20 inch, oil on canvas.

For more details and my artists notes click HERE.

And this one really does appreciate a little distance. Breakfast anyone?

Normally, I will place posts about new releases on my website. I was just so pleased to finally get these two completed and into the inventory that it seemed they should be posted with the art practice records. I also worked on a third painting but it was too late in the day for photographs. Another time. Now I can start on something new! Grounds are dry and waiting but I might have changed my mind about what O want to put on them. They had been prepared for a few more mountain Red Line paintings. However, the one I just did could possible have said all I want to say. We shall see.

I do not expect to be writing a post here everyday even though it will happen at times. I thought about setting a specific schedule and decided it wasn’t necessary. I am fairly good about documenting my work process which includes hikes, walks, reading about art and art history, watching art videos as well as painting. I have been doing it for years now. Some thoughts and activities are gathered into “A Brush with Life” newsletters and some will only be shared here. Creative Potager is my everything-out-on-the-tables-and-counters kind of working space. Thoughts and musings are mixed in with my commentary and missteps. I tend to need to document my process to some degree so that I can let go and have room for new ideas and new learning. It is just my way of being in the world. I suspect at times that my ramblings will make little sense at all and at other times, you will be comfortably nodding at my shoulder. Either way, this missives will be a touch point for starting to understand the paintings that come off of my easel.

Do you also tend to find that writing things out or saying them to a friend is useful?

Thanks for listening! 😉

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

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Reopening with a Study of Oyster Bay

It has been almost three years since I have added a post to this Creative Potager Blog. There is not a reasonably way to cover such an expansive absence. So, I have decided to begin again as if it were just yesterday. If the in-between is important to you, there are many public posts to read on my personal Facebook profile and in issues of “A Brush with Life” newsletter for the gallery. Now, it is time to anchor a new beginning and a practice which includes a slight shift away from social media and back to this blog and my website. I am sure the reflective peacefulness of this specific online location will be welcomed by us both. Let’s start with a recent study of Oyster Bay, Mayne Island, on the southwest coast of British Columbia, Canada…

Today was a low tide when we quietly pulled the our Red Rosy Subaru Outback down to the shore for one of our regular picnic lunches. After a few bites, I was out and searching for possible angles to capture the sweet, warm, summer blues before us.

The Salish Sea stretches along the Straight of Georgia as we squint towards the coastal mountains and Vancouver on the far side. Do I want all of the view or just a piece of it?

Or maybe just the rippling water reflections? I can’t decide.

But whatever else, I had best step it along as the tide is definitely coming in.

Now this lengthy stretch seems to be just the right balance.

But what about possibly adding a touch of rock in the foreground from over here?

Oh! Very faintly we can see Mount Baker in the distance. I will stretch the capacity of my phone camera just a little to reach out… and there! Got it! At least I have it enough for my reference needs.

As a landscape painter exposing the mystery in an ordinary day, these are my regular photography sketches. I do not worry about getting that one perfect image but rather strive for a collection of references that I can use to enhance my memory and imagination back in the painting studio. On occasion, these studies, along with small plein air painting sketches of the same subjects, result in a painting but mostly they become foundational information that builds sometimes for years until an idea becomes compelling enough to paint.

So there you have it! Do you also have practices in your life that are as much for their own sake as anything else?

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

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Plein Air Painting Adventures

I have just released six new plein or painting sketches for the November 1-10, 2019 “Paintings of the Salish Sea” solo show. What adventures are are captured in these brushstrokes! Would you like to wander through just a few of the summer plein air adventures with me? Let’s do it!

Yes, you are seeing correctly. I used my new e-bike to transport my plein air gear to the painting location in Miners Bay in Mayne Island.

E-bike transportation to plein air paint on Mayne Island

And this small 8 x10 inch acrylic painting sketch is one of the new works released.

Miners Bay Mayne Island study by Terrill Welch

This is the start and what might be next? What an evening this was with an 11 x 14 inch walnut oil on linen board. Though released over the summer, this work is also in the current show.

The evening sunset eventually influenced both the subject and the canvas to such an extent that it was difficult to see the work until the next morning…

Then there was the evening that I painted in the shadows using a light for assistance.

The results made the effort worthwhile and the little light is now part of my toolkit.

Cotton Park Evening study by Terrill Welch

Oh why not! How about just one more? I hike in about 30 minutes with all of my plein air gear in a backpack to paint at Saint John’s Point on Mayne Island. An old stump became my painting table beside the easel.

I used a larger 12 x 16 inch gessobord since I knew it was going to be an effort just to get to the location to paint.

Definitely worth it, don’t you think?

Arbutus Tree Morning St John’s Point study by Terrill Welch

There are many more adventures to share of course but we will need to save them for another time. These plein air painting sketches and the other new works released for this next November show can be viewed in detail on my website at https://terrillwelchartist.com/2019/10/28/paintings-of-the-salish-sea/

Enjoy and all the best, as always! Terrill 🙂

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

Redbubble painting and photography prints and merchandise

Website: TerrillWelchArtist.com