Impermanence

/ Terrill Welch / 22 Comments

I share with you these pears dancing in the light of the sun coming through the window. But they are no longer there. We ate them. They were delicious. The photograph is history like all photographs has captured history.

(image may be viewed and purchased here)

Impermanence is difficult concept to viscerally accept. My limited understanding comes from Buddhist practices but it is an idea that has fascinated me since I was a small child and realized that turning of the earth gave me a glimpse of visually watching the passage of time. In fact, it is fair to say that expression of impermanence is a strong underpinning in most of my paintings and much of my reflective writing.  The Buddhist notion of impermanence is that all of conditioned existence, without exception, is in a constant state of flux. Here a section on the subject from wikipedia:

According to the impermanence doctrine, human life embodies this flux in the aging process, the cycle of birth and rebirth (samsara), and in any experience of loss. This is applicable to all beings and their environs including devas (mortal gods). The Buddha taught that because conditioned phenomena are impermanent, attachment to them becomes the cause for future suffering (dukkha).

Conditioned phenomena can also be referred to as compounded, constructed, or fabricated. This is in contrast to the unconditioned, uncompounded and unfabricated nirvana, the reality that knows no change, decay or death.

Impermanence is intimately associated with the doctrine of anatta, according to which things have no fixed nature, essence, or self.

Though I do meditate and go to the odd meditation retreat, I am not a practicing Buddhist. But there are times when I find that the Buddhist doctrine resonates and helps me to live a better life – with less suffering. Such a time is when the hard drive of my computer crashes beyond recovery. Some things were lost. Some things have been found in other places. I wasn’t and I am not particularly worried or grieving about any of these things.

What did strike me in a new way was the concept of impermanence. It was like I had been accumulating this understanding for years and all of a sudden I had a glimpse of it – just for a few days and even then only for a few hours at a time. I was able to experience impermanence beyond what my brain had constructed … it was tangible in the cells of my body, the earthquakes in Japan, David’s stroke, the birth of my grandchildren, the lines on the backs of my hand, and the daffodils in the woods.

(image may be viewed and purchased here)


This wasn’t a sense of peace and ease I was experiencing – I was terrified. My experience of the world, through my five senses, was no more permanent than the passing light between the trees. I was borrowing these experiences and stretching their presence through memory, writing, painting and collecting data on my hard drive. My thoughts go to Atlantis, the Egyptian pyramids, the ancient Greek poet Sappho – all passing moments in time with just a few fragments left visible through story, crumbling earth and fragments of poetry.  I grasp that my existence, my being, and my experiences are all expressions of impermanence. For a few moments, okay hours, it was hard not to hyperventilate and go screaming naked through the woods.

But after awhile I concluded, nothing had changed. These things were the same before I looked them squarely in the eye. My knowing did not chance impermanence – only my experience of impermanence.

(image may be viewed and purchased here)

This week I shall work on another painting. I shall do it with conscious awareness of my impermanence and its impermanence.

Sprout question: How does impermanence express itself in your creativity?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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FIR TREE original oil paintings by Terrill Welch

/ Terrill Welch / 18 Comments

This week my hard drive crashed and it is not recoverable. Fortunately, most things were backed up and my photographs were on an external hard drive and most of them are backed up again on flash drives. I lost a few images but not many. Lucky! However, I did lose all my newer email addresses so if you have exchanged emails with me in the past year, and would like to continue to be in touch, drop a line and I will add you to my address book.  Somehow this all seems to be less of an issue now that we have facebook, twitter and such. I might even be persuaded to pick up the phone 🙂

I plan to write a more about this experience on Monday in a post called “impermanence.”

Now, let’s have a look at this week’s painting. I started out just going to paint a few edges but these two small canvases had a ground on them and were sitting beside the easel. Well I looked at the edges of another painting and I looked back at the two canvases. The 8 X 8 inch pair just had to be done.

I knew what I wanted to paint. We have been getting a lot of evening sun here with glorious gold light hitting the trees just before it leaves us for dusk.

Starting from “ground.”

A ground is different from a underpainting even though it may be the same colour. With a ground there is just a layer of paint that is put down with no intended painting blocked in or even in mind. Yes, I dislike wasting paint so these canvases were just too close to the last underpainting I was doing and they were grounded 😉

The painting took shape quickly.

I didn’t stop again until close to finishing.

When hung, the two paintings would be separated by a couple inches – I think, maybe more. Or they could be hung like this ….

This side by side is possibly my favourite.

Here they are trimmed up pretty with no distractions.

FIR TREE SKY original oil painting by Terrill Welch

FIR TREE POND original oil painting by Terrill Welch

I haven’t had a chance to decide if I will sell them separately or only as a pair. What do you think? Should they be kept together or be allowed to go into the world separately and be a surprise to some unsuspecting buyer that there is another half to their painting?

These paintings will be part of my upcoming solo show “Study of Blue” opening June 30, 2011 at the Oceanwood Resort here on Mayne Island.

UPDATE: FIR TREE SKY has been SOLD at the opening on June 30, 2011. FIR TREE POND has been SOLD to a separate buyer at the close of the show on July 27, 2011.

Sprout question: What keeps you rolling through unexpected events with ease?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch Online Gallery at http://terrillwelchartist.com

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A walk to the blossom tree

/ Terrill Welch / 22 Comments

The sun had slid into home base just add of dusk. We decided that a walk would do us good. Besides, there is a neighbour’s tree I want to photograph while it is in bloom.

On the way, David spies these bird houses in the sun. I am smitten with their brightness against that aging wood of the building.

We must walk quickly now as the sun is already catching treetops between the shadows.

Ah, there it is.

We are a little late but it is still lovely. What a lot of blossoms!

Let’s see if we can find just a few for a close up.

Great fun. A little closer maybe?

Oh yes — one of my blossom photos is being used for the poster of Cherry Blossom Festival in Abbotsford British Columbia. This city of about 120 thousand is hosting a sister-city project to raise funds for Japanese relief. I am honoured that they requested my photograph to promote the event.

(view or purchase the photo in this poster here.)

There is a little credit running along the right side of the photo that has me grinning every  time I notice it 🙂

My intention this week is to paint the edges of my paintings that are already finished. I moved the rhubarb to a sunnier location yesterday and while I was out there I saw a few other things I want to get started on. This musing time – as I am doing these things I will decide on my next big painting.

If you get a chance, stop by my new Online Gallery at http://terrillwelchartist.com

I wish you a blooming good time this week.

Sprout question: What is blooming in your creative garden?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

A Friendly Farm Gate Chat

/ Terrill Welch / 19 Comments

Dear readers, how would you like to go shopping with us today? Remember, I can see when you roll your eyes. I promise it will be a shopping trip like no other you have likely been on recently. Today is the opening of Mayne Island’s Farm Gate store.

Farm Gate is the dream and shared vision of Don and Shanti McDougall who own and operate Mayne Island’s Deacon Vale Farm. Striving for local, organic and the best ingredients, the Farm Gate Store experience is about getting beyond either or thinking. When you have a love for food and community like the McDougalls this is no surprise.

At  the storefront we stopped to look at a great new sculpture by local artist and cob home expert Pat Hennebery.

Here we are at the Farm Gate store’s side entrance. A family has arrived ahead of us on bicycles to Mayne Island’s newest food place at the edge of the woods.

We are thinking maybe we will go by bicycle next visit. As we go inside we are greeted warmly by friends and neighbours and the store owners alike.

There are no strangers at the Farm Gate Store. Only new friends.

Customers decide between all of the quality choices local to “the islands” and British Columbia and a few exceptional import goods.

Locally, in our northern hemisphere, this time of year there are mostly  kale, mushrooms and a few greens and winter vegetables.

And please don’t tell anyone but I dislike kale. I know that is not very back-to-earth of me but I just can’t help it. To have the best eco-friendly variety and a balanced diet is to eat what is local, organic and in season closest to us.

Okay, so opening morning, one hour after being oriented on a new check out system that has just been installed, can be a little daunting. Though the learning curve is steep for the tellers, even young customers are happy to chill.

After all, this is the event of our day – no need to rush out the door to plant the spring peas. They will wait.

So let’s see some of the things we brought home. I have laid them out on a Deacon Vale Farm apron I was given in the check out line up.

I did not need a gift for waiting but I shall treasure it for its thoughtfulness and to remember the pleasure of opening day at the Farm Gate Store. We mostly bought celebratory foods. Partly because we know we can go back again for “a real shop” and partly because today truly was to celebrate. We wanted to have a friendly Farm Gate chat to welcome the Farm Gate Store as neighbours to neighbours.

Hum, I suppose I must confess that the hippie chip purchase was mostly for their name …… but they are also delicious!

See was I right? Are you not glad you came shopping with us today? If you are interested, there are more photos and information on the Farm Gate Store Facebook page.

Three cheers for community supported agriculture! Remember, the closer the greens are from the garden to your plate the more tasty goodness.

Sprout question: What locally grown foods feed your creativity?

Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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SALISH SEA 4 original oil painting by Terrill Welch

/ Terrill Welch / 14 Comments

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

The Breath of Stones

/ Terrill Welch / 30 Comments

Stones find their way into pockets, onto windowsills, or making a path in the garden. They hold my gaze when their weathered washed shapes appear in clusters. It could be a stream, lake shore or the ocean. I feel a deep resonance to their various sizes, colours and textures.

This week my underpaintings are ready for completion. I have the larger 24 X 48 inch and two smaller 8 X 8 inch. Maybe the little ones shall be paintings of stones – the patterns and how the earth breathes through their presences.

 

Sprout question: Where might we find your most inspiring stones?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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When the Sun Comes Out

/ Terrill Welch / 10 Comments

First, thank you everyone who zipped, shone light, sent energy and prayers to Josie this week. I believed she has turned the corner and is on the mend. Whaaaahoooo!

The week started out with much reorganizing to make room to paint my 24 X 48 inch cotton canvas.

The composition has been adjusted somewhat but the reference photograph you see of  “stones throw” with the canvas is the one I am using for this next painting. There will be much less sky for sure. It will be challenge because the movement is from the far outer top left moving forward across the canvas to the near bottom right – towards the viewer. I am excited to see if I can make it work.

Then something happened. There was this unusual yellow glow in the sky on Tuesday morning. I was pretty sure it was the sun but I couldn’t be positive because that brilliant addition overhead hadn’t been seen in these parts for quite some time. Well, nothing would do but we had to go down to the beach and check it out. On the way we stopped to check out the field of daffodils.

They were almost open but if we check back to last year on March 11th they were already in full flower long before this time last year. However, they are coming along just the same. This sun will certainly help.

Now let’s go to the beach. Wow! The tide is way out.

David went to stroll along the shore while I clambered over the sandstone reef. I found some beautiful barnacles, mussels and snails.

(the image “BARNACLES, MUSSELS AND SNAILS” may be purchased here.)

I liked this image so much it is my desktop background right now. There were lots of oysters too but I didn’t photograph them – muddy gray looking critters.

I can never get enough of the contrast of sandstone and blue sky. Sigh!

But this is show stopper for me. I was just sitting on the rocks relaxing before heading home when I turned my head back to the sea and this is what I saw…

(the image “VESSEL” may be purchased here.)

The natural abstract beauty had me exclaiming “Yes!” before I could even get my camera out of its case. Martha Marshall this one was captured because of you and your consistent influence on my understanding of abstract design. Thank you!

I did finally get back to my canvas and the underpainting is now ready for a good run of painting next week.

Have a great weekend and I hope you find some sun!

Sprout question: What is the most outrageous creative adventure you have ever blamed on the sun?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Josie’s Helleborus

/ Terrill Welch / 17 Comments

Since yesterday was the first day of spring in Canada I thought it fitting to post this photo I took of Josie’s Helleborus on the weekend. To tell you the truth from the top these blooms are rather quiet and peaceful. But when you get down and have a look underneath – wow!

What a face to inspire!

And speaking of faces to inspire, you have most likely figured out that if I was at Josie’s house there was also someone else at home.

Here he is again a little more awake while having a bath.

Coen was one month old on Saturday!

No his fingernails are not dirty. He has a bit of gentian violet under them and also on his lips. It is the most deep purple blue colour a person can find and stains everything. It is also one of the best treatments for yeast overgrowth in breastfeeding which most likely came about because of a shot of antibiotic given to mom just before he was born as a prevention for something else. Such a fine balancing system we humans have and it is so easy to upset. It is extremely painful for nursing moms and also for babies if they get thrush in their mouths. Baby seems to be doing great but it is taking longer for mom to get better. Though the situation was much improved when I left on Saturday, some good old fashioned healing energy and get well wishes may be in order I think.

However, today being Monday it is time to get back to work. Here is a photo taken at Galiano Island as we were waiting for the ferry to load.

This photo of “Blue on blue” reminds me that I have a project or three to do.

This week’s canvas is 24 x 48 inches – long and lean. I have an image in mind but you will have to wait until Friday to see how far I get. One hint – it has nothing much to do with the images that I posted today.

Sprout question: What is the inspirational centre for your creative focus this week?

Also, I have three new photographs printed and framed to go in the display on the Queen of Nanaimo Ferry this week. If you are travelling this way you may want to have a browse.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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HEAVY CLOUD original oil painting by Terrill Welch

/ Terrill Welch / 22 Comments

I remember being asked one time to paint a scary monster. It was a class exercise to get us out of the habit of creating beautiful paintings. I had a horrible time. I painted a dragon-type monster. The instructor laughed a deep belly laughed and told me it was a great monster but would not likely scare anyone. I think my painting “HEAVY CLOUD” has also suffered from my optimistic nature. It is obviously heavy cloud but not very dreary.

Let’s have a look…

Starting with the underpainting you saw on Monday I began building up the painting.

It isn’t really making a lot of sense yet but feels good so I keep going.

Then I painted for a long while. I left it to rest overnight and I did a few minor edits. I believe it is done. But I reserve the right to change my mind.

HEAVY CLOUD 10X12 by 1.5 inches, cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $420 Canadian unframed.

I most often see a little light coming in from somewhere no matter how gray it gets. There is just a touch of sun catching the sky above the mountains and it is coming to rest on the tips of just a few of the great coastal peaks so we are sure not to miss it. It seems to be saying – tomorrow is another day.

Have a great weekend!

Sprout question: What creatively allows you to express dreariness, gloominess or your darker side?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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Impression of an Artist

/ Terrill Welch / 24 Comments

Week after week I visit myself on the canvas of a painting, through the frame of an image or between the words of a paragraph. Do these impressions provide any further insight into my being and my interpretation of my world?

I like to think they do. I like to believe that these creative endeavors cast at least a shadow of truth on what I often think of as my core essence – that part of me that isn’t body or earth-bound in this life time. But is this really a possible truth?

As the paint is chosen, mixed and applied without thought, I like to believe there is a subconscious part of me that knows what it is doing. But maybe it is all accidental fragments of my conscious mind colliding with the paint, the canvas and the movement of my brush.

I am doing a study of blue – a series on the shades of blue. What I am discovering is that blue is more than a colour. Blue is a spiritual void for reflection… as I paint the sea… the shadows of the trees… or the sky. If I had known how wide this void would open up, would I have committed to the series?

Ah, no point in musing about what might have been.

This week I have one 10 X 12 inch cotton canvas underpainting ready for completion. In my imagination the heavy clouds press down with formidable force over the dark seas. May I be able to hold this moment long enough to reach in and pull out something that is the essence of me, of you and of the very world itself.

Sprout question: What impression best describes your creative self?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada