Being With What Is

Waking quickly, I glance out through the big window next to the bed. I can see the sun streaming its warmth across the valley floor. After being up until two hours past midnight, I have slept in. It is 8:00 am. Feeling panic, I do a head-rushing leap onto the cool tiles. It is summer. We have the heat off. I had wanted to water the garden. Then I remembered it was raining hard when I went to bed. That job is done. I can relax and be with what is rather than what I had planned. This is my summer so far. I had planned to do a lot of plein air painting. It is not yet happening. Either it is raining or I have another commitment to take care of. So today I am going to share with you a few images that have come about because I have just been with what is – and mostly I have been out and about on Mayne Island with David and my camera.

It stormed all day but the evening was grand….

 

(this image is available for purchase here.)

with the sandstone shore turning to gold.

(this image is available for purchase here.)

A sailboat sailing a sacred sail as the light catches the surface of the water.

(this image is available for purchase here.)

Just for a moment Georgeson Island is caught in the evening sun’s brilliance and we happened to be there… being with what is.

(this image is available here. There is also a beautiful new poem that poet Bat-Ami Gordin is inspired to write about this image posted in the description.)

Night is coming. The tide is high… a boat house with mist rising.

(this image is available for purchase here.)

Sailboats anchor in the soft edges.

(this image is available for purchase here.)

Night settles in.

Only to have another day begin in a tangle of Arbutus and sun.

The trail ends but my desire continues… off across the sea, over the hills and into the distance.

(this image is available for purchase here.)

Then, without complaint or longing, I am squarely back to the summer grasses beneath my feet, being with what is.

Sprout question: How are you being with what is?

STUDY OF BLUE  solo exhibition open until Wednesday July 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Sacred Breath of Editing

motor block reclaimed by sea

I question the concept of relying on divine intervention to complete a finished work. I have heard many times from writers, painters, photographers, musicians and gardeners that their creative muse works through them and it is not them creating. It is the divine, the muse, their sacred self. However, I believe it is a mistake for us to stop there. Allow me to explain beginning with this quote:

When you breathe in, breathe in the whole universe. When you breathe out, breathe out the whole universe.” – Koryu Osaka

I admit to slicing through ego thinking and allowing intuition, my muse, the divine to “have its way” with the page, the brush, the lens of my work. It is this first blush of inspiration, of whole body mind and seeing that comes from a still point where we connect with all that is… seeing, hearing and being as if for the first time. However, that is not the end point. As John Daido Loori, author of The Zen of Creativity, confides, we must continue our journey straight ahead from the mystical peak “down the other side of the mountain, back into the world. It is in the ordinariness of our lives that this intimate experience of the self merging with the absolute can begin to express itself.”

view from the top

This is why we need to learn the sacred breath of editing. Creative work is rarely ever completed in a single session or in the first instance it comes to us or is given to us. We receive or are inspired by the essence of what must be expressed. Now we must also complete the work. We must edit, taking away the extra, closing in on the core essence of what we intend to convey. The sacred breath of editing is the breath that allows us to reconnect with the resonance present when we first created the work. Then we remove what is not absolutely necessary. If we lose the resonance we know we have gone too far.

all that is - reclaimed

So just as your muse, the divine, your sacred self has a role to play in your creativity so does your critical mind applied to the sacred breath of editing. To bring your gift of creativity into its fullness requires a critical viewing, a reviewing and shaping. We must bring our whole self to our work. Trust your critical mind and strengthen its ability just as you have learned to listen to your muse. Yet remember not to invite your critical mind too soon. Savour and complete that first blush of creativity without review, editing or engaging in critical thinking. Allow the work to rest then breathe it in again and begin editing. Ruthlessly edit – with purpose, care, passion and regard for the essence which inspired you in that first instance.

Sprout Question: What might your sacred breath of editing sound like?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada