oil painting

How long did it take you to paint that painting?

/ Terrill Welch / 10 Comments

 

 

I’m still working on getting that show ready to hang. With a bit of luck I should have it up by this afternoon. This morning I am putting the hanging gear on the last six paintings. Then it is just a matter of pulling the venue consignment sheet together and loading everything up in the vehicle. So while I am sipping on that second cup of coffee I thought I would check in and let you know how things were going.

Art Studio Still Life photograph by Terrill Welch

This brings me to one of the hardest questions I find I ever have to answer as an artist. Can you guess what it is?

How long did it take you to paint that?

The question brings up this jumble of activity that goes into each painting. I know if I start to articulate that list it will either sound like justification or a whine.

Who wants to hear about the years of exploration of one colour – such as blue which I got just right between the sky and the water in this particular painting. Further, it seems unnecessary to explain how it can take several paintings to figure out a particular problem that has been satisfied in this particular painting. Or the days, weeks and months I spent meandering around until I found this particular composition which pleased me enough to pick up my brushes. Of course the trips to town by ferry to buy supplies, no point in mention that either. Then there is the photographing of the finished piece, painting the edges, getting it in the inventory program, posting it on the web and sharing in social media. The actual standing there painting the darn thing was the shortest length of time in the whole process. So I don’t say. Instead I have these rather vague answers that go something like this….

Oh, it took me a couple of months to get it this far – easy shrug.

I have been working on this particular challenge of getting the light to reflect for a while now… seems it worked well here.

If pushed –

The painting itself is actually the fastest part of the process. It is all the background work, preparation and finishing work that takes the time. Not unlike repainting the walls in your kitchen. Then there is the work of getting out there so people know that it exists. That is a whole other story. – big grin.

So there you have it! Thanks for hanging out in my loft studio with me this morning while I do up the last bit of work for the next show at the Green House Bar and Grill right here on Mayne Island.

Well that coffee cup is empty and I really must get to work. Have a nice day all!

SPROUT:  What creative process do you have difficulty explaining?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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HAYING original oil painting by Terrill Welch

/ Terrill Welch / 6 Comments

Recently, I have been photographing the haying process at one of our local farms. It brought back many memories from when I was still living at home in farming country. One of the images I captured really resonated with me and so I pulled out a canvas and set to work. The painting pretty much painted itself so I am going to give you just the end result this time.

A 14 x 18 inch oil on canvas  – available for purchase HERE

I was particularly pleased with how my star in the painting came together – the tractor! Here is a close look so you can see that it is just blobs of paint giving you a suggestion of a person on the tractor pulling a hay rake.

Haying time signifies summer in most farming areas in North America. This impressionist style painting holds the desire for coolness in the deep shade of the big tree yet directs our gaze to the heat in the bright sunlight in the fields.

 

SPROUT:  What summer activity sets your creativity to the sundial?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

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PEARS BY THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 15 Comments

A strange relationship really, pears and the sea. However, it was a joyful occasion on the day they were wedded in my en plein air painting. How did this all come about you might ask?

Well, one day not too long ago I got to thinking how the lovely pear has been painted and photographed for what seems like forever. They are a powerful symbol of abundance, cultivation or agriculture and culture. I want to marry them – at least for a while – with the sea because the sea is, at least for me, a symbol of eternal change and continuity. My desire is to go more deeply into our human relationship to our environment. A study of pears by the sea seems like a good place to start as any.

I set up my easel as the light changed quickly.

It was a grand day by the sea!

As the sea embraces the sky – and my pears of course!

Would you like a peek at the work in progress before I show you the completed painting? Yes? I thought you might…

I may paint another still life of pears by the sea but for now – this 12 x 12 inch oil on canvas is it…

(Updated October 29, 2012: this painting is no longer available)

SPROUT: What is your most favourite unlikely relationship?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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ALONE BY THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 14 Comments

Don’t even ask what I was supposed to be doing this Friday because whatever it was it isn’t done. Instead, I worked on this new 20 x 20 inch oil on canvas painting that is of East Point on Saturna Island and one of Canada’s newest national parks. I took some artistic license and made the building slightly taller than it is in real live. Other than that the scene would be most recognizable to anyone who had walked out to the end of the point during a low tide and then looked back towards land.

This painting is in answer to a request by an admirer of my paintings. She asked if I could paint something with bright colours and maybe more contrast. We exchanged several posts as I remarked on how my subject – the southwest coast of Canada, is often quiet and the contrasts subtle. But I accepted her request as a challenge and asked that she leave it with me. I have been wanting to paint this particular scene for a while and I thought it would be a perfect with its deep shadows under the bank and in the crevices of the sandstone. It was a good painting problem and I greatly enjoyed saying one of artist Gabriel Boray pieces of painting advice over and over as I worked – exaggerate,  exaggerate exaggerate! This led to a whole other internal dialogue about my propensity to understate. So when all the tensions, struggles and musings had finished playing themselves out on the canvas this is what I am left with. Oh I might play a little with it yet but mostly I think it is ready to be set aside to rest. Enjoy!

UPDATE June 10, 2012: I played with the painting more than just a little based on the following feedback from colleague and artist Lena Levin –

In your painting, the building looks a bit like a child drawing. I think it fits, in a way, — in that it kind of conveys your feeling of it sticking out, as though a man has been childishly modifying the nature, which looks mature and much more solid and eternal.

But just in case this look wasn’t intentional and you want to change it, it is due mainly to distortion of perspective (horizontals of the building don’t converge on the horizon line) and, as far as I can see from the photo, the lack of variation in the red of the roof (also probably the fact that two planes of the building are of the same value, as though it’s flat).

I did want the building to enhance that feeling of temporary tension between human habitation and the landscape. However, I also wanted the building to be somewhat believable. So I went back in this morning and made some minor adjustments which then led to a few other changes leaving us with what I hope is now the final painting. The building now looks much more like the actual building on this historic site. My thanks goes out to the Lena for her critical observation.

I also had a nice surprise this week. One of my small paintings “Morning” sold at the Green House Bar and Grill. I hadn’t even had a chance to show it to you yet.  However, I am going to do a separate post showing just the small paintings and will include it with these.

SPROUT: When was the last time you were glad your Friday went sideways?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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STORM COMING THROUGH original painting by Terrill Welch

/ Terrill Welch / 14 Comments

Winds howl as the rain slaps driving mist across the landscape. It takes fortitude, girt and a bit of foolishness to be out on a day like this. With shoulders hunched I yell against the beastly day with no effect. The sounds are carried away, across the water, through the trees – gone, like the day that will end in nothing more than a short, perpetual early dawn. Such is a winter storm in January off the southwest coast of Canada.

I’m not ready to make this painting available for purchase just yet. The painting and I are still discussing its current state of completion. If you want to know more about how this conversation is going you can read my account of the dialogue HERE on one of my  G+ posts.  When we have reached a mutually agreeable conclusion,  the painting  will be posted at the Artsy Home online Gallery with my other paintings that are currently available.

This a 24 x 36 inch oil on canvas and is my second attempt to capture one of these storms on canvas. Here is the first smaller study I did of just a section of this scene

(available for purchase HERE) 

Pssst! May is just about upon us and you know what happens to me between May and September – even October right? I am less frequently online and in front of the computer. It is just the way it is. I wish you the best for the summer and will post as the opportunity presents itself. May you be digging your toes in the sand, tossing your hair in the breeze and enjoying the few short months of fine weather.

Good morning and the best of Wednesday to you!

SPROUT: If you could do any creative project you wanted this summer what and where would it be? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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RAINY DAY OUT ON THE POINT original oil painting by Terrill Welch

/ Terrill Welch / 8 Comments

Sometimes the light reflected through a rainy day has the sweet bitter melancholy which reflects a sense of inner peace like no other day. The bright colours of wet rocks balanced the soft hues of the day with the houses and gentle seaside cityscape in the background reminding us we are part of this view.

This is a painting of Cattle Point in Victoria British Columbia, Canada

A 16 x 20 inch oil on gessobord with a 2 inch wood cradle. No framing required. The painting is available at the Artsy Home online gallery at http://www.artsyhome.com/product/rainy-day-out-on-the-point and a couple of detail images are included for closure viewing.

SPROUT: Where were you the last time you realized that you were part of the view?

P.S. The related links provide easy access to other posts related to the process for this painting.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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A distant detail of painting in progress

/ Terrill Welch / 10 Comments

It is Tuesday and my larger painting of  “Rainy Day by the Sea” has been “resting” since last Thursday. The long Easter weekend has come to an end and I have a long list of petty tasks to do. But first one must paint don’t you think?

Here is a 3 x 5 inch distant detail from the 16 x 20 inch painting I am working on. It was never intended to be viewed with such up-close scrutiny but I like doing this sometimes. The marks of paint only lightly suggest their subjects leaving lots of room for our imaginations.

SPROUT: What do you see or think you see in these fleeting strokes of paint?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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RAINY DAY BY THE SEA oil on canvas study by Terrill Welch

/ Terrill Welch / 21 Comments

Do you remember my recent photograph of “In the Rain at Cattle Point Victoria B.C.“? Well, I have been musing about painting it.

I don’t often do a study before tackling a larger painting but I was painting and repainting a particular idea over and over in my head so I knew there were painting challenges I was having trouble working out. So this morning, I decided to do this greeting card size palette knife study on a 5 x 7 inch gallery wrapped 1.5 deep canvas.

(to purchase contact me via email:  $150.00 – once it dries 😉

One of my aims is always to let paint be paint when I am working on a canvas. Nothing helps with this more than a palette knife. I have the most gorgeous, small and springy knife that was a gift from my parents when I was fourteen years old. I have a newer one but it just doesn’t have the same flexibility and the same balance as my first. Kinda like a good saddle, once you find one that fits you and your horse, or this case me and my canvas, a person doesn’t desire another.

I didn’t work out all of my painting challenges but I did find an answer to some and enough so to continue on to a larger canvas.

And none of you caught me in my error yesterday but the Studio Spring Sale Event doesn’t end until tonight. Sorry about that. Me and dates often have a rather fluid relationship 🙂 I have it corrected now.

SPROUT: What is your creative “study” practice in preparation for larger works?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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The Story of the Nightgown and the Paintbrush

/ Terrill Welch / 12 Comments

The nightgown sighed heavily on the sales rack. Will she ever make up her mind? Calculating, calculating – I am a nightgown for heavens sake! How difficult can it be? I look like the other two she bought more than three years ago. I am white. I am cotton. I have no itchy lace. I am the right size. I am ON SALE. I am perfect! Still she feels and rubs me raw between her painterly fingers and hesitates. Ah finally. She is lifting me up and taking me carefully to the counter – still frowning mind you. But the decision has been made. There, $40.32, that wasn’t so painful, was it? If only I could get her to smile now instead of muttering that she really doesn’t need me.

The large bristle paintbrush laughed and shouted to all the other brushes on the art store shelf. Stand back boys. She is coming for me! I can see that glint in her eyes. I will put money on it. She will have me in her hand before the store door closes itself behind her. Yep! Here she comes. The paintbrush puffs himself extra bristly and tall.

The little brushes rolled their eyes and want to slap him silly. They have seen this before. An artist walks in and doesn’t even check the price tag on this boastful beast. They just pick up the big bushy brute and head for the counter.

They can hear the clerk heard saying “that will be $41.45 please.” The artist laughs lightly, hands over the cash. No, no a bag won’t be necessary. She puts the new brush in with her nightgown and is already thinking about the first painting she is going to paint with this sashaying dandy.

SPROUT: What buying habits are influenced by your creativity?

P.S. If you haven’t already, do dropped by and mused over or shared the link for the Spring Studio Sale  as this artist has her eye on another dandy brush or two 😉

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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New paintings by Terrill Welch in the Artsy Home online Gallery

/ Terrill Welch / 12 Comments

Getting on with the painting of being an artist never seems to be an issue. But getting them out and available for you to purchase is as inspiring as sweeping cobwebs off the sealing. It is not that I don’t want them to be available for purchase. It is the tediousness of filling in all the boxes for posting that often has me saying to self “maybe I will just paint one more and then post them all together.” And we both know how that goes – one more becomes five more before I settle in to a quiet Sunday like today and start adding new work.

So just in case you have one of my original paintings on your “wishlist,” I now have a few more of my new paintings available on the Artsy Home online Gallery including this 30 x 40 inch oil on canvas –

REACHING THE SEA (Note: this painting is no longer available)

The full gallery of my original oil paintings currently available can be viewed at http://www.artsyhome.com/author/terrillwelch

Yes, there are still a few more to add. I am in the process of editing the photographs right after I post this for you. But there is one new one that will not be released until Wednesday. I promised to keep you posted 🙂

SPROUT: What is your very most favourite Sunday creative family rated activity? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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