Breaking Blue and Gold

Starting with Monday, this has been a week of deep connection with nature, family and friends. Nature is at my doorstep. A friend made the trip to the island for a visit and my family has been connecting via telephone across many km from a different part of the province. There is a fragile, yet unrelenting, firmness that whisks itself across the carpet of our pending autumn.

Seagulls gather in rows on the reefs.

Hearing about the death of Queen Elisabeth II at 96 years old and a 70 year reign is a good reminder for me that mortality eventually has its way with us all. This confirmation, and a northwest wind facing down a clear sunny day, slices through any illusions I may have had. Without a doubt, summer has slipped on a sweater on over her light cotton dress and Canada, as part of the commonwealth, has a new King. King Charles III who is already a sprightly 73 years old. Just like that it seems, we have turned a page in time.

However, if we look closely enough, we will notice that endings and beginnings are woven together and when done well, the broken threads pass beside each other twisting to become stronger than just one thread by itself. It could be as simple as where the sea and the shore meet.

Or, in a grander flourish, we might catch the sea, mountains and sky cresting across the horizon.

The seagulls are still conferencing on the sandstone with hardly a ruffled feather.

The next day they have moved on. But the northwesterly wind has stayed.

I try to find a place to paint but I am chilled and shivering just getting references. Unlike our intuitive summer, I have left my warm sweater at home.

After a third attempt along our Mayne Island shores, I tuck up close to the brickworks dock during the morning low tide.

I lean into the crumbly structure and make a wish. Not a wish for something. Just a wish to be present. A wish to hold the space of today. In a wonky out-of-sorts-kind-of-way, everything seems to be as it should.

I’ll take it! That long breath in and then out and in again. In nature, connecting with family and friends. This is it. All that gives us a chance in life.

Low Tide at the Brickworks Dock by Terrill Welch, 10 x 8 inch acrylic on gessobord plein air.

Artist notes: An early September northwest wind was cool even in the late summer sun. I tucked up next to the brickworks dock for shelter and then started admiring its weathered features.

And so it has been for this first week of September. How about you? How has your week been?

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

Redbubble painting and photography prints and merchandise

Website: TerrillWelchArtist.com 

Plein Air Painting Adventures

I have just released six new plein or painting sketches for the November 1-10, 2019 “Paintings of the Salish Sea” solo show. What adventures are are captured in these brushstrokes! Would you like to wander through just a few of the summer plein air adventures with me? Let’s do it!

Yes, you are seeing correctly. I used my new e-bike to transport my plein air gear to the painting location in Miners Bay in Mayne Island.

E-bike transportation to plein air paint on Mayne Island

And this small 8 x10 inch acrylic painting sketch is one of the new works released.

Miners Bay Mayne Island study by Terrill Welch

This is the start and what might be next? What an evening this was with an 11 x 14 inch walnut oil on linen board. Though released over the summer, this work is also in the current show.

The evening sunset eventually influenced both the subject and the canvas to such an extent that it was difficult to see the work until the next morning…

Then there was the evening that I painted in the shadows using a light for assistance.

The results made the effort worthwhile and the little light is now part of my toolkit.

Cotton Park Evening study by Terrill Welch

Oh why not! How about just one more? I hike in about 30 minutes with all of my plein air gear in a backpack to paint at Saint John’s Point on Mayne Island. An old stump became my painting table beside the easel.

I used a larger 12 x 16 inch gessobord since I knew it was going to be an effort just to get to the location to paint.

Definitely worth it, don’t you think?

Arbutus Tree Morning St John’s Point study by Terrill Welch

There are many more adventures to share of course but we will need to save them for another time. These plein air painting sketches and the other new works released for this next November show can be viewed in detail on my website at https://terrillwelchartist.com/2019/10/28/paintings-of-the-salish-sea/

Enjoy and all the best, as always! Terrill 🙂

ONLINE GALLERIES include –

ArtWork Archive original paintings and acrylic sketches currently available

Redbubble painting and photography prints and merchandise

Website: TerrillWelchArtist.com