underpainting

ONE original oil painting by Terrill Welch

/ Terrill Welch / 18 Comments

In a studying the shades of blue this painting of ONE has been the most demanding so far. It required the ability to work with four different blues to create the rich depth and reflections. I have little to say other than I am pleased with the results.

Palette for ONE

Beginning to work the underpainting

Working it a bit more.

Starting to get a feel for it.

Many hours later.

Making some minor corrections and time for a rest.

I came back to the painting the first thing the next day and finished it…. ta da!

ONE 24 X 36 inch cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $2,400 unframed.

UPDATE: Painting is now available in the ART OF DAY online gallery HERE.

Sprout question: What creative work is currently pushing you to the edges of your abilities?

NOTE: Last evening my original oil painting WHISPER sold to a couple in celebration of their wedding anniversary. I’m happy see it going to a most loving home.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

STORM COMING oil painting in progress

/ Terrill Welch / 23 Comments

We have been issued a wind warning by Environment Canada this evening: Sustained southerly winds of 70 to 100 km/h with peak gusts from 100 to 140 km/h will develop Wednesday morning. So if you don’t hear from me for a bit… it is only because the electricity is out.

I was going to post this painting on Friday along with another I painted this week. But the title of this painting is “Storm Coming.” I decided it would just have to be a Wednesday painting post. Seemed like a perfect day to share its progress.

Starting with the most yellow orange underpainting

I carefully selected a few colours. I’ve decided to capture my palettes for each painting and thought you might like to see.

Everyone has their own methods of organization.

I am not big on organizing my paints in a certain way. I think about what I am going to need and organize them in a manner I will use them.

For example, I am left handed and often work counter clockwise on my palette. Generally I work the whole canvas at once but this painting developed a little differently.

I chose my main brushes and palette knifes often having two brushes and a palette knife in my hands all at the same time.

STORM COMING 8 X 10 inch cotton canvas original oil painting is resting. It may be ready by Friday but maybe not.

Sprout question: What creative storm might be coming your way?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Related Articles

Say SPRING

/ Terrill Welch / 27 Comments

Seeing that it is the last day of February and it has been unusually cold with snow and wind and rain here on the southwest coast of Canada, maybe if we say “SPRING” all at the same time it will come true. What do you think? Shall we give it a try? Here is a photograph of a couple of tulips to help get us into the mood.

(image may be purchased here.)

Ready? SPRING!…. Hum, let’s try again SPRING!!!! There! That should do it!

This week is a painting week. It is the first painting week in about a month. I have these two 8 X 10 inch canvas underpaintings ready to start working.

And this 24 X 36 inch canvas underpainting ready as well. I am about to begin what may possibly be a series of paintings in a study of blue using seascapes as my contextual reference.

You might ask why I am doing my underpaintings in lemon cadmium yellow and it is a fair question. First I am not fond of a white canvas. Second, I like to create layers of depth through hints of underpainting colours coming through. However, to work for blues, the underpainting must be well set. Otherwise it just becomes a muddy mess. It does seem take longer to complete a painting using underpaintings but I like the end results.

Note: I am likely going to work on these three paintings and begin at least two more this week. I do NOT anticipate having much for process images but we shall see. I provide this warning  in advance so that you are not too disappointed on Friday.

Sprout question: Can you tell us about a creative series you want to do in the future?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Sitting

/ Terrill Welch / 19 Comments

loft from sitting on meditation cushion

Last night’s a summer solstice labyrinth walk is slipping into the soft dust of yesterday. Today I have a list. It is a long list of tasks that must be accomplished today, this week and next. Some are routine commitments, like typing up the minutes for a meeting. Others are unique and one-time requests, like painting signs for a wedding on recycled wood so that the 120, or so, guests can find their way around a large venue. Nowhere on this list does it say “put brush in hand and do the underpainting for next painting.”

My first response to this creative dilemma was to sleep until twenty-to-eight this morning. Now, my body feels like it has been pretzel-wrapped and would rather break than unfurl. My mind is grumpy. With puffy, blinking eyes I look out the window and see that the sun is already settling on the valley floor. Grudgingly I note “at least there is sun.” Then I remember “oh yeah, I have a blog to write too… and that package needs to be mailed this mornings as well.”

What is a creative woman in service to creativity and its inspired  Creative Potager community to do?

# one – get out of bed and gently untangle limbs and brain… at first hobbling and then gathering some form of jerky tempo on a trip to the washroom. Nothing can be formulated until this task is accomplished.

#two – heat teakettle, hand-grind blend of organic coffee and fill stainless steel insulated coffee press as body and brain cells begin to stretch and fall over each other to gain a more positive outlook on the day. In a moment of stubbornness I ignore them.

#three – climb the wood stairs up to the loft with coffee pot and cup. Place both by laptop for later as I glance longingly at the blank canvas on the easel.

#four – return to the top of the stairs and move past its invitation to decline and go over to the other side of the loft where its high ceiling lets light caress the small space.

#five – bow to the cushion on the floor.

#six – SIT

#seven – go back to desk and add “paint underpainting” to list with an asterisk… which denotes a very important “to do”

I am smiling. All my grumpy stubborn resistance has evaporated like morning dew. Now the day can begin. Among other things, I have a painting to paint!

Not everyone has a formal “sitting practice” such as meditation but most us will sit quietly, informally resting, gathering and sorting mentally, physically and spiritually. In these moments of simply being we can gather direction.

Sprout Question: When has simply sitting been your creative response?

p.s. this is not the blog I intended to write this morning but the goddesses of blog writing had their own ideas… what can I say? Have a most wonderful Tuesday:)

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Painterly Challenge

/ Terrill Welch / 16 Comments

I have been doing underpainting on two canvases. I like to paint on site but that is not always possible so I gather photographic reminders. I rarely sketch or draw on my canvas except to capture rudimentary placement of forms. I do however routinely start with an underpainting which gives me the beginnings of depth and positioning for the development of the painting. Underpaintings are kind of like looking at an ultrasound of a baby in the womb when you don’t know the parents… not very interesting. So if you find this post rather boring – I won’t be offended. Come back tomorrow. It will be something different.

You may wonder how I choose what to paint (besides the obvious of a theme for solo Exhibition Sea, Land and Time at the beginning of September). Long ago I decided that rarely would I paint something that I felt I had fully captured with photography. My painting in is an intuitive relationship with my subject. I want to give to the painting something beyond what is in the seeing. In addition to a compelling subject, I also decide what to paint by choosing a painterly challenge – something I want to explore or a skill I want to strengthen.

For “Sea” my challenge is to be able to create depth in the water while capturing the waves on the surface… I want the viewer to be able to look at the painting and feel as if the water is still moving, wave after wave. Starting with an almost blank canvas, I begin.

Stopping as the underpainting becomes too saturated to allow new colours and shapes to emerge without erasing earlier ones.

With paint still palette, I decide to begin a second underpainting for “rocks and mussels” to address the challenge of giving bulk to something that is dark on the top and light on the middle and bottom… the mussels are added in to keep me amused and give me a break when the rocks become tiresome and frustrating.

I am reminded of a passage in Emily Carr’s painting journal on July 27, 1933 where she writes:

“Oh, these mountains! They won’t bulk up. They are thin and papery. They won’t brood like great sitting hens, squatting immovable, unperturbed, staring, guarding their precious secrets till something happens. At ‘em again, old girl, they’re worth the big struggle.”

My rocks are only little sitting hens – but getting them to “sit” is still my end goal. We shall see over the weeks ahead what we can do with them.

Sprout Question: What specific creative challenges are you setting for yourself right now?

Bonus: An interview with me posted today by Stacey Curnow at Midwife For Your Life Blog “Walking in the Sunshine of My Soul: Special Shoes Not Required.” http://www.staceycurnow.com/blog/2010/03/walking-in-the-sunshine-of-my-soul-special-shoes-not-required

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Cheating

/ Terrill Welch / 18 Comments

Bravely going off in another direction

Does it ever happen to you where you set an intention to do something only to find that you have done something else? That is what happened to me yesterday. I was all set to start writing up some story cards from the source material for Mona’s Work. As I turned around to pick up the material, I locked attention on my oil painting in progress.

(18″ X24″ 1.5″ canvas)

That was it. Next thing I know my creative energy was thrumming at a low hum and hours had disappeared as follows…

I paint the sandstone cliffs with their heavy underbelly colours. The sea rushes towards my brush – pushing and pulling. I witness the internal tension.

Exactness is not the same as expressing the exact emotion in your work.

I knew I needed the cadmium underpainting to hold the seascape together – I did not know it would also hold me together as I painted.

I remind my self to breathe through my nose as the sea air catches me – yet the only sound is the swish, swish, swish of my brush on the canvas. Stretched tight under my enthusiasm every now and again there is throng drum before the swish. Linseed oil seeps through where there had been the smell of the salt from the sea.

I haven’t forgotten, I know the spring of the canvas, I know that sandstone needs a hint of crimson in its tan mix, I know – yes I know. Ohhhhh! I know nothing! What is this tangle paint scrapping it out on the canvas? Time to stop.

Will it make a painting? Yes, it already is a painting. Will it make a gallery painting? This is never my painterly question.

Swish, swish, swish – brush on canvas – a sound as soothing as the surf coming ashore.

Mona’s Work is pushed forward into tomorrow, March 2, 2010 (the painting will take a few days to get tacky enough to work on again anyway).

Sprout Question: Have you ever felt like you cheated on your creative intention?

Oil painting is very different from my usual medium of water colour painting. With water colours I go from light to my darkest colours at the very end. I still block in my composition with underpainting but I have to be able to “live with” what shows through. With oil painting, I start with a contrasting underpainting colour to block in the composition. Because of the strong divergence of colour that will be in this finished painting, I stayed with one range of colour in the underpainting. In both mediums, I build the painting up over a series of sittings. However, it has been over 30 years since I have painted with oils. My brain feels the stretch from working the colours from dark to light, as I had been taught by an Australian trained artist, Sheila Timmins, when I was about fourteen years old. The water miscible oils paints I’m using now are a little different but I’m not sure exactly how yet.

Bonus: Here is a photo of a finished oil painting “The Cow” by my sister Sue Wiebe whose work some of you had asked to see. Excellent control of shadow and light.

And here is a close up of Sue Wiebe’s “Water Lilies” that shows the layering of paint which allows the water to flatten on the canvas and the lily pads to float on top.

Thank you sis for sending me these images to share. Artist Sue Wiebe lives in Armstrong, British Columbia, Canada. With an undergraduate degree in English, she has also completed a year at Emily Carr University of Art and Design. Every once in a long while she finds a free moment to sprout on Creative Potager.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada