A slow start to our Monday with heavy fog wrapping the house in warm silence. The dark black coffee is good.
The youngest step-son is here visiting adding a sprinkle of laughter to our mix. My sweetheart is being host and making breakfast and more coffee. Life is good and content as I hear the pages of the Saturday Globe and Mail turning slowly just outside my view from the studio in the loft.
With this backdrop, I am musing about the relationship of space to our lives and our well-being. I want to share an image that is my own laptop background at the moment called SERENE SEA…
I haven’t made it available yet for purchase as I am not sure if its power and lure goes beyond my own satisfaction. You see, these rare moments of spacial expanse with such simplicity are rare both in nature and life. I long for these uncluttered fragments of surreal and sparse existence. Even a few posts from an older part of the pier with the island hinted at in the background feels like too much in comparison.
This doesn’t take away from the beauty of another island in the same landscape.
GEORGESON ISLAND IN WINTER MIST
Quality Prints available HERE.
Or even adding in a bit of the bay is a pleasant frame as well…
BENNETT BAY GULF ISLAND NATIONAL PARK
Quality Prints available HERE.
Or a few branches framing the farther off Edith Point…
EDITH POINT ENCHANTED
Quality prints available HERE.
I admit some of the qualities of the first image still exist in the photographs that follow it but the spacial void is seriously diluted. Our view is noticeably anchored to the land. But is it a distraction or a necessity?
In this reference of thought I made some assumptions that the first image, which has been holding my attention, would be of no interest to others. This assumption was so compelling that I did not release this image or the next one for purchase. Yet, I personally come back to them again and again. I seem to take one step towards more inclusion and definition in my last three paintings while there is still a sense of keeping the landscape compelling with its simplicity. To explore this tension in the rendering of the paintings further, there are three recent works that I released yesterday over on my website Terrill Welch Artist in the post “Sky and Sea in Three West Coast Contemporary Landscape Paintings”
I feel myself leaning more strongly in my most recent paintings towards daring to hold a sense of completeness with a painting similar to the first photo composition of SERENE SEA. I sometimes wonder if this was a pull that Mark Rothko experienced in his studio when he painted those large patches of colour. Anyway, it probably will amount to nothing on the easel but still I must give its due. I must pause and consider.
Well, my coffee is now cold and the half of a fresh pear I had earlier has long worn off. It is time for a late breakfast and to see what else the day has to offer.
What are you pausing to consider these days?
© 2014 Terrill Welch, All rights reserved.
Liberal usage granted with written permission. See “About” for details.
Creative Potager – Visit with painter and photographer Terrill Welch
From Mayne Island, British Columbia, Canada
For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com
7 thoughts on “Drawn to Simplicity in the Photography and Painting Process”
I’m a big fan of simplicity. Beautiful.
Me too obviously Annerose and it something that becomes a strong draw over time.
Thanks Patricia and all the best of the week to you!
Terrill — we’ve been without internet since Saturday afternoon, so I’m visiting briefly via iPhone to let you know I’ve read and thoroughly enjoyed (as always!) your post 🙂
The photo from Bennet’s Bay- my heart nearly stopped. So very beautiful~
Thank you Kimberly… it was a pretty special hear-stopping kind of day.