studio

RAINY DAY BY THE SEA oil on canvas study by Terrill Welch

/ Terrill Welch / 21 Comments

Do you remember my recent photograph of “In the Rain at Cattle Point Victoria B.C.“? Well, I have been musing about painting it.

I don’t often do a study before tackling a larger painting but I was painting and repainting a particular idea over and over in my head so I knew there were painting challenges I was having trouble working out. So this morning, I decided to do this greeting card size palette knife study on a 5 x 7 inch gallery wrapped 1.5 deep canvas.

(to purchase contact me via email:  $150.00 – once it dries 😉

One of my aims is always to let paint be paint when I am working on a canvas. Nothing helps with this more than a palette knife. I have the most gorgeous, small and springy knife that was a gift from my parents when I was fourteen years old. I have a newer one but it just doesn’t have the same flexibility and the same balance as my first. Kinda like a good saddle, once you find one that fits you and your horse, or this case me and my canvas, a person doesn’t desire another.

I didn’t work out all of my painting challenges but I did find an answer to some and enough so to continue on to a larger canvas.

And none of you caught me in my error yesterday but the Studio Spring Sale Event doesn’t end until tonight. Sorry about that. Me and dates often have a rather fluid relationship 🙂 I have it corrected now.

SPROUT: What is your creative “study” practice in preparation for larger works?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Spring Studio Sale – Art is not ART until it is SOLD

/ Terrill Welch / 12 Comments

Today five original oil paintings have returned to my studio from the venue where they were being shown. This event reminds me of a quote that was supposedly said by one artist to another…

“Art isn’t art until it’s sold. Until then it’s an obsession and a storage problem.” ~Anonymous

I am not sure I necessary agree. Art in my mind has little to do with sales – though those are always appreciated. However, I do believe that a spring cleaning sale is in order or else we may have to move out just to make room for my paintings.

With this in mind, the following FIVE 18 X 24 inch oil on archival quality gallery wrapped cotton canvas with roughly finished edges have been reduced from $1,200 to $900 plus shipping for the next week beginning today, Wednesday March 28, 2012 until Wednesday April 4, 2012 midnight P.D.T.

These paintings are all available for immediate purchase in the Artsy Home online gallery and include:

WINTER SUN

CLICK –> BUY to reach the “Buy it Now” button on the right at Artsy Home.

OWL’S VIEW

CLICK –> BUY to reach the “Buy it Now” button on the right at Artsy Home.

CABIN ON SHORE

CLICK –> BUY to reach the “Buy it Now” button on the right at Artsy Home.

EAST POINT CLIFFS

CLICK –> BUY to reach the “Buy it Now” button on the right at Artsy Home.

FAR SHORE

CLICK –> BUY to reach the “Buy it Now” button on the right at Artsy Home.

 

If you already own one or more of my original paintings or if you purchase more than one of these paintings I will give you an additional $100 collectors discount on each painting purchased.

Paintings are SOLD with my usual Artist’s Satisfaction Guarantee:

Unharmed and safe return of the purchased painting to the Artist, at the cost of the buyer, within 30 days of receiving the purchase will result in a full refund of the purchase price by artist Terrill Welch.

If you have any further questions or would like to make your purchase arrangements directly with me please email me at tawelch@shaw.ca

In addition, with each purchase I will include a signed copy of PRECIOUS SECONDS – Mayne Island in paintings and photographs, volume one.

Of course, if the paintings do not sell, they will be returned to new increase over the original price at the close of this sale and will be shown in another venue beginning in May. Yes, you read correctly – the price of all of my work is going up on May 1, 2012.

So this is rare an opportunity indeed. But no harm will be done if the paintings remain in my gallery collection awhile longer. After all, most of the work is less than two years old. In the past eighteen months, there have been eighteen paintings finding new homes across the globe. It is all good and makes this artist smile.

I look forward to wrapping your painting for you and putting it in the mail.

Please share with others that you think might be interested.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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ROMANCING SUMMER BY THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 11 Comments

Some paintings seem to guide the brush from the first stroke of the underpainting. The canvas, the brush and the artist move across the surface as if choreographed by a grand mistress of creativity.

Such was the case for this 30 x 30 inch oil on canvas painting ROMANCING SUMMER BY THE SEA. With a simple palette choice…

the painting slid onto the canvas and was simply there!

Oh it still needed to be built up and refined and brought to life but there was no question about the form, structure, tone or composition. Did this painting come out of some illusive muse? Possibly but it was highly influenced by several known influences. The first being my experience on Saturna Island last summer in August which provided the reference image and essence of a particularly spectacular summer morning on East Point. Secondly, I was reading THE SWAN THIEVES by Elizabeth Kostova which had been recommended to me by Patricia from Patricia’s Wisdom. If you have read the book you will know how deeply the sea, romance and painting are part of its gift to the reader. Finally, just before beginning this painting I was in an art gallery in Sidney B.C. and admiring an artist hand-embellished reproduction of “Evening thoughts” by Italian artist Pino Daeni. I have seen even an original Pino painting several times and reproductions many times. But this time I was admiring how he might accomplish that sensual mystery in his work. Then I asked myself, could I possibly capture this in a landscape, particularly one I loved and already could sense its sensual presence. Well, what do you think? Can I?

  (ROMANCING SUMMER BY THE SEA is available for purchase HERE) 

Of course my figure does not have flowing dresses. She is a strong muscular modern woman with little to give her gender away until you see her smile that touches her lightly around her eyes. But this won’t happen today. Today, we admire her enjoying the summer morning mist in August by the sea. There are also two detailed images of both the figure and the reflections on the water posted along with the painting at the “HERE” link above.

SPROUT: What has recently wooed your creativity? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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New paintings by Terrill Welch in the Artsy Home online Gallery

/ Terrill Welch / 12 Comments

Getting on with the painting of being an artist never seems to be an issue. But getting them out and available for you to purchase is as inspiring as sweeping cobwebs off the sealing. It is not that I don’t want them to be available for purchase. It is the tediousness of filling in all the boxes for posting that often has me saying to self “maybe I will just paint one more and then post them all together.” And we both know how that goes – one more becomes five more before I settle in to a quiet Sunday like today and start adding new work.

So just in case you have one of my original paintings on your “wishlist,” I now have a few more of my new paintings available on the Artsy Home online Gallery including this 30 x 40 inch oil on canvas –

REACHING THE SEA (Note: this painting is no longer available)

The full gallery of my original oil paintings currently available can be viewed at http://www.artsyhome.com/author/terrillwelch

Yes, there are still a few more to add. I am in the process of editing the photographs right after I post this for you. But there is one new one that will not be released until Wednesday. I promised to keep you posted 🙂

SPROUT: What is your very most favourite Sunday creative family rated activity? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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ROCKS AT SUNRISE original oil painting by Terrill Welch

/ Terrill Welch / 12 Comments

The light catches the morning next to the rocks in a grand profusion of impressionist captured colour. Each brush stroke is singing a song of praise for the beginning of another day.

ROCKS AT SUNRISE  is an 8 x 8 inch oil on gessobord with a 2 inch birch cradle.

(Update April 22, 2013: this painting is no longer available for purchase ) 

There are no process images for this painting as it happened in a continuous flow. This post follows up from yesterday’s post “Painting the Desperation of Wanting to Stay Alive” where a small detail of this painting was shared.

SPROUT: Can you share with us a link to your latest work that came forth in one continuous flow? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Waving at you from Mayne Island with Monet

/ Terrill Welch / 14 Comments

My morning is very French here off the southwest coast of Canada. I slept late (9:00 am) hand ground my coffee beans, made espresso and baked the chocolate croissants. The sun is shining.

Wave photographs are almost the equivalent of my warm up sketches in a figure drawing session. The process gets me stretched down low to the ground in odd angles and into that place where my eye starts to relentlessly compose and frame the world around me. Waves also feed an acceleration that pulls up any lazy cells in my being that thought they might just coast along through the photo shoot. NOT! We are here to capture the movement of light. Time to get to work.

Good morning and Happy Thursday to you!

SEED:  Speaking of the French, I made a most treasured purchase a few days ago. It is the 282 catalogue (or catalog) published  by The Art Institute of  Chicago for the 1995 exhibition of Claude Monet‘s (1860-1946) art work. Did you know that he used to get angry and slash his canvases and may have personally destroyed over 500 paintings? His art career was 60 years long but he is best known for his earlier paintings during the impressionism hay-day and of course his lilies. Though my paintings and even my photography have often been said to remind people of Monet I have never studied his work – rather I reclined into embarrassment and pride at being compared to such a great artist, too scared to even give it serious consideration. I personally had felt my work may have more in common with Camille Pissarro but that is another story. But over the next few weeks and months I am going to read about and study Monet’s work closely and see if I can see what it is that has people so often making this connection.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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REACHING THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 20 Comments

I never really know where a painting will take me. We start together from a humble beginning

and begin to build on those first foundations towards synergistic vision.

I find it is easy to get lost on a large canvas such as this 30 X 40 inch piece — lost in both structure and colour. I put paint markers like mental blazes in place to be able to stay on course. This is a larger colour palette than I usually select. But the painting seemed to be requesting it, so I went along.

Gradually the light and shadow references begin to take shape.

Good! Everything is still nice and loose. Unfortunately, I need to leave it for a few days. I enjoy a couple of details in the underpainting

that I know will eventually disappear.

Days pass and I walk by the painting pondering and anticipating my next chance to settle in for a good long stretch working my brush across its canvas. The time finally comes. I spend the day happily trying to “reach the sea.” But something is off. The painting is struggling and seems to be twisting on the canvas. What is it?

Hum! There that is what it is! Painting seascapes is a little like being a carpenter – measure the horizon line twice and paint once. I was down by half an inch to the left. I will let you in on a little secret. This “down a little on the left” is common for me both in painting and in my photographs. For whatever reason, I will pull down to the left. I am left-handed and see better out of my left eye so this might be part of the issue. But leveling takes care of these things nicely. How many times to I paint the horizon line in a seascape? Many. It is critical to getting the distance or depth in the paint and getting it to “settle” on the canvas. Time to pause for a moment.

There are a few challenging and unusual elements to this painting. First, the focal point is the lower top right third. Most often, we expect the composition to work from details in the foreground to less in the background. This painting is forcing the viewer’s eye past the foreground towards the reflections near the end of the reef. Hence the name of the work “REACHING THE SEA.”  Secondly, the sun is in front of us reflecting on the water creating deep shadows and light patterns that are more difficult for me to represent by having my brush following the light. It is a painting that is moving towards the viewer and demands, not asks, that the viewer meet it two-thirds of the way into the frame. That was the painting’s idea. I am usually much more polite.

We are almost there…

The painting has never really tightened up and the layers have built themselves in the generous way of land and sea in perpetual transformation. I have heard many times that green is one of the most difficult colours to mix. The green of seaweed. The brown of sandstone. The diverse blues of the sea. The brightness of the facing the midday sun. The deep shadows of the shoreline. Thank heavens for the light, softness of the sky! … I see a few wayward brushstrokes, maybe a little lighter over here and yes, a little darker over there. Done!

REACHING THE SEA 30 x 40 original oil painting by Terrill Welch

As usual, I need to paint the edges yet before putting it on the market. But very soon. I will just need to make a day of it do nothing but paint edges!

 

SPROUT: What unusual adventures has your creativity taken you on lately? 

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Coastal Winter Storm original oil painting by Terrill Welch

/ Terrill Welch / 18 Comments

This morning as I stepped out in the dark on our side deck to hand grind my morning coffee beans, fine snow brushed my cheeks. It smelt of winter and reminded me of damp wool and hot chocolate.

COASTAL WINTER STORM  (12 X 12 inch oil on canvas) is like this.

 

It is like today on the southern Gulf Islands.

Yesterday’s post “Begin a painting with no punctuation” is the only process image I captured.  But here is a detail of the final image so you can better see the loose layering of paint.

The painting still must have its edges painted so is not quite ready for the online gallery ArtsyHome where I am the feature artist this week. (feature has the capacity to leave a comment too – which would be nice if you feel so inclined) But soon. However, you can lay claim to it now if you want. Just send me a direct message and we can work out the details. The price is $550.00 U.S. including shipping.

When I become a really famous artist I will have an assistant who will paint the edges of my paintings, add the picture wire, put them in the inventory program and then package them up to send to buyers. I shall paint and only take a break to make soup and go for long walks with my camera.

I am also a featured member in the Beautiful BC Art redbubble group this week.  You may want to drop in and see all the stunning work that is on display by other photographers, including an image by a fellow Mayne Island photographer Toby Snelgrove.

A happy customer posted the arrival of my painting STORM COMING and talks about the dilemma of where to hang the painting so everyone in the family can enjoy it.

So it seems it is a good week to be an artist and I am ever-so-grateful for you company, support and encouragement. Thank you!

SPROUT: What will you hire an assistant to help you with when you become famous? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

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Begin a painting with no punctuation

/ Terrill Welch / 9 Comments

Starting with the underpainting, grab and sway the emotions of light, form and structure without pausing to add punctuation. Allow your brush to skip and fly across the canvas in bold strokes of unrefined passion and fragments of expression. Do not edit. Please do not edit at this time. Leave it be raw and calling.

There will be time later to decide how much to define. A paragraph or a single word will become clear only after this first brush with expression.

These are my guiding demands of self as I reach out to choose a brush, squeeze out the oil paint, set the canvas and I stand squarely to begin my painting day — a day that began with reading Laurie Buchanan’s post “Painting a Word Picture”

SEED: Laurie asked the question: Who is your favorite word painter? This got me to thinking about my relationship between painting, photography and writing. My reply is as follows:

My first choice is Colette and in particular a passage from BREAK OF DAY (1928)

“He bent his bare body, polished by sun and salt. His skin caught the light, so that he was green round the loins and blue on the shoulders, according as he moved, like the dyers of Fez. When I said “Stop!” he cut short the thread of golden oil and straightened himself, and I laid my hand caressingly for a moment on his chest, as one does with a horse. He looked at my hand, which proclaims my age — in fact it looks several years older — but I did not withdraw it. It is a good little hand, burnt dark brown, and the skin is getting rather loose round the joins and on the back.”

My second choice is Elizabeth Rosner and a short piece from BLUE NUDE (2006)

“He imagines this: cupping her breasts and testing their weight in his hands to be sure they fit when his mind has already predicted it and his palms already tell him Yes. To press himself against her, to fold themselves together seam to seam, the way certain insects mate into one flying being.

He imagines them ascending.

The body exists in space, he says to the class. There is something solid she is resting on; that shape is part of what makes her stand the way she is standing; her feet are on the ground, or she is sitting on a chair, or leaning against a wall, or reclining on pillows. The body is part of the world. Do you see?”

I have purposefully chose non-landscape or seascape passages. I wanted to share how word pictures can link our internal worlds to our external observations – that this combination is how we “see” and experience what is around us. Both of these writers do this extremely well as does the passage you have shared with us Laurie. As an artist both as a painter and a photographer I attempt to “write” this language in my visual work. Sometimes I add just a dash of words to assist me – word pictures combined with pictures expressing words. All forms expression – impressions left for the viewer to complete.

I now come back into my studio space and prepare to pick up my brushes.

SPROUT: Who is influencing your creativity today? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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THE SEA TO ME original oil painting by Terrill Welch

/ Terrill Welch / 6 Comments

Fresh brush strokes, loose and easy, flow onto the canvas of a new painting.

Lusty dank seaweed brings its dark beauty to the summer sandstone shores along the inside passage on Saturna Island. My hand remembers.

The painting swells towards completion and then seems to drift and with an unexpected unsettledness. Incomplete and shifting on the canvas, I leave it for weeks sharing only a detail.

I approach it again – defining the sea and softening the mountains into a grander relationship between sea and sky – closing in the view and leaving a greater sense of more to see beyond the edges of the canvas. Finally the painting seems to settle. However, I suspect it may always seem just a little restless, inviting the viewer into the ripples at the water’s edge with one eye skittering off to the distant mountains, then back to the rocks in the foreground.

THE SEA TO ME 12 X 12 inch oil on canvas

(Original painting is now sold. Print available HERE)

SPROUT: What are you leaving unsettled for future competition?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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