Oil Painting East Point Cliffs

March 18, 2010April 11, 2010 / Terrill Welch / 21 Comments

On February 26, 2010, I began putting a melon orange underpainting on an 18”X24” gallery quality 100% 2” thick canvas. Oh the spring the canvas, the smell of linseed – so familiar from more than 30 years ago. Yes it has been more than 30 years since I have painted with oils. And these are Grumbacher water miscible oils something completely new. The instruction I was given when I purchased them was – “just paint!”

I have been painting with water colour paints since I was twenty so I just smiled and thought “we shall see.”

A muddy lump of colour is the end result on February 28, 2010 but it felt good – and I needed new brushes. The ones from 30 years ago are toast. So I picked up new ones when we next went to the city. Much better.

March 1, 2010 the painting is starting to take shape and I am lost in sea, land and time.

Over the next couple of weeks I sit and paint several times until the painting starts to tighten up and become the most unruly “problem child.” Where was the painting I had originally given birth too?

I stayed with it – painting and feeling and painting some more. I may fuss a bit with presentation but I think this cooked.

View and purchase full resolution image here.

Sprout Question: What do you do when you have a creative “problem child?”

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Cheating

March 2, 2010March 3, 2010 / Terrill Welch / 18 Comments

Bravely going off in another direction

Does it ever happen to you where you set an intention to do something only to find that you have done something else? That is what happened to me yesterday. I was all set to start writing up some story cards from the source material for Mona’s Work. As I turned around to pick up the material, I locked attention on my oil painting in progress.

(18″ X24″ 1.5″ canvas)

That was it. Next thing I know my creative energy was thrumming at a low hum and hours had disappeared as follows…

I paint the sandstone cliffs with their heavy underbelly colours. The sea rushes towards my brush – pushing and pulling. I witness the internal tension.

Exactness is not the same as expressing the exact emotion in your work.

I knew I needed the cadmium underpainting to hold the seascape together – I did not know it would also hold me together as I painted.

I remind my self to breathe through my nose as the sea air catches me – yet the only sound is the swish, swish, swish of my brush on the canvas. Stretched tight under my enthusiasm every now and again there is throng drum before the swish. Linseed oil seeps through where there had been the smell of the salt from the sea.

I haven’t forgotten, I know the spring of the canvas, I know that sandstone needs a hint of crimson in its tan mix, I know – yes I know. Ohhhhh! I know nothing! What is this tangle paint scrapping it out on the canvas? Time to stop.

Will it make a painting? Yes, it already is a painting. Will it make a gallery painting? This is never my painterly question.

Swish, swish, swish – brush on canvas – a sound as soothing as the surf coming ashore.

Mona’s Work is pushed forward into tomorrow, March 2, 2010 (the painting will take a few days to get tacky enough to work on again anyway).

Sprout Question: Have you ever felt like you cheated on your creative intention?

Oil painting is very different from my usual medium of water colour painting. With water colours I go from light to my darkest colours at the very end. I still block in my composition with underpainting but I have to be able to “live with” what shows through. With oil painting, I start with a contrasting underpainting colour to block in the composition. Because of the strong divergence of colour that will be in this finished painting, I stayed with one range of colour in the underpainting. In both mediums, I build the painting up over a series of sittings. However, it has been over 30 years since I have painted with oils. My brain feels the stretch from working the colours from dark to light, as I had been taught by an Australian trained artist, Sheila Timmins, when I was about fourteen years old. The water miscible oils paints I’m using now are a little different but I’m not sure exactly how yet.

Bonus: Here is a photo of a finished oil painting “The Cow” by my sister Sue Wiebe whose work some of you had asked to see. Excellent control of shadow and light.

And here is a close up of Sue Wiebe’s “Water Lilies” that shows the layering of paint which allows the water to flatten on the canvas and the lily pads to float on top.

Thank you sis for sending me these images to share. Artist Sue Wiebe lives in Armstrong, British Columbia, Canada. With an undergraduate degree in English, she has also completed a year at Emily Carr University of Art and Design. Every once in a long while she finds a free moment to sprout on Creative Potager.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Simplicity

February 19, 2010February 19, 2010 / Terrill Welch / 21 Comments

Often, the underlying effect of wabi-sabi is melancholy beauty in its worn simplicity. Yet nature, as our life, is often a messy. Eco-systems thrive on an untidy tangle of old, new and diverse growth (particularly here in the west coast rain forest). The old saying of “not being able to see the forest for the trees” describes how easy it is to become overwhelmed and to lose our centre or still-point in the face of all that is. There are only a few vistas in my travels that have captured my imagination with their beautiful simplicity. A building on a hill at East Point on Saturna Island is one of these places. I have not yet researched to know if this grassy knoll is caused by human intervention or if it is natural. However, the minimalist coming together of nature and construction sang to me. The delight and challenge then becomes composition.

Here are my various efforts over two days to capture “a building on a hill at East Point.”

And finally “window” , my personal favourite, and a featured image today in redbubble group The Woman Photographer. This is a great honour as there are 2,527 members in this group and 79,986 images.

View and purchase full resolution image here.

Sprout Question: What principles of composition help you to create simplicity?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Wabi

February 16, 2010December 10, 2010 / Terrill Welch / 15 Comments

Today’s winter wabi room quick sketch 8″x11″ artist pen .

Wabi-sabi is a difficult concept (particularly for westerners) which can have reverberating impact on our creativity. We have been dancing gently around wabi-sabi in recent Creative Potager posts. In particular, Laurie Buchannan has repeatedly articulated and demonstrated a link between minimalism and her creative clarity. In North America, such a practice is counter to material capitalism, advertising and socialization. Yet, when we experience wabi-sabi – when we live in humble, harmony with natural decay and the beauty of imperfection – we know an inner peace that the latest gadgets can never provide – because it would be contrary to their purpose. I believe wabi-sabi is a creative necessity and fuels for originality and creative resilience.

What is wabi-sabi? I will break it down into several posts over the next few days. Though there is much to read on the subject, since we are focus on the theme of “home” for the month of February, my primary source is The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

Wabi began as a literary concept in fifth and sixth century Japan poetry to reflect melancholy. Wabi has come to mean simple, minimalist, humble and in tune with nature. It is often said that if you are a wabi person you are content with very little. However, it is more than being content… it is the enjoyment of very little with an appreciation and the awareness about how “less is more” in a way that bubbles from the inside over the sparse surfaces of our outside. Wabi is a preference for very little in recognition of its unequaled abundance in the face of all else.

One winter wabi room at dawn this morning…

Tomorrow, we will look at “sabi” and its connection with wabi.

Sprout Question: Does wabi have any part in your creativity?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Naked

February 15, 2010February 15, 2010 / Terrill Welch / 12 Comments

With my nightgown hung on the line, I’m reminded that there is nakedness when I am home. Nakedness that usually has little to do with bare skin. Home is actually where we rarely entertain and seldom share the space with others. I think of it as the freedom to allow my energies to easily flow in the space around me. Home is sacred space… when we invite others in to our home – it is to share that sacred space with us.

On Saturday, I cleaned and cleared the cooking and eating utensils. I asked myself – how many people are we really going to have visit at one time? How much cutlery do we need? How many wooden spoons do we use?

The answer was: “far less than was actually in our stash.”

Hence, a great lovely bundle of goods are ready for the thrift store.

Then, the next afternoon, we went for a long walk in a Valentine’s Day Sunday sun. I realized that this too is part of what I considered “our home.” “Home” extended beyond our property. “Home” is Mayne Island a place where my energy flows easily within sacred space.

View and purchase full resolution image here.

And, in honour of Valentine’s Day, the arbutus tango…

View and purchase full resolution image here.

Welcome to our home.

Sprout Question: Does your creative self have or need sacred space beyond your studio or writing desk?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Pulse

February 12, 2010February 12, 2010 / Terrill Welch / 20 Comments

So close to Valentine’s Day, with hearts appearing everywhere, I offer you a view of one of my watercolour paintings from 2001. Today, I’m reading and collecting creative inspiration. I’m reading through blogs on my blog roll. I’m browsing through blogs in my Gaia community. I am picking up pebbles in my tweet stream on Twitter. Today is about me experiencing the pulse of your creativity…

At the heart of things we are all simply human.

View and purchase full resolution image here.

Sprout Question: If your creativity had a pulse, what would be the rhythm of its beat?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Possible

February 10, 2010February 10, 2010 / Terrill Welch / 14 Comments

Creative possibility comes from getting it wrong.

Studio mess – my home – time to de-clutter. 8’X11″ charcoal quick sketch.

“Oh, I could never draw or paint like that.”

“I’m not a writer like you.”

“My photographs don’t compare to yours.”

If I had a dime for each time I heard these comments or others like them, all of my creative work could be used for charity fundraising because I would be independently wealthy. The sad thing is these statements are not true. They are lies we come to believe because we compare our attempts with finished products rather than the process that lead to their creation.

Here is a best kept secret: creative excellence comes from getting things wrong. Yes, wrong. As I commented on Coffee Messiah’s blog this morning, one of my drawing teachers, Glenn Howarth, was fond of saying things like: “It is the shoulder or wrist you struggle to draw that teaches you the anatomy of an arm.”

This is why I have committed to showing you my first morning “awakener” sketch. These first sketches are to engage me in the creative process. My sleepy eyes begin to frame, compose and dig at the relationship between elements I am about to sketch. My stiff arm and hand begin to respond to these relationships. In these first sketches, few mental barriers about “getting it right” have been erected. My judgment is left aside – these are not “keepers” they are “awakeners.”

In a three-hour drawing class, I often do 30 quick sketches that progressively increase in length until it is time to settle into the last hour-long sketch. When I am doing a photo shoot, I may take 150 images with maybe three becoming “keepers.”

Hours and days of exploring “that which is not yet quite right” leads to the creative possibility for success. This is where we discover our unique creative expression. This is where we learn our craft. We learn what is possible by getting it wrong.

My first quick sketch of the day is to inspire you to say to yourself – “hey, I can do that!” And you can.

Here is the last of my chosen three out of 150 shots of mist…

View and purchase full resolution image here.

Sprout Question: What do you do to strengthen your creative possibility?

p.s. Glenn Howarth was the most outstanding art instructor I have had the pleasure of working under. I am forever grateful for the few short years I was in his figure drawing classes. Glenn Howarth died last year at the age of 62. Very little of his thinking and work is on-line but here is an article he wrote that was published in Canadian Art and Art Resource Directory: “Pictophile – Plein Air Painting”

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Garbage

February 8, 2010February 8, 2010 / Terrill Welch / 16 Comments

As I open the window a crack to hear this mornings song birds, I can imagine you are wondering why garbage would be part of a blog about creativity that is focusing on the theme of “home” for the month of February. I’d say that is a reasonable query. When I returned our rented movies to the gas station yesterday I paid cash (as the money is put in a separate envelope for the garbage collector) for a $7.00 tag to be placed on one, not too big and not too heavy bag of garbage.

This morning I tied off our one bag of garbage that we accumulate every three to four weeks and carried up to the main intersection to be picked up and then hauled off our island.

We live down the hill and around the corner of the road on the right.

It is a ritual I love. Being good islanders, we compost, regift, recycle, reuse, reduce and refuse with gusto. But there is always that little bit left that no one wants or can seem to find a use. This remaining refuge becomes our bag of garbage. Our creating, cleaning and clearing of our home has us frequently contemplating environmental practices which then brings us to examining what decisions we make earlier the acquiring and creating process.

My digital camera is a step in the direction of “reduce” by only printing the best while also being able to make these images available for viewing by many. Most recently, my creativity has been influenced by the “refuse” part of the environmental practices equation. I purchased a set of water miscible oil paints because I could use my same brushes and canvases but didn’t need to use any toxic solvents nor would there be the same use of materials in framing as with my watercolour paintings. In my creative process, I’m refusing to use as many toxic materials as possible and limiting the use of materials needed to create my finished products.

A frequent responder to sprout questions and full-time artist Tobin Eckian from Newburyport, MA takes the creative environmental practice even a step further into an area she calls “upcycle” in her use of cardboard in her art. Tobin’s blog and Etsy shop delight and inspire me with her creative “upcycle” art.

And just so you don’t think my weekend was all about garbage, here is an image from Sunday afternoon’s photo shoot…

View and purchase full resolution image here.

Sprout Question: How do environmental practices influence your creativity?

p.s. thank you for reading, participating and sharing Creative Potager. This is the 31st post since December 27, 2009 and because of you, there has been 246 comments and over 2000 views.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Attachment

February 4, 2010 / Terrill Welch / 10 Comments

A house full of stuff is not just about my reluctance to spend my time cleaning and clearing. It is about letting go of attachments. This doll and cradle are a perfect example. The cradle was made with hand tools by my great grandfather for my mother as a birthday gift when she was a little girl. My mother is now 72 years old. My grandmother gave me the cradle when I was young to “take care of.”

today’s sketch 11″x14″ artist colour pencils “Doll and Cradle”

I wasn’t a doll girl so didn’t have a doll to put in the cradle until I received a Katie, with her gorgeous ceramic hand-painted face and beanbag weighted body. She feels real when you pick her up.

I was 35 years old when Katie came into my life. I had wanted another baby but that was neither possible nor practical. My partner at the time presented me with Katie. A large, rough and burly logger, he had gone to a doll show and had a couple of elderly women help him pick out Katie and choose a set of cloths for her.

The doll and cradle has always had room my home because of these attachments. Someday I may need to find a new home for them – but not today.

Sprout Question: How does attachment influence your creativity? (your home, your subject choice)

p.s. I have lots of children in my life. I have two birth children and six step-children plus two grandchildren. The burly logger is now working in the oil fields and is a life-long friend from my childhood.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Winter Studio

February 3, 2010 / Terrill Welch / 20 Comments

Quick sketch of trees as seen from studio window.

For the month of February, the Creative Every Day challenge theme is “home.” Leah does an outstanding job of hosting creative development. I decided for this month the theme was perfect for Creative Potager and I’m going to play along. The reason it is perfect is because I have too much stuff. My home is ruling me with its perpetual care and clutter. Yet, if I wait to draw, or paint or take photographs until it is the slim Zen-like space I desire my creativity will come to a standstill for far too long.

Here is my plan: The theme will be “home” in some form or another while I create, clean and clear everyday for the month of February.

During the winter, I have my studio in the main house as the studio building is not insulated. This year in particular it has been important that I was in the house. I may not even move my working studio back to the other building in the spring but keeping it as a display store instead.

As you can see, my winter studio space is small but with a good-sized east facing window which I like because I am a morning person. However, even at 8:00am this morning I needed to use back lighting to be able to show you this space.

I like that I can see down into the rest of the house from my desk.