DWELLING

With David L. Colussi’s permission, I share his poem “DWELLING” with you today as part of my creative focus in February on the theme of “home.” I will be placing this poem in a new page I’m developing for the Creative Potager blog about la casa de inspiracion – our home.

This first image of David is a personal favourite of mine rendered as an oil painting. David is reading with his drug-store glasses which he likes better than his prescription lens. They are usually slightly askew as he softly turns the pages.

This next image best introduces the poem which reflects on the reflections of la casa de inspiracion and the meaning of “to dwell.”

DWELLING

[1 DWELLING = ERROR]

Watching sunlight and darkness from this house of glass

suspended on the ridges of a valley,

the human history of dwelling plays across the scene in drama or in documentary.

Darkness dwells the way that we once did in wandering across the land.

Its home is east of the sun, where it moves ahead in gypsy fashion,

and west of the sun, where it follows as a hunter.

The hunter waits for the sunlight to hit the tops of western valley cliffs at progressively acute angles,

and when the sunlight overshoots the cliffs completely

the darkness rushes over the valley walls like water over Niagara Falls

and submerges all the valley into one big reservoir of night.

Presently it rises up and silvers all the windows and the stained glass tears.

This house of glass becomes a house of mirrors.

[2 DWELLING = INTROVERSION OBSESSION]

Now every light inside the house is captured in the window glass.

Everything that we illuminate is gathered and sent back for us to dwell on and elucidate.

The corner window down the hall shows part of my face in profile.

I look up through the skylight and against the tree tops seen in silhouettes

my hands are on the keyboard moving in some stopped-action like some marionettes.

The corners of the windows in the room downstairs contain some pieces of me I forgot were even there beneath the table.

I am all picassoed over on the window walls in fragments and distorted in stained-glass tears

because this house of glass has turned into a house of mirrors.

[3 DWELLING = HOME]

I work away at putting all my pieces back together.

Memories of things that happened decades long ago appear in casement window frames –

I turn my head

And see myself in childhood and remember questions that I thought I’d answered years ago.

They’re all still there waiting to present their supplementaries.

I wonder how I managed to survive with all these pieces some are missing some still there.

They fit together best when you are here.

………………………

According to David’s notes, which record his history of development and changes to the poem, David started researching “to dwell” and writing this poem on July 24, 2009. I knew he was researching “to dwell” as we had discussed it at length on more than one occasion. He had also told me he was writing a poem for my birthday and that he was just about finished. I begged for clues as to what it was about but as usual he just laughed and held to his secret surprise. My birthday is on August 28th. It wasn’t until I was back home on Mayne Island for a mere 24 hours on Saturday, September 5, 2009 that I happened to open his blue notebook, which he had innocently placed on his desk, and discovered David’s latest work that he had last revised the night he had his stroke August 9, 2009.

Sprout Question: Who champions your creativity?

p.s. Who is David L. Colussi?

David L. Colussi retired in 2002 after an expansive career in education and management in both the provincial/federal government(s)… His background includes:

– Master of Arts degree in English

– Diploma in Alternative Dispute Resolution from the Canadian Institute for Applied Negotiation in Ottawa

– Teaching English and critical thinking for 3 years at Niagara College, Ontario

– Internal management consultant with federal government in Ottawa for two years

– BC provincial government manager for almost 30 years, with the ministries of Attorney-General, Health, Advanced Education, and central agencies including as Executive Director of Human Resources in the Ministry of Health

– With his late wife, founded a private non-profit Montessori pre-school and elementary school in Victoria 1979-1998, served as its first board chair, and remains an honorary member of its Foundation board

– Member of the patron group of Pearson World College of the Pacific

– Chair of BC StudentAid Appeal Committee for the past 5 years.

With children and step-children grown, some with partner’s and children of their own, David now lives a quiet life on Mayne Island in B.C. Canada with his wife Terrill Welch, executive leadership coach, writer, photographer and artist.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Heart

Heart and home are frequently connected for me. Home is more than a place of dwelling, more than the place where I eat and where I sleep. Home is where I walk, talk, listen and breathe each day. Home is as much the earth’s surface, its beings, its presence as is any four walls I’ve called my own.

I often, without effort, find heart shapes in nature. This “found heart” image is from my latest photo shoot on Saturna Island, BC, Canada. “Cliff Echo Bay” is dedicated and gifted for use in her work to Laurie Buchanan who guides us to “listen with our heart.”

View and purchase full resolution image here.

On my cyber passage to writing this morning’s post, I went via a feature of Zennie in my on-line community of Gaia where I watched and listened to this Rumi poetry “The Way of the Heart.” I feel it is a perfect piece to include today.

And, as the sun touches down on the white frosted grass in the valley floor, another day begins here on Mayne Island in southwestern British Columbia, Canada.

Sprout Question: What is at the heart of your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Wabi-sabi

Wabi-sabi castes a familiar womb-like shadow into the emptiness of creative possibility. We know wabi-sabi by what is left in the muted abundance of emptiness. As I sweep the deck with a straw broom, I hear its brush against the floor’s surface – first the wood then the jute rug. I hear my breath. I hear the pair of Canada geese honk as they land in the pond below, followed shortly by a jet gaining altitude overhead. I stop my sweeping. My hand slides over the back of the bamboo chair on my walk toward the railing. I sniff the night’s rain soaking into the ground, feeding the fir trees as they bask in the morning sun.

Winter is coming to an end. Wabi-sabi then, is spiritual in its practice of simplicity.

Read more about this topic on my post about wabi.

Read  about this topic more on my post about sabi.

Sprout Question: Does wabi and sabi meet in any part of your creativity?

Primary reference: The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

p.s. I am away today and will reply to sprout responses tomorrow.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Wabi

Today’s winter wabi room quick sketch 8″x11″ artist pen .

Wabi-sabi is a difficult concept (particularly for westerners) which can have reverberating impact on our creativity. We have been dancing gently around wabi-sabi in recent Creative Potager posts.  In particular, Laurie Buchannan has repeatedly articulated and demonstrated a link between minimalism and her creative clarity. In North America, such a practice is counter to material capitalism, advertising and socialization. Yet, when we experience wabi-sabi – when we live in humble, harmony with natural decay and the beauty of imperfection – we know an inner peace that the latest gadgets can never provide – because it would be contrary to their purpose. I believe wabi-sabi is a creative necessity and fuels for originality and creative resilience.

What is wabi-sabi?  I will break it down into several posts over the next few days. Though there is much to read on the subject, since we are focus on the theme of “home” for the month of February, my primary source is The Wabi-Sabi house: the Japanese Art of Imperfect Beauty (2004) by Robyn Griggs Lawrence.

Wabi began as a literary concept in fifth and sixth century Japan poetry to reflect melancholy. Wabi has come to mean simple, minimalist, humble and in tune with nature. It is often said that if you are a wabi person you are content with very little. However, it is more than being content… it is the enjoyment of very little with an appreciation and the awareness about how “less is more” in a way that bubbles from the inside over the sparse surfaces of our outside. Wabi is a preference for very little in recognition of its unequaled abundance in the face of all else.

One winter wabi room at dawn this morning…

Tomorrow, we will look at “sabi” and its connection with wabi.

Sprout Question: Does wabi have any part in your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Naked

With my nightgown hung on the line, I’m reminded that there is nakedness when I am home. Nakedness that usually has little to do with bare skin. Home is actually where we rarely entertain and seldom share the space with others. I think of it as the freedom to allow my energies to easily flow in the space around me. Home is sacred space… when we invite others in to our home – it is to share that sacred space with us.

On Saturday, I cleaned and cleared the cooking and eating utensils. I asked myself – how many people are we really going to have visit at one time? How much cutlery do we need? How many wooden spoons do we use?

The answer was: “far less than was actually in our stash.”

Hence, a great lovely bundle of goods are ready for the thrift store.

Then, the next afternoon, we went for a long walk in a Valentine’s Day Sunday sun. I realized that this too is part of what I considered “our home.” “Home” extended beyond our property. “Home” is Mayne Island a place where my energy flows easily within sacred space.

View and purchase full resolution image here.


View and purchase full resolution image here.


And, in honour of Valentine’s Day, the arbutus tango…

View and purchase full resolution image here.

Welcome to our home.

Sprout Question: Does your creative self have or need sacred space beyond your studio or writing desk?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

High Winds

I awoke to rattling, banging and snapping at just after 1:30 am on Monday morning. No, it wasn’t a break-n-enter but high wind. Cones, branches and bits of whatever else were being slammed down on our tin roof from winds that were recorded up to 120 km an hour on a near by island. I could hear the roar of the wind high above the trees. The sound was similar to a large jet overhead except it never moved away – it just stayed there and roared. For the next four hours we watched and monitored as a cast iron chair on the deck was knocked over by large broken branch, the upstairs window was blown open even though it opens out and the trees bent and twisted against the force of the wind. Not surprisingly, the electricity went off at around 3:00 am.

When daylight arrived there was an eerie calm as sun danced across the debris, which looked rather mundane compared to the noise it made in its decent during the night. There was no serious damage. Our large fir trees were still standing though their dressing gowns of branches and needles were looking much thinner from the night’s engagement.

I had planned a painting day for Monday but I knew that wasn’t going to happen. We did what people usually do. We wandered down the road to see how our neighbours were making out and catch up on the extent of the damages. When we returned, it was time to fill the oil lamp and start the outdoor wood cook stove for an early dinner before dark.

My creativity was garnered to the task at hand – choosing the right wood for the cooking fire and setting the vent in the right spot at the back of the stove for the oven.

Our house stays warm for better than 24 hours without electricity because of the in-floor hot water heating and the thick strawbale walls. So we had our dinner, lit the lamp, and read some poetry aloud.

Then we crawled under the covers in the silence, broken only by the battery operated clock, to watch the stars in the still night. The storm had passed.

Sprout Question: When was the last time your creativity was needed in an unusual event?

My Cloud Biscuits…

CLOUD BISCUITS

Can easily double this recipe

2 cups flour
1 tblsp white sugar
4 tsp baking powder
1/2 tsp salt
1/2 cup butter (not shorting)
1 beaten eggs – very well beaten
2/3 – 1 cup milk (I usually use half whipping cream other half water )

Sift dry ingredients. Cut in shortening until coarse. Add egg and some milk to flour; mix all at once. Add enough milk to allow dough to be easily kneaded. Knead the dough a few times (not too much or will be tough – just a lick and a promise!). Flatten to about 1” thick and cut into desired serving size. Bake in 450 degree F. oven (or “HOT” oven in wood cook stove) until lightly browned on top… for 12-15 minutes.
Good luck!

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Potatoes to Potato Salad

January rains keep the mist close to our strawbale, timberframe house here on Mayne Island. Daylight feels like it may never arrive today on the Southwest Coast of British Columbia, Canada. I hardly notice. Early this morning, I set off on a memory journey to a hot July day in a more northern part of the province. The year is 1966. I will soon be eight, as my birthday is near the end of August. My younger brother and I are staying with our grandmother Mona (Granny) at the family homestead on the Stuart River.

It is early morning and haying time. My grandfather has already left for the fields. We are in the garden with Granny gathering vegetables for potato salad. Already the sun has licked the dew off vibrant green broccoli leaves as they reach skyward from their well-spaced rows. Butterflies loop their way from one plant to another searching for any hidden dampness. Thankfully, it was too warm for the multitudes of mosquitoes which would savagely dive bomb our skin again come evening. I hear bees buzzing in the tall borage plants that are leaning their fuzzy foliage out into the path near the entrance to the garden. Keeping my bare legs clear so as not to get accidently stung, I follow barefoot behind my Granny as she thins, picks, prunes and digs things up to go in her large basin that we will then take down onto the wharf in the river and wash for slug, cut worm and aphid expulsion.

My brother went directly to the carrot patch pulling up one carrot after another. The ones that are too small he pokes back into the ground – until my grandmother turns around and catches him.

“Ack!” She exclaims. We always froze mid-movement when she (or our mother) made this sound.

“If you pull them out you have to eat them.” She pauses to ensure my brother is looking at her and really listening. He is only five.

Her voice softens as she continues “When you pull up the carrot it won’t grow anymore even if you put it back in the ground. Look for the bigger ones and only pull what you are going to eat.” He nods and following her example, begins to look for the fatter tops of the carrots showing slightly above the dusty soil.

We gathered new potatoes, carrots, peas, radishes, a few green beans, small onions, parsley, and sprigs of dill. Having washed everything in the river, our wet feet prints follow my grandmother’s up the wood dock towards the house. We now had all the makings for a potato salad. We were going to have a picnic, complete with Tang orange juice and lettuce with sugar on top for dessert. The older eggs (as they were easier to shell than fresh eggs) had been boiled earlier and were cooling in cold water. The fresh cow’s cream had soured on the counter overnight and Granny had made mayonnaise from scratch.

Using the propane stove, she steamed the vegetables and drained them to cool. The wood cook stove had been allowed to go out after Granny had made us pancakes and moose burgers for breakfast. The rest of the day she would use the propane stove to try and keep the house cool.

Laying newsprint out on the kitchen table we helped to shell hard boiled eggs. My first one got grey and grungy from the ink off the newsprint. But dipped in the pot of water beside us, it came out shiny white again. My brother’s eggs broke in half but that was okay. Chopped up no one would notice. Granny rubbing the inside of her large heavy mixing bowl with fresh garlic and began to slice the soft fragrant items into its smooth surface. With our knees on our chairs and our noses close to the bowl, we watched. First, the potatoes with their jackets still on, then the eggs (with three eggs set aside for later), then the carrots, then the pebbly peas and snapped green beans. They were all sliced into a pile one-on-top-of-other into the bowl. The crisp red radishes and onions were next adding to the mountain of colour and smells.

In a measuring cup, equal amounts of mayonnaise and sour cream are combined with a dash of dried mustard, salt, pepper, lemon juice and shopped dill and parsley. With a twist of the spatchula, the whole works is plopped onto the pile already in the bowl. We are in awe. What a mountain. What a bowl. This is going to be a great picnic. Squirming around we keep our itching fingers out of the mixing. Once folded and mixed, the salad was flattened with the base of the big spoon. The three eggs that had been set aside were sliced and placed on top. Then the whole shebang was sprinkled with paprika – beautiful.

Our Potato salad was taken to the root cellar and set in the ice box to cool and let the flavour mount. The ice had been harvested from the frozen river during late winter and cut into large blocks. The blocks were then placed in the root cellar and covered with sawdust for cold storage during the summer. There was no refrigeration.

We had two whole hours to wait until it was time to pack up the picnic. After stopping to inspect the baby garter snakes sunning themselves on the top of the root cellar, we came back to the house and slide up to the table again. Taking paper, pens, pencils and crayons, we drew mountains of potato salad. Page after page filled with squiggles, circles, and colours depicting how potatoes became potato salad. My brother even had talking potatoes in his drawing.

Sprout Question: What delights and inspires your child-like creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Butterfly mornings writing “Mona’s Work”

With my toes wiggling under the same wool blanket that my mother made me for my birthday one year, I look at the photo of my painted toes from several summers ago. From present, to mid-life to childhood, I’m drawn back into my memories of my grandmother Mona. I began writing Mona’s Work in September 2007. I need to finish it. Today is a writing day.

I allow the blanket made in colours gathered from one of my gardens to drift me back to a place full of butterfly mornings…and wild flower afternoons.

I’m back where the hay is being cut in the field and I am making potato salad with my grandmother using new potatoes, radishes and green onions from her garden. I leave you here to enjoy this beautiful song by Hope Sandoval & The Warm Inventions off of “Bavarian Fruit Bread”, as I go off to my day of writing.

Sprout Question: What objects and memories do you keep close to spark your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Unfolding Image

Do you too carry a tension between placing your bum-to-seat, setting to work, and that of placing yourself in the proximity to your inspiration and allowing your work to unfold? I find there is a place for both in creativity.

View the full resolution of Arbutus Puzzle here .

Like the image Arbutus Puzzle, the beauty and strength is in the over and under of the creative tension between purpose and approach.

What pulls this working tension into creative bliss is the certainty of what is not yet know. With either approach, I must show up – fully. I must be ready to set aside other distractions, and other thought processes. Yet, the cast-aside thoughts and emotions will appear deep in the images that are captured or created. They are the under workings of my muse. In that I trust.

Today is a bum-to-seat morning. I am clearing my painting table in the studio to paint when daylight comes.

[Updated 11:23 am PST with progress from inside the studio]

Many times in the creative process it is not about getting “it right” but rather about “getting it started.”

This afternoon I shall place myself under the trees be they wet or dry and allow the images to call me forth.

Sprout Question: What is your approach to an unfolding image today?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

A gown remembered: Beginning

My work, my oeuvre: in the peripheral shadows, too remote for distress, yet relentlessly haunting me. I remember small children wrapped in warmth and tucked away from the soft sounds of a mop I swished across the floor. I knew that I should sleep. The thought of a pristine surface for their bare feet to scuttle across was too hard to resist. My paid work day is done, yet I continued feverishly while my limbs ached with fatigue. These days too are like that. I wrestle each minute of each hour to give me more than it has to offer. I grab between care-giving and caring and wolf down the seconds with a phone call to a colleague, a note of thank you for a review of my book, and draft a response to a request for an article. With blessings duly given, I write a paragraph. A paragraph that is like slipping on an evening gown without undergarments, standing on bare toes, and swirling the hem once in front of the long mirror. Then hastily letting it drop around my ankles, stepping out, and hanging it with care before starting another load of laundry.

I am not begrudging or complaining or martyring my efforts. Rather, it is a battle of sorts – a war with the second-hand as it sashays around the clock’s surface, indifferent to the multiplicity of my love. I can’t stand the second-hand’s smugness. I nimbly waltz past as it releases one of its never-ending ticks. I turn on it. My piercing stare slices each second in three. Yes three. Then I coax my shadowy work-self out of the remote corners where she marauds beyond the reach of the second-hand. She needs to know that those she loves are cared for – out of danger, thriving. Then she will come on stage and dance until sweat glistens and streams in rivulets, more salt-laden and plentiful than tears. With quick, sure steps she does not wait for the music – every tired muscle, scar and softness of skin giving to you in her presence.

Sprout Question: What keeps your fingers to the keyboard, on the shutter button or picking up the paint brush?

© 2009 Terrill Welch, All rights reserved.

Creative Potager – where imagination rules. Be inspired.