Summer is coming

Creative Potager’s summer blog schedule begins the first week of May

budding possibilities - wild rose

The first post for Creative Potager was December 27, 2009. I have been posting a blog Monday to Friday, except for power outages caused by windstorms battering our little island in the Pacific Northwest. Including today, there are 83 posts each with their own sprout question. There are 1,165 comments documenting our creative conversations and 8, 596 times you have come to visit. Creative Potager has become an enjoyable habit to wake up to during the week where I say to myself “what shall I post today?” However summer is coming. I yearn to be outside in the garden, tramping the trails and painting on site rather than inside snuggled up to my laptop. Like the summer wild flowers in this post, I bloom best in untamed places.

each day is precious - wild tiger lily

So after giving it some serious thought, I am changing my posting schedule to twice a week on Tuesdays and Thursdays from the beginning of May until the beginning of September. I may on occasion post an additional submission. But these will be bonus or value-added posts rather than an expectation.

petite lady slipper

I am hoping you can live with this change and that we both will benefit from my scrambling around in the valleys and on the hills and down the beaches of Mayne Island and afar. I am hoping that we can still have rich and engaging conversations between posts even during the long days of summer. I am hoping that the sprout questions will be juicy enough to keep us inspired for the in-between times. I am hoping that you will trust that winter will come with its short days and unpredictable weather and we shall again be glad for our Monday to Friday sprout conversations fueled by the fruits of summer experiences.

drops of rain on white fawn lilies

Please let me know what YOU are hoping and what you think of this change – because most of the fun of this blog is my conversations with you!

Sprout Question: Does your creativity have a summer schedule?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

More than Chocolate Covered Strawberries

I have for you some chocolate covered strawberries.

View and purchase full resolution image here.

While you are making a choice on which one you will munch, before passing the plate along, let me show you the tulip I found in my garden yesterday.

View and purchase full resolution image here.

Between showers I grabbed my garden gloves.

Put on my hiking boots and began turning the sod.

While I was working the soil I thought about spring. I thought about summer and I thought about the business of creativity. You see, I have accepted a first right of refusal for the oil painting “East Point Cliffs.” My first participation in the BC Ferries showcase has netted a sale for a canvas print of “witness.” I have 100 beautiful cards ready in little envelopes for the farmers market this summer and more canvas photo prints arriving any day. Then there is the deciding of how many books to bring for the book reading of Leading Raspberry Jam Visions and Mona’s Work with Mayne Island writers at the Overleaf in Victoria Saturday April 24th. Plus, my solo art show “Sea, Land and Time” with the local Arts Council is confirmed for “September 2nd to 22nd. Is it any wonder I am turning over the business of creativity as methodically as each shovel of sod?

I am sure glad you enjoyed those strawberries.

Sprout Question: What does the business of your creativity taste like?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Paint to Great Blue Heron

I included two of Sue Wiebe’s paintings (“The Cow” and “Water Lilies”) as a bonus feature in early March. Sue has another painting to share with us. As an artist I find there is nothing more satisfying than when I look at my painting and I no longer see paint but rather the image I have been inspired to create.

Sue had sent me this early photo of her “Great Blue Heron” painting in progress.

A few days ago, she sent me this photo of her completed painting.

I get frequent opportunities to observe these great birds. I feel like this one is watching me and if I take one step closer it will take flight, squawking its prehistoric song in annoyance because I have disturbed its fishing.

Thank you so much Sue for allowing us to share in your creative process and you’re your beautiful paintings.

I often feel like there is a transformation of the individual doing the creating in the creative process as well as the transformation of letters, paint, light, or sounds into what ultimately become the “finished piece.”

Sprout Question: Can you tell us about a profound experience you have had in creating a piece of writing, art, photograph or music or…?

(And please, links to the work you are writing about are always welcome:)

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

More Painting

Power outage lends itself to another day painting

We had another power outage (due to winds knocking over a huge arbutus tree on Village Bay road at 1:40 am). I awake at 7:00 am. The power is still out. I decide to see if I can find a coffee before doing anything else. Ah yes! The bakery is serving coffee using generator power. Armed with to-go thermos cups filled with black gold, I return home and prepare our usual fruit, yogurt and grain cereal for breakfast. With few alternatives, I settle on my favourite activity of the moment – painting.

The wild underpainting had dried on my 18X24 by 2 inch canvas.

I go to work. At one o’clock this afternoon the power comes on again and I am ready to take a break and share the progress with you.

There is more to do but it is a good start.

Sprout Question: What is your creative activity of choice when the power goes out?

Note: My apologies for being late with today’s post but you will have to take it up with the wind and the arbutus tree… they have let me know they are taking full responsibility for the delay.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Creative Community

As I mentioned on Monday, I have been reading about Camille Pissarro and admiring his work and that of other impressionist painters that were part of his community. There was Monet, Manet, Renoir, and Cezanne to name a few. The influence of these fellow artists in Pissarro’s work is sometimes mentioned when author Linda Doeser discusses a particular painting.

Ah, to have been part of these passionate (and at the time unacceptable notions) about rendering the quality of light by exploring the spontaneity and immediacy of lively colour and rapid brush strokes with no hint of drama or sentimentality.

“spring salad” photograph rendered coarsely in oils – view full resolution and purchase here.

Then I thought about Creative Potager and those of you who regularly through your comments and my connections to your own sites are part of my creative community. To name just a few…

The use of line and creating greater connection between drawing and painting. Jerry Shawback http://www.thewhole9.com/jerryshawback

Always giving our best and writing from a place of showing rather than telling. Laurie Buchanan. http://holessence.wordpress.com

Bringing the flow of her everyday into focus for the rest of us. Kathy Drue http://upwoods.wordpress.com

Sharing the exquisite world of film as a creative medium of expression. Sam Juliano http://wondersinthedark.wordpress.com

Discusses the practicalities of promoting and selling art work. Itaya http://itaya.blogspot.com

Shares her studio process and her success while celebrating and acknowledging yours. Martha Marshall http://artistsjournal.wordpress.com

Sprout Question: With whom are you presently discussing your creative ideas?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

The Essence of Things

“You should paint the essence of things” Pissarro instructs a younger artist.

“Where we are separate” quick water-colour painting sketch by Terrill Welch

Last evening I was having a love affair with the work of  Camille Pissarro (1830-1903). I have often had comments on my work about its impressionist style. However, having not formally studied art, or the history of art, my self-taught-ways left me replying “I don’t know much about the principles of impressionism. I just like to capture the light and the essence of my subject. The energy in a work should be alive and vibrant even if it means sacrificing correctness.”  Last night when I read The Life and Works of C. Pissarro by Linda Doeser (1994) I understood why people smiled knowingly at my comment and said no more.

“sitting” quick water-colour painting sketch by Terrill Welch

Exactness is not the same as expressing the exact emotion in your work.

Sprout Question: Is there a particular method you use to capture the essence of things?

Note: Due to Easter Creative Potager will post Monday to Thursday this week and Tuesday to Friday next week.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Painterly Challenge

I have been doing underpainting on two canvases. I like to paint on site but that is not always possible so I gather photographic reminders. I rarely sketch or draw on my canvas except to capture rudimentary placement of forms. I do however routinely start with an underpainting which gives me the beginnings of depth and positioning for the development of the painting. Underpaintings are kind of like looking at an ultrasound of a baby in the womb when you don’t know the parents… not very interesting. So if you find this post rather boring – I won’t be offended. Come back tomorrow. It will be something different.

You may wonder how I choose what to paint (besides the obvious of a theme for solo Exhibition Sea, Land and Time at the beginning of September). Long ago I decided that rarely would I paint something that I felt I had fully captured with photography. My painting in is an intuitive relationship with my subject. I want to give to the painting something beyond what is in the seeing. In addition to a compelling subject, I also decide what to paint by choosing a painterly challenge – something I want to explore or a skill I want to strengthen.

For “Sea” my challenge is to be able to create depth in the water while capturing the waves on the surface… I want the viewer to be able to look at the painting and feel as if the water is still moving, wave after wave. Starting with an almost blank canvas, I begin.

Stopping as the underpainting becomes too saturated to allow new colours and shapes to emerge without erasing earlier ones.

With paint still palette, I decide to begin a second underpainting for “rocks and mussels” to address the challenge of giving bulk to something that is dark on the top and light on the middle and bottom… the mussels are added in to keep me amused and give me a break when the rocks become tiresome and frustrating.

I am reminded of a passage in Emily Carr’s painting journal on July 27, 1933 where she writes:

“Oh, these mountains! They won’t bulk up. They are thin and papery. They won’t brood like great sitting hens, squatting immovable, unperturbed, staring, guarding their precious secrets till something happens. At ‘em again, old girl, they’re worth the big struggle.”

My rocks are only little sitting hens – but getting them to “sit” is still my end goal. We shall see over the weeks ahead what we can do with them.

Sprout Question: What specific creative challenges are you setting for yourself right now?

Bonus: An interview with me posted today by Stacey Curnow at Midwife For Your Life Blog “Walking in the Sunshine of My Soul: Special Shoes Not Required.” http://www.staceycurnow.com/blog/2010/03/walking-in-the-sunshine-of-my-soul-special-shoes-not-required

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

30 times Same, Same


View Karl Isakson’s 1918 painting “Nature morte” as part of Wikimedia Commons.

I posted the process I used to paint my first oil painting in 30 years yesterday. “East Point Cliffs” is a rugged painting and rough around the edges, however, it is done. I need to begin again as I trust that not all learning is accomplished on one canvas. Yet, I couldn’t even consider painting the exact same image again, and then again. It is just not in my nature. It is an esteemed practice though. I have on my bookshelf from many years ago Complete Course in Oil Painting: Combined Edition – Four Volumes in One (1960) by Olle Nordmark. On page 123 he states the following:

“Beginners are inclined to think that experienced painters get their effects easily, without travail. This is not so. Great masters are great because they are willing to take infinite pains and do the work over again an indefinite number of times at any stage of the painting. Willingness to erase, or to start all over again on a clean painting surface is essential to good painting, whether you are a beginner or an artist of established reputation.”

Nordmark provides an example of Swedish painter Karl Isakson (1878-1922) known for his exact precision of tone. Isakson often discarded as many as 30 paintings of one subject before he was willing to show anyone his canvas. Thirty times. Thirty times painting the same subject again and again until the artist felt he had mastered his subject. As someone who loves colour, the results take my breath away. The pieces are timeless.

View Karl Isakson’s  1919 Udsigt över Svaneke at ArtNet.

I have provided two examples. To see some of Isakson’s other work explore this Google image search here. I even noticed more than one painting that has survive of the same subject.

So… I am publicly making a commitment to paint 30 paintings by the end of 2010 on the theme of Sea, Land and Time. I will, as much as my vulnerability will allow, let you look over my shoulder as I do so.

Sprout Question: Whose creative work before 1940 do you admire and what have you learned from them?

Note: If you, as some of you I know do, have a practice of creating from the same subject many times please feel free to provide a link to your work and tell us what you have learned in the process.

Best of the weekend to you:) Terrill

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Oil Painting East Point Cliffs

On February 26, 2010, I began putting a melon orange underpainting on an 18”X24” gallery quality 100% 2” thick canvas. Oh the spring the canvas, the smell of linseed – so familiar from more than 30 years ago. Yes it has been more than 30 years since I have painted with oils. And these are Grumbacher water miscible oils something completely new. The instruction I was given when I purchased them was – “just paint!”

I have been painting with water colour paints since I was twenty so I just smiled and thought “we shall see.”

A muddy lump of colour is the end result on February 28, 2010 but it felt good – and I needed new brushes. The ones from 30 years ago are toast. So I picked up new ones when we next went to the city. Much better.

March 1, 2010 the painting is starting to take shape and I am lost in sea, land and time.

Over the next couple of weeks I sit and paint several times until the painting starts to tighten up and become the most unruly “problem child.” Where was the painting I had originally given birth too?

I stayed with it – painting and feeling and painting some more. I may fuss a bit with presentation but I think this cooked.

View and purchase full resolution image here.


Sprout Question: What do you do when you have a creative “problem child?”

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Talking Bread Loaves

“Talking Bread Loaves” PART 1 and artist Jerry Shawback

Self Portrait (18″X24″) by Jerry Shawback

For many of you that regularly read Creative Potager and its “sprouts,” artist Jerry Shawback’s contributions are a familiar sight. There is no direct connection between “Talking Bread Loaves” and Jerry Shawback. I am simply impressed with his work, his community building and his support of artists. Later in today’s post, Jerry is featured along with a few more images of his work.

“Talking Bread Loaves” will be told in three parts over the next three days. I am considering it for inclusion in my new book Mona’s Work.

Mona’s influence is multi-generational. My mother, Mona’s daughter, learned the art of amusing children, while she was cooking, from her mother. This is how I end up knowing about talking loaves of bread. At the age of five my family and I lived eighty miles from the nearest store. We went to town for supplies once a month. Good homemade bread was a staple. It was also my favourite food, particularly still warm from the oven, cut thick and slathered in butter with wild raspberry jam dripping off the edges and running down between my fingers.

Each week my mother would use her “magic “to make eight fresh loaves of bread. The reason mom needed magic was mostly to keep me amused, not because it was necessarily part of making bread…

Wrestling my way out from under a mountain of covers, I make my way to the kitchen. I know bread is going to be made by the bowls and pans already on the counter. Mom has the yeast set aside to soften in a very large, heavy bowl. The melted lard and yeast are floating on the warm sugar water. Standing on a stool, I stick my nose right over the bowl. I can smell the beginnings of bread. Mom makes a crater shape out of the flour on the table.

I put my fingers in the flour but mom scolds “Ahk! You will make the dough run out and spoil the magic.”

I knew that to spoil the magic meant the loaves of bread wouldn’t be able to tell her when they were done. So I take heed, carefully twisting my fingers together to keep them out of the flour crater.

Continued in PART 2 …

Sprout Question: How do you use your creativity to arouse the imagination of others?

Bonus: I connected with Jerry Shawback through his twitter account and was blown away by his generous “retweeting” of links tweeted by artists he is following (his support of Creative Potager tweets has been incredible). Sometimes I spend an hour or more just viewing the links he has sent along. However, one of my challenges has been getting to see Jerry’s work because his tweets about his own work are minimal. This is one of the reasons I asked Jerry if I could feature him on today’s post. I want us to pause and take note of Jerry Shawback’s art as we recognize his support of other artists.

sketch by Jerry Shawback

sketch by Jerry Shawback

More of these exquisite daily line drawings can be viewed in Jerry’s flickr portfolio. I suggest watching them as a slideshow.

Self Portrait (11″X18″) by Jerry Shawback

On March 13, 2010 Jerry’s portraits will be shown as part of the Gallery 9 “FACES” exhibit. Gallery 9 is affiliated with thewhole9.com, an international community for creative people where Jerry is a recognize community builder and active participant on the site.

p.s. Who is Jerry Shawback?

“Self portraits have the inherent ability to expose the depth and breath of human nature.” – Jerry Shawback

The artist’s self portrait series explores identity through multiple approaches to the same subject matter. Stylistically varied, they reveal the strange and vulnerability essence of the human condition.

His affinity for people, observation of life and strong draughtmanship is apparent in his depiction of the human form and informs Jerry’s painting. Other influences include: Rico Lebrun, Egon Schiele, Francis Bacon, Lucien Freud and his mentor Cornelius Cole III.

After studying communication design in Los Angels at the Otis Art Institute of Parsons School of design, a division of the New School for Social Research, Jerry worked as a freelance designer, commercial artist, and animator for the entertainment industry.

In 2007, after a ten year hiatus from the art world, Jerry returned to painting as a primary focus. He is currently working on a series of self portraits encompassing various artistic motifs, while maintaining an underlining vision, cohesion and emotional honesty. Jerry also produces works on paper documenting the lives and experiences around him, and his continuing study of the human form. His work has been featured in shows throughout Southern California as well as in private collections.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada