Drawn to Simplicity in the Photography and Painting Process

A slow start to our Monday with heavy fog wrapping the house in warm silence. The dark black coffee is good.

The youngest step-son is here visiting adding a sprinkle of laughter to our mix. My sweetheart is being host and making breakfast and more coffee. Life is good and content as I hear the pages of the Saturday Globe and Mail turning slowly just outside my view from the studio in the loft.

With this backdrop, I am musing about the relationship of space to our lives and our well-being. I want to share an image that is my own laptop background at the moment called SERENE SEA…

Serene Sea by Terrill Welch 2014_01_24 084

I haven’t made it available yet for purchase as I am not sure if its power and lure goes beyond my own satisfaction. You see, these rare moments of spacial expanse with such simplicity are rare both in nature and life. I long for these uncluttered fragments of surreal and sparse existence.  Even a few posts from an older part of the pier with the island hinted at in the background feels like too much in comparison.

ABSTRACT MIST

Abstract Mist by Terrill Welch 2014_01_24 074

This doesn’t take away from the beauty of another island in the same landscape.

GEORGESON ISLAND IN WINTER MIST

Georgeson Island in winter mist by Terrill Welch 2014_01_24 080

Quality Prints available HERE.

Or even adding in a bit of the bay is a pleasant frame as well…

BENNETT BAY GULF ISLAND NATIONAL PARK

Bennett Bay Gulf Island National Park by Terrill Welch 2014_01_24 149

Quality Prints available HERE.

Or a few branches framing the farther off Edith Point…

EDITH POINT ENCHANTED

Edith Point Enchanted by Terrill Welch 2014_01_24 146

Quality prints available HERE.

I admit some of the qualities of the first image still exist in the photographs that follow it but the spacial void is seriously diluted. Our view is noticeably anchored to the land. But is it a distraction or a necessity?

In this reference of thought I made some assumptions that the first image, which has been holding my attention, would be of no interest to others. This assumption was so compelling that I did not release this image or the next one for purchase. Yet, I personally come back to them again and again. I seem to take one step towards more inclusion and definition in my last three paintings while there is still a sense of keeping the landscape compelling with its simplicity. To explore this tension in the rendering of the paintings further,  there are three recent works that I released yesterday over on my website Terrill Welch Artist in the post “Sky and Sea in Three West Coast Contemporary Landscape Paintings

I feel myself leaning more strongly in my most recent paintings towards daring to hold a sense of completeness with a painting similar to the first photo composition of SERENE SEA. I sometimes wonder if this was a pull that Mark Rothko experienced in his studio when he painted those large patches of colour. Anyway, it probably will amount to nothing on the easel but still I must give its due. I must pause and consider.

Well, my coffee is now cold and the half of a fresh pear I had earlier has long worn off. It is time for a late breakfast and to see what else the day has to offer.

What are you pausing to consider these days?

© 2014 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Chasing the October Sun and Monday morning blessings

Heavy rain soaked the island during the night but now shafts of sunlight push between the branches of the large fir trees outside my studio window. I continue my Monday morning blessings practices with a sense of awe and wonder.

There are the most essential and practical blessings of warm dry shelter with ample light, nutritious food, refrigeration, running potable cold and hot water, These are such luxuries of abundance we can take them for granted but I don’t. I notice. I notice almost everyday.

There are the blessings of a loving family and the company of friends. These too I notice. One of our young grandsons came to visit this weekend for the first time. He is already past his second birthday. We see him at his home several times a year but it was the first time he had been here to la casa de inspiracion. For this I am deeply thankful.

Then there are the blessings of creative abundance. Sunday was a grand and beautiful day on Mayne Island. Let us slip for a moment into yesterday and revisit one of these moments chasing the October sun by the sea.

The canvas with its red underpainting stood ready on the french box easel while I devoured and early lunch and tried to decide what to paint.

waiting for a decision to start plein air painting by Terrill Welch 2013_10_06 016

This preparation and decision-making time is crucial to my painting process. It is the time I consider my intention, my focus, composition and method. Once I have decided these things then I paint usually without thinking about them again because I am by then deeply immersed in the moment using all of my sensory presence to bring the work to life on the canvas. This is how I render a painting alive rather than worrying about it being perfect. In this case few images were captured of the painting process. The light was moving shadows on and off the canvas from the large trees on the bank behind me. I focus on the work at hand rather than documenting the process itself.

Eventually, I step back.

plein air Chasing October Sun by the Sea 12 x 16 inch oil on canvas by Terrill Welch 2013_10_06 051

Then just as quickly, I move forward and continue working until the brushes come to rest as the painting becomes too saturated with wet paint to continue.

Chasing October Sun by the Sea resting 12 x 16 oil on canvas by Terrill Welch 2013_10_06 096

Today I shall engage my critical creative mind and see if there are areas I can strengthen to carry the painting any further to its place of completeness. I am not sure that there is but I shall leave it sitting where it can surprise me with a quick glance just to be sure.

There is also the blessing of my art work being appreciated by others enough that they want to give the work a good home.

THE MT. BAKER REACH 8 x 10 inch oil on canvas will be off to California this week.

The Mt. Baker Reach 8 x 10 inch oil on canvas by Terrill Welch 2013_07_02 015

Not all artists experience public appreciation for their work during their life time. I have been very fortunate in this aspect over the past few years with numerous art collectors in Canada, United States, Australia and several parts of Europe purchasing my paintings and photography. The power of this blessing cannot be underestimated. As paintings leave the studio it creates a driving need to continue to do my best work as often as I can manage. Thank you to so many who continue to support my work with hard-earned financial resources. I notice and I appreciate your patronage.

Now I must fess up. With the upcoming Open Studio event now scheduled for November 9th and 10th from 11:00 am to 3:00 pm, I must delay the work on my new art book until early in the new year. Besides, the book has demanded a far larger scope than I had originally intended. The darn thing has taken on a life of its own! Image that!?

 

Who or what are you most thankful to have in your life on this fine Monday morning with its blessings?

 

© 2013 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com