Morning walk along the Stuart River – a tribute to my grandfather

It has been more than ten days since you have heard from me here on Creative Potager. There is a good reason for this. My grandfather passed away and I have again just returned from Vanderhoof.  Though this post is a tribute to my grandfather it is really not about him much at all. Sometimes the best way to honour a person’s life is to do what they taught you and what they most loved to do. So this is what we are about to do – take a long walk along the Stuart River on my parents’ farm with my mother leading the way.

It was a gorgeous early fall morning. The sun was just catching the old cabin near the cow pasture that is now used for storage.

Thick fog is still clinging to the river.

The night before it had frozen. We had arrived home to the farm shortly after dark with clear skies and a temperature that was just above freezing. Like a family raccoons we headed to the garden and greenhouse to pick corn, cucumbers, tomatoes and melons. The only difference was we had headlamps and flashlights.

Before it got so warm that the foliage wilted, I wanted to catch a few of the beauties still blooming in the garden. This is one of the prize sunflowers with its face up to the September dawn.

Then there were the smokey rose gladiolus…

And the Joe Pie plant…

To be very honest with you, my grandfather appeared to care less about flowers and I can be fairly certain if he was walking with us he would have headed out without so much as a pause in front of these cultivated beauties. But I like them.

How we got started on this adventure was because I wanted to take some reference images of the tall lean poplar trees for painting when I get back to the studio. My sister asked if it would be okay if she tagged along. Of course it would be and then I asked mom if she wanted to bring her camera too and join us. My daughter looked from one to other of us and slipped into a pair of my mother’s rubber boots and we headed out.

I got my reference shot.

As you can see, it is nothing special. I just wanted the structural bones of the tree. I announced with satisfaction that all I had intended was accomplished and I was happy to follow along with whatever everyone else wanted to do. My mother got that thoughtful look – the one I have seen on her face for all of her almost 75 years. It means she is mulling something over but that it has already been decided.

The morning is stunning. With a slight shrug she turns and heads out across the top of the pasture towards the river on the far side.

I am pretty sure at this point that we are headed out around Sturgeon Point which is about a mile of river frontage on the home place. It is a beautiful walk but on years such as this that the river floods it is unusable during the summer. Also parts of the banks are sometimes  washed away and there is a fair bit of brush that will cover the trail. As mom looks up river to see what she can see, I am certain that, if the trail is dry enough we are taking it.

I look down at my waterproof garden clogs sensing their inadequate though comfortable structure. I should have grabbed the other pair of rubber boots – too late. If one is to dawdle it is to find yourself following glimpse of the others through the underbrush.

Several times I pack my camera back into the backpack camera bag as I poke it through the brush in front of me or slide through a mucky spot along the river-bottom land. My sister looks back as if to say – are you coming?

Mom points of things along the trail such as wild mint that we should pick if we want it for tea later. She scans her way along the area keeping an eye out for moose, bear or maybe a beaver or muskrat on the water. She warns us to follow her footsteps so we stay on reasonably solid ground.

As usual I at one point do not heed this warning and end up with my clog stuck in the mud. I step back in my sock foot pick it up then scrape out the mud and wipe my sock foot on the grass, reunite the pair and continue on.

My sister spots some mist rising on the creek across the river.

While she is changing lenses I take this and it is a good thing because the mist is gone by the time she is ready.

I coax my daughter into standing for a moment in the warmth of the morning sun.

“Baby Too” is due in the third week of November.

With my pockets stuffed with wet wild mint leaves we are almost around the point and ready to head back along the old trail. However the water is still a bit high in the draw so mom takes us out to continue along the riverbank trail instead. I get her to hold up while I capture the natural riverbank on the far shore.

And another photograph of Fishing Creek.

We are wet and muddy almost to our knees.

But happy.

We can hear the tractor running as dad sorts cattle. Mom comments that her trail is now well packed for the fall. Above all, we know we have done the most important thing we needed to do this morning.

I take one more photograph of the poplar trees that I had come out to capture.

All is right in the world for another day.

My grandfather, Charlie Baxter Davidson, was born May 29th in 1916 weighing 3.5 pounds. His twin did not survive. During these fragile first days of his life his mother kept him in one of her shoe boxes inside the warming oven of her wood cook stove feeding him with an eye dropper. He was so small that her wedding band fit around his wrist. With such a strong heart and will to live, it is not really surprising that he was 96 years old when he passed away on September 9, 2012.

He arrived on the Stuart River with his parents to homestead when he was five years old. This is where he lived until he was ninety-one years old making a living as a guide to hunters, trapping furs, raising cattle and doing seasonal work such as hand falling trees. His children, step-children, grandchildren, great-grandchildren and great-great grandchildren have had the good fortune to inherit through the generations an appreciation and respect for the outdoors. This walk I share with you today may even seem familiar in some ways for those of you who have been taking walks with me in the southern gulf islands over past few years. Walking in the woods or along the water is a strong thread in my life which has its roots with this man and his daughter – my mother.

The photographer for the photograph I share with you of my grandfather is unknown but my aunt, Anne Davidson, has taken the time to scan many of the old photographs in recent years. My thanks go to her for printing me a copy of this one which I have rendered as a black and white digital image.

SPROUT: If you were to give a tribute to a family member who has greatly influenced your life, who would it be?

P.S. I know this post is long but it seems to me necessary. I hope you have enjoyed the adventure…. My mud-soaked garden clog was dried out in front of the wood stove and is as good as new.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The Nurse’s Place Clinton B.C. – Plein Air painting

There is something extremely companionable about a painter with all her gear packed in the car, a partner who likes to sleep in and an overnight stop in the small village of 740 residents in Clinton, British Columbia.  As the darkness gathered tightly around a warm late-August evening, I scouted my morning plein air location. I wanted some place a little off the beaten path but not so far I couldn’t carry my french box easel and camera. This is what I found. I was standing here ready to set up to paint at just after 8:30 in the morning…

With a blank canvas on the easel

I had about an hour to capture all I was going to capture.

What was most important? What shall I leave out? How shall I begin? With a large brush, I start to answer these questions as I rough in the view.

Notice the top of the painting and how the clip is not holding the painting in place. When plein air painting the light and the weather often change quickly. About 45 minutes into my painting session this oversight of that loose top clip becomes a grave error.

Yes, you guessed it. A large gust of wind came tearing down the valley and, to my horror, flipped this small painting off the easel and smack on its face in the gravel bits on the road. Disappointed, I pick it up and secure things a little better for next time.

While I was still assessing the damage and deciding what – if anything – I could do next, the neighbour from the place on the other side of the road behind me came up and asked if I minded if he had a look. This is when I learned that I was painting “The Nurse’s Place.” With a promise to give him a call when the painting was completed, I conceded that my time was up. I started to pack my gear and with the painting tightly secured to the easel headed back to the Cariboo Lodge where my dear sweet husband proclaimed that he loved the painting, gravel and all. I gave a grim half smile while silently saying a small prayer to the gods that look after plein air painters and their paintings to allow the gravel bits to roll off the canvas once it had dried.  Then we went for a late breakfast and I refused to look at the painting again until today.

To my delight, the small bits of gravel rolled off the canvas and I was able to finish up the painting in the studio.

THE NURSE’S PLACE CLINTON B.C. 9 x 12 inch oil on canvas by Terrill Welch

Update June 2023: This painting is now SOLD

Well, at least most of the gravel is gone. If a person looks very closely there is still a little Cariboo grit on that canvas. But I think that is only as it should be. I am calling it DONE! My next task is to place a call to the wonderful neighbour who dropped by to see how the painting was coming along.

SPROUT: When was the last time you courted disaster only to have it give you a good hard flip?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Psssst! Today is The Artist Studio Floor Show

It is here – one day only The Artist Studio Floor Show.

World Clock for this Event
09:00 (9:00 AM) CDST Aug. 31, 2012 through 09:00 (9:00 AM) CDST Sept. 1, 2012
What is a the Studio Floor Show?

Artists paint.  Artists accumulate work.  A lot of work.  It’s that simple.

Sometimes that work never finds its way to a gallery or exhibition and sits on the artist’s studio floor.  That inventory can become unmanageable, taking up valuable creative space and the artist must do something.  Throughout the years, artists would open their studios to the public and sell their work at a sacrifice in order to make room.  The art is usually stacked and leaning against walls, on the floor… hence the name.  As one patron once told me, “It’s like mining for gold”.

Historically, these shows are held in brick and mortar studios, but with the advent of the internet, it is now possible for you to enjoy the excitement of attending one of these shows… right from the comfort of your home.

The Artist Studio Floor Show will present these virtual shows on the same premise as in the real world.  They will be for one day only, for twenty-four hours from the posted start date and time.  Each participating artist will exhibit their work on this site with a link to their respective websites.  You will be able to purchase your art directly from the artist… from their studio.

 Note:  Sales at floor show prices cannot be completed until Aug. 31st, per the published time (above), and for a 24 hour period only.

Floor Show Presentation

C. J. Shane

Yuma by C. J. Shane

Yuma,   Oil on Canvas,   30″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.


C. J. Shane

Desert Home by C. J. Shane

Desert Home,   Pastel on Paper,   18″ x 24.5″ (24″ x 30″ matted)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

C. J. Shane

Dunes by C. J. Shane

Dunes,   Oil on Canvas,   16″ x 20″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Centered by Maude McDonald

Centered,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Trees III by Maude McDonald

Trees III,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

5:59 P.M. by Maude McDonald

5:59 P.M.,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Happy Hour by Melodie Douglas

Happy Hour,   Acrylic on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Oriental Solitude by Melodie Douglas

Oriental Solitude,   Pastel on paper, 11″ x 14″ (Matted for 16″ x 20″ framing)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Vessels by Melodie Douglas

Vessels,   Acrylic on Canvas, 24″ x 36″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

At the Beach by Terrill Welch

At the Beach,   Oil on Canvas,   12″ x 12″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Cabin on Shore by Terrill Welch

Cabin on Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Far Shore by Terrill Welch

Far Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.
For more about this event and other Artist Studio Floor Shows in the future please go to The Artist Studio Floor Show .

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Early November Sea oil painting by Terrill Welch

Terrill Welch's avatarTerrill Welch

The light changes fast over the sea in the early November afternoon – warm light reflected the blues of the sky across the water. I want to stay forever and now I can come back often….

Updated: July 1, 2014: This painting is now SOLD.

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Mayne Island en plein air painting morning

August is my favourite month of the year and the weather is finally spectacular – feels like summer at last. However, I am not good at beach-sitting but rather prefer to be beach-doing with either my camera or french box easel or both. Such is the case on this fine morning down on Reef Bay, Mayne Island…

I am feeling fairly pleased with myself. I have the 12 x 16 inch canvas blocked in and the sea is singing away as I work away for about 45 minutes. But after awhile I take and good look. It seems nothing is quite right.

The parts in the painting are separate and seem unrelated to each other. I frown and I stall by signing the work. I look out at the scene before me. I walk around eating a golden plum I had brought with me for a snack.  After awhile I acknowledge that I am still undecided and unsure about what to do next. But who can fuss on such a find day? I shrug and I set the canvas aside. I picked up my second blank canvas, slightly smaller at 9 x 12 inches and turn to the view just to my left.

This time I set to painting looking quickly and briefly at the scene as waves roll softly over and over again onto side of the reef. We seem as one – the sandstone, sea and me.

Swish, swish, swish. My brush responds with ease, leaving out the freighter and the driftwood as it focused on the relationship between the sandstone, the sea and the sky. After awhile, my bare arms begin to tingle from the heat of the sun and I am thankful I had decided to put a hat on my head. Stopping to take a long sip of cool water I squint at the painting.

It is done. Complete. Finished – and so am I 🙂

I pack up and head home. My en plein air morning is no longer morning.

Of course, you know, there is that other painting right? Well I sleep on it and get up in the morning to see what I can do with in the studio. Hum! I am not sure this helped much.

Though it is starting to come together, the overall painting is muted and lacks strength and conviction. Now what? I go back to my some reference images  I had taken and look closely at the first photograph that I showed you here. I walk away and do a few chores. Then I take another run at it – or rather brush at it. I am determined though unattached to the outcome.

Now let’s see – yes, there! Now I think we have it.

The day is shot. It is well after six o’clock. I missed lunch and am not up to cooking us dinner. We decide to slip out to the Green House Bar and Grill. I ask David if I had any paint on my face. He said “no darling you look fine.” Off we go.

The first thing the owner says to us as he hands out the menus is “hey Terrill, you have paint on your nose.”

Not only that, some how I had managed to get three different splashes of colour on the front of my t-shirt as well. But they let us in anyway 🙂
Once these two oil paintings are dry and I am satisfied that no further adjusting is needed they will be available in the  Artsy Home online gallery along with my other paintings that are currently available. However, if you are interested in having one of these hanging on your wall and you email me at tawelch@shaw.ca no later than 6:00 am PDST tomorrow, Friday August 17, 2012 I will cover the shipping for you to anywhere in North America. The 9 x 12 by 3/4 inch “Late morning in August by the sea” is currently $430. The 12 x 16 by 3/4 inch “August morning Reef Bay” is currently $675.

SPROUT: What keeps you coming back to  something until you get it the way you want it?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Mayne Island Backyard Bandit Capers

 

 

Mayne Island is a quite rather bucolic southern Gulf Island off the west coast of Canada. But this island has also been known to have its share of mischief. There are roving masked bandits during the night that frequently get up to no good. It is worth keeping an eye out for them just to be on the safe side. Let’s see if I can assist you in knowing what you are looking for. Ah yes, here comes one now…

“Who me?” she says.

Yes you! We are talking about you Miss Curious Cat.

“Well how interesting” she softly growls.

But then she thinks “what else could I possibly expect with such frequent trips through their property?”

“Lovely evening isn’t it?” and she almost smiles before looking farther up the tree to make sure the children safe.

Three of these are hers and one is the baby of a good friend of hers who is guarding the bottom of the tree and too hidden by the underbrush to get an identifying mugshot. The tree is like a raccoon hotel at the moment with the guests swinging from the rafters.

I suspect that they stopped at the compost fruit and salad bar before coming up because they sure know how to be entertaining and silly. Raccoon tail hat anyone?

 

If you do see any of this masked bandits do keep your distance. These photographs were taken with a telephoto lens so you can get good look at them. They may look cute but are fierce and can be aggressive if cornered. If you note those powerful back legs it is easy to see why they can spring a good distance to attach if they feel threatened or their young are in danger.

SPROUT: Who have you recently caught roaming around your yard at night?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

Sold! Art and other adventures

March 17, 2010 was the beginning of my  full-time painting and photography adventure. Starting with oils in my early teen years, I had been working in water colours for years and now decided to return to oils. These were not just any oils but water miscible oil paints. I always liked oil paints but not the toxic odor issues. About the same time, I purchased a good quality camera and began some serious shooting. In between painting and photographing I showed my work in both physical and online venues. To my humble surprise work sold and continues to sell. About 50 paintings and photographs are mostly with collectors in Canada and the U.S.A. But some have found their way to England, Switzerland and Australia. One of these is KEEPING WATCH a 36 x 24 inch of an almost iconic Mayne Island view.


I have now set up a specific SOLD! page at Terrill Welch Artist that has a few of these displayed together – not all as it would be too many – just a few. More of the photography and painting prints that are that have sold can be found in my redbubble storefront gallery where you will also see a gallery with 45 new painting details that have been specifically selected for greeting cards.  My personal favourite in this series is the detail of “Red Romance by the Sea” card.

But then there is the card from “The Sea to Me”

Or how about this one from “Pears by the Sea” ?

If you have an order of more than 16 cards there is a 30% discount which makes if an affordable option to gather a collection to have available for any occasion. With 45 different cards of painting details to choose from I am hoping you will find it easy to find at least 16 that will meet your needs and fill your heart with painting impressions.
It has been a good couple of years and a bit. But what now? A very good question. As midsummer leaves me with a lots of room to contemplate.

I am off on a bit of a solitary painting adventure which I hope shall lead me through to a new understanding and way of expression with paint. But one never knows. Sometimes these explorations just reaffirm and clarify the path we are already on.

However, it is not the paintings themselves that are at issue – rather it is my intention as I create them. When I am working things out like this the paintings are not usually keepers. They remain records and works in progress. Hence, for the most part I am more comfortable sharing bits of them – just so you know I am at work 😉

Thank you all for your patience and here is a detail from one of four painting studies I did over the last couple of days.

Happy Monday to you!

SPROUT: What is your personal practice when engaging on a new creative learning curve?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

An Evening on Brown Ridge Saturna Island

Oh it seems like forever since I have checked in! Paintings and photography prints have sold. I am part of a new project for an online One Day Only – Artist Studio Floor Show, August 31, 2012. New paintings are completed and the summer is flying by. But, before I update you on these aspects over the next few days, lets just settle in and enjoy the end of a fine day on Brown Ridge Saturna Island.

Nice deep breath and long exhale. Okay, now we are ready….

Pull up a seat on the grass with us while the light is getting low in the western sky.

Yes, pajamas and house coat are just fine. Bring your blanket too as the air cools quickly with this vast open view. Look at the container ship picking up steam on its way through the islands to the open sea. I wonder where it is going?

What is that munching and grunting noise? Do you hear it? I wonder, could it be the feral goats that live on the ridge? Well we will have to get now and walk over the edge of the steep grassy slop and have a look. Yes there they are! Right below us with the sea in the background.

And look at this smelly little cutie. The mammas and babies were farther off. These fellows were obviously having a bachelor party.

Well here is a bit of pink showing up in the sky but it won’t be much of a sunset tonight.

The birds are getting quiet and the air is still – not even a summer breeze coming up the cliffside. Such a view! Darkness starts to seep into the corners.

Lights from the distant cities come into view and the July half-moon get brighter in the night sky.

We make a wish on the first stars that we see. We find the big dipper and we sit in the quiet of night high up on Brown Ridge, Saturna Island. We think about what it would be like to sleep out under the stars all night. But finally it is time to head back to Saturna Lodge and our comfortable beds next to the garden.

There! Wasn’t this the finest of evenings in nature? For us it was one of the highlights of our trip, right up there with Siglinde’s amazing breakfast at the lodge 😉

Sprout: When was the last time you were deep in the wilderness when night came over the day?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Sketching by the Sea – 7 tips for sketching with children

My grandson, Arrow, and I are on vacation over on Saturna Island this week. Yesterday was an overcast. No rain but the light was dull and lacked luster.  Photography and painting en plein air just didn’t seem to be the most appealing activities to undertake. So we did a midday hike at Narvaez Bay for lunch and then went to Winter Cove for some sketching by the sea.

 

Here are our tips for enjoying outdoor sketching:

1. Do physical exercise first – it is much easier to sit or stand for an hour to focus on sketching after a hike. The eyes seem to be able to see better when the body can comfortably be still.

2. Use good quality materials because they are easier and the results are more satisfying.

3. Find a place that offers some privacy where people are not able to walk up behind you. If they come up beside you or in front of you, they are more likely to ask to see your work than stand lurking in the background.

4. Situate yourself at the level or in the perspective that you want to capture your subject. In the photograph above we are almost at water level and in the same relationship to the scene as I would be to photograph.

5. Sit or stand  in such a position that you can see each other sketching without moving. This is extremely effective for easy conversation and learning by observation without interruption.

6. Keep the session short. When interest wanes, take a break. For example, wander around and maybe skip some rocks. Then come back to the sketching.

7. Relax and enjoy. 🙂 Don’t worry about the results or giving more than very basic instruction. Children  will observe and ask questions about what they need to know at that time.

Today, with a bit of luck, we shall have a chance to do some en plein air painting with oils on canvas.

 

SPROUT: What tip would you offer if introducing your favourite creative activity to children?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com