Oyster Bay Late August Painting Data Collection

Monday, 7 September 2026

Painting Data Collection 

Title: Oyster Bay Late AugustDate Completed: Friday, 28 August 2026
Materials: acrylic on linen board 
Size: 8 x 10 inches (20.32 x 25.4 x 0.51 cm)

Figurative/Abstract Self Assessment Band-Scale Rating between 1-10: 5

This is a plein air contemporary impressionist quick acrylic study to capture sensory information in the moment. 

Reference Gathering: 

The references for this work were observations in the moment as I stood on the top of an exposed piece of sandstone in front of my easel in Oyster Bay on (what is now called) Mayne Island in British Columbia, Canada. 

Setting up to plein air paint at Oyster Bay in late August. Photograph by Terrill Welch, Friday, 28 August 2026.

When I began there was a couple making their way along the shoreline and a couple of construction workers building a bench up above them. Other than this, I had the place to myself for the painting session. 

Making Process:

The painting process was direct and immediate as I captured the light first and then began to build up the forms of the sandstone.

Work-in-progress — Oyster Bay Late August by Terrill Welch, 8 x 10 inch acrylic on linen board. Photograph by Terrill Welch. Friday, 28 August 2026.

I was working with an older palette from a previous painting sketch that had ran a bit from being tilted in my plein air backpack. But it worked.

Work-in-progress 2 — Oyster Bay Late August by Terrill Welch, 8 x 10 inch acrylic on linen board. Photograph by Terrill Welch. Friday, 28 August 2026.

Eventually I managed to get everything blocked in and was able to slightly refine the piece before my available time came to an end.

Still on the easel — Oyster Bay Late August by Terrill Welch, 8 x 10 inch acrylic on linen board. Photograph by Terrill Welch. Friday, 28 August 2026.

Finished Painting:

Oyster Bay Late August by Terrill Welch, 8 x 10 inch acrylic on linen board. Completed August 28, 2026.

Making Notes:

I set the plein air easel on top of the sandstone and looked east over to the rocks exposed in a low tide. The day is pleasant with blue skies holding shapely clouds in the late August sun. I stay for a while with my brush in hand and drift through an hour of painting. It is my birthday and this is my gift to me.

Reflective Analysis:

I had been offered a chance to go out on my own while knowing someone was with my partner who has dementia but still is able to stay by himself for a few hours at a time, if set up with a note to remind him when I will be back and where I have gone. But it is always more freeing if someone is with him. It was a generous offer. She thought I could go for lunch with a friend or something for my birthday. I responded that what I would like to do is go plein air painting because I already had family coming over to visit on several different days for my birthday. She laughed and replied — of course you want to go paint for your birthday! 

Reflexive Analysis: 

One of the odd things to me about being a full time caregiver is that I do not crave time with friends or other people so much. We go out for breakfast or lunch a couple of times a week and then there are the times I see people when getting groceries or picking up produce at the Saturday market plus, I engage daily online while presenting my work. I was invited to join a philosophers café that meets once a month and I accepted as a way to have meaningful deep discussions in-person on topics of interest. This complete package of in-person engagement with others always seems like enough socializing for me. What I crave most is just a few hours at a time on my own. I can still get this but it can’t be for very long at a time. Two hours is ideal and three is stretching my partner’s ability to feel confident on his own. So when given a choice to go for lunch or go plein air painting, the painting wins. This is because I am certain that my time at the easel will offer regeneration and delight. It fills my personal bucket like nothing else has ever been able to do. Just me and nature working together for a focused 45-60 minutes. This is all it takes. Hiking the trails alone does a similar thing but painting is the very best! I always come home filled with satisfaction and refreshed. This is the reparative element to my painting practice in action. 

Key Findings: 

I thought I would do more with this small study back in the studio. But as I spent the next few days glancing at it on the window ledge amongst various other small works, I decided nothing more I did would improve my impressions of this time beside the sea. So I have left it just how it was when I packed up to come home. 

Anything else: 

I am still considering what or if I will do anything on larger surfaces with these recent small painting sketches. I am in no rush to make a decision. The weather to best enjoy painting outside with the golden fall light is brief and will soon come to an end. I can decide once the rains keep me inside more. 

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