art

28 tries 2 finalists and a tie for 1st

/ Terrill Welch / 16 Comments

Are you wondering what I might be talking about? Photography. Yes photography. More precisely I am talking about what goes into getting a composition that has that special zing!

I recently complimented someone on what I felt was an excellent capture.

The reply was – yes but do you know how hard I worked to get that one shot? I took tons of photographs and only this one turned out.

Have you had this experience too? I know I sure have! For some reason when a person is a “professional” photographer, loosely defined as a person with a camera that sells her work or is commissioned to take photographs, it is assumed that this person just picks up her equipment and goes out to take great photographs. Not so.

Let’s look at some round numbers. I usually photograph something every day. Most days I take between 50 and 200 images. On a full shooting day I might take 500. These are small numbers for a full-time photographer. But none-the-less these are my numbers. If I take an average of 100 photographs a day times 365 days a year that would be 36,500 photographs. In the past two years on my redbubble site, how many images do you think I have posted for sale?  10,000? A 1,000? 500? Lower still. I have 335 including today’s two winners. Yes I have some keepers that are not for sale. But still – you get the idea. To take good photographs a person must take photographs and a lot of them. Not in a shot-gun style hoping that you get something. But with purpose and intention, building on our learning as we go.

How about we get more specific? In my humble opinion, the most critical decision photographers and artists make is the composition of their subject. For example, after 28 tries at photographing the fog drifting through the trees across the valley, I came up with four compositions I wanted to work through the editing process. I am going to  share with you my personal critique so you can see how I chose the two winners. This doesn’t necessarily make my decisions right. In fact, you might have made different decisions. We each have our own eye and our own intention when capturing an image. However, humour me for a moment and if you like, argue later in the comments.

The first image – A Time to Wonder.

Yes this first image is okay. I like it but the overall square composition is indecisive about whether the darkest tree is the subject or the fog. There is too much room over the top of the trees and my eye keeps wandering around in the fog in the middle wondering what to look at. I will keep it though because if someone wanted to put words at the top as in an advertisement, it would work well. But it is not strong enough to stand on its own.

The second image – Fog Sun Trees

(image is available for purchase HERE)

It is much like the first but with a landscape composition rather than square as in the other. These are typically easier dimensions to work but I have been enjoying exploring the square. The darker tree is dominant with the fog providing a supporting role. With the space on the right it provides visual room for the fog to drift which is underpinned by the tree branches that have been shaped by the predominant winds. The image breathes. The sunlight is catching nicely here and there like frosting on a cake. The frame is tight and dramatic. It is a winner. Off to my  redbubble TREES portfolio it goes!

The third image – Where Our Dreams Go

Yeah, well what can I say? The composition places the significant tree to the right. The front trees take up two-thirds of the image. The fog is nicely dispersed in the background. It is a “nice” image and it should have worked but it doesn’t. There is no “zing.” The image remains flat, dead and uninteresting to my eye. So what is wrong? Huh-uh! There are too many trees the same size and value as the tree I want to stand out. There is the one in front on the right, part of one on the left and two overlapping on the same plane of the photograph on the left as the tree I want to hold our attention. My tree of most interest is lost in a crowd of trees. Trash bin here we come. But I am going to keep the title. I like that!

The fourth image – Lifting

(image is available for purchase HERE)

This is my other finalist. It was one of the last images I shot and was an after thought. I had been at the farthest reach of my new lens. I was loving being able to get up close and kiss the trees in the mist across the valley. But I pulled back and took a couple more shots. One of which is this image. So why is it a winner? My special tree stands out amongst its cousins because now there are many more shapes surrounding it – building towards its uniqueness instead of competing with it. The fog is even more dramatic in this frame because of the heavy mass in the background on left accentuating the steepness and mystery of the hill in the background to the right. The little trees in the foreground left, though not a star attraction, keeping my eye moving back into the frame and towards the tree with the most personality. There is enough context in this frame that the eye lingers and muses on the scene. To put it bluntly, it can’t be eaten in one bite. I like that about it. A way to my redbubble TREES portfolio it goes!

So next time you take a hundred or five hundred photographs to get the one you want, remember – that is what photographers do. They take photographs – a lot of them. Everyday. For years. As we take each photograph we keep learning, studying, critiquing and deciding which ones are keepers. Overtime, our photographs improve and keep improving for as long as we keep taking them. There really are no experts just willing learners.

Well, what do you think?

Sprout Question: What are you willing to do a lot of to get the results you want?

News Flash: Our good friend Patricia from Patricia’s Wisdom has a special Thanksgiving guest post with yours truly and she is giving away a copy of Precious Seconds to one of the people who comment on For Such Beauty is Mine ~ A Guest Post. Might as well take a moment and get your name in the draw.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Savouring the Blues

/ Terrill Welch / 20 Comments

Yesterday was a fantastic Sunday for a stroll and to a poke about at the light house on Mayne Island. What really grabbed my attention was a clump of maples against the blues of the water and sky.

I also like this perspective and can’t decide which I like best. Because they are so similar I should probably only post one on my redbubble storefront.

Do you have a preference?

However, it is almost always the sea that pulls me into sublime bliss. This Sunday was no exception.

This brings me to some Monday morning news from Creative Potager. Do you remember the small 8 X 8 inch oil on canvas painting A SUMMER DAY that was the third I did during a plein air session this summer?

Well, it SOLD this weekend and is going to a lovely home here on Mayne island where it will be treasured.

 

The second good piece of news is that PRECIOUS SECONDS – Mayne Island in paintings and photographs

 

is now available as an ibook for $9.99 for those who have ipads or iphones. Isn’t this exciting? It can be purchased at the same place as the hardcopy on BLURB HERE.

Since I do not have an iphone or ipad I put in a request to a tweet-friend and iphone artist Sandra Lock in Liverpool England. Sandra reviewed the ibook for me and left the following comment on BLURB…

“I can wholeheartedly recommend the iBook. It looks fabulous on my iPad, there’s nothing quite like a backlit screen for making images really pop…” 

If you get a chance, I suggest you check out Sandra’s COLOUR YOUR WORLD Art Blog. And thank you Sandra for taking the time to review my first ibook 🙂

 

I have one more piece of news but I am going to wait until Friday to share it. I will give you a hint though – I made the cover or rather my painting did.

 

 

Sprout Question: Where are you finding sublime bless today?

 

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

 

 

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Good Morning En Plein Air

/ Terrill Welch / 17 Comments

What does an artist do on the morning after $2.5 trillion evaporates from global stock markets? Paint of course and not just any painting but en plein air by the sea.

It is 8:30 am. The morning is as gray unsettled as the global economy. It really didn’t hold much promise and looked like the bottom was going to fall out of the sky any second.

The only bright spot are these pink roses at the side of the lighthouse building.

The rocks down below me catch my interest but I have come to paint the sea.

Hopeful that the sun will recover its golden glow before noon. I set to work.

I stop infrequently. There will be no process photographs but I do catch a sailboat heading across Georgia Strait.

(this image may be purchased here.)

You can still see it in the distance as I leave aside the first 12 X 12 inch canvas to rest.

(this image may be purchased here.)

The sky starts to clear as I set up for the next 10 X 10 inch canvas. I wonder what time it is? Hum, ten o’clock. Let’s see what we can do.

Again I work steadily as the light and colours change faster than my brush can make a mark on the canvas. The sun is so bright I have a hard time seeing my work and have an even harder time capturing a photograph for you.

It is not finished but it has the energy of the moment and can be completed once this first work has dried.

I am getting tired but I want to do one more painting on my small 8 X 8 inch canvas. It is now just after 11:00 am.

(this image may be purchased here.)

The strokes seem to slip onto the small canvas effortlessly.

Oh my! It is now 12:30 am and I am ravenous! Time to pack up three very wet unfinished oil paintings and head for home.

This past week’s financial upheaval is not a surprise. In fact it has been a long time coming for those of us paying attention. More than ever we need to build on our resiliency, our connection to community and set a course directed by what is essential in our lives at this moment. A morning painting was my perfect answer. This is how I fortify my strength and clarity for whatever may be next.

 

Sprout question: How are you creatively going to weather our global financial storm?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Mountain Stands Alone

/ Terrill Welch / 16 Comments

It was a good weekend for art sales here at Creative Potager but I will tell you more about that later. Right now I am going to share with you how I use photography as study for future painting. When I tell people I sometimes take up to 150 reference images for one painting and that I use them in place of sketches, I can see the confusion slip into the corners of their eyes as they try and understand what I am talking about. Let’s use my fascination with Mount Baker for an example.

In fact, Mount Baker may be the single most motivating factor for me to buy a 70 – 300 mm lens with an image stabilizer. I do alright with my 17-85 mm lens which also has an image stabilizer for most things. But that mountain is too far away from Mayne Island and I don’t think it is going to get any closer anytime soon – at least I hope not.

A photo study of a subject for a future painting is not about standing fixed in one spot taking one shot after another. It is about getting to know the subject in its context. It is about feeling my way into the frame. It is intuitive observation. This is what I call discovering a realism of subject rather than of object. There is a difference and I will expand on this in a future post.

Most times I go back to the same places at different times of day, during different seasons. Each time these memories and images get stockpiled as internal references for the work that will come later with paint on canvas.

I am finding that these studies seem to offer more in-depth of understanding of my subject  than en plein air painting which I had assumed would be the ultimate in painting my subject in its context. This is a surprise to me. Maybe it is that I haven’t done enough en plein air painting recently. I would love to hear from other painters about what their experience as been.

Of this particular photo engagement with Mount Baker, this is my personal favourite frame.

(image available for purchase here.)

I like the soft focused foreground drawing our attention to Mount Baker yet somehow still reminding us that a pile of rocks – is still just a pile of rocks.

So there you have it. A few images from my latest study of Mount Baker and the mountain stands alone.

Oh I didn’t forget – you want to know about the art sales over the weekend.

The first of the large original oil paintings KEEPING WATCH in the STUDY of BLUE solo exhbition has sold to a collector inVictoriaB.C.Canada. This means six of the fifteen paintings in this show are now sold.

Also, large canvas print of the photograph of GOING, a medium canvas print of FOGGED IN and eight cards of photographs and paintings sold to an unknown buyer on redbubble. Thank you whoever you are. Your support and interest in my work is most appreciated.

And thank you to all of you who are part of my creative journey.

Sprout question: What mountain in your creativity stands alone?

STUDY OF BLUE  solo exhibition open until Wednesday July 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Art Opening

/ Terrill Welch / 14 Comments

The large canvases are wrapped in sheets and plastic and stacked with even larger pieces of cardboard lying in between. We ceremonially carry each painting and place them into the back of my rather tired old ford pick up. The plywood dry box is already carefully stuffed with smaller canvas oil paintings. Now ready to drive the short distance to the exhibition venue I realize Miss Prissy’s cargo is worth many times more than she. But as usual, she doesn’t seem to mind. I am sure there isn’t a snobbish piece of metal in her paint-chipped body.  Tomorrow, STUDY of BLUE will open.

The Oceanwood Restaurant and Inn has done a fantastic job of creating gallery space.

We take our time, deciding on the best location for each piece of work.

The next evening, with toes sparkling new polish, finger nails buffed and decked out in a very fun balloon dress I open the show.

I handed my camera to my daughter Josie who did her best to capture the evening. However, she said people kept looking like deer in the headlights so she stopped taking photos after a while.

We do have a few though.

The food was extra delicious, delicately flavoured and served with elegance.

And there is nothing quite like seeing a painting through a grand piano.

Somewhere between 40 and 50 art-loving individuals wandered around looking at each painting.  Stepping forward. Then back. Then on occasion bringing a friend over to have a look as well. Sometimes eyes would snap with excitement and an intrigued viewer would say: “That one! That one is my favourite.”

My favourite comment of the evening was from a long-time resident who came by near the end of the evening to thank me for putting on the exhibition.

“It is good, very good. We now have culture right here on Mayne Island.”

I don’t think there was ever any doubt but it was a pleasure to be a spark for such sentiments. I would like to thank the Oceanwood Restaurant and Inn because they are ultimately responsible for orchestrating such a classy event which then garnered this comment.

At the end of the evening FIR TREE SKY sold to a lovely couple from Michigan, bringing the total sales so far for this exhibition to four original oil paintings. Considering our economic climate, I am pleased with these early results.

What is next? I have an offer to show at a venue on Salt Spring Island. I have an invitation to hang a piece or two in another local venue. There is a restaurant in Vancouver that is accepting original art work. I have also been asked to provide a cover image and feature interview for a regional magazine’s September issue. But I am wondering, is it time to seek gallery representation? If so, where might be a good place to start? Or do I put my focus into building my direct relationships with buyers? Or is it both? Possibly both but I am still thinking. While I think I shall paint.

Thank you for your special part in the STUDY of BLUE journey with me here on Creative Potager, and on twitter and facebook.

Sprout question: What is creatively next for you?

STUDY OF BLUE solo exhibition is up until July 27, 2011.

Note: Current paintings available can be viewed and purchased at TerrillWelchArtist.com

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

An invitation to buy a painting

/ Terrill Welch / 14 Comments

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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The nuts and bolts of buying an original painting

/ Terrill Welch / 16 Comments

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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KEEPING WATCH original oil painting by Terrill Welch

/ Terrill Welch / 23 Comments

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Apple Blossom Special

/ Terrill Welch / 26 Comments

I am so close to, but not quite, finished my last painting KEEPING WATCH of the 15 that will be in my solo exhibition, STUDY OF BLUE, opening June 30, 2011. You are going to have to wait – maybe Friday, depending on how my week goes.

To sustain you until then, I have some lovely apple blossom photographs.

and another….

and another….

and another….

until finally, they are dancing on the branch….

(image may be purchased here)

By the way, I had the most amazing Friday the 13th. Two of my original oil paintings were sold in pre-sales and will be off to new homes July 27, 2011 at the close of my upcoming show.

ORANGE SEA will be off to a collector  in Victoria, B.C. Canada.

HEAVY CLOUD will be off to a collector in the United States.

May the pieces enrich and bless their new owner’s lives for years to come.

Friday must be one of my good luck kinds of days!

This now means that three of the fifteen paintings to be shown are already sold. A very good beginning – don’t you think?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

Sprout question: If you could choose anyone of the STUDY OF BLUE paintings to hang on your wall which would it be and why?

(and please don’t say the one I haven’t finished yet, it just might hurt my feelings)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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AUTUMN BOUNTY and COURTNEY IN THE MOONLIGHT by Sue Wiebe

/ Terrill Welch / 17 Comments

As promised here are two more original oil paintings on canvas by artist Sue Wiebe.

Learning and practicing how to create depth and shadow is an ongoing process for most of us that apply paint to canvas or paper. COURTNEY IN THE MOONLIGHT provides a direct work out for this artistic muscle.

COURTNEY IN THE MOONLIGHT, 12 X 16 inch original oil painting, by Sue Wiebe

Well done Sue! Exquisite!

Sue painted this next oil painting, AUTUMN BOUNTY, during the time that she was working on WATCHING, the painting of the cougar.  There are only so many hours an artist can paint fur before there is an unrelenting desire to break free. This painting certainly does this in spades.

AUTUMN BOUNTY, 11 by 14 inch original oil painting on canvas, by Sue Wiebe.

I have AUTUMN BOUNTY as my laptop background at the moment and smile every time I sit down to do some work.

Sue, thank you for being our feature artist this week. It is always a pleasure to have you here at Creative Potager. I look forward to seeing your work in person in a week from now. There is nothing like a studio walk and a face-to-face viewing.

Sprout question: What creative muscle are you exercising at the moment?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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