WATCHING original oil painting of a cougar by Sue Wiebe

I have a treat for us today with a feature post and a painting by another artist. I hope you enjoy the adventure.

Do you ever get that feeling that you are being watched? Then you turn around, slowly, and sure enough you are being stalked? In this case, artist Sue Wiebe’s daughter, Courtney, found that it was a cougar and was able to take a photograph of it that Sue used as a reference for her original oil painting WATCHING.

Fortunately for us, Sue took some photographs of her painting in progress. We will start with a look at the underpainting.

Next we see the painting building and coming alive.

In the finished work it feels like the cougar is ready to spring from her hiding spot under the edge of the log – those ears slightly flattened, attentive, watching.

WATCHING 20 X 30 inch original oil painting by Sue Wiebe.

I asked Sue if she could tell us about her experience of painting this incredible painting:

It is the biggest oil on canvas I have done so far.  It taught me to painting standing up so I had a better range of motion.  But the truth of the matter is, I think, the name says it all.  The cougar watched me through the whole painting.  I would set her aside, sometimes for long periods of time, as other aspects in life needed to be attended to or I puzzled over achieving the effect I wanted, but she was always watching and waiting.  Sometimes, even demanding, that I take the time to finish.  She is finished, and yet, she watches.

If you remember from time to time over the winter Sue would comment on Creative Potager about the hours it was taking to paint fur. Well now you know the rest of the story.

Sue has been featured on Creative Potager in the past but for those of you who didn’t know she is my sister. Painting is something that we share with equal passion. On Friday I have two more of her paintings that I will post for you to see. They are a still life with the most stunning shades of orange AUTUMN BOUNTY and a limited palette painting called COURTNEY IN THE MOONLIGHT.

Sprout question: What is a creative passion you share with a sibling or other family member?

STUDY OF BLUE  solo exhibition opens Thursday June 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Guess who I met on the road?

If your read Monday’s post “Story of the Henderson Hill Original Oil Painting,” you may remember that we had to go into Victoria for dentists appointment and to pick up my dear 20-year-old blue Ford F150 4X4 pick up – Miss Prissy. I am happy to report that she will likely be of reliable service for a few more years yet.

While we were at the dentist, we had a guest come to see us. Can you guess who? Does this help?

He traveled by grey hound and city bus for over an hour just to say hello. Coen was a bit of a weary traveler and took to a nap after visiting and taking yet another city bus ride when we were through at the dentists.

Of course he wasn’t traveling alone.

In fact he doesn’t go very far from his mom at anytime yet. Who can complain about seeing the dentist with visitors like this? Not me, that is for sure. By the way, these three photographs were taken with a little android phone because that was all we had.

On another note, I didn’t get anymore painting done yet this week but I do have a photograph you may want to see.

(this image may be purchased here) 

The photograph Underneath is akin to sitting under a table as a child. It is about being in the forest looking out onto the rest of the world. I like the privacy and the unusual perspective that the image offers.

Sprout question: Tell us about a time your creativity came from underneath?

Best of the weekend to you!

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Surprise!


 

We have been working hard this week with many of you sharing through twitter, facebook and your blogs Monday’s post “Quit Fracking with Our Water.” If you read the comments, you can see all that has been done. Thank you, thank you, and thank you! Your support, engagement and sharing of your circumstances and findings are just what was needed.

So I just had to pull a face and lighten us up. Actual this is a face of mine I keep on file. It is also the one that Laurie Buchanan requested I post a couple of weeks ago. I keep it for just such occasions. I keep it because taking ourselves and life too serious to often can lead us to believe and act like we are all going-to-hell-in-a-handbasket-before-sunset. Not true… it just feels like that some days. So this is my face for warding off the evil face of hopelessness. I am grateful for today.

We have worked hard and now it is time to play so we can come back and work hard again another day. But before we go, have I told you recently how much I appreciate each and every one of you? – because I do 🙂 Thank you, always, for being part of the Creative Potager – where imagination rules.

Sprout question: When was the last time you pulled a face for the fun of it?

And as I close off, my heart goes out to the people of Alabama and other States as they start to recover from this week’s deadliest tornado outbreak in almost four decades .  Sending light and energy.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Quit Fracking with our Water

Being a Canadian artist faced with an imminent Federal election on Monday May 2, 2011 and B.C. provincial election not too far off, I like to think of myself as reasonably well-informed. But then I watched GASLAND (2010) directed by Josh Fox. I felt sick and like I had been duped somehow. Not a good a feeling, I assure you. This documentary film is about hydraulic fracturing or “fracking” for natural gas in the United States. From the looks of things, these drilling practices appear to, possibly, place our potable drinking water and health and safety in North America at risk. That’s a rather worrisome possibility and worth a close review.

water stone wood by TerrillWelch

Don’t be fooled by the occasional discrediting remarks about this Sundance Festival winning film – keep digging and see where they are coming from. Put simply – it’s a mess. I am feeling physically ill from the disheartening circumstances we find ourselves in. In order to come to terms with its content, this film requires broader research. I have settled on these links to get you started.

Gasland: A film by Josh Fox (close the annoying donation popup and read – then, if you want, go back and donate) http://www.gaslandthemovie.com

PBS interview with Josh about Gasland (March 2010)http://video.pbs.org/video/1452296560

Gasland – Wikipedia http://en.wikipedia.org/wiki/Gasland as it outlines the film and a few critiques about points of accuracy that Fox addresses in greater detail this link here http://1trickpony.cachefly.net/gas/pdf/Affirming_Gasland_Sept_2010.pdf.

ladies in waiting  by TerrillWelch

The practice of hydraulic fracturing or “fracking,” using a cocktail of substances lots of water, is impacting or is likely to 34 States in the United States.  And, though this is not covered in the film, it is also happening in northeastern British Columbia and has just been suspended in Quebec until the potential health and environmental impacts are better understood. GASLAND holds out one small ray of hope for the possibility of legislation that could prevent this disaster from happening in the Pennsylvania watershed that supplies drinking water New York City and Philadelphia. Who knows. In a link to a related article about Pennsylvania at the end of this post it doesn’t sound very promising. But in British Columbia and in Canada? Without a change in political will, I sense there is little hope for legislative intervention:

According to a report from B.C.’s Oil and Gas Commission, the oil and gas sector was permitted to use (and contaminate) 86 billion litres of surface water in 2009 alone, and would thus not be regulated under the new ground water regulation. Annual groundwater use was not reported, but is a small fraction of the 86 billion litres based lifetime groundwater well production for natural gas (6.6 billion litres).

Source: http://ourwaterbc.ca/find-out-more/oil-gas-considerations-for-bcs-new-water-sustainability-act

How can this be? I feel like I’ve been blindsided. Where are our water and air protections? What is going on? Could MY Canada really be playing a fool’s game and allowing extraction of natural gas using hydraulic fracturing with minimal scrutiny into the potential consequences? It appears so. In fact, The GreenMuze reports:

… the BC government has been pushing drilling for unconventional sources of natural gas since at least 2005, offering $50,000 (€36,500) royalty credits for every well drilled before December 2008, and selling oil and gas “sub-surface rights” at a fever pitch.

Both BC and Saskatchewan have been courting the industry with lax or no environmental regulations and promises of low royalties charged to the companies. The Petroleum Services Association of Canada (PSAC) predicts a 10 percent increase in drilling in BC in 2010, mostly in the Montney shale field of northeastern BC and the Horn River Basin near Fort Nelson.

In 2006, researchers for West Coast Environmental Law published a report noting that the oil and gas industry had identified at least six areas of BC holding coalbed methane (CBM) natural gas potential: Peace country in the north east; Elk Valley in the southeast; Vancouver Island; the south central interior (around Merritt and Princeton); northwestern BC (around Telkwa and Iskut); and the Queen Charlotte Islands.

Nanaimo Daily News (Nov. 7, 2009) reported that Vancouver Island’s CBM gas deposits – stretching from Chemainus to Parksville, and in the Comox-Campbell River area – are currently not of interest to the industry. Nonetheless, a group called Citizens Concerned About Coalbed Methane-Vancouver Island, has for the past year been pushing for development under its action plan, “Building a Safe Future for CBM.”

In 2008, BC took in a record $2.4 billion (€1.75b) from these leases, which is now its biggest source of royalties’ income.

Fracking is also in high demand in the Bakken natural gas field in southern Saskatchewan, where 1,000 wells have been drilled and fracked over the past five years. PSAC is predicting 1,935 new wells will be drilled there in 2010, and 300 new wells in Manitoba. As a result, Alberta has just announced that it is removing environmental and regulatory “hurdles” in order to entice the natural-gas industry back.

Huge shale developments are also planned for Quebec, New Brunswick and Nova Scotia. The Utica shale gas field in Quebec covers an area of 5,000sq.km (1,930sq.m) that runs along the St. Lawrence River from Montreal to Quebec City.

The industry is especially interested in the Utica shale because it is close to the New York City market, with export capacity available on TransCanada Corp.’s pipeline system. If the US curtails natural gas development in the Marcellus shale, the Utica could provide gas to the New York market.

Source: http://www.greenmuze.com/climate/energy/2562-ugly-reality-of-fracking.html

stones throw  by TerrillWelch

GASLAND and my related research, cited at the end of this post, scare the pants off me. I had no idea this was happening and it has been going on awhile now.

soft yellow tulip  by TerrillWelch

SHORT RANT: I am appalled by our human greed and how we do things knowingly on so many levels to our earth and ourselves that cannot be repaired. Once we contaminate our soil and our oceans, and lose our drinking water it doesn’t really matter how much natural gas we have – the risks are not worth it. As you can tell, I have an opinion about this. If we can’t safely extract natural gas without destroying our water supply we need to be changing our dependency on fossil fuels. And if that needs to be done faster, then let’s do it, before it is too late. I hope you take the time watch and read for yourself. Shared knowledge is power.

vessel by TerrillWelch

ACTION: Feeling a little like a small chicken shouting the sky is falling, I am compelled to take action. What am I going to do?

First ACTION: With mostly environmentally friendly cleaners, scour the house until it shines. DONE! I never start a big project without a clean house. It seems to interfere with a person’s ability to think or at least this person’s ability to think.

bee in salal blossom  by TerrillWelch

Second ACTION: Get my voting decisions sorted out. DONE! If you are Canadian, here are some sites that will help you strategically vote in our next federal election:

You may like this video “I vote for Canada”  http://www.youtube.com/watch?v=jISlelzxKyI I like it because it moves away from party positions and into what it is we want to see.

Vote Compass was a fascinating exercise in clarify where the parties stand on various issue in relation to where I stand http://federal.votecompass.ca/ No real surprises – just nice to see it laid out.

I also have found the Catch 22 approach useful http://catch22campaign.ca/

Then the Swing 33 convinced me to donate $100 to the Liberal riding in Esquimalt http://swing33.ca/

 And just in from Avaaz: Canada: Democracy = Majority

http://www.avaaz.org/en/canada_elections/?vl

late sun rushes in by TerrillWelch

Third ACTION: Find ways to raise awareness. In progress.

Step one – write blog post. DONE! I include some of my photographs to remind us about our sacred relationship to our planet earth.

Step two – invite. Hum…. how might the Creative Potager community be able to spearhead a creative project to expand our awareness and take strategic action. I wonder? Do you have any ideas? What might we do?

Step three – Ask. I now ask that you help by sharing this post through twitter, facebook and on your own blogs. Because Josh Fox can’t change a thing on his own, neither can I and neither can you. But together we can and will make a difference. With grace, compassion and humility, I pass the next ACTION over to you!

Sprout question: How might fracking and natural gas extraction influence your creativity?

More BC and Canada research:

A Fracking Disaster in the Making: Report by Andrew Nikiforuk http://thetyee.ca/News/2010/10/15/FrackingDisaster

Shale gas decisions in Quebec raise questions about B.C.’s approach http://ourwaterbc.ca/blog/shale-gas-decisions-in-quebec-raise-questions-about-b.c.2019s-approach 

No right to water in Canada  http://www.vancouverobserver.com/blogs/water/2011/03/10/no-right-water-canada

Our Water Secretly Sucked Away by Shale Gas Industry by Ben Parfitt, March 15, 2011 http://ourwaterbc.ca/our-water-secretly-sucked-away-by-shale-gas-industry

Letter outlining shortcomings of British Columbia’s Water sustainability Act Policy Proposal http://ourwaterbc.ca/find-out-more/oil-gas-considerations-for-bcs-new-water-sustainability-act

Talking Points document that was supposable dropped by an oil and gas representative when leaving a landowners property. There is no source given by Green Environmental Coalition but whether this is true or not – the talking points are well worth reading:

http://www.greenlink.org/uploads/pdfs/OIL_TalkingPoints.pdf


© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Be Patient

Can you remember a parent or grandparent saying “Be patient!?”

Well this is what I told myself this morning. I am so close to finishing the last original oil paintings for my solo exhibition STUDY OF BLUE opening June 30, 2011 at the Oceanwood Resort on Mayne Island, British Columbia Canada. Two of their luxury rooms are already booked with guests who are planning on coming to see my paintings. One painting has sold as part of the pre-sales offered. Images of thirteen of these paintings are now in a folder on flickr in preparation for their journey to be posted in the Art of Day online gallery.

Would you agree that this is a fine start? So why am I be asking myself to be patient.

I have two paintings to complete to reach my self-imposed fifteen minimum for the show. I wanted to complete them this week. I have no particularly good reason for wanting them done this week other than I am so very close to finishing. This nearing-the-end-of-a-big-project is always a critical time for me. Starting with three “seed paintings” I have been holding the energetic space for this creative process since November of last year. I have set aside my photography to focus on my impressionist painting. I have said “no” too many things as make room for this one priority. There is an energy that builds around this kind of step by step flowing determination to reach a goal. It is like seeing the last 2 km marker when running a marathon. We know we are going to make it to the finish line but we must hold our focus for a strong finish.

This is where I am at. I have the underpainting reading on a 24 x 36 inch cotton canvas.

And I have a bit of a mess I have scraped and started again on a 16 x 20 inch birch framed gessobord.

I went to sleep with the intention of rushing flip-flopping to the finish line today. But instead, when I awoke, I told myself “be patient and finish strong.” So instead of picking up my brush, I looked at the calendar. Tomorrow is Good Friday and it is Earth Day.

It is the beginning of a four-day weekend with one more week in the month of April. I have time. I can finish these last two paintings at a moderate and inspired pace. I can finish strong. Afterall, they are not my last paintings – just the last two on this leg of my artist’s journey. The solo exhibition is an arbitrary self-defined finish line. I am about three weeks ahead of schedule. I shall be patient.

Sprout question: When was the last time you needed to be creatively patient?

Note: The next Creative Potager post will be on Tuesday instead of Monday due to the long weekend. Have a most pleasant and enjoyable Easter Weekend.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Impermanence

I share with you these pears dancing in the light of the sun coming through the window. But they are no longer there. We ate them. They were delicious. The photograph is history like all photographs has captured history.

(image may be viewed and purchased here)

Impermanence is difficult concept to viscerally accept. My limited understanding comes from Buddhist practices but it is an idea that has fascinated me since I was a small child and realized that turning of the earth gave me a glimpse of visually watching the passage of time. In fact, it is fair to say that expression of impermanence is a strong underpinning in most of my paintings and much of my reflective writing.  The Buddhist notion of impermanence is that all of conditioned existence, without exception, is in a constant state of flux. Here a section on the subject from wikipedia:

According to the impermanence doctrine, human life embodies this flux in the aging process, the cycle of birth and rebirth (samsara), and in any experience of loss. This is applicable to all beings and their environs including devas (mortal gods). The Buddha taught that because conditioned phenomena are impermanent, attachment to them becomes the cause for future suffering (dukkha).

Conditioned phenomena can also be referred to as compounded, constructed, or fabricated. This is in contrast to the unconditioned, uncompounded and unfabricated nirvana, the reality that knows no change, decay or death.

Impermanence is intimately associated with the doctrine of anatta, according to which things have no fixed nature, essence, or self.

Though I do meditate and go to the odd meditation retreat, I am not a practicing Buddhist. But there are times when I find that the Buddhist doctrine resonates and helps me to live a better life – with less suffering. Such a time is when the hard drive of my computer crashes beyond recovery. Some things were lost. Some things have been found in other places. I wasn’t and I am not particularly worried or grieving about any of these things.

What did strike me in a new way was the concept of impermanence. It was like I had been accumulating this understanding for years and all of a sudden I had a glimpse of it – just for a few days and even then only for a few hours at a time. I was able to experience impermanence beyond what my brain had constructed … it was tangible in the cells of my body, the earthquakes in Japan, David’s stroke, the birth of my grandchildren, the lines on the backs of my hand, and the daffodils in the woods.

(image may be viewed and purchased here)


This wasn’t a sense of peace and ease I was experiencing – I was terrified. My experience of the world, through my five senses, was no more permanent than the passing light between the trees. I was borrowing these experiences and stretching their presence through memory, writing, painting and collecting data on my hard drive. My thoughts go to Atlantis, the Egyptian pyramids, the ancient Greek poet Sappho – all passing moments in time with just a few fragments left visible through story, crumbling earth and fragments of poetry.  I grasp that my existence, my being, and my experiences are all expressions of impermanence. For a few moments, okay hours, it was hard not to hyperventilate and go screaming naked through the woods.

But after awhile I concluded, nothing had changed. These things were the same before I looked them squarely in the eye. My knowing did not chance impermanence – only my experience of impermanence.

(image may be viewed and purchased here)

This week I shall work on another painting. I shall do it with conscious awareness of my impermanence and its impermanence.

Sprout question: How does impermanence express itself in your creativity?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

FIR TREE original oil paintings by Terrill Welch

This week my hard drive crashed and it is not recoverable. Fortunately, most things were backed up and my photographs were on an external hard drive and most of them are backed up again on flash drives. I lost a few images but not many. Lucky! However, I did lose all my newer email addresses so if you have exchanged emails with me in the past year, and would like to continue to be in touch, drop a line and I will add you to my address book.  Somehow this all seems to be less of an issue now that we have facebook, twitter and such. I might even be persuaded to pick up the phone 🙂

I plan to write a more about this experience on Monday in a post called “impermanence.”

Now, let’s have a look at this week’s painting. I started out just going to paint a few edges but these two small canvases had a ground on them and were sitting beside the easel. Well I looked at the edges of another painting and I looked back at the two canvases. The 8 X 8 inch pair just had to be done.

I knew what I wanted to paint. We have been getting a lot of evening sun here with glorious gold light hitting the trees just before it leaves us for dusk.

Starting from “ground.”

A ground is different from a underpainting even though it may be the same colour. With a ground there is just a layer of paint that is put down with no intended painting blocked in or even in mind. Yes, I dislike wasting paint so these canvases were just too close to the last underpainting I was doing and they were grounded 😉

The painting took shape quickly.

I didn’t stop again until close to finishing.

When hung, the two paintings would be separated by a couple inches – I think, maybe more. Or they could be hung like this ….

This side by side is possibly my favourite.

Here they are trimmed up pretty with no distractions.

FIR TREE SKY original oil painting by Terrill Welch

FIR TREE POND original oil painting by Terrill Welch

I haven’t had a chance to decide if I will sell them separately or only as a pair. What do you think? Should they be kept together or be allowed to go into the world separately and be a surprise to some unsuspecting buyer that there is another half to their painting?

These paintings will be part of my upcoming solo show “Study of Blue” opening June 30, 2011 at the Oceanwood Resort here on Mayne Island.

UPDATE: FIR TREE SKY has been SOLD at the opening on June 30, 2011. FIR TREE POND has been SOLD to a separate buyer at the close of the show on July 27, 2011.

Sprout question: What keeps you rolling through unexpected events with ease?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch Online Gallery at http://terrillwelchartist.com

A walk to the blossom tree

The sun had slid into home base just add of dusk. We decided that a walk would do us good. Besides, there is a neighbour’s tree I want to photograph while it is in bloom.

On the way, David spies these bird houses in the sun. I am smitten with their brightness against that aging wood of the building.

We must walk quickly now as the sun is already catching treetops between the shadows.

Ah, there it is.

We are a little late but it is still lovely. What a lot of blossoms!

Let’s see if we can find just a few for a close up.

Great fun. A little closer maybe?

Oh yes — one of my blossom photos is being used for the poster of Cherry Blossom Festival in Abbotsford British Columbia. This city of about 120 thousand is hosting a sister-city project to raise funds for Japanese relief. I am honoured that they requested my photograph to promote the event.

(view or purchase the photo in this poster here.)

There is a little credit running along the right side of the photo that has me grinning every  time I notice it 🙂

My intention this week is to paint the edges of my paintings that are already finished. I moved the rhubarb to a sunnier location yesterday and while I was out there I saw a few other things I want to get started on. This musing time – as I am doing these things I will decide on my next big painting.

If you get a chance, stop by my new Online Gallery at http://terrillwelchartist.com

I wish you a blooming good time this week.

Sprout question: What is blooming in your creative garden?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

SALISH SEA 4 original oil painting by Terrill Welch

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Impression of an Artist

Week after week I visit myself on the canvas of a painting, through the frame of an image or between the words of a paragraph. Do these impressions provide any further insight into my being and my interpretation of my world?

I like to think they do. I like to believe that these creative endeavors cast at least a shadow of truth on what I often think of as my core essence – that part of me that isn’t body or earth-bound in this life time. But is this really a possible truth?

As the paint is chosen, mixed and applied without thought, I like to believe there is a subconscious part of me that knows what it is doing. But maybe it is all accidental fragments of my conscious mind colliding with the paint, the canvas and the movement of my brush.

I am doing a study of blue – a series on the shades of blue. What I am discovering is that blue is more than a colour. Blue is a spiritual void for reflection… as I paint the sea… the shadows of the trees… or the sky. If I had known how wide this void would open up, would I have committed to the series?

Ah, no point in musing about what might have been.

This week I have one 10 X 12 inch cotton canvas underpainting ready for completion. In my imagination the heavy clouds press down with formidable force over the dark seas. May I be able to hold this moment long enough to reach in and pull out something that is the essence of me, of you and of the very world itself.

Sprout question: What impression best describes your creative self?

© 2011 Terrill Welch, All rights reserved.

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Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada