A Study

After yesterdays eclectic group of photos, today is a sparse offering.

These lovely little canvas prints from my East Point Images I shared with you in February the “Simplicity” post. They arrived in yesterday’s mail. I am starting to gather together material for my September solo exhibit and these are going on a particular spot above the books in the library which is hard show.

Like many people I feel physically, emotionally and spiritually naked when I bring my work into the public. This is particularly so do a reading from my writing such as on this coming Saturday or when I have my canvases on the wall in such as the September show. Yet, I have learned that it is a part of “the business of creativity” which must be navigated. So vulnerable or not, the show will go on…

Sprout Question: How do you prepare for a public viewing or listening of your work?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

The ART of Home


Early this morning sitting on the sheepskin in our window seat, looking out at nothing in particular, I think “I have nothing planned for my post today.”

I observe the lived-in comforts of “home” in la casa de inspiracion musing over possibilities.

Then I remember a stunning book in my bookshelf by Lloyd Kahn, Builders of the Pacific Coast published in 2008.

Here are a few pages to inspire you to think about “the ART of Home.”

work of Michael McNamara

work of Jan Jensen

There are 250 pages of stories and photographs of some of the most stunning aesthetically warm, natural or salvaged material homes I have ever had the pleasure to become acquainted. The morning slips away as I browse through the pages…

With only a little effort I find Lloyd’s Blog with a list of a few more of his books as well as an interesting article on the future of publishing.

Sprout Question: Is there a connection between your home and your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Paint to Great Blue Heron

I included two of Sue Wiebe’s paintings (“The Cow” and “Water Lilies”) as a bonus feature in early March. Sue has another painting to share with us. As an artist I find there is nothing more satisfying than when I look at my painting and I no longer see paint but rather the image I have been inspired to create.

Sue had sent me this early photo of her “Great Blue Heron” painting in progress.

A few days ago, she sent me this photo of her completed painting.

I get frequent opportunities to observe these great birds. I feel like this one is watching me and if I take one step closer it will take flight, squawking its prehistoric song in annoyance because I have disturbed its fishing.

Thank you so much Sue for allowing us to share in your creative process and you’re your beautiful paintings.

I often feel like there is a transformation of the individual doing the creating in the creative process as well as the transformation of letters, paint, light, or sounds into what ultimately become the “finished piece.”

Sprout Question: Can you tell us about a profound experience you have had in creating a piece of writing, art, photograph or music or…?

(And please, links to the work you are writing about are always welcome:)

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

rocks and mussels

"rocks and mussels" oil painting by Terrill Welch

11X14 by 1.5 inches water miscible oil painting.

View full resolution image here.

“rocks and mussels” is inspired by a piece of remote the beach at Point No Point on south western Vancouver Island. It is a rugged area close to the end of the Strait of Juan de Fuca and open sea. The rocks are of mixed texture and form. Some are large hard slate black stones rubbed smoothed from the surf and others are smaller, rounded and warm ochre and cream in colour. Seaweed seems to drape themselves over either. Though the when you look closely mussels appear to like the darker rocks. But since they are sometimes clustered together it is often hard to tell.

I have been coming to this area for over twenty years, sometimes for lunch and a stroll through the trails and other times to stay for a few days in one of the cabins. The last time I was there was in December 2009 for our honeymoon.

I had set a challenge when painting this piece to be able to paint the darker seaweed on top of the lighter rocks. However when I look closely, the light was the dark seaweed just at the crest of the rocks. Which made much more sense to me but the painting was still very challenging. I wanted us to feel like we were the sea about to wash over the mussels, the rocks and the seaweed. I also came to understand that the rocks are often washed away from the bottom quicker than the top as the sea pushes its way over the sand and withdraws back into itself. This leaves the stones with overhangs where there is no sand and the shadows seep in.

At some point this painting took on a life of its own and became separate from my reference images and slide down a path that was more about remembering how it felt, the smell of seaweed, the salt air, and the roar of the surf on distant rocks with the sun on my back lifting the mist off the trees on the bank above me.

Sprout Question: Have you ever discovered something different than what you thought you knew while creating?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

More Painting

Power outage lends itself to another day painting

We had another power outage (due to winds knocking over a huge arbutus tree on Village Bay road at 1:40 am). I awake at 7:00 am. The power is still out. I decide to see if I can find a coffee before doing anything else. Ah yes! The bakery is serving coffee using generator power. Armed with to-go thermos cups filled with black gold, I return home and prepare our usual fruit, yogurt and grain cereal for breakfast. With few alternatives, I settle on my favourite activity of the moment – painting.

The wild underpainting had dried on my 18X24 by 2 inch canvas.

I go to work. At one o’clock this afternoon the power comes on again and I am ready to take a break and share the progress with you.

There is more to do but it is a good start.

Sprout Question: What is your creative activity of choice when the power goes out?

Note: My apologies for being late with today’s post but you will have to take it up with the wind and the arbutus tree… they have let me know they are taking full responsibility for the delay.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Good Luck Creativity

View image and purchase of “Arbutus in the Fog”  here.

My partner of many years (and the lovely man who has recently become my husband – December 10, 2009) and I have a banter that goes something like this…

I ask with raised eyebrows and a tone of dismay “how did you ever end up with a wild and crazy woman like me?”

With his eyes snapping, he responds “just lucky I guess.”

The truth is my wildness is not of the usual kind – having mostly to do with my vivid imagination and free spirit. And his “good luck” has mostly to do with acting on his preparedness when the opportunity presented itself. But we shall not be entertaining you with our love story today.

What I want to talk about is good luck and creativity. Some time ago, I read Deepak Chopra’s definition of “good luck” in The Seven Spiritual laws of Success (1994). Every since reading his description, it has embodied much of my perceptual understanding about what constitutes good luck. His exact passage reads:

You can look at every problem you have in your life as an opportunity for some greater benefit. You can stay alert to opportunities by being grounded in the wisdom of uncertainty. When your preparedness meets opportunity, the solution will spontaneously appear. What comes out of that is often called “good luck.” Good luck is nothing but preparedness and opportunity coming together.

So there you have it. Now what does this mean when it comes to our creativity? If we are writing, drawing, painting, taking photographs and enhancing our skills daily we are more likely to be prepared when the opportunity arises. When we have “good luck” by this definition we are overjoyed by the unexpected success that befalls us. This is certainly the case with these two images (one above and one below) that I share with you today. In each of these photos the exact coming together of the elements in the images are not likely to repeat themselves readily. In both cases I was prepared. I had my camera with me on my daily walk. I was watching, searching the beauty and the mundane around me. Then as if by magic the image was there – waiting for me, inviting me to capture it.

View and purchase “Holding the Moon” here.

Sprout Question: What part does “good luck” play in your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.