Latest small work of a varnish clamshell in a seasonal stream at the tide line

Wednesday, December 11, 2024

The making process begins with a few paint marks in walnut oils on an 8 x 10 inch linen on board surface with a solid oil red ground. I wanted the solid foundation this deep red will offer to the much lighter overpainting.

I have a short video from my field work and reference gathering that I play several times as I work. It is the shapes and movement balanced by the flashes of light sparkling in the water that most interesting me. I reach down into the soft ripples of water caressing the clamshell and set down the broadest of brush marks onto the surface.

My intention for this work is to instil a sense of inner peace, resilience and wellbeing. The work is a reminder of who I am after a stressful and tumultuous couple of weeks. I need this making process almost as much as I need to breathe. I can feel myself centre and my shoulders relax as I work.

I now sit writing these notes as the December afternoon low sun streams into the studio and across the kitchen beside where I am sitting. The house is quiet. A soft breeze moves the branches gently on the large for trees outside the window. I am grateful for this rural bounty. I am grateful for life. I am grateful for the technology that allows me to capture bits of my world and the tools to create passages of conversation with our surrounding environment, particularly the sea, the Salish Sea if I want to be more specific. Even when I cannot physically get there, the sea remains close to me as the tides move back and forth against the edges of my memory. The small work now rests in front of the larger painting I will continue working on before daylight tomorrow.


“Varnish Clamshell in the Flow” by Terrill Welch, 8 x 10 inch walnut oil on linen board. Completed December 10, 2024


Artist notes: I had gone to Bennett Bay and along the beach to where a season creek was flowing into the sea and washing over seashells along the way. They varnish clamshells created a light musical sound as the water passed over them. The beauty of the shapes and sounds created a textured resonance in my being. For those moments inner peace is held, in those shapes, in those colours and sounds. I find inner peace in the abstracted loosen of the brushstrokes, gifted to the linen surface without misgivings or hesitation. This is the full body experience I aim to capture in this small painting completed in oil, wet-in-wet, in the studio a month later. 

It feels good to be back working in my physical studio again!

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