Checking on the Rhubarb

Sunday. Morning comes early now. I’m sitting in the studio loft ….  restless and wanting to be outside. It froze in the bottom of the valley last night. Maybe we should go check on the rhubarb I transplanted. What do you think? Yes? I thought so. You had better put on a sturdy pair of shoes. We are climbing down the 81 steps of the-stairway-to-heaven. Oh! A jacket too – it is still a bit nippy, even if the sun is coming over the hill.

Well look at that! The sheep are out.

It is awfully nice down here by the pond.

I am guessing our company thinks so too.

This field and the sheep we are looking at over the fence belong to Joyce Kallweit of Meadowmist Farm. She does farm tours. If you are ever on Mayne Island, I recommend you stop by. I promise to wave if you give a shout up.

Her barn looks particularly inviting through the trees this morning.

Now where did I poke that rhubarb in the ground? Hum. Let’s see. Ah, there it is.

Not too bad for a young plant. It seems to be coming along. I can see the deer have eaten three of the leaves off. Looks like I will need to fence it until it gets established.

Just about time to climb back up those stairs and get to work turning the garden over.

We had a couple of big alder taken down near the bottom right. It was necessary because it was rotting out and a new fence was going in to keep these babies contained.

I guess that is about it. Up we go. Time to go to work.

I started this yesterday. I like to do it by hand with a shovel. My planning is much like when I paint. This is the underpainting of my garden. There is no drawing or sketch for reference. I just pick up the shovel and dig in.

A few hours later you can see we have made some headway. This week, my painting is going to have some competition. I just have to get those peas and the greens planted. But I do have a painting in mind for a 24 X 36 canvas. It will happen.

Before we leave… let’s sneak up on some of those tulips over there.

Sprout question: What is the rhubarb in your creative week?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

A Friendly Farm Gate Chat

Dear readers, how would you like to go shopping with us today? Remember, I can see when you roll your eyes. I promise it will be a shopping trip like no other you have likely been on recently. Today is the opening of Mayne Island’s Farm Gate store.

Farm Gate is the dream and shared vision of Don and Shanti McDougall who own and operate Mayne Island’s Deacon Vale Farm. Striving for local, organic and the best ingredients, the Farm Gate Store experience is about getting beyond either or thinking. When you have a love for food and community like the McDougalls this is no surprise.

At  the storefront we stopped to look at a great new sculpture by local artist and cob home expert Pat Hennebery.

Here we are at the Farm Gate store’s side entrance. A family has arrived ahead of us on bicycles to Mayne Island’s newest food place at the edge of the woods.

We are thinking maybe we will go by bicycle next visit. As we go inside we are greeted warmly by friends and neighbours and the store owners alike.

There are no strangers at the Farm Gate Store. Only new friends.

Customers decide between all of the quality choices local to “the islands” and British Columbia and a few exceptional import goods.

Locally, in our northern hemisphere, this time of year there are mostly  kale, mushrooms and a few greens and winter vegetables.

And please don’t tell anyone but I dislike kale. I know that is not very back-to-earth of me but I just can’t help it. To have the best eco-friendly variety and a balanced diet is to eat what is local, organic and in season closest to us.

Okay, so opening morning, one hour after being oriented on a new check out system that has just been installed, can be a little daunting. Though the learning curve is steep for the tellers, even young customers are happy to chill.

After all, this is the event of our day – no need to rush out the door to plant the spring peas. They will wait.

So let’s see some of the things we brought home. I have laid them out on a Deacon Vale Farm apron I was given in the check out line up.

I did not need a gift for waiting but I shall treasure it for its thoughtfulness and to remember the pleasure of opening day at the Farm Gate Store. We mostly bought celebratory foods. Partly because we know we can go back again for “a real shop” and partly because today truly was to celebrate. We wanted to have a friendly Farm Gate chat to welcome the Farm Gate Store as neighbours to neighbours.

Hum, I suppose I must confess that the hippie chip purchase was mostly for their name …… but they are also delicious!

See was I right? Are you not glad you came shopping with us today? If you are interested, there are more photos and information on the Farm Gate Store Facebook page.

Three cheers for community supported agriculture! Remember, the closer the greens are from the garden to your plate the more tasty goodness.

Sprout question: What locally grown foods feed your creativity?

Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

SALISH SEA 4 original oil painting by Terrill Welch

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Josie’s Helleborus

Since yesterday was the first day of spring in Canada I thought it fitting to post this photo I took of Josie’s Helleborus on the weekend. To tell you the truth from the top these blooms are rather quiet and peaceful. But when you get down and have a look underneath – wow!

What a face to inspire!

And speaking of faces to inspire, you have most likely figured out that if I was at Josie’s house there was also someone else at home.

Here he is again a little more awake while having a bath.

Coen was one month old on Saturday!

No his fingernails are not dirty. He has a bit of gentian violet under them and also on his lips. It is the most deep purple blue colour a person can find and stains everything. It is also one of the best treatments for yeast overgrowth in breastfeeding which most likely came about because of a shot of antibiotic given to mom just before he was born as a prevention for something else. Such a fine balancing system we humans have and it is so easy to upset. It is extremely painful for nursing moms and also for babies if they get thrush in their mouths. Baby seems to be doing great but it is taking longer for mom to get better. Though the situation was much improved when I left on Saturday, some good old fashioned healing energy and get well wishes may be in order I think.

However, today being Monday it is time to get back to work. Here is a photo taken at Galiano Island as we were waiting for the ferry to load.

This photo of “Blue on blue” reminds me that I have a project or three to do.

This week’s canvas is 24 x 48 inches – long and lean. I have an image in mind but you will have to wait until Friday to see how far I get. One hint – it has nothing much to do with the images that I posted today.

Sprout question: What is the inspirational centre for your creative focus this week?

Also, I have three new photographs printed and framed to go in the display on the Queen of Nanaimo Ferry this week. If you are travelling this way you may want to have a browse.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

HEAVY CLOUD original oil painting by Terrill Welch

I remember being asked one time to paint a scary monster. It was a class exercise to get us out of the habit of creating beautiful paintings. I had a horrible time. I painted a dragon-type monster. The instructor laughed a deep belly laughed and told me it was a great monster but would not likely scare anyone. I think my painting “HEAVY CLOUD” has also suffered from my optimistic nature. It is obviously heavy cloud but not very dreary.

Let’s have a look…

Starting with the underpainting you saw on Monday I began building up the painting.

It isn’t really making a lot of sense yet but feels good so I keep going.

Then I painted for a long while. I left it to rest overnight and I did a few minor edits. I believe it is done. But I reserve the right to change my mind.

HEAVY CLOUD 10X12 by 1.5 inches, cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $420 Canadian unframed.

I most often see a little light coming in from somewhere no matter how gray it gets. There is just a touch of sun catching the sky above the mountains and it is coming to rest on the tips of just a few of the great coastal peaks so we are sure not to miss it. It seems to be saying – tomorrow is another day.

Have a great weekend!

Sprout question: What creatively allows you to express dreariness, gloominess or your darker side?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

Impression of an Artist

Week after week I visit myself on the canvas of a painting, through the frame of an image or between the words of a paragraph. Do these impressions provide any further insight into my being and my interpretation of my world?

I like to think they do. I like to believe that these creative endeavors cast at least a shadow of truth on what I often think of as my core essence – that part of me that isn’t body or earth-bound in this life time. But is this really a possible truth?

As the paint is chosen, mixed and applied without thought, I like to believe there is a subconscious part of me that knows what it is doing. But maybe it is all accidental fragments of my conscious mind colliding with the paint, the canvas and the movement of my brush.

I am doing a study of blue – a series on the shades of blue. What I am discovering is that blue is more than a colour. Blue is a spiritual void for reflection… as I paint the sea… the shadows of the trees… or the sky. If I had known how wide this void would open up, would I have committed to the series?

Ah, no point in musing about what might have been.

This week I have one 10 X 12 inch cotton canvas underpainting ready for completion. In my imagination the heavy clouds press down with formidable force over the dark seas. May I be able to hold this moment long enough to reach in and pull out something that is the essence of me, of you and of the very world itself.

Sprout question: What impression best describes your creative self?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Salish Sea 3 original oil painting by Terrill Welch

From start to finish a painting often has many pauses. Salish Sea 3 is a prime example as this small 8 X 10 inch seascape oil painting took two weeks from start to finish – mostly “resting.”

I begin as usual by working the underpainting.

In this series of paintings I have been inspired to paint the sky first and work into the picture from this vantage point. This isn’t a usual approach from me but it is what has been happening for the past two paintings. So we will go with it.

Next I start building up the blues.

As I continue to work a context is created for the painting to begin to breathe on its own.

Sorry about the bad photograph. I was having trouble with some glare from the light coming through the window of  the studio. Note to self: holding a painting and photographing it is not a useful strategy to resolve glare.

I begin to find my way into the painting – it is like running your hands over your bedding in the half-light of early dawn. You know where you are but there isn’t enough light to see beyond a few vague familiar shadows.

This is most often the place I pause. There is an excitement that rises from my bones and spreads up to the hairs on top of my head. I watch and wait sometimes only for a moment, sometimes stopping for tea and sometimes stopping until the paint dries. Today it was only long enough for tea. I wanted to work in the waves wet on wet.

Now it is time for a rest. It is a rest that last for nine days. I puzzle and muse. I move the painting around to different locations. I sleep on it. I glower at it. The painting is “okay… I guess” but it doesn’t have the SNAP I would like it to have. Finally, I decide what it is and what I need to do. A couple of small changes really. I will leave you to discover them if you choose. Or you can simply enjoy the finished work.

Salish Sea 3,  8 X 10 inch cotton canvas  original oil painting by Terrill Welch.

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $280 Canadian unframed.

As for my other intentions, I started another underpainting but the taxes and tune up for Miss Prissy had to be rescheduled for next week. As my father would say “it’s just the way the cookie crumbles sometimes.”

But this is far too light-hearted as I pause for a moment send light to Japan and all areas experiencing the impact of the 8.9 quake and tsunami. This post was written before I heard the news last night on twitter about an hour after the earthquake off the northeast coast of Japan.

Sprout question: Where might your creativity need a pause?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

slow start but rolling

Ah, to sleep in on a Monday morning after a full weekend.

Oh my gosh.

Does it ever get any better than this?

We even caught some sun on a 5 km stroll along the sea.

Life is good.

Now it is time to get back to work.

This week I must get my books and paper work to the accountant so the taxes can be done. While I am in town, Miss Prissy (my 1991 Ford F150 4X4 pick up) will be scheduled for a check up.

There are also some unrelated-to-art projects in a crucial stage that require my full attention.

So with this in mind, my intention for the week is to finish one small painting I started last week, do the underpaintings for a couple of tiny canvases and pick up some large canvases when I am in town. We shall see. Friday will tell the story.

Sprout question: What are you glad you set aside this week so you could play at life?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

ONE original oil painting by Terrill Welch

In a studying the shades of blue this painting of ONE has been the most demanding so far. It required the ability to work with four different blues to create the rich depth and reflections. I have little to say other than I am pleased with the results.

Palette for ONE

Beginning to work the underpainting

Working it a bit more.

Starting to get a feel for it.

Many hours later.

Making some minor corrections and time for a rest.

I came back to the painting the first thing the next day and finished it…. ta da!

ONE 24 X 36 inch cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $2,400 unframed.

UPDATE: Painting is now available in the ART OF DAY online gallery HERE.

Sprout question: What creative work is currently pushing you to the edges of your abilities?

NOTE: Last evening my original oil painting WHISPER sold to a couple in celebration of their wedding anniversary. I’m happy see it going to a most loving home.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

STORM COMING oil painting in progress

We have been issued a wind warning by Environment Canada this evening: Sustained southerly winds of 70 to 100 km/h with peak gusts from 100 to 140 km/h will develop Wednesday morning. So if you don’t hear from me for a bit… it is only because the electricity is out.

I was going to post this painting on Friday along with another I painted this week. But the title of this painting is “Storm Coming.” I decided it would just have to be a Wednesday painting post. Seemed like a perfect day to share its progress.

Starting with the most yellow orange underpainting

I carefully selected a few colours. I’ve decided to capture my palettes for each painting and thought you might like to see.

Everyone has their own methods of organization.

I am not big on organizing my paints in a certain way. I think about what I am going to need and organize them in a manner I will use them.

For example, I am left handed and often work counter clockwise on my palette. Generally I work the whole canvas at once but this painting developed a little differently.

I chose my main brushes and palette knifes often having two brushes and a palette knife in my hands all at the same time.

STORM COMING 8 X 10 inch cotton canvas original oil painting is resting. It may be ready by Friday but maybe not.

Sprout question: What creative storm might be coming your way?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada