SALISH SEA 4 original oil painting by Terrill Welch

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

The Breath of Stones

Stones find their way into pockets, onto windowsills, or making a path in the garden. They hold my gaze when their weathered washed shapes appear in clusters. It could be a stream, lake shore or the ocean. I feel a deep resonance to their various sizes, colours and textures.

This week my underpaintings are ready for completion. I have the larger 24 X 48 inch and two smaller 8 X 8 inch. Maybe the little ones shall be paintings of stones – the patterns and how the earth breathes through their presences.

 

Sprout question: Where might we find your most inspiring stones?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

Josie’s Helleborus

Since yesterday was the first day of spring in Canada I thought it fitting to post this photo I took of Josie’s Helleborus on the weekend. To tell you the truth from the top these blooms are rather quiet and peaceful. But when you get down and have a look underneath – wow!

What a face to inspire!

And speaking of faces to inspire, you have most likely figured out that if I was at Josie’s house there was also someone else at home.

Here he is again a little more awake while having a bath.

Coen was one month old on Saturday!

No his fingernails are not dirty. He has a bit of gentian violet under them and also on his lips. It is the most deep purple blue colour a person can find and stains everything. It is also one of the best treatments for yeast overgrowth in breastfeeding which most likely came about because of a shot of antibiotic given to mom just before he was born as a prevention for something else. Such a fine balancing system we humans have and it is so easy to upset. It is extremely painful for nursing moms and also for babies if they get thrush in their mouths. Baby seems to be doing great but it is taking longer for mom to get better. Though the situation was much improved when I left on Saturday, some good old fashioned healing energy and get well wishes may be in order I think.

However, today being Monday it is time to get back to work. Here is a photo taken at Galiano Island as we were waiting for the ferry to load.

This photo of “Blue on blue” reminds me that I have a project or three to do.

This week’s canvas is 24 x 48 inches – long and lean. I have an image in mind but you will have to wait until Friday to see how far I get. One hint – it has nothing much to do with the images that I posted today.

Sprout question: What is the inspirational centre for your creative focus this week?

Also, I have three new photographs printed and framed to go in the display on the Queen of Nanaimo Ferry this week. If you are travelling this way you may want to have a browse.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Impression of an Artist

Week after week I visit myself on the canvas of a painting, through the frame of an image or between the words of a paragraph. Do these impressions provide any further insight into my being and my interpretation of my world?

I like to think they do. I like to believe that these creative endeavors cast at least a shadow of truth on what I often think of as my core essence – that part of me that isn’t body or earth-bound in this life time. But is this really a possible truth?

As the paint is chosen, mixed and applied without thought, I like to believe there is a subconscious part of me that knows what it is doing. But maybe it is all accidental fragments of my conscious mind colliding with the paint, the canvas and the movement of my brush.

I am doing a study of blue – a series on the shades of blue. What I am discovering is that blue is more than a colour. Blue is a spiritual void for reflection… as I paint the sea… the shadows of the trees… or the sky. If I had known how wide this void would open up, would I have committed to the series?

Ah, no point in musing about what might have been.

This week I have one 10 X 12 inch cotton canvas underpainting ready for completion. In my imagination the heavy clouds press down with formidable force over the dark seas. May I be able to hold this moment long enough to reach in and pull out something that is the essence of me, of you and of the very world itself.

Sprout question: What impression best describes your creative self?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Salish Sea 3 original oil painting by Terrill Welch

From start to finish a painting often has many pauses. Salish Sea 3 is a prime example as this small 8 X 10 inch seascape oil painting took two weeks from start to finish – mostly “resting.”

I begin as usual by working the underpainting.

In this series of paintings I have been inspired to paint the sky first and work into the picture from this vantage point. This isn’t a usual approach from me but it is what has been happening for the past two paintings. So we will go with it.

Next I start building up the blues.

As I continue to work a context is created for the painting to begin to breathe on its own.

Sorry about the bad photograph. I was having trouble with some glare from the light coming through the window of  the studio. Note to self: holding a painting and photographing it is not a useful strategy to resolve glare.

I begin to find my way into the painting – it is like running your hands over your bedding in the half-light of early dawn. You know where you are but there isn’t enough light to see beyond a few vague familiar shadows.

This is most often the place I pause. There is an excitement that rises from my bones and spreads up to the hairs on top of my head. I watch and wait sometimes only for a moment, sometimes stopping for tea and sometimes stopping until the paint dries. Today it was only long enough for tea. I wanted to work in the waves wet on wet.

Now it is time for a rest. It is a rest that last for nine days. I puzzle and muse. I move the painting around to different locations. I sleep on it. I glower at it. The painting is “okay… I guess” but it doesn’t have the SNAP I would like it to have. Finally, I decide what it is and what I need to do. A couple of small changes really. I will leave you to discover them if you choose. Or you can simply enjoy the finished work.

Salish Sea 3,  8 X 10 inch cotton canvas  original oil painting by Terrill Welch.

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $280 Canadian unframed.

As for my other intentions, I started another underpainting but the taxes and tune up for Miss Prissy had to be rescheduled for next week. As my father would say “it’s just the way the cookie crumbles sometimes.”

But this is far too light-hearted as I pause for a moment send light to Japan and all areas experiencing the impact of the 8.9 quake and tsunami. This post was written before I heard the news last night on twitter about an hour after the earthquake off the northeast coast of Japan.

Sprout question: Where might your creativity need a pause?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Happy 100th International Women’s Day

Today is the 100th celebration of International Women’s Day. Why, you might ask, is this important to recognize? Most of you know me as an artist, photographer and writer. A few of you know that of the last 100 years I have spent more than 30 of those years actively and purposefully working towards women’s equality. I cut my feminist teeth on Dorothy Smith’s The Everyday World as Problematic: A Feminist Sociology in university in the late 1980’s while raising two young children as a single parent. International Women’s Day is one of my most important holidays of the year. It is a time to recognize, reflect, rejoice and recommit to making the world a better place for women and children.

One hundred years ago today women in Canada did not have the right to vote. It would be another seven years before most women over the age of 21 get the right to vote in federal elections. It wasn’t until 1960 that First Nations people received the right to vote in federal elections. Even noting these complexities, it is true, we have made gains. Yet, our fight for equality is not over and in some areas it is backsliding:

At the end of 2010, full-time working women earned only 71.3 per cent of men’s average full-time income. In the late 1980s, women earned 77 cents for every $1 a man earned.

More shocking,[ Queen’s University professor Kathleen Lahey] says, are Statistics Canada data from December 2010 show that women with university degrees now only earn 68.4 per cent of men’s average university-degree incomes, as compared with 86.8 per cent in the late 1980s.

Read more: Why Feminism Still Matters by Daphne Bramham (Vancouver Sun)

As a 52 year old feminist, activist and woman, how has the last half of the last 100 years influenced my life? Steeped in women and gender studies, waged in income for women’s equality such as women’s shelters, women centres, women’s counselling programs and women’s leadership, the answers should come easily. You might even expect that they would flow out in graceful paragraphs – eloquent after years of study and practical experience. They do not.

The blog post article I published in May 2009 “Untapped ROI – Increase Women in Leadership 13 Myths and Facts plus A-G strategies” is still as relevant in March 2011. Change is a slow process. But it is more than that. The clarity and contradictions about women’s equality are worn in layers of personal scars and successes only to then unravel again in my today – as an artist, as a feminist, as a wife, and as a woman who, for the first time five years ago, understands that sometimes financial independence is a barrier to love and mutual quality of life. I now experience the equality of a great love that, for the most part, renders gender differences invisible as two people equally work in harmony for what is best for each other and for self. Outside gender imbalances are successfully rebalanced in our day-to-day living. I have experienced nothing as powerful or leveling as deeply held human regard for another.

Today as I write this, my sweetheart is calling me to come eat the breakfast he has loving prepared. Today as I write this, I smile to myself at the involvement of my son and son-in-law with the daily tasks of parenting their children. At the same time, I remember a blog diary written last week by a woman volunteering in a health clinic where a young woman giving childbirth died on her clinic floor. She needed a cesarean delivery. The child was being born feet first. There were no such medical services available. Human life is not equally valued the world over. There is still much to do.

Today as I write this, I revisit my own struggles resulting from a history of childhood trust broken with inappropriate touching of my innocent child’s body and violence handed out by men who should have been the ones I could count to stand beside me. The details are not important. Many of us – many women and a few men – have our own experiences of being treated with less than regard and loving respect by those closest to us. We can instantly provide our own details, often with undesired vivid clarity.

Yet, as my being, my body and my spirit remind me of these passages in living, I wish better for others. I have worked tirelessly for more than 30 years to create the change I want to see in the world. Now I paint. Now I slip down by the sea and I photograph. I seek healing serenity in the bodily memories of these contradictions that we live as we celebrate the 100th International Women’s Day. My eye finds a particularly powerful reminder that we are one.

My brush strokes link us to our human vulnerability.

My work towards women’s equality is not done – it has only changed. For now.

My sister, may you have the opportunity today to give yourself a hug for being the incredible woman you are.  My bother, may you know that you are an equally part of what will make a difference in the lives of the women you love.

Happy 100th International Women’s Day!

Sprout question: What woman has been your greatest creative influence?

To learn more about my work towards women’s equality visit Terrill Welch – A Woman Behind Women.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

slow start but rolling

Ah, to sleep in on a Monday morning after a full weekend.

Oh my gosh.

Does it ever get any better than this?

We even caught some sun on a 5 km stroll along the sea.

Life is good.

Now it is time to get back to work.

This week I must get my books and paper work to the accountant so the taxes can be done. While I am in town, Miss Prissy (my 1991 Ford F150 4X4 pick up) will be scheduled for a check up.

There are also some unrelated-to-art projects in a crucial stage that require my full attention.

So with this in mind, my intention for the week is to finish one small painting I started last week, do the underpaintings for a couple of tiny canvases and pick up some large canvases when I am in town. We shall see. Friday will tell the story.

Sprout question: What are you glad you set aside this week so you could play at life?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Say SPRING

Seeing that it is the last day of February and it has been unusually cold with snow and wind and rain here on the southwest coast of Canada, maybe if we say “SPRING” all at the same time it will come true. What do you think? Shall we give it a try? Here is a photograph of a couple of tulips to help get us into the mood.

(image may be purchased here.)

Ready? SPRING!…. Hum, let’s try again SPRING!!!! There! That should do it!

This week is a painting week. It is the first painting week in about a month. I have these two 8 X 10 inch canvas underpaintings ready to start working.

And this 24 X 36 inch canvas underpainting ready as well. I am about to begin what may possibly be a series of paintings in a study of blue using seascapes as my contextual reference.

You might ask why I am doing my underpaintings in lemon cadmium yellow and it is a fair question. First I am not fond of a white canvas. Second, I like to create layers of depth through hints of underpainting colours coming through. However, to work for blues, the underpainting must be well set. Otherwise it just becomes a muddy mess. It does seem take longer to complete a painting using underpaintings but I like the end results.

Note: I am likely going to work on these three paintings and begin at least two more this week. I do NOT anticipate having much for process images but we shall see. I provide this warning  in advance so that you are not too disappointed on Friday.

Sprout question: Can you tell us about a creative series you want to do in the future?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

At Dusk

Some weeks just seem to have a life of their own. I am going fess up first thing and let you know – not one print or painting was properly cataloged into my inventory. There. I have said.

What I did do was get an awesome chance to go “Hunting Waves” which, if you haven’t seen the photographs yet, you may enjoy. I picked up a couple of tubes of paint for my study of blues and two new brushes.

I took some shots at dusk that I am happy with. I fear they may too personal to have wide appeal but I thought I would share them with you anyway.

Mountains above the clouds.

Ferry Wake at Dusk.

Going Home.

(image may be purchased here)

Homeward Bound

(image may be purchased here)

Sailing Home

Passing Pender Island

These images are the exact tone and feel I have been working to get through my new learning with Kat Sloma in her photography e-course “Finding Your Eye.” I wanted to capture just the right amount of light to feel the dusk and still be able to make out some of the detail. I wanted the viewer to feel that lull – the hush before darkness overtakes the day.

I didn’t paint this week but it was still amazingly creative.

Sprout question: What new learning did you apply to your creativity this week?

Best of the weekend to you! Oh, just in case you didn’t notice we went over 30,000 views here on Creative Potager. Thank you for the pleasure of your visits.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Hunting Waves

Every once in a long while, on the inside passage of the southwest coast, high winds and sunshine meet, bring in high waves to our sandstone shores. Yesterday was one of those ideal days. About 2:30 in the afternoon I went hunting for waves. Enjoy!

The warmth of the sandstone against the blue of the sea with the waves rolling in. I took another photograph.

And then another…

Until I got this…

(image may be purchased here)

Draped in sun, the sea spray settles as the water rolls over the edge of the rocks.

For my study of blues, the day couldn’t have been better.

The seagulls were plentiful hovering over the churning waters.

(image may be purchased here)

My heart soared and sang to the rhythm of the sea. This is an image of Active Pass looking from Mayne Island to Galiano Island at the lighthouse.

But it is this next image I went hunting for. It happened early on in my shoot. As you know, Reef Bay is incredible most days. I crossed my fingers that it would be even more so today. The tides are low. Long stretches of the reef are bare. I need to leave shore to get the shot I want. I walk out on the reef with waves thundering beside me. It was safe but loud when the breakers hit. My heart pounds.

I get my shot.

(image may be purchased here)

And so did you.

Sprout question: What are the ideal conditions for one of your creative inspirations?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada