oil painting

The nuts and bolts of buying an original painting

/ Terrill Welch / 16 Comments

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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WATCHING original oil painting of a cougar by Sue Wiebe

/ Terrill Welch / 15 Comments

I have a treat for us today with a feature post and a painting by another artist. I hope you enjoy the adventure.

Do you ever get that feeling that you are being watched? Then you turn around, slowly, and sure enough you are being stalked? In this case, artist Sue Wiebe’s daughter, Courtney, found that it was a cougar and was able to take a photograph of it that Sue used as a reference for her original oil painting WATCHING.

Fortunately for us, Sue took some photographs of her painting in progress. We will start with a look at the underpainting.

Next we see the painting building and coming alive.

In the finished work it feels like the cougar is ready to spring from her hiding spot under the edge of the log – those ears slightly flattened, attentive, watching.

WATCHING 20 X 30 inch original oil painting by Sue Wiebe.

I asked Sue if she could tell us about her experience of painting this incredible painting:

It is the biggest oil on canvas I have done so far.  It taught me to painting standing up so I had a better range of motion.  But the truth of the matter is, I think, the name says it all.  The cougar watched me through the whole painting.  I would set her aside, sometimes for long periods of time, as other aspects in life needed to be attended to or I puzzled over achieving the effect I wanted, but she was always watching and waiting.  Sometimes, even demanding, that I take the time to finish.  She is finished, and yet, she watches.

If you remember from time to time over the winter Sue would comment on Creative Potager about the hours it was taking to paint fur. Well now you know the rest of the story.

Sue has been featured on Creative Potager in the past but for those of you who didn’t know she is my sister. Painting is something that we share with equal passion. On Friday I have two more of her paintings that I will post for you to see. They are a still life with the most stunning shades of orange AUTUMN BOUNTY and a limited palette painting called COURTNEY IN THE MOONLIGHT.

Sprout question: What is a creative passion you share with a sibling or other family member?

STUDY OF BLUE  solo exhibition opens Thursday June 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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HEAVY CLOUD original oil painting by Terrill Welch

/ Terrill Welch / 22 Comments

I remember being asked one time to paint a scary monster. It was a class exercise to get us out of the habit of creating beautiful paintings. I had a horrible time. I painted a dragon-type monster. The instructor laughed a deep belly laughed and told me it was a great monster but would not likely scare anyone. I think my painting “HEAVY CLOUD” has also suffered from my optimistic nature. It is obviously heavy cloud but not very dreary.

Let’s have a look…

Starting with the underpainting you saw on Monday I began building up the painting.

It isn’t really making a lot of sense yet but feels good so I keep going.

Then I painted for a long while. I left it to rest overnight and I did a few minor edits. I believe it is done. But I reserve the right to change my mind.

HEAVY CLOUD 10X12 by 1.5 inches, cotton canvas original oil painting by Terrill Welch

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $420 Canadian unframed.

I most often see a little light coming in from somewhere no matter how gray it gets. There is just a touch of sun catching the sky above the mountains and it is coming to rest on the tips of just a few of the great coastal peaks so we are sure not to miss it. It seems to be saying – tomorrow is another day.

Have a great weekend!

Sprout question: What creatively allows you to express dreariness, gloominess or your darker side?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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New original oil painting THE VIEW

/ Terrill Welch / 36 Comments

This painting shall be a bit of a surprise I suspect. As I mentioned on Monday, I have only one 15 minute sketch of a figure, a few passages from The Underpainter by Jane Urquahart and an image for a painting that wouldn’t leave me along.

I set up my palette and haphazardly mix a couple of colours in the usual loose Terrill Welch fashion.

You may have noticed before, I do not usually sketch in my paintings but prefer to use an underpainting to guide the development of my work. However, I did put in just a view pencil lines on this 24 X 18 inch canvas for this one.

A few quick strokes with a large brush as the story begins to unfold…

“Still it moved me, this wildness, and so I drew Sara standing by windows, looking out towards the frantic lake, the hectic sky. I drew her stillness in the face of torn clouds and rain – I wanted that contrast. Also, I was attracted by the muted light that came into a room when the sun is buried under blankets of heavy clouds, the soft-blue tinge in lends to the skin.” (p,167)

Using my sketch as reference I create the composition – not standing as in the story but sitting and unlike the sketch, she is leaning slightly out a window. Neither the story, nor the sketch is a perfect fit. I am on my own with mostly the image of the woman in my mind’s eye for guidance.

The underpainting is complete. I need to let the painting rest and set up. If you look carefully you can see that the figure is clearly looking left as in the sketch and as I intended.

“The next day the storm had finally worn itself out. The sky was a piercing shade of blue, and not a tree, not a leaf was moving. But the upheaval in the lake, the thunderous noise, was worse than ever; the water inkier, the whitecaps whiter…. In the middle of the morning – there was sunlight now, coaxing an impression of pastel colours from under her skin – Sara leaned her forehead against the glass of the window and said, “I can’t do this I can’t stand her any more.” (p. 169)

I start to build up the image. The colours are harsh and seem like they will never come together. I am tired. I have been painting for a long while. I didn’t notice at this point but she is starting to come alive on the canvas and has turned her head slightly to the right.

“I put my brush down on the ledge of the easel. “All right, we’ll take a break then, “I said, though nothing in wanted to stop.

“No, it’s not that…” she said. “I can’t look at the lake any more. I can’t bear it.”

I stared silently at her familiar back. I never thought about what Sara would be doing while she was posing. I was interested in anything that belonged to her in the immediate vicinity, felt that knowledge of the objects around her would enrich my drawings and paintings. But while I was working I believed that the gesture I ha prescribed was absolute; her pose, my line, the contour of her shoulder working its way into the composition on the page. I believed that I was drawing – deliberately drawing space around me so completely there would be no other impressions possible beyond the impression I controlled.” (p. 170)

I am happy with how far I have come with the painting. But you can now see that she has turned her head completely and is looking out at the view on the right. Who am I to argue? Not that it would have done much good I am sure. This is one refined and determined woman.

“There full days of staring at a seething lake, larger and wilder than some oceans, a man seated behind you concentrating on the seventh vertebra of your spine or the blue veins at the back of your knees, the dispassionate scratch of the pencil reproducing the creases in you flesh. What did I know of that?” (p.170)

My body aches with the fatigue of painting. My mind plays with that of the woman I am painting. “Who are you?” I ask. But she does not answer. I listen to her essence as it slips between me and the canvas. Finally, I can do no more. I must leave it until morning.

“It would be years before I could admit that although I wanted every detail of her in my painting – her body, her ancestry, her landscape, her house – wanted the kind of intimacy that involved not just the rendering of her physical being but also the smell of her skin and hair, the way she moved around her kitchen, the sounds at the back of her throat when she made love, I would have preferred not to have been known by her at all.” (p.170)

I wake a five a.m. anxious for daily light. I write, I tweet and I fuss until there is enough light to paint. I switch my white paint out from the faster drying titanium to zinc. I review my blue paint. I fix my mind’s eye on the light and the reflected light. The room is lit by another window we can’t see. And there is the light from the sky and sea which we know is there but we only know this through the muscles of her back as she sighs into each wave and each bit of breeze coming off the water. The day goes on like this – one brush stroke over another. Then without warning, the painting is finished.

Oh, there are still a few things, possibly, to tidy up. But, for the most part, it is done.

I put down my brushes. I search THE VIEW.  Have I allowed her to know me?

Note: all excerpts in bold quotes are from The Underpainter (1998 paperback edition) by Jane Urquhart.

And THE VIEW is not for sale at this time.

Sprout question: Can you tell us about something your muse aches create?

NEWS FLASH: Knock me over with a feather! I have just discovered that I am on this international list of 21 Artist to watch in 2011 published by Skinny Artist.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Meet Street Photographer Vivian Maier

/ Terrill Welch / 14 Comments

First, my intention for this week is to brush my way into an oil painting using one of my charcoal figure sketches as a guide. It will be difficult as I have only the one sketch to work with and I have a particular setting in mind that has been inspired from a passage from The Underpainter (1997) by Jane Urquhart. Regrettably, I am reluctant to share more than this with you at the moment. It is an image that is perfectly clear in my mind’s eye with shifting tones and composition every time the painting whispers for me to begin the process to stillness on canvas. I will honour last week’s principle of waiting to be invited… but act immediately when asked. This way, with luck, the image won’t slip away like mist in the afternoon sun.

Now, allow me to introduce the most extraordinary Street Photographer Vivian Maier with the most unusual passage into notoriety. Her work was discovered in 2007 by a 26 year old, real estate agent/entrepreneur/historian – John Maloof –  after he purchased a box of her negatives at an auction for $400. According to this brief excerpt about Vivian Maier in Wikipedia:

In 1951, at 25 years old, Vivian Maier moved from France to New York, where she worked for some time in a sweatshop. She made her way to the Chicago area’s North Shore in 1956 and became a nanny on and off for about 40 years, staying with one family for 14 of them. She was, in the accounts of the families for whom she worked, very private, spending her days off walking the streets of Chicago and taking photographs, most often with a Rolleiflex camera.

John Maloof, curator of Maier’s collection of photographs, summarizes the way the children she nannied would later describe her:

She was a Socialist, a Feminist, a movie critic, and a tell-it-like-it-is type of person. She learned English by going to theaters, which she loved. She wore a men’s jacket, men’s shoes and a large hat most of the time. She was constantly taking pictures, which she didn’t show anyone.

Between 1959 and 1960, Maier traveled to Los Angeles, Manila, Bangkok, Beijing, Egypt, Italy, and the American Southwest, taking pictures in each location. The trip was probably financed by the sale of a family farm in Alsace. For a brief period in the 1970s, Maier worked as a nanny for Phil Donahue’s children. As she got older, she collected more boxes of belongings, bringing them with her to each new post. At one employer’s house she stored 200 boxes of materials. Most were photographs or negatives, but Maier collected other objects, such as newspapers,and sometimes recorded audiotapes of conversations she had with the people she photographed.

Towards the end of her life, Maier may have been homeless for some time. She lived on Social Security checks and may have had another source of income, but the children she had taken care of in the early 1950s bought her an apartment and paid her bills. In 2008, she slipped on ice and hit her head. She did not fully recover and died in 2009 at the age of 83.

This video provides an excellent overview…

Also, here are the Vivian Maier blog and the Vivian Maier Photography website.  I am trusting that you may be as intrigued and inspired by her work as I am. Enjoy!

A new photograph “Tomorrow’s Dawn” seems like the most fitting image to share this Monday.

(image may be purchased here.)

Sprout question: What creative treasure might you have tucked away for future discovery?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

A Week Painting

/ Terrill Welch / 37 Comments

Following my intentions on a sunny Monday morning, I have my inspiration image set up and I am ready to squeeze out a few colours.

But the shadows! Gurrr!

I usually can move a smaller canvas around to avoid such things. This large 36 X 48 inch canvas has no room to move in my small studio space. Well, nothing to do but get started. I will see if I can work with it at least to get the underpainting done.

There is something absolutely exhilarating about putting those first strokes of paint on a canvas. The fact that this is a $72.00 canvas only has me swallow hard twice and mutter “be BOLD!” I work away fighting the shadows every step of the way until I have the painting roughed in.

This is about as much as I can do between holding a portable light that has a yellow glare and the shadows. I have come to the end of what I can do in the studio with natural light.

Note the bottom right hand corner and how heavily it is in shadowed. Not good I tell you. It is not good. What to do? I sleep on it – for two sleeps while the underpainting sets up.

It is cool outside on Wednesday but above freezing. I decide to move outdoors to the covered deck overlooking the valley.

It is a lovely place to work. No shadows here.

But it is rather cool and the water miscible oil paints are stiffer than I would like. I decide to keep working.

Here you can see the results from working in the studio with the heavy shadow on the bottom right hand corner. But it is only paint and fixable. I am now starting to lose my light. Where did the day go?

I am pleased. There are lots of problems still to resolve – like my cold fingers. But it is a good start.

Thursday I wake to heavy rains. I wait hoping it will brighten up. At 10:30 am I go upstairs to the studio thinking I will write instead of paint. But you see, the brushes and paint and painting are right there. I start dabbing away. Pretty soon I have the painting hauled back out on the deck. Four hours later I stop.

It is not finished but needs to rest for awhile. I will work on another painting next week and look at it out of the corner of my eye – with satisfaction.

Sprout question: What is encouraging you to smile with satisfaction?

Oh! We have a party invitation for Monday January 10, 2011 over on Leanne Dyck’s Blog at http://sweatercursed.blogspot.com Leanne is throwing a virtual bash to celebrate the e-book publication of her thriller The Sweater Curse. Please drop over leave a comment, share your favourite party food or punch recipe and a link to a great tune. Congratulations Leanne!

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Beginning the Big One

/ Terrill Welch / 26 Comments

Yes it is time. My intention for this first week of January 2011 is to complete the under-painting on my 3 X 4 foot canvas. It will be the largest oil painting on canvas I have ever done. I have painted wall murals before but that is a completely different artistic expression than a large canvas. What they have in common is the need for lot of paint.  I think I have enough. The second challenge is how to set up the canvas so I can work on it. I am thinking that these two chairs should work if I can move things around in my small studio to accommodate them.

I will tie the cross-bar support to the chair with gardening twist tie to keep the canvas in place.

Then I will make the final decision on the image I want to paint. This remains unknown for the moment.

Before I wander off to get to work on this new project I thought you might like to see the first light on shore for 2011.

(image may be purchased here.)

I look forward to checking in with you on Friday and reporting on my results.

Sprout question: What creative problems are you resolving this week?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

One Year Ago Today

/ Terrill Welch / 16 Comments


One year ago today I posted the first Creative Potager post – A Gown Remembered: Beginning.  With one quick comment and my reply and eleven views it was a quiet beginning.

Today is post 205 and it starts the day with 26,600 views while building on 3,440 comments. It is a good solid beginning. Thank you everyone for your part in making this a great Creative Potager year.

Going forward, we will see a shift in posting in order accommodate my intentions for the 2011 year. Creative Potager will have a Monday morning post that will include my intention for the week. Friday morning will conclude the week with a report on the results of the intention set at the beginning of the week. With these book-end-posts there will be occasional but not predictable post in between. Each post will continue to have a Sprout Question for your musing and comment.

My intention for 2011: I will be focusing more on oil painting en plein air than photography. The purpose of my work remains the same – to ground the viewer to their physical earthly environment – in nature. Zen impressionism. Quiet abundance. Joy.

This painting “Winter Sun” and a few of my other 2010 oil paintings are for sale go to ART of DAY, at the ART of DAY store. More of my work will become available at this location in the near feature.

With an intention to be painting more and also to be painting outdoors I hope you can see why there is a shift in this years posting structure. The nice thing about blogging, if something doesn’t work we can wake up in the morning and change it. This new schedule will begin on Monday, January 3, 2011. You can expect to see Creative Potager posts today through to Friday, December 31, 2010.

Sprout question: What intentions are you setting for 2011?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Black Friday with a Red Bubble

/ Terrill Welch / 24 Comments

It is time for the Christmas mice. You thought I was going to say elves didn’t you? The biggest shopping day  in the United States is upon us. Black Friday. One of the largest day for online buyers follows on its heels. Cyber Monday. My Redbubble storefront Christmas mouse has been quick to step up with an announcement of 15% off canvas and framed prints for both Black Friday and Cyber Monday and the days in between. It is a case of don’t shoot the messenger and give thanks if you were waiting to buy your “perfect image” until just such an opportunity.

Browsing the most popular images from Creative Potager has never been easier. Enjoy.

However, if you are relaxing with family and friends this weekend… and plan to shop for that special gift with-a-whole-lot-less pressure next weekend, I have an exceptional offer on three of my original oil paintings. Here is the scoop.

Next Friday on December 3, 2010 I am going to place three of my larger 18 by 24 inch original oil paintings on sale for $950 Canadian over three days. The regular price is $1,200. I am going to introduce the first painting on Friday, the second on Saturday and the third on Sunday. All three will be shown together on Monday December 6, 2010. The sale will end at midnight PST on Monday.  Here is where you come in dear readers. You may want to buy a painting. Or you can tell others about the paintings. If a buyer identifies you as the source of the referral you will receive a $45.00 value gift in cards or a calendar of your choice. (Psst! The referral can even be to your spouse.) The referral gift is for the first referral identified by the buyer and there is only one referral gift per painting sale. The specific three paintings that will go on sale will remain a mystery until the day it is released. However, you are welcome to try to guess by browse some of this year’s paintings HERE. Look carefully though because some paintings are sold and/or are a different size or medium. Terrill-size cyber hugs will be given out for any right guesses.

I know that some of you have already shared my unique original painting offer and it is awesome to have so much support. Mmmaaawwww!!!!!

Sprout question: What is your favourite story about how others support your creativity?

I hope you enjoyed all the recent snow shots. It is now melting fast. Have a most wonderful weekend.


© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

As the Lights Flickered

/ Terrill Welch / 16 Comments


It is an ordinary charcoal and conte quick sketch that I stretched from 10 minutes into 20 by ignoring the next pose. It wasn’t well placed as the head is at the edge of the paper with the whole figure clustered into the upper left of the page. But over the week I have thought about this sketch several times, remembering the beauty of our model’s pregnant body. The lights flickered as the winds battered the small church house and we drew. Alert to the storm, to life.

Sprout question: What moment this week keeps coming back to you?

Special Notice: I have made a decision. Two Fridays from now on December 3, 2010 I am going to place three of my larger 18 by 24 inch original oil paintings on sale for $950 Canadian over three days. The regular price is $1,200. I am going to introduce the first painting on Friday, the second on Saturday and the third on Sunday. All three will be shown together on Monday December 6, 2010. The sale will end at midnight PST on Monday.  Here is where you come in dear readers. You may want to buy a painting. Or you can tell others about the paintings. If a buyer identifies you as the source of the referral you will receive a $45.00 value gift in cards or a calendar of your choice. (Psst! The referral can even be to your spouse.) The referral gift is for the first referral identified by the buyer and there is only one referral gift per painting sale. The specific three paintings that will go on sale will remain a mystery until the day it is released. However, you are welcome to try to guess by browse some of this year’s paintings HERE. Look carefully though because some paintings are sold and/or are a different size or medium. Terrill-size cyber hugs will be given out for any right guesses.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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