Painting the Desperation of Wanting to Stay Alive

Claude Monet is quoted from a conversation with an American neighbour in Giverny as follows:

When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever…. merely think here is a little square of blue, here an oblong of pink, hear a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives you your own naive impression of the scene before you. (reference Claude Monet 1840-1926 by The Art Institute of Chicago catalog published 1995)

I suppose you think I am going to argue with this sound advice!? No I agree and my brushes feel the same. Yes, of course I consulted my brushes and they spoke to the canvas and we are all in the same painting with Monet. However, as we conferred we also notice that Monet had left something out in his recipe for painting. It is not enough to get the colour just right or the shape just so.

A painter must paint the desperation of wanting to stay alive.

Here is a very wet detail from my painting today where I worked on this “must.”

Image

No matter how beautiful and accurate the painting of the light or interesting the composition, the painting must leave the viewer with an understanding that the painter knows that the moment in the painting is a gift in time – one worth being alive to experience. This must be said in every brushstroke, every slice of the palette knife, every squeeze of the paint tube and in absolutely every decision the painter makes to execute her vision into that brief second of a moment on a canvas.

SPROUT: How do you create with the desperation of wanting to stay alive?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Seaweed Triptych

I was fascinated to learn that our eyes only see clearly a small area at a time and then the brain translates and stitches the image through memory into a whole view. At times we seem to be fixated on creating photography with overall sharp focus, leaving no room for the eye to rest and the brain to create and complete the image – as it so loves to do.

This triptych plays with the concept of viewing one eye frame at a time.

I may not leave it like this but have an idea about printing it on canvas and using paint to complete the work as mixed media decorative works.

We shall see.

 

SPROUT: What are you waiting to see?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Waving at you from Mayne Island with Monet

My morning is very French here off the southwest coast of Canada. I slept late (9:00 am) hand ground my coffee beans, made espresso and baked the chocolate croissants. The sun is shining.

Wave photographs are almost the equivalent of my warm up sketches in a figure drawing session. The process gets me stretched down low to the ground in odd angles and into that place where my eye starts to relentlessly compose and frame the world around me. Waves also feed an acceleration that pulls up any lazy cells in my being that thought they might just coast along through the photo shoot. NOT! We are here to capture the movement of light. Time to get to work.

Good morning and Happy Thursday to you!

SEED:  Speaking of the French, I made a most treasured purchase a few days ago. It is the 282 catalogue (or catalog) published  by The Art Institute of  Chicago for the 1995 exhibition of Claude Monet‘s (1860-1946) art work. Did you know that he used to get angry and slash his canvases and may have personally destroyed over 500 paintings? His art career was 60 years long but he is best known for his earlier paintings during the impressionism hay-day and of course his lilies. Though my paintings and even my photography have often been said to remind people of Monet I have never studied his work – rather I reclined into embarrassment and pride at being compared to such a great artist, too scared to even give it serious consideration. I personally had felt my work may have more in common with Camille Pissarro but that is another story. But over the next few weeks and months I am going to read about and study Monet’s work closely and see if I can see what it is that has people so often making this connection.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

REACHING THE SEA original oil painting by Terrill Welch

I never really know where a painting will take me. We start together from a humble beginning

and begin to build on those first foundations towards synergistic vision.

I find it is easy to get lost on a large canvas such as this 30 X 40 inch piece — lost in both structure and colour. I put paint markers like mental blazes in place to be able to stay on course. This is a larger colour palette than I usually select. But the painting seemed to be requesting it, so I went along.

Gradually the light and shadow references begin to take shape.

Good! Everything is still nice and loose. Unfortunately, I need to leave it for a few days. I enjoy a couple of details in the underpainting

that I know will eventually disappear.

Days pass and I walk by the painting pondering and anticipating my next chance to settle in for a good long stretch working my brush across its canvas. The time finally comes. I spend the day happily trying to “reach the sea.” But something is off. The painting is struggling and seems to be twisting on the canvas. What is it?

Hum! There that is what it is! Painting seascapes is a little like being a carpenter – measure the horizon line twice and paint once. I was down by half an inch to the left. I will let you in on a little secret. This “down a little on the left” is common for me both in painting and in my photographs. For whatever reason, I will pull down to the left. I am left-handed and see better out of my left eye so this might be part of the issue. But leveling takes care of these things nicely. How many times to I paint the horizon line in a seascape? Many. It is critical to getting the distance or depth in the paint and getting it to “settle” on the canvas. Time to pause for a moment.

There are a few challenging and unusual elements to this painting. First, the focal point is the lower top right third. Most often, we expect the composition to work from details in the foreground to less in the background. This painting is forcing the viewer’s eye past the foreground towards the reflections near the end of the reef. Hence the name of the work “REACHING THE SEA.”  Secondly, the sun is in front of us reflecting on the water creating deep shadows and light patterns that are more difficult for me to represent by having my brush following the light. It is a painting that is moving towards the viewer and demands, not asks, that the viewer meet it two-thirds of the way into the frame. That was the painting’s idea. I am usually much more polite.

We are almost there…

The painting has never really tightened up and the layers have built themselves in the generous way of land and sea in perpetual transformation. I have heard many times that green is one of the most difficult colours to mix. The green of seaweed. The brown of sandstone. The diverse blues of the sea. The brightness of the facing the midday sun. The deep shadows of the shoreline. Thank heavens for the light, softness of the sky! … I see a few wayward brushstrokes, maybe a little lighter over here and yes, a little darker over there. Done!

REACHING THE SEA 30 x 40 original oil painting by Terrill Welch

As usual, I need to paint the edges yet before putting it on the market. But very soon. I will just need to make a day of it do nothing but paint edges!

 

SPROUT: What unusual adventures has your creativity taken you on lately? 

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Coastal Winter Storm original oil painting by Terrill Welch

This morning as I stepped out in the dark on our side deck to hand grind my morning coffee beans, fine snow brushed my cheeks. It smelt of winter and reminded me of damp wool and hot chocolate.

COASTAL WINTER STORM  (12 X 12 inch oil on canvas) is like this.

 

It is like today on the southern Gulf Islands.

Yesterday’s post “Begin a painting with no punctuation” is the only process image I captured.  But here is a detail of the final image so you can better see the loose layering of paint.

The painting still must have its edges painted so is not quite ready for the online gallery ArtsyHome where I am the feature artist this week. (feature has the capacity to leave a comment too – which would be nice if you feel so inclined) But soon. However, you can lay claim to it now if you want. Just send me a direct message and we can work out the details. The price is $550.00 U.S. including shipping.

When I become a really famous artist I will have an assistant who will paint the edges of my paintings, add the picture wire, put them in the inventory program and then package them up to send to buyers. I shall paint and only take a break to make soup and go for long walks with my camera.

I am also a featured member in the Beautiful BC Art redbubble group this week.  You may want to drop in and see all the stunning work that is on display by other photographers, including an image by a fellow Mayne Island photographer Toby Snelgrove.

A happy customer posted the arrival of my painting STORM COMING and talks about the dilemma of where to hang the painting so everyone in the family can enjoy it.

So it seems it is a good week to be an artist and I am ever-so-grateful for you company, support and encouragement. Thank you!

SPROUT: What will you hire an assistant to help you with when you become famous? 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

For the Love of Brown-Eyed Susan

The gray and rain of January give a person a chill that can only be warmed by thinking of summer while sipping a hot cup of mint tea. This and a photograph of a clump of Brown-Eyed Susan taken during my August trip to Saturna Island are providing a zing to my Monday.

These beauties were in the lush garden of the Saturna Lodge B&B.

SPROUT: What are you doing to warm-up from the winter chills? 

P.S. MY original oil painting STORM COMING is on its way to a new home in Ohio today. I will miss it but I know it is going to a very good home.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Three Mayne Island photography landscapes go to Vancouver

The year of 2012 has started out on a high note here at la casa de inspiracion. A new collector of my work will shortly be receiving three extra-large approximately 20 X 28 inch photography canvas prints  to complete the remodeling of her home in Vancouver. Shall we have a look to see what she has chosen for her walls? Yes? I though you might say that.

MIST

(image is available for purchase Here

ARBUTUS STRAIT OF GEORGIA

(image is available for purchase Here

and the ever popular…

TRAVELING INTO THE MIST

(image is available for purchase Here

SPROUT: If you could collect anything you wanted what would it be? 

SEED: Have you ever wondered how I define “a collector of my work?” It is someone who has three or more pieces of my Fine Art. It could be three or more photography prints or three or more original paintings or a combination of both. Here is a link that I recently wrote for my Google Plus – Terrill Welch Fine Art page about buying an original painting https://plus.google.com/115927302973552189234/posts/aVAcdo661WE The same advice holds to be equally true for photography Fine Art. In addition, I would like to suggest this fantastic article by art consultant, advisor, author, and independent appraiser, Alan Bamberger,How to Collect Art Like a Pro – Building a Collection.” It is like an advance course in learning how to buy what you love.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Begin 2012 with what you have – oil painting in progress

I am hoping to get down to the seashore for dawn but the rain has arrived first. So, refusing to be left empty-handed on the first morning of the year, I have decided to share a detail from a painting in progress.

The over all painting is still not settled on the canvas yet but I like this part of it.

SPROUT: Do you find this sometimes too – where a detail may even become the finished work?

In this case, I think the complete 12 X 12 inch canvas will come together but we shall have to wait and see.

Wishing us all the most inspiring, imaginative, creative and successful 2012! 

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Twice Around

Today is twice around the calendar year for Creative Potager. As part of my seasonal rest period, I have not posted for 25 days. It has been almost a month since I entertained a sprout question or gathered together my thoughts for a submission to all you wonderful creative beings. Yet, I have been thinking about Creative Potager – about its purpose and how it provides a sustaining sense of direction and community for me and maybe even for you.

The year of 2011 has seen many paintings completed and photographs captured. There have been interviews and guest post on other blogs. We have entertained special Salish Sea Saving days, home studio tours and seen publications of work in brochures, newspapers and on the glossy front page of a regional magazine Island Gals.

There has been the release of my new book Precious Seconds – Mayne Island in painting and photographs which many of you now have in your possession.

There has been the successful STUDY OF BLUE solo exhibition with more than half of my original oil paintings sold and finding their way to new homes.

I have received recognition for my photography and won several website features. Paintings, books and photography and painting prints, calendars and cards have been sold to buyers around the world. The introduction of Google Plus has offered a whole new community of more than 10,000 artists, photographers and art lovers have “circled” my profile.

I have been invited by a new online Gallery ArtsyHome to show my paintings and my latest original paintings are now easily available for purchase by international buyers.

On all fronts, it has been a creatively successful fine art year for me, one where Creative Potager has been a central connection for sharing my adventures.

However, a question seems to be presenting itself without a satisfying or conclusive answer:

 

What is next for Creative Potager?

 

My Google plus has scooped up much of my Twitter community and its micro blogging with gorgeous image capacity makes separate blog posting less of a necessity and in many ways less of a hub for connecting with my much larger Google Plus community. My Facebook has always been about family and closer friends for but it is not really a place of deeper contemplation and creative connection. I link these readers to Creative Potager for this even if they reply on Facebook. Some of you are part of all of my various social platforms. Others connect only here on Creative Potager or in only one or two other networks. So there is always the risk of repeating posts for some of you and of missing out on opportunities for others. Each platform comes with its own time commitment which is starting to take away from, rather than enhance, my actual creative process. I know I must shift and change something.

 

What should I do?

 

Some ideas are taking root but nothing has grown large enough to be a distinguishable pattern of lines and shapes. So, though it is the second anniversary of our creative connection here in the blogosphere, we must be patient until such time as the flip-flopping musings inside my head settle into a discernible direction. In the meantime, I shall post more frequently in a micro blogging fashion that is dispersed across my various social networking platforms. As my readers, you can choose your favourite means of connection to engage in our conversations. It matters not really though I do like to see the comments directly on the blog post because they are more lasting here and it is easier to skip through to your own posts.

 

The “sprout question” will become more sparsely presented as simply “Sprout.”

 

I shall also add a “Seed” which is a seed for creativity, learning and discover. It is a study element that I am introducing into my upcoming year. I thought you might like to be privy to this “seed planting” as well. “Seeds” shall generally have links and will only share a snippet to entice further exploration.

 

Possibly, not all posts will have a “seed” or “sprout.” Some may only have a photograph, a paragraph or painting. We shall just have to wait and see. Posts will have no prescribed time of day or days of the week. By now I trust that I shall post regularly. I desire maximum flexibility to create and to connect with a spontaneity that keeps both fresh and engaging and exciting. This is built on my belief and trust that both shall happen without prescription because they do.

 

Intention: For me, according to the answer to my I Ching question, this is anticipated to be a year of modesty and moderation. It appears to be a time of balancing extremes and harmonizing interests and requires a modest and sincere attitude and the limiting of obvious excesses while exposing myself to new areas of experience.  This is also a time of conflict, external or internal, and one of spiritual maturing. It may lead to reconsidering my original premise. My intention is to be open, curious and unattached to what I know to be true so I can explore and honour what is yet unknown to me. Oh where might this take us? It promises to be a grand adventure.

 

As the sun comes close to setting on 2011, thank you so much for being and continuing to be part of my creative journey.

(image may be purchased HERE

As we shoot for the moon…

(image may be purchased HERE

 

with our arms full of flowers…

(image may be purchased HERE

 

Sprout: What is currently soft and undefined in your creativity?

 

Seed: What new might we learn about composition? Has it changed through time? Are their histories of creativity that have handled composition with different views? These are the questions I am musing about as I begin my next painting. Let’s start with a good grounding in the basics of composition that are available on wikipedia.

 

 

© 2011 Terrill Welch, All rights reserved.

 

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

SPILLING OVER original oil painting by Terrill Welch

Do you remember back in early September when a following sea was making a grand entrance onto the shore? We had taken a long walk together admiring the arbutus trees and then the sea.

Well one of those photographs kept nudging at me to put it on canvas. So here we go.

From some very dark beginnings

I sketch in some guiding marks for the composition.

I begin to work in the primary forms.

If we look a little closer you can see these are easy and free strokes suggesting rather than predicting what is to come.

I build up the paint and enjoy the movement of water coming into the canvas.

At this point the canvas is getting too wet to do anymore.

Besides it had started to snow outside.

So I left the painting to rest and stuck it where I could keep an eye on it. Over the next week or so I would pick it up and work on it some more as it became clear what it was it was asking for. Finally, here is the finished piece.

SPILLING OVER 12 X 12 inch original oil on canvas painting by Terrill Welch

The painting is available for purchase in a new online gallery Artsy Home along with some of my other original paintings. Yes, you can now buy my work directly from this site using all sorts of means. Isn’t this grand? I will be adding more pieces very shortly.

Sprout Question: What is spilling over in your creativity?

Please note: It is December and I shall be on a vacation from regular blogging. You will still hear from me such a special holiday post and near the end of December I will be post a two year anniversary post for Creative Potager. Regular scheduled posts will then begin again the first week of January.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com