Uninterrupted Day


Uninterrupted Day

Only poets settle the irritable edges of an uninterrupted day:

Rukeyser, Oliver, Whitman.

Questions posed with audacious retorts.

Words liminal.

The mind’s blank titanium whites transcend their dazzling brilliance,

leaving dawn’s uninterruptible, curious, confusion

for the sanctity of coffee, fruit and yogurt.

 

Sprout question: What might settle an irritable edge on your creative day?

 

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

 

© 2011 Terrill Welch, All rights reserved.

 

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

An invitation to buy a painting

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The nuts and bolts of buying an original painting

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Story of the HENDERSON HILL Original Oil Painting

Have you every had that feeling where you know you have made a mess of something and there is nothing you can do but start over again? My painting of HENDERSON HILL has come out of such an experience.

The beginning started reasonably well. I had decided to do my underpainting in blues so I could paint on it wet.

The elements of the composition settled into place without much trouble.

I continued to paint, working happily away until…

It was a mess. I poked and dabbed and added and moved the paint around on the board. It did no good. The painting appeared to be resisting my best efforts. There was nothing left to do. I scraped.

But the idea for this painting still intrigued me. I waited. This past Saturday, ten days after my first attempt, I try again. It needs some finishing touches but I believe it will make a painting.

Yesterday, I finished it.

(prints available of this image here)

HENDERSON HILL 20 X 16 inch original water miscible impressionist oil painting on gessobord with 2 inch birch cradle by Terrill Welch.

This painting will be part of my upcoming solo exhibition “STUDY OF BLUE” opening June 30, 2011 at the Oceanwood Resort onMayneIsland. The painting is currently priced at $900 Canadian. Please contact me directly at tawelch AT shaw DOT ca if you would like to hang this lovely on your wall.

Sprout question: When was the last time you walked away from a creative mess?

UPDATE May 15, 2011:

Every once in awhile a special connection is made between a painting and another creative being. In this case it is with poet and more, Bat-Ami Gordin

Henderson Hill

On Henderson Hill any time of the year
  the branches arabesque in the breeze.
Birds boldly appear, on the tips of twigs
  that smear into clouds from the trees.
As a doe grazes calmly with her twins,
  the heavens and sky, seem to  freeze.
Prepare your mind to paint serenity;
  equanimity pacifies enduring unease.

© 2011 Bat-Ami Gordin, All rights reserved.

Posted with permission. You may have notice her poem posted in the comments below but I decided it needed to also be places up here next to the painting. Thank you so much Bat-Ami Gordin! It is an honour to connect in such a collaborative way.

This week is jammed! There is voting on Monday and going to pick up the truck. Dentist appointments on Tuesday and a full day of meetings and commitments on Wednesday. I shall be able to get back into the studio on Thursday IF I am lucky. Who knows what I will have to share on Friday. We shall just have to wait and see. Have a wonderful week everyone.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

SALISH SEA 4 original oil painting by Terrill Welch

I am introducing the painting process of SALISH SEA 4 with a quote from Elizabeth Rosner’s book Blue Nude published in 2006:

It was what he admired about Bonnard, or at least what he loved about the famous stories in which Bonnard was applying paint to works already hanging in other people’s houses. Something about never letting go, always feeling there was one more stroke to be added, one more note of the Unfinished Symphony. As if even death wouldn’t be the ultimate form of completion but just another stop along the way.

(p. 58)

The underpainting that is the foundation of this 24 X 48 inch canvas was included in Monday’s post “The Breath of Stones.” There are 10 images in today’s post capturing the beginning to end… if there is one… of creating SALISH SEA 4. I will make an effort to be brief but there seems to be much to say.

They are a little hard to see but the top right paints are French Ultramarine blue and Viridian. These two colours will play prominently in the development of today’s painting. I sometimes use my own photographs for painting reference but I am not known to “paint” a photograph. I often take several reference images for paintings — similar to how artists used to sketch and then use these as reference for developing a painting when they got back to the studio. Though sometimes a painting may be close to the reference image, the photographs are meant to influence and guide but to not to be copied. Otherwise, I might as well keep the photograph and print it on canvas …. and sometimes I do just that!

Are you ready? She’s a bit bright but here we go …

A gray beginning and it doesn’t look like much yet.

I am using mostly a 2 inch brush here. My aim is to keep the painting loose and flowing. The small palette knife you see there is just being used for mixing. Now to add a little teal blue.

Working for a long while and equally using a #10 brush, along with my 2 inch brush,  I get basic elements of the painting in place.

A part of me wanted to pause right here and not go any further. But after a break I decided to keep working.

Picking up the large 2 inch brush again I whisk paint onto the canvas in big strokes. The sea is rolling in and I am riding each wave. If you remember my challenge was to bring the viewer into the painting from the top left and move their eye forward and down to the bottom right. See at the end if you think I have succeeded.

I have started working with three different large palette knives to build up selected texture. Then I add some highlights but the painting is saturated. There is a glare from bright sunlight and my body and being are tired.

It is time to stop – for now.

Over the next two days I spend a few hours adding a stroke here and there. I brighten up areas that have become muted from painting wet on wet. Mostly, I observe, feel, breathe and let it be.

Then on Thursday morning I started in early painting and had it finished in a couple of hours.

Well, almost… I think!

SALISH SEA 4, a 24 X 48 inch cotton canvas original oil painting by Terrill Welch. This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca .

This is one painting dear readers, that I suspect more than one of you will be completely enamored with an earlier version. But that is how it goes when you are privy to the creative process of a painter.

I dedicate this painting to French Impressionist painter Pierre Bonnard (1867-1947) who also favoured using violet in some of his painting.

SALISH SEA 4 is definitely another stop along my way.

Sprout question: How is your creativity just another stop along the way?

Happy April fools day and best of the weekend to you!

News Flash: Introducing Terrill Welch’s Online Gallery at http://terrillwelchartist.com (okay it is a small flash… there is still a lot of inventory to enter but it would be great to hear what you think)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Impression of an Artist

Week after week I visit myself on the canvas of a painting, through the frame of an image or between the words of a paragraph. Do these impressions provide any further insight into my being and my interpretation of my world?

I like to think they do. I like to believe that these creative endeavors cast at least a shadow of truth on what I often think of as my core essence – that part of me that isn’t body or earth-bound in this life time. But is this really a possible truth?

As the paint is chosen, mixed and applied without thought, I like to believe there is a subconscious part of me that knows what it is doing. But maybe it is all accidental fragments of my conscious mind colliding with the paint, the canvas and the movement of my brush.

I am doing a study of blue – a series on the shades of blue. What I am discovering is that blue is more than a colour. Blue is a spiritual void for reflection… as I paint the sea… the shadows of the trees… or the sky. If I had known how wide this void would open up, would I have committed to the series?

Ah, no point in musing about what might have been.

This week I have one 10 X 12 inch cotton canvas underpainting ready for completion. In my imagination the heavy clouds press down with formidable force over the dark seas. May I be able to hold this moment long enough to reach in and pull out something that is the essence of me, of you and of the very world itself.

Sprout question: What impression best describes your creative self?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Salish Sea 3 original oil painting by Terrill Welch

From start to finish a painting often has many pauses. Salish Sea 3 is a prime example as this small 8 X 10 inch seascape oil painting took two weeks from start to finish – mostly “resting.”

I begin as usual by working the underpainting.

In this series of paintings I have been inspired to paint the sky first and work into the picture from this vantage point. This isn’t a usual approach from me but it is what has been happening for the past two paintings. So we will go with it.

Next I start building up the blues.

As I continue to work a context is created for the painting to begin to breathe on its own.

Sorry about the bad photograph. I was having trouble with some glare from the light coming through the window of  the studio. Note to self: holding a painting and photographing it is not a useful strategy to resolve glare.

I begin to find my way into the painting – it is like running your hands over your bedding in the half-light of early dawn. You know where you are but there isn’t enough light to see beyond a few vague familiar shadows.

This is most often the place I pause. There is an excitement that rises from my bones and spreads up to the hairs on top of my head. I watch and wait sometimes only for a moment, sometimes stopping for tea and sometimes stopping until the paint dries. Today it was only long enough for tea. I wanted to work in the waves wet on wet.

Now it is time for a rest. It is a rest that last for nine days. I puzzle and muse. I move the painting around to different locations. I sleep on it. I glower at it. The painting is “okay… I guess” but it doesn’t have the SNAP I would like it to have. Finally, I decide what it is and what I need to do. A couple of small changes really. I will leave you to discover them if you choose. Or you can simply enjoy the finished work.

Salish Sea 3,  8 X 10 inch cotton canvas  original oil painting by Terrill Welch.

This painting will be shown as part of solo summer exhibition opening at the end of June. If you are interested in purchasing in advance of the show please contact me directly via email at tawelch AT shaw DOT ca . The price of this work is $280 Canadian unframed.

As for my other intentions, I started another underpainting but the taxes and tune up for Miss Prissy had to be rescheduled for next week. As my father would say “it’s just the way the cookie crumbles sometimes.”

But this is far too light-hearted as I pause for a moment send light to Japan and all areas experiencing the impact of the 8.9 quake and tsunami. This post was written before I heard the news last night on twitter about an hour after the earthquake off the northeast coast of Japan.

Sprout question: Where might your creativity need a pause?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Happy 100th International Women’s Day

Today is the 100th celebration of International Women’s Day. Why, you might ask, is this important to recognize? Most of you know me as an artist, photographer and writer. A few of you know that of the last 100 years I have spent more than 30 of those years actively and purposefully working towards women’s equality. I cut my feminist teeth on Dorothy Smith’s The Everyday World as Problematic: A Feminist Sociology in university in the late 1980’s while raising two young children as a single parent. International Women’s Day is one of my most important holidays of the year. It is a time to recognize, reflect, rejoice and recommit to making the world a better place for women and children.

One hundred years ago today women in Canada did not have the right to vote. It would be another seven years before most women over the age of 21 get the right to vote in federal elections. It wasn’t until 1960 that First Nations people received the right to vote in federal elections. Even noting these complexities, it is true, we have made gains. Yet, our fight for equality is not over and in some areas it is backsliding:

At the end of 2010, full-time working women earned only 71.3 per cent of men’s average full-time income. In the late 1980s, women earned 77 cents for every $1 a man earned.

More shocking,[ Queen’s University professor Kathleen Lahey] says, are Statistics Canada data from December 2010 show that women with university degrees now only earn 68.4 per cent of men’s average university-degree incomes, as compared with 86.8 per cent in the late 1980s.

Read more: Why Feminism Still Matters by Daphne Bramham (Vancouver Sun)

As a 52 year old feminist, activist and woman, how has the last half of the last 100 years influenced my life? Steeped in women and gender studies, waged in income for women’s equality such as women’s shelters, women centres, women’s counselling programs and women’s leadership, the answers should come easily. You might even expect that they would flow out in graceful paragraphs – eloquent after years of study and practical experience. They do not.

The blog post article I published in May 2009 “Untapped ROI – Increase Women in Leadership 13 Myths and Facts plus A-G strategies is still as relevant in March 2011. Change is a slow process. But it is more than that. The clarity and contradictions about women’s equality are worn in layers of personal scars and successes only to then unravel again in my today – as an artist, as a feminist, as a wife, and as a woman who, for the first time five years ago, understands that sometimes financial independence is a barrier to love and mutual quality of life. I now experience the equality of a great love that, for the most part, renders gender differences invisible as two people equally work in harmony for what is best for each other and for self. Outside gender imbalances are successfully rebalanced in our day-to-day living. I have experienced nothing as powerful or leveling as deeply held human regard for another.

Today as I write this, my sweetheart is calling me to come eat the breakfast he has loving prepared. Today as I write this, I smile to myself at the involvement of my son and son-in-law with the daily tasks of parenting their children. At the same time, I remember a blog diary written last week by a woman volunteering in a health clinic where a young woman giving childbirth died on her clinic floor. She needed a cesarean delivery. The child was being born feet first. There were no such medical services available. Human life is not equally valued the world over. There is still much to do.

Today as I write this, I revisit my own struggles resulting from a history of childhood trust broken with inappropriate touching of my innocent child’s body and violence handed out by men who should have been the ones I could count to stand beside me. The details are not important. Many of us – many women and a few men – have our own experiences of being treated with less than regard and loving respect by those closest to us. We can instantly provide our own details, often with undesired vivid clarity.

Yet, as my being, my body and my spirit remind me of these passages in living, I wish better for others. I have worked tirelessly for more than 30 years to create the change I want to see in the world. Now I paint. Now I slip down by the sea and I photograph. I seek healing serenity in the bodily memories of these contradictions that we live as we celebrate the 100th International Women’s Day. My eye finds a particularly powerful reminder that we are one.

My brush strokes link us to our human vulnerability.

My work towards women’s equality is not done – it has only changed. For now.

My sister, may you have the opportunity today to give yourself a hug for being the incredible woman you are.  My bother, may you know that you are an equally part of what will make a difference in the lives of the women you love.

Happy 100th International Women’s Day!

Sprout question: What woman has been your greatest creative influence?

To learn more about my work towards women’s equality visit Terrill Welch – A Woman Behind Women.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Double-Bubble to Switzerland

Do you remember my oil painting “Rising” that was in the international Art of Day 2010 Holiday Show and Sale?

Well it SOLD.

Earlier this week, I double-bubble wrapped this 8  X 10 inch on gessobord, cradled on a 2 inch birch frame, original and sent it to a buyer in Switzerland.

I can’t say enough about James Day from Art of Day who brokered the sale. He is amazing to work with. (To view more of my oil paintings for sale at ART of DAY, go directly to the ART of DAY store.)

I get such a thrill each time a piece of my work finds a new home whether it is an original oil painting, a print of one of my photographs or a gift card. It is kind of like when your children come home with stars on their school work and your in-laws are visiting. You try to be cool but you just can’t help wearing a grin so big that it wipes out the pretend furrow on your brow. I tell myself – now don’t you go getting a big head over this! “Rising” is only one small oil painting. That is the furrowed brow. But I SOLD it – to a buyer in Switzerland! That is the great big grin.

I go through this exercise each time. Like when Annie from New York City bought “Only the Sea.”

Or like a couple of weeks ago when a large poster of “Arbutus in the Fog” was purchased by a buyer in England.

Or like when someone came bouncing up to me here on Mayne Island because she had got one of my art cards for her birthday from a friend.

No matter how humble and how chilled I know I am supposed to be, I can’t help shouting Yaaaaaaa hoooooo! Then I do a little ta, ta, ta, ta-da dance before regaining my composure and going back to creating. Does this happen to you too?

Sprout question: What is wiping out the furrow on your brow with a big grin?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada