Winter Sun Oil Painting

May 11, 2010August 21, 2010 / Terrill Welch / 18 Comments

There is something about the late dawn of winter sun, a bruised heaviness that seeps across the sky. I started this painting thinking it might be abstract and lighter, maybe even cheerful, but my subconscious seems to know where to take the brush. Though the quick marks of paint give impressions rather than detail… it is clearly not an abstract painting. And though colourful, I am not sure it is cheerful. In fact, I’m sure this painting is deeply melancholy with bittersweet recognition that the sun is rising… lifting, lifting, lifting us into another, and possibly, better day.

I started by brushing water (it would have been spirits but I’m using water miscible oils) and linseed oil onto the canvas. Then I began adding colour, an underpainting of sorts…

I never let it completely dry but kept working the paint into the canvas as I added more colour.

Using a good sized brush (10) I swished the sky and clouds on and softened them with a cloth and feathery brush. Then I flipped the rocks and sea loosely into place and left them like that.

I came back yesterday and tidied up a bit … as I listened to kd lang’s performance of Leonard Cohen’s “Hallelujah” at the Canadian Songwriters Hall of Fame induction of Leonard Cohen in 2006.

You might want to do that too as you take in “Winter Sun”

18X24″ by 1 3/4″ water miscible oil painting on 100% natural cotton canvas

There are a few more small edits which I will make and then replace this last image, but it is close enough to complete to share with you.

Sprout Question: What has been your latest personal discovery through your creativity?

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Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Far Shore oil painting

May 6, 2010December 5, 2010 / Terrill Welch / 24 Comments

18X24″ by 1 3/4″ water miscible oil painting on 100% natural cotton canvas

I worked on this west coast painting much of yesterday afternoon and into the early evening. At one point I move out onto the covered deck because the natural light had faded in my loft studio. I believe it is to the “tweaking” stage or almost or maybe even completely finished. It is resting now and I will begin another while it lingers in the great room as the day’s light passes overhead. I will peer at it every now and then with a critical eye. At a later point I will take another photo for my redbubble account.

As I was working I mused on a couple of ideas. The first is something my son said when we were talking about song writing. He commented on how sometimes it is best to leave a song and start a new one that will be better rather than try to fix one that is not working. I think this is true for most creative work. Our learning is cumulative. With a certain amount of detachment, we take the work as far as we can, then release it and start again. Drawings in sand, ice sculptures and cake decorating come to mind as ways we can make marks and practice creative detachment.

Speaking of making marks, this is something humans have been doing for a long time. These markings are telling not only of our present but of our past and our imagined future. There is a collective bandwidth of creativity with most creative work gathered around the centre and much less work being created along the margins or fringes. The great work of the fringes will sometimes move to the centre of the bandwidth and new work will develop along the margins. William Blake , Claude Monet, Walt Whitman come to mind as well-known artist who worked in the margins of their time and yet held our attention until their work became accepted and even revered, at which point their creative views and style moved into the centre of the creative bandwidth. This process of margin to centre has always fascinated me because some work just falls off the margins and disappears while other creative work is shuffled into the centre. Most of us work comfortably in the full rich stream of the centre. Only some of us are compelled to work in the margins. Work in the margins is often recognizable by the name calling – bad art, lacking technique, improper, breaking the rules and shocking.

Sprout Question: Where would you place your work on the current bandwidth of creativity?

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Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Slice of Sun

April 30, 2010April 30, 2010 / Terrill Welch / 18 Comments

View and purchase full resolution image here.

Today being Friday, it is a good day to play with techniques and have a little fun. I am practicing the art of painting without a brush by using photo editing tools to paint for me. I have been doing this for awhile but it is starting to get easier to stretch into the resonance of what I am seeking.

View and purchase full resolution image here.

Please note that starting next week my posts will be Tuesdays and Thursdays until the beginning of September. But please come by for tea and a browse anytime.

The best of the weekend to you all.

Sprout Question: Where are the growing edges of your creativity?

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Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Whole Body Creativity

April 27, 2010April 27, 2010 / Terrill Welch / 11 Comments

“There are painters who transform the sun into a yellow spot, but there are others who, thanks to their art and intelligence, transform a yellow spot in the sun.”

– Pablo Picasso

What does it mean to use your whole body in your creativity? The answer is likely related to your awareness and ability to converge all the information from your five senses. For example in the image above, I wanted you to hear the waves. I hope just for a moment you can smell the sea and feel the sand under your feet with a soft breeze on your cheek. I want you to experience a moment of play and confidence through the Canada goose strutting in the waves.

What you don’t know is that this goose just chased a sea otter back into the sea. I am not sure what the scrap was about but it was fascinating hear and to watch.

However my photos are poor. I was too far away and I couldn’t get close enough fast enough. Yet, I somehow wanted to catch that excitement and triumph with the goose, and the waves and the sunlight. The goose in the shallow waves is my attempt to turn a yellow spot into the sun.

Sprout Question: Tell me about a yellow spot you have turned into the sun?

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Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Sacred Breath of Editing

April 26, 2010 / Terrill Welch / 10 Comments

motor block reclaimed by sea

I question the concept of relying on divine intervention to complete a finished work. I have heard many times from writers, painters, photographers, musicians and gardeners that their creative muse works through them and it is not them creating. It is the divine, the muse, their sacred self. However, I believe it is a mistake for us to stop there. Allow me to explain beginning with this quote:

“When you breathe in, breathe in the whole universe. When you breathe out, breathe out the whole universe.” – Koryu Osaka

I admit to slicing through ego thinking and allowing intuition, my muse, the divine to “have its way” with the page, the brush, the lens of my work. It is this first blush of inspiration, of whole body mind and seeing that comes from a still point where we connect with all that is… seeing, hearing and being as if for the first time. However, that is not the end point. As John Daido Loori, author of The Zen of Creativity, confides, we must continue our journey straight ahead from the mystical peak “down the other side of the mountain, back into the world. It is in the ordinariness of our lives that this intimate experience of the self merging with the absolute can begin to express itself.”

view from the top

This is why we need to learn the sacred breath of editing. Creative work is rarely ever completed in a single session or in the first instance it comes to us or is given to us. We receive or are inspired by the essence of what must be expressed. Now we must also complete the work. We must edit, taking away the extra, closing in on the core essence of what we intend to convey. The sacred breath of editing is the breath that allows us to reconnect with the resonance present when we first created the work. Then we remove what is not absolutely necessary. If we lose the resonance we know we have gone too far.

all that is - reclaimed

So just as your muse, the divine, your sacred self has a role to play in your creativity so does your critical mind applied to the sacred breath of editing. To bring your gift of creativity into its fullness requires a critical viewing, a reviewing and shaping. We must bring our whole self to our work. Trust your critical mind and strengthen its ability just as you have learned to listen to your muse. Yet remember not to invite your critical mind too soon. Savour and complete that first blush of creativity without review, editing or engaging in critical thinking. Allow the work to rest then breathe it in again and begin editing. Ruthlessly edit – with purpose, care, passion and regard for the essence which inspired you in that first instance.

Sprout Question: What might your sacred breath of editing sound like?

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Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Summer is coming

April 23, 2010April 23, 2010 / Terrill Welch / 23 Comments

Creative Potager’s summer blog schedule begins the first week of May

budding possibilities - wild rose

The first post for Creative Potager was December 27, 2009. I have been posting a blog Monday to Friday, except for power outages caused by windstorms battering our little island in the Pacific Northwest. Including today, there are 83 posts each with their own sprout question. There are 1,165 comments documenting our creative conversations and 8, 596 times you have come to visit. Creative Potager has become an enjoyable habit to wake up to during the week where I say to myself “what shall I post today?” However summer is coming. I yearn to be outside in the garden, tramping the trails and painting on site rather than inside snuggled up to my laptop. Like the summer wild flowers in this post, I bloom best in untamed places.

each day is precious - wild tiger lily

So after giving it some serious thought, I am changing my posting schedule to twice a week on Tuesdays and Thursdays from the beginning of May until the beginning of September. I may on occasion post an additional submission. But these will be bonus or value-added posts rather than an expectation.

petite lady slipper

I am hoping you can live with this change and that we both will benefit from my scrambling around in the valleys and on the hills and down the beaches of Mayne Island and afar. I am hoping that we can still have rich and engaging conversations between posts even during the long days of summer. I am hoping that the sprout questions will be juicy enough to keep us inspired for the in-between times. I am hoping that you will trust that winter will come with its short days and unpredictable weather and we shall again be glad for our Monday to Friday sprout conversations fueled by the fruits of summer experiences.

drops of rain on white fawn lilies

Please let me know what YOU are hoping and what you think of this change – because most of the fun of this blog is my conversations with you!

Sprout Question: Does your creativity have a summer schedule?

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Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

More than Chocolate Covered Strawberries

April 16, 2010April 16, 2010 / Terrill Welch / 29 Comments

I have for you some chocolate covered strawberries.

View and purchase full resolution image here.

While you are making a choice on which one you will munch, before passing the plate along, let me show you the tulip I found in my garden yesterday.

View and purchase full resolution image here.

Between showers I grabbed my garden gloves.

Put on my hiking boots and began turning the sod.

While I was working the soil I thought about spring. I thought about summer and I thought about the business of creativity. You see, I have accepted a first right of refusal for the oil painting “East Point Cliffs.” My first participation in the BC Ferries showcase has netted a sale for a canvas print of “witness.” I have 100 beautiful cards ready in little envelopes for the farmers market this summer and more canvas photo prints arriving any day. Then there is the deciding of how many books to bring for the book reading of Leading Raspberry Jam Visions and Mona’s Work with Mayne Island writers at the Overleaf in Victoria Saturday April 24^th. Plus, my solo art show “Sea, Land and Time” with the local Arts Council is confirmed for “September 2nd to 22^nd. Is it any wonder I am turning over the business of creativity as methodically as each shovel of sod?

I am sure glad you enjoyed those strawberries.

Sprout Question: What does the business of your creativity taste like?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Paint to Great Blue Heron

April 15, 2010April 23, 2010 / Terrill Welch / 12 Comments

I included two of Sue Wiebe’s paintings (“The Cow” and “Water Lilies”) as a bonus feature in early March. Sue has another painting to share with us. As an artist I find there is nothing more satisfying than when I look at my painting and I no longer see paint but rather the image I have been inspired to create.

Sue had sent me this early photo of her “Great Blue Heron” painting in progress.

A few days ago, she sent me this photo of her completed painting.

I get frequent opportunities to observe these great birds. I feel like this one is watching me and if I take one step closer it will take flight, squawking its prehistoric song in annoyance because I have disturbed its fishing.

Thank you so much Sue for allowing us to share in your creative process and you’re your beautiful paintings.

I often feel like there is a transformation of the individual doing the creating in the creative process as well as the transformation of letters, paint, light, or sounds into what ultimately become the “finished piece.”

Sprout Question: Can you tell us about a profound experience you have had in creating a piece of writing, art, photograph or music or…?

(And please, links to the work you are writing about are always welcome:)

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

rocks and mussels

April 12, 2010April 23, 2010 / Terrill Welch / 20 Comments

"rocks and mussels" oil painting by Terrill Welch

11X14 by 1.5 inches water miscible oil painting.

View full resolution image here.

“rocks and mussels” is inspired by a piece of remote the beach at Point No Point on south western Vancouver Island. It is a rugged area close to the end of the Strait of Juan de Fuca and open sea. The rocks are of mixed texture and form. Some are large hard slate black stones rubbed smoothed from the surf and others are smaller, rounded and warm ochre and cream in colour. Seaweed seems to drape themselves over either. Though the when you look closely mussels appear to like the darker rocks. But since they are sometimes clustered together it is often hard to tell.

I have been coming to this area for over twenty years, sometimes for lunch and a stroll through the trails and other times to stay for a few days in one of the cabins. The last time I was there was in December 2009 for our honeymoon.

I had set a challenge when painting this piece to be able to paint the darker seaweed on top of the lighter rocks. However when I look closely, the light was the dark seaweed just at the crest of the rocks. Which made much more sense to me but the painting was still very challenging. I wanted us to feel like we were the sea about to wash over the mussels, the rocks and the seaweed. I also came to understand that the rocks are often washed away from the bottom quicker than the top as the sea pushes its way over the sand and withdraws back into itself. This leaves the stones with overhangs where there is no sand and the shadows seep in.

At some point this painting took on a life of its own and became separate from my reference images and slide down a path that was more about remembering how it felt, the smell of seaweed, the salt air, and the roar of the surf on distant rocks with the sun on my back lifting the mist off the trees on the bank above me.

Sprout Question: Have you ever discovered something different than what you thought you knew while creating?

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

More Painting

April 8, 2010April 23, 2010 / Terrill Welch / 23 Comments

Power outage lends itself to another day painting

We had another power outage (due to winds knocking over a huge arbutus tree on Village Bay road at 1:40 am). I awake at 7:00 am. The power is still out. I decide to see if I can find a coffee before doing anything else. Ah yes! The bakery is serving coffee using generator power. Armed with to-go thermos cups filled with black gold, I return home and prepare our usual fruit, yogurt and grain cereal for breakfast. With few alternatives, I settle on my favourite activity of the moment – painting.

The wild underpainting had dried on my 18X24 by 2 inch canvas.

I go to work. At one o’clock this afternoon the power comes on again and I am ready to take a break and share the progress with you.

There is more to do but it is a good start.

Sprout Question: What is your creative activity of choice when the power goes out?

Note: My apologies for being late with today’s post but you will have to take it up with the wind and the arbutus tree… they have let me know they are taking full responsibility for the delay.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada