Creative Island Retreat Home for you?

Every once in a long while I spy a home for sale and think “I could live there!” So when I ran into Annette at the Farm Gate Store and she told me her retreat house was for sale. I took her up on an offer to come have a look.

Off we went to an address within easy stroll to the lighthouse where I was painting en plein air last week. Or you could meander down to Reef Bay at David Cove where so many of my photographs and paintings have been inspired.

It is not the usual”for sale” sign we park beside. Annette’s young children have painted all the signs and posters that have been posted around the island. It has been one of their contribution to this creative family restoration project.

Doesn’t it look lovely.

Wood is so inviting. The new siding and much of the decking was milled from trees that were taken right from the property.

The yard is bright with a tropical feel. It can be low maintenance or a full-on garden – your choice.

There are lavish environmentally treated cedar decks to enjoy.

I particularly like the frames within frames at this vantage point.

Oh and there is the studio building with one room up and one down, completely separate and connected with a breezeway to the main home.

Don’t you just love it? It would be a great place to write, paint, make jewelry, or have a little home store for your wares.

It even has its own woodpile guard. It is not a very strenuous post (pun intended) on Mayne Island but the carving is great company just the same. There is a story here but you will need to ask Annette to tell you about it.

From the loft studio balcony you can even look down and see if your sweetie has dinner ready. In my case, I would be looking until breakfast the next morning but you never know…. This is a kitchen that will inspire gourmet delights.

As we climb the stairs to the spacious loft I admire the windows. What a nice glimpse of outside.

But that is it for my part of the tour. Now I am going to turn you over to Annette to see the loft and other photographs on the most incredible website she has set up for this property.

If you like, give her a call and chat further about this creative gem of a retreat. I know she would be delighted. And be sure to say “hello” from me.

Best of the weekend everyone… and you will not be seeing me around next week. I will be in Mill Bay and on Saturna Island while David minds the peas and carrots in the garden on the home front. After that things will pretty much get back to normal as I start to ramp up for the fall and more time with all of you. Until then!

Sprout question: If you are seeking a creative retreat what must it include?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

My Grand Studio

I have had this idea since last fall that I would like a most grand studio, one as large as the whole outdoors. What do you think?

Will this do?

I have painted en plein air over the years but not so much recently. And not so much since returning to oil painting. It is time.

Not having taken the time to put a ground on the canvas and being that an underpainting is impractical, I adapted a few squiggles for use to guide me into the painting.

As usual in my painting process, I can feel the image starting to take shape early on.

I search for patterns.

With my water miscible oil paints becoming deliciously warmed by the sun, I work. I puzzle. I work some more. Hours pass and the morning slips away.  I stand back.

The light has changed. My body and mind are pleasantly stiff from my efforts. I am done for now. It is time to pack up and take the canvas back to the studio where I can get a good look at it.

I shall let this 12 x 12 inch original oil painting, AT THE BEACH, rest for awhile and decide what, if anything, I want to do to it.

While we are musing I have an announcement. It is almost the longest day of the year – no, that is not it. It is just that, well, I need to wallow in these summer days. I need to whisk away as many routine commitments as possible. It feeds my resilience, a kind of adult playing of hooky…

I hereby give notice that Creative Potager has gone to the beach – wooden French box easel in tow. If you wish, proceed with a subscription. There will be unpredictable and sparse blog posts between now and the beginning of September. Summer speeding is prohibited and shall result in going directly to winter.

Okay, I’m a responsible hooky player. I give notice and I let you know where you can find me. If you have a few spare minutes, feel free to wander down.

Sprout question: What might be unpredictably irregular for you this summer?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Uninterrupted Day


Uninterrupted Day

Only poets settle the irritable edges of an uninterrupted day:

Rukeyser, Oliver, Whitman.

Questions posed with audacious retorts.

Words liminal.

The mind’s blank titanium whites transcend their dazzling brilliance,

leaving dawn’s uninterruptible, curious, confusion

for the sanctity of coffee, fruit and yogurt.

 

Sprout question: What might settle an irritable edge on your creative day?

 

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

 

© 2011 Terrill Welch, All rights reserved.

 

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

An invitation to buy a painting

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Port of call – Mayne Island

Near Mayne Island while traversing the inside passage from either direction, the Gulf Islands B.C. Ferry vessel loudspeaker will crackle. The captain then announces variations of “We are approaching Villiage-Bay-Mayne-sland. This is also the transfer point for passengers going to…..”  This last part of the announcement changes depending on what ferry you are traveling.

It is pretty hard to miss your stop. But knowing if you even want to come or how to get this far in your trip can be a little tricky. Fortunately, our Mayne Island Community Chamber of Commerce makes it easier.

Regular Creative Potager readers may recognize the photographs on the front panel and the inside of this four-fold brochure. Yes, they are mine.

Earlier this year I was asked by a chamber member if I would consider submitting some photographs for use in the brochure. There had been a community-wide call for submission. I hummed and hawed feeling that my images are not really marketing sunshine and fun. They are often quiet, subdued, reflective and moodily dramatic. Since most of my photographs are taken in low-light during fall/winter or during the bookends of a spring or summer day, I wasn’t sure what I had to offer. But I agreed to let the committee have a look at my redbubble portfolio. To my delight they chose these two images. This is the second time this year that my images have been requested for promotional purposes – a pleasant addition to my artistically aimed photography.

But you might be saying “where is Mayne Island anyway?” The Chamber brochure has a pictorial answer on the back panel. Off the west coast of North America, snuggled into a cluster of Canadian Gulf Islands and the United States San Juan Islands, that darkly coloured island is home.

Now I bet you want to know exactly where Creative Potager is on Mayne Island – right? If you open up the brochure there is a map of the island. I love the crunchy tactile unfolding of maps. This brochure has a particularly satisfying soft and earthy feeling to the touch.

Creative Potager is marked by a white-squared number 35. See it there, just below the Mt Parke Park signage near the centre of the island.

The white-squared number 35 Creative Potager home studio is open by appointment.

The best way to get a home studio tour of our timberframed strawbale la casa de inspiracion is to email me at tawelch@shaw.ca .

You will need a brochure, or wait for the chamber website to be updated, to know exactly what else is marked on the map. I can tell you that yellow-squared numbers are accommodation, green are farms, orange real estate, red services, and white shops and galleries. If you would like your own brochure it will be on the ferry or drop me a line and I can mail you one.

My STUDY OF BLUE  solo exhibition of 15 original oil paintings, opening Thursday June 30, 2011, will be held at the yellow-squared number 9 and blue-squared number 17 which is the two listings for the Oceanwood. One is for accommodation and one for the restaurant.

Fly into Vancouver or Victoria in British Columbia, Canada, rent a car, catch a ferry and you are here. It is just that easy. During the busy summer season it is recommended to make reservations for the ferry from Vancouver to Mayne Island and for accommodation while you are here. I look forward to seeing you sometime soon.

Best of the weekend to you!

Sprout question: What is your creative port of call?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

AUTUMN BOUNTY and COURTNEY IN THE MOONLIGHT by Sue Wiebe

As promised here are two more original oil paintings on canvas by artist Sue Wiebe.

Learning and practicing how to create depth and shadow is an ongoing process for most of us that apply paint to canvas or paper. COURTNEY IN THE MOONLIGHT provides a direct work out for this artistic muscle.

COURTNEY IN THE MOONLIGHT, 12 X 16 inch original oil painting, by Sue Wiebe

Well done Sue! Exquisite!

Sue painted this next oil painting, AUTUMN BOUNTY, during the time that she was working on WATCHING, the painting of the cougar.  There are only so many hours an artist can paint fur before there is an unrelenting desire to break free. This painting certainly does this in spades.

AUTUMN BOUNTY, 11 by 14 inch original oil painting on canvas, by Sue Wiebe.

I have AUTUMN BOUNTY as my laptop background at the moment and smile every time I sit down to do some work.

Sue, thank you for being our feature artist this week. It is always a pleasure to have you here at Creative Potager. I look forward to seeing your work in person in a week from now. There is nothing like a studio walk and a face-to-face viewing.

Sprout question: What creative muscle are you exercising at the moment?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Story of the HENDERSON HILL Original Oil Painting

Have you every had that feeling where you know you have made a mess of something and there is nothing you can do but start over again? My painting of HENDERSON HILL has come out of such an experience.

The beginning started reasonably well. I had decided to do my underpainting in blues so I could paint on it wet.

The elements of the composition settled into place without much trouble.

I continued to paint, working happily away until…

It was a mess. I poked and dabbed and added and moved the paint around on the board. It did no good. The painting appeared to be resisting my best efforts. There was nothing left to do. I scraped.

But the idea for this painting still intrigued me. I waited. This past Saturday, ten days after my first attempt, I try again. It needs some finishing touches but I believe it will make a painting.

Yesterday, I finished it.

(prints available of this image here)

HENDERSON HILL 20 X 16 inch original water miscible impressionist oil painting on gessobord with 2 inch birch cradle by Terrill Welch.

This painting will be part of my upcoming solo exhibition “STUDY OF BLUE” opening June 30, 2011 at the Oceanwood Resort onMayneIsland. The painting is currently priced at $900 Canadian. Please contact me directly at tawelch AT shaw DOT ca if you would like to hang this lovely on your wall.

Sprout question: When was the last time you walked away from a creative mess?

UPDATE May 15, 2011:

Every once in awhile a special connection is made between a painting and another creative being. In this case it is with poet and more, Bat-Ami Gordin

Henderson Hill

On Henderson Hill any time of the year
  the branches arabesque in the breeze.
Birds boldly appear, on the tips of twigs
  that smear into clouds from the trees.
As a doe grazes calmly with her twins,
  the heavens and sky, seem to  freeze.
Prepare your mind to paint serenity;
  equanimity pacifies enduring unease.

© 2011 Bat-Ami Gordin, All rights reserved.

Posted with permission. You may have notice her poem posted in the comments below but I decided it needed to also be places up here next to the painting. Thank you so much Bat-Ami Gordin! It is an honour to connect in such a collaborative way.

This week is jammed! There is voting on Monday and going to pick up the truck. Dentist appointments on Tuesday and a full day of meetings and commitments on Wednesday. I shall be able to get back into the studio on Thursday IF I am lucky. Who knows what I will have to share on Friday. We shall just have to wait and see. Have a wonderful week everyone.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Impermanence

I share with you these pears dancing in the light of the sun coming through the window. But they are no longer there. We ate them. They were delicious. The photograph is history like all photographs has captured history.

(image may be viewed and purchased here)

Impermanence is difficult concept to viscerally accept. My limited understanding comes from Buddhist practices but it is an idea that has fascinated me since I was a small child and realized that turning of the earth gave me a glimpse of visually watching the passage of time. In fact, it is fair to say that expression of impermanence is a strong underpinning in most of my paintings and much of my reflective writing.  The Buddhist notion of impermanence is that all of conditioned existence, without exception, is in a constant state of flux. Here a section on the subject from wikipedia:

According to the impermanence doctrine, human life embodies this flux in the aging process, the cycle of birth and rebirth (samsara), and in any experience of loss. This is applicable to all beings and their environs including devas (mortal gods). The Buddha taught that because conditioned phenomena are impermanent, attachment to them becomes the cause for future suffering (dukkha).

Conditioned phenomena can also be referred to as compounded, constructed, or fabricated. This is in contrast to the unconditioned, uncompounded and unfabricated nirvana, the reality that knows no change, decay or death.

Impermanence is intimately associated with the doctrine of anatta, according to which things have no fixed nature, essence, or self.

Though I do meditate and go to the odd meditation retreat, I am not a practicing Buddhist. But there are times when I find that the Buddhist doctrine resonates and helps me to live a better life – with less suffering. Such a time is when the hard drive of my computer crashes beyond recovery. Some things were lost. Some things have been found in other places. I wasn’t and I am not particularly worried or grieving about any of these things.

What did strike me in a new way was the concept of impermanence. It was like I had been accumulating this understanding for years and all of a sudden I had a glimpse of it – just for a few days and even then only for a few hours at a time. I was able to experience impermanence beyond what my brain had constructed … it was tangible in the cells of my body, the earthquakes in Japan, David’s stroke, the birth of my grandchildren, the lines on the backs of my hand, and the daffodils in the woods.

(image may be viewed and purchased here)


This wasn’t a sense of peace and ease I was experiencing – I was terrified. My experience of the world, through my five senses, was no more permanent than the passing light between the trees. I was borrowing these experiences and stretching their presence through memory, writing, painting and collecting data on my hard drive. My thoughts go to Atlantis, the Egyptian pyramids, the ancient Greek poet Sappho – all passing moments in time with just a few fragments left visible through story, crumbling earth and fragments of poetry.  I grasp that my existence, my being, and my experiences are all expressions of impermanence. For a few moments, okay hours, it was hard not to hyperventilate and go screaming naked through the woods.

But after awhile I concluded, nothing had changed. These things were the same before I looked them squarely in the eye. My knowing did not chance impermanence – only my experience of impermanence.

(image may be viewed and purchased here)

This week I shall work on another painting. I shall do it with conscious awareness of my impermanence and its impermanence.

Sprout question: How does impermanence express itself in your creativity?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

FIR TREE original oil paintings by Terrill Welch

This week my hard drive crashed and it is not recoverable. Fortunately, most things were backed up and my photographs were on an external hard drive and most of them are backed up again on flash drives. I lost a few images but not many. Lucky! However, I did lose all my newer email addresses so if you have exchanged emails with me in the past year, and would like to continue to be in touch, drop a line and I will add you to my address book.  Somehow this all seems to be less of an issue now that we have facebook, twitter and such. I might even be persuaded to pick up the phone 🙂

I plan to write a more about this experience on Monday in a post called “impermanence.”

Now, let’s have a look at this week’s painting. I started out just going to paint a few edges but these two small canvases had a ground on them and were sitting beside the easel. Well I looked at the edges of another painting and I looked back at the two canvases. The 8 X 8 inch pair just had to be done.

I knew what I wanted to paint. We have been getting a lot of evening sun here with glorious gold light hitting the trees just before it leaves us for dusk.

Starting from “ground.”

A ground is different from a underpainting even though it may be the same colour. With a ground there is just a layer of paint that is put down with no intended painting blocked in or even in mind. Yes, I dislike wasting paint so these canvases were just too close to the last underpainting I was doing and they were grounded 😉

The painting took shape quickly.

I didn’t stop again until close to finishing.

When hung, the two paintings would be separated by a couple inches – I think, maybe more. Or they could be hung like this ….

This side by side is possibly my favourite.

Here they are trimmed up pretty with no distractions.

FIR TREE SKY original oil painting by Terrill Welch

FIR TREE POND original oil painting by Terrill Welch

I haven’t had a chance to decide if I will sell them separately or only as a pair. What do you think? Should they be kept together or be allowed to go into the world separately and be a surprise to some unsuspecting buyer that there is another half to their painting?

These paintings will be part of my upcoming solo show “Study of Blue” opening June 30, 2011 at the Oceanwood Resort here on Mayne Island.

UPDATE: FIR TREE SKY has been SOLD at the opening on June 30, 2011. FIR TREE POND has been SOLD to a separate buyer at the close of the show on July 27, 2011.

Sprout question: What keeps you rolling through unexpected events with ease?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch Online Gallery at http://terrillwelchartist.com