imagination

Not Much to See

/ Terrill Welch / 10 Comments

Sometimes when there is not much to see it still feels just right, particularly on Monday morning. I like to ease into the week still blinking away the coziness of the weekend.

 

It is an ordinary sort of morning down by the water and there is not much to see.

I like it anyway, the quiet, unimpressive business of ordinary life. The studio is about the same. I finished one painting but I still need to take a photograph. Then I started on another. As I have been saying, not much to see yet. But would you like to peek over my shoulder? Alright, but no comments about my painting apron only partially covering my nightgown. No complaining that it isn’t quite daylight yet, nor that I didn’t make everything pretty. It is a reference snapshot. It is also going to be a bit crowded but I think we can all squeeze in. Okay, okay I will show you….

Sam, can I get you to move to right so Leanne can see as well. Laurie I know you are excited but there isn’t enough room for you jump up and down right now. Maureen, you can come a little closer and squeeze in there on the left. Jeff if you come over by me I think you can see over top of Patricia. Shakeira, Sue and Josie… hum! Oh no! Here comes… we are just going to have to have another viewing when the painting is finished.

 

 

Sprout Question: What is your favourite not-much-to-see view or moment?

 

 

© 2011 Terrill Welch, All rights reserved.

 

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

 

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Dramatic Seas

/ Terrill Welch / 15 Comments

What I am about to share with you is from last evening’s meanderings. Can someone please choose a perfect piece of well-known classical music for me?  It needs to start softly as the light gives way to early evening.

(image may be purchased here.)

Then the notes should rise slowly but with confidence.

Building with sweeping sounds as we begin to embrace the clouds over Vancouver…

Going quiet as we come close to the mountains catching the sinking rays of the sun.

Now large sounds that make your heart pound with anticipation! Symbols crash!

(image may be purchased here.)

Building, building until you think you are going to burst….

(image may be purchased here.)

All sounds coming at once… the same notes dun, dun, dun… then releasing you to the Salish Sea.

(image may be purchased here.)

Sprout question: What is drama has your attention today?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Winter Waves

/ Terrill Welch / 14 Comments

Leaving Vancouver B.C. to catch a ferry back to Mayne Island on Boxing Day there was a slice of early morning sun coming through the heavy rain clouds. I was early. I took a left at Tsawwassen and headed for Boundary Bay Regional Park. This park is a seaside wetland sanctuary for birds and bush bunnies like me passing through on their trek home.

To day the wind and sea were both high as waves rolled up and sometimes over the sandy beach.

The scene was dramatic. The contrasting colours between sea and sky were unusual. The light changed fast as it rose above the sea towards the cloud bank. If I had painted it, the viewer would have had a hard time believing its authenticity.

Even with a photograph… you might think “she did it with Photoshop! You can do anything with Photoshop.”

But I didn’t. I just happen to be at the right place at the right time with camera in hand.

 

Sprout question: When is life grander than your imagination?

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

Stories in Mist

/ Terrill Welch / 14 Comments




Dawn creeps through the mist, stealing night’s solitude.

Mist settling in between notes of soft music drifts through the room and out into the valley.

Between now and then is the shadow of self… wavering slightly in our imagination.

Sprout question: What stories are your soft edges telling?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Emily Carr Mystery Solved

/ Terrill Welch / 6 Comments

View and purchase full resolution image here.

Yesterday’s “Can you Guess?” post was so much fun. Yes?

It is indeed Emily Carr.

The statue is located in the Victoria, British Columbia harbour near the Empress Hotel which you can see in the back ground. The specific location is on the corner of Government and Belleville Street diagonal to the legislative buildings.

Looking up is Emily’s dog Billie. He is looking at Woo Emily’s monkey who is sitting on her shoulder.

The artist/sculptor who was commissioned to create the Emily Carr statue is Barbara Paterson.

I took these photographs the day after the unveiling of the oversized Carr statue. People were still frowning at it as they passed on their way to work in the morning. I didn’t take their pictures as they were so unguarded in there peering at this statue of a strange woman with a monkey on her shoulder. I didn’t want to embarrass anyone. I believe it is safe to say that most of them couldn’t have guessed who the statue represented either and they live in Emily’s home town.

The evening before we had seen a screening of a new documentary film Winds of Heaven: Emily Carr, Carvers and the Spirits of the Forest by Michael Ostroff which I reviewed on the “Emily Carr My Kindred Spirit” post in October. I was in full Emily Carr remembering when I took these photographs. I have read her diaries, her stories and viewed her art work for much of my life. I regard her as a mentor.

Why did I wait so long to post the photographs of the statue? It is because my heart sank when I saw the statue. I was filled with a deep sadness – not because of the statue itself. The statue is beautiful, thoughtful and skillfully created. I was sad because the location chose for the statue presented a mystery for me. Emily would hate it. I just know she would. Stuck in the buzz of city traffic and tourists, with people peering at her while she is left sketching one miserly branch of the great forest she loved would have been torture.

Why would anyone choose to put a statue of Emily Carr in such a counter position to her whole being? I thought and mused as I invited Emily to walk with me out of the noise and commotion down a path along the harbour shore. I am sure her feelings were hurt as much as she was angry.

I know because as we stopped to look up at the totem pole along the path, she seemed to be saying:

“Why couldn’t they have just tucked me a little ways into the peace of the rose garden where at least the birds visit?”

“Why didn’t they put me in Beacon Hill Park where it is quiet and the glorious big pines still stand?”

“Oh bother! Why didn’t they just forget about this old fool?”

I feel compelled to tell her that she is important to art history in Canada and especial in British Columbia. Though people may have not chosen the best spot for her statue in relation to her love of the woods, their hearts were in the right place. They loved her. She sagged a bit under the weight of it all and seemed to weary to fight the mistake… for surely it had to be a mistake, wasn’t it?

After weeks of considering, my conclusion is no, it is not a mistake. It was the right decision even as heartbreaking as it is to think of Emily sitting there stuck so far from the peace of her woods. It is the right decision because the statue isn’t for Emily Carr. She lived her life, created her art, wrote her stories and her spirit is free to be where it chooses – which is not on the corner of Government and Belleville Street I can assure you. The statue is for those of us who have yet to discover Emily Carr. For those that do not know of her great art and her books. The statue is a clue to a mystery that waits to be discovered by tourists, workers going to work and the three year old on a walk with her dad who draws him into the world of Emily as the child pets Billie and they both smile up at Woo. Maybe then they will seek out Carr’s paintings and wander into the great forest to see the trees as she saw them. I hope so because this is where they will find her spirit joins them as they sit on a log in wonder at one of the greatest mystery of all – the forest.

The statue is only a clue to solving a great mystery. Maybe someday the world will know Emily Carr and her woods well enough that this clue can be removed deep into the forest where we can sit together with her as kindred spirits around a small fire discussing other creative mysteries.

Sprout question: How do you resolve creative sadness and disappointment?

Or an even better sprout question offered to us by Leanne Dyck: What artist of the past would you like others to discover today?

Thank you Leanne:)

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Mortally Wounded

/ Terrill Welch / 18 Comments

Two days after Halloween, reporting from an unnamed city, I bring you a story about a mortally wounded SWAT Team member.

Looking very dead, this SWAT Team member is down.

The night started when the police officer turn ghostly white.

Fake skin was then attached and makeup applied to create and color the wound.

Lastly the blood is applied while the officer lies on the floor.

From there, things went from bad to worse when part way through the evening he ran into his comrades – not even bullet holes and the steady rain stopped them performing their duties.

However, no one saw the robber. She got away due to her uncanny ability for camouflage.

The names of all police officers and the robber will remain anonymous to protect their identity. Yes at Halloween, even robbers are given special treatment.

Halloween is a creative feast. People who may not do any other painting, drawing, sculpturing or designing are willing to tap into their creative well and come up with a costume.

 

Sprout question: What is your favourite costume ever?

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

The Duck That Came Wagging Its Tail

/ Terrill Welch / 13 Comments

Yesterday we went for our usual afternoon walk and were greeted by an unexpected new friend.

The duck came talking and wagging its tail up to the property fence to say hello. I am sure one of the regular passersby must have offerings in their pocket. I was sorry we didn’t. What a delight. The duck had the softest voice and the most pleasant desire to have a good tongue wag – or rather tail wag…. bringing new meaning to the jingle “it’s not the size of the tail that matters but how you wag it.”

Of course we stopped to visit for a bit.

 

Sprout question: What unexpected creative guest has come wagging its tail lately?

 

Psst! Sam let us know on yesterday’s post that he has purchased a calendar – says he doesn’t think he will write in his either. Laurie said she isn’t either. I suggested that the large images on the heavy card stock can likely be framed for years of enjoyment – or as Sam and Laurie suggest the calendar can be kept as a piece of art in itself. Such fun!

If you are still thinking about ordering a calendar, here is a quick link to all three http://www.redbubble.com/people/terrillwelch/shop/calendars

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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BC Ferries share the Salish Sea sometimes to its own peril

/ Terrill Welch / 6 Comments

Yesterday’s post introduces the first blog clip about a series I am compelled to paint about the newly named Salish Sea. Today I am going to take us on a photo journey where BC Ferries share these busy waters, sometimes to its own peril.

The main thoroughfare between Vancouver, the Gulf Islands and Vancouver Island is Active Pass and it is as busy as the name implies. BC Ferries share these waters with fishing boats, freighters, kayakers, pleasure boats, sail boats, whale watching boats, tug boats and float planes… in addition to whales, seals, salmon, sea lions, sea otters, eagles, cormorants and seagulls.

Often, whether on the one of BC Ferries vessels or on shore, the three blasts of the ferry horn can be heard warning another sea traveler to get out of its path. But an accident like yesterday morning where rope tangled around the propeller of the Queen of Nanaimo preventing her from slowing adequately as she came into the Village Bay berth at Mayne Island is, thankfully, a rare occurrence.

Four passengers and one or possibly two crew members were injured as a result of the accident. The vessel is reported to have sustained damage to the rubbing strake and bow door frame. The terminal sustained damage to the wingwalls, which are part of the berthing structure, as well as to the ramp apron. Village Bay has two berths, so the terminal remains operational.

On Friday July 30, 2010, I left Mayne Island for a long weekend visit to Oroville Washington high desert. The ferry terminal was waking with stunning beauty as BC Ferries vessels and fishing boats appeared and disappeared in the drifting fog.

The Mayne Queen departs after dropping off passengers and vehicles from Saturna Island who join us in the wait for the Queen of Nanaimo. Blasts from the ship’s whistle can be heard as she navigates through the thick mist

I slip into the back of my pickup truck “Miss Prissy” to get a better view as the vessel that left Salt Spring Island and then Pender Island approach the Village Bay terminal. I am on my way to Vancouver. The Queen of Nanaimo is the ferry that will take me there after another stop on Galiano Island.

In minutes we are on board and I move around the outer decks taking photos…

Morning coffee aboard the Queen of Nanaimo

fishing boat and BC Ferries

View and purchase full resolution image here.

and the mist hanging on Galiano Island as we enter Active Pass.

View and purchase full resolution image here.

Yesterday, on my scheduled return trip, BC Ferries staff wait to reach me before I get to the Tsawwassen ticket booth. Do I have a reservation? I did. The Queen of Nanaimo has been in an accident. The ship can’t be moved. I am being rerouted to Victoria. I will be given priority on sailings going to Mayne Island at 3:00 pm and 4:25 pm. I won’t be charged any extra fare. I move forward in the line.

My mind begins to scramble with making all the necessary changes – make sure David has food for lunch, cancel my afternoon coaching sessions and all the other details that come to mind when our plans are set aside in the immediacy of the unexpected. I reach the ticket booth and hand over my credit card to verify my reservation.

Numbly I ask the ticket agent what happened. She gave me a brief rundown. The ferry hit the berth hard on its approach. The cause is under investigation. I ask if anyone was hurt. My heart sank as she confirmed that “yes, people had been hurt.” I line up in row 40 to wait for the large new Coastal Celebration ferry that will drop me at Swartz Bay around noon… just about the same time as I had expected to be home. I start making phone calls sorting out the changes to my day. It is summer tourist season. Many people around me are from someplace else speaking a language I don’t understand. I look for familiar faces and find one. We recap the morning sharing bits of information as we try to create a new reality that is different than the one we had imagined.

The rest of morning and afternoon I continue to make ongoing adjustments. No I can’t go into Victoria. The scheduled runs are overloaded. We are told to proceed directly to the terminal area for the Gulf Islands. Extra trips are scheduled but by the time it is decided who will go on which ferries and extra staff are found we leave at the scheduled 3:00 pm time only stopping at Mayne Island first before the Mayne Queen continues on to Saturna Island.

By the time I arrive home and see the Queen of Nanaimo still sitting in the berth at Village Bay – the very vessel that was to bring me home five hours earlier – I was exhausted but pleased with my ability to ride with the changing currents with the sun at my back and the wind in my face.

The Vancouver Sun reports:

Injuries to the passengers ranged from a concussion to a possible broken ankle and possible cracked ribs.

Mike Corrigan, B.C. Ferries executive vice-president and chief operating officer, said the preliminary investigation points to “a significant amount of rope in the propellers, especially in the port propellers.”

He said the rope, likely from crab or prawn traps, made it impossible for the crew to adjust the propellers. “So when the captain tried to go astern to slow the vessel down, basically the propeller was stuck in a forward position and wouldn’t let him do that.”
Read more: http://www.vancouversun.com/health/Ferries+Ropes+tangling+props+caused+ferry+dock+hard/3354052/story.html#ixzz0vfG5tFE5

The Queen of Nanaimo will have to undergo sea trials before it is back in operation. A smaller vessel will try and do some of the regular schedule but it won’t nearly be enough at the height of the tourist season. This story won’t be news today. The world will have moved their attention on to other events. But if you live in the Southern Gulf Islands or were planning on coming to our beautiful part of the Salish Sea the waves of this incident will continue to ripple for days.

Sprout Question: When was the last time your day ran ahead of you while you skidded along behind hanging on to its tail?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Seeing and Creating

/ Terrill Welch / 22 Comments

“Bee in salal blossom” View and purchase full resolution image here.

Yesterday, I discovered a bookmark in my memory that gave rise to a set of questions, when I came across some notes from May 16, 2007 about building the visual field that I had made in an art class taught by Glenn Howarth. The following questions arise from my musings about these notes and the use digital and photoshop tools to create images.

What is this passion we have for cleansing images of anything less than perfect?

 

Can it possibly damage our ability to trust our viewer to see?

Let me explain, as best I can, without taking us too far down “the science of seeing” rabbit hole. When we “see,” the brain needs to imagine most of our reality through a system of expectation. This is because the human eye has only a 15 degree visual arc of acuity or sharp high-resolution colour visual field. We commonly believe that we “see” everything as if it were in this a 15 degree visual arc called fovea vision. This is not true. Our human eye must build a visual field using rapid eye movements and short-term memory so the brain can “create” the image we “see.” Most of the rest of our visual field has about 50 percent acuity and 50 percent colour perception with the far reaches of our peripheral vision seeing only movement in black and white.

Photographs like the bumble bee in a sala blossom image above hold more information in acuity than our eye actually can see at one time without using rapid eye movement to create the image for us. You may be able to notice how you look at this image and be able to catch the eye movement between the bee and the blossom both of which are in sharp focus and then notice how you can “see” the whole picture that is in focus.

Rapid eye movement happens very quickly, at about 3 times a second, and is something we are not consciously aware of, so if you don’t notice there is a reasonable explanation.

If you want to know more, I found this youtube video “Human Senses Touch and Vision” http://www.youtube.com/watch?v=S2sWE0qaOjg&feature=related About 3 minutes in they explain and show how our eyes and brain build a visual field.

Because our brain must  “create” a sharp, coloured field of vision, it has a selection process for seeing. We fill in blanks and leave out information that history tells our brain is not relevant both consciously AND subconsciously. I am fascinated with the impact this has on our creativity whether it is visual, written or auditory. Here is a series of my quick charcoal sketches from 2007.

wooden forms for making shoes

I did these sketches while purposefully “seeing” using my sight beyond the 15 degree visual arc of acuity by paying attention to what is in my peripheral visual field allowing the hand to record the image with as little as possible interference from my fovea vision.

male nude sitting

This lesson stuck and I continue to create my work while exploring this way of “seeing” or consciously experiencing the world.

reading

It is not too much of a stretch then, to consider that when we create an image that has high-resolution colour and sharp focus over a larger area we are doing the work of the viewer’s brain “to see” or create that image. If we go the next step and take out “irrelevant information” we are also choosing for the viewer’s brain what is important to see. Your created work has become a powerful editing filter for the viewer. To some extent this is what happens anytime we create. The question I pose is more about how much of a filter is too much filtering and can it actually interfering with the viewer’s ability “to see” what we want to express? And can we hold the viewer’s attention when we do the work of the viewer’s brain to build most their visual field when experiencing our work?

Could it be that the gaps in our expression are of as much interest to the viewer as the sharp clarity? Like say this image….

finding the figure quickly

Sprout Question: How does your way of “seeing” impact your creativity?

On Thursday, I am going to explore further how our human visual system must learn to create spatial relationship between objects through touch and memory and what ways this learning may relate to our creativity.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

San Francisco 1906

/ Terrill Welch / 19 Comments

Well it is Friday and I sometimes like to do something a little different – maybe a wee bit on the lighter side for the last day of the week. Today I have special surprise sent to me by a friend here on Mayne Island. I have a short film taken from a street car going down Market Street in 1906 just four days before an earth quake destroyed the area. There are cars, people, horse, teams of horses and this amazing interaction with the street car as it moves along.

The video is posted in a gazillion places on the web with this paragraph but I could not find a definitive source to credit.

This film, originally thought to be from 1905 until David Kiehn with the Niles Essanay Silent Film Museum figured out exactly when it was shot. From New York trade papers announcing the film showing to the wet streets from recent heavy rainfall & shadows indicating time of year & actual weather and conditions on historical record, even when the cars were registered (he even knows who owned them and when the plates were issued!). It was filmed only four days before the quake and shipped by train to NY for processing.

If anyone has a good source link, let me know and I will add it in.

Sprout Question: If you could time travel where would you want to go and in what year?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada