Stand with Haiti

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Yesterday, in a sea of compassion and despair for Haiti, I went for my usual walk with camera in hand. The image Stand with Haiti symbolizes renewal and hope. The rose-hip is the brightest element in our gray, wet, January, West Coast landscape. One can be consumed by the gloom, if it were not for the rose-hip hanging from a leafless branch drawing attention to the new shoots starting to sprout. As the waves washed the sandstone with rhythmic regularity behind me, I discovered the possibility for renewal and hope for Haiti in this rose-hip.

Sprout Question: Is your creativity ever a call to inspire action?

(I have a very special connection to Haiti as my step-daughter, Nikki, volunteered twice for Clean Water for Haiti. But even if I didn’t have familial insight into Haiti, I would want to do something. For those interested in donating, here is the link to AVAAZ Stand with Haiti: http://bit.ly/7t0CN6 )

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Path of No Return

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Yesterday I wrote about redefining the concept of “underpainting” and “overpainting” to include moving from a digital photo through digital processes leading to depicting other art forms such as oil painting and ink drawing.

Today, the image I share with you has little resemblance to the original digital image. Yet it feels more like what I experienced in that moment than the original photograph. With rising tension, I digitally worked to create this image, changing one thing, then another and yet another. Like the children in the fairy tale, I was so delighted and excited about what I was doing that I place no marks on the path for my return. Yes, I have the original photograph. But the here-to-there is lost in the same mental processing as happens when I physically paint.

In the image above, Cedar in oil, I now have only the one image left that is the voice of what I want to express.

Dr Bob Deutsch states “The creative communicator is an alchemist of thought, attending to the reasoning of emotion” in “Marketers Need to Better Understand Creativity” This statement seems right – validating. (Note: this reference is to incredible well-written article about creativity published today January 13, 2010)

Sprout Question: Accepting that you are a creative alchemist, what do you want to express in your art that isn’t available before you start?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Redefining Underpainting

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View image in full resolution here.

In focusing on creativity as a main adventure in my day, I am facing an internal struggle with what is “true creativity” in my creative process. Technology allows me to create in new ways I couldn’t have imagined ten years ago. In this process, I want to redefine “underpainting” to include the first selected and chosen photographic image.

This takes me to my passion for the concept of “underpainting” which I tend to use even when painting with watercolours. What has got me musing, and experimenting, is the technological advances that allow me to start with an image I’ve captured in a digital photograph and then begin “overpainting” until it is rendered as an oil painting or ink sketch in further digital applications.

( I’m not a photoshop artist nor have I yet ventured in the direction of actual layering images to gain a photograph that gives me a desired finished product. I may at some point – but it has not come to that yet.)

This is my question to self: “Is the finished work (which I am pleased with) having begun with a photographic “underpainting” and resulting in an oil or ink “overpainting” while never picking up a brush or hand-mixing a colour a legitimate creative process?”

Here is another example where I am equally satisfied with the “overpainting” and the original photographic “underpainting.”

View image in full resolution here.


View image in full resolution here.

Sprout Question: How do you define legitimate creativity in your own creative processes?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Last Rose

(image may be purchased here. )

I just have to share my news with you.

I’ve known for some weeks now that one of my paintings was going to be printed in a quarterly literary journal – because the editor asked for permission.

Well, at 3:29 pm PST Friday, January 8, 2010, I received the following email:

Dear Terrill,
Thank you again for the use of your watercolor.  It’s lovely and has already received compliments.  Below is a link to the journal.  Just click on the River Poets Quarterly Autumn 2009 pdf file.  The painting and poem is on Page 11.   http://www.riverpoetsjournal.com/RiverPoetsJournal-Links.html
Warm Regards, Judith Lawrence

The best part – this came right out of the blue. I had no previous connection to the River Poets Quarterly Journal, or to the editor, Judith Lawrence, nor did I make a submission. I had posted the image with my article Last Rose of Desire which is now posted on Creative Potager as “The Crone’s Passion”  (I must ask how she discovered the painting.)

So please, choose your beverage of choice and celebrate with me. Raising glasses high, smiling and giggling… “To creativity!”

Sprout Question: If you were to receive a surprise request for permission to publish your work, who do you want it to be from?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Hidden Things

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Have you ever been editing your photographs and found “hidden things” that you didn’t know where there when you took the photo?

In the photo West Coast Winter above, I discovered that I had unknowingly captured two bald eagles on the crest of one of the fir trees. I had heard the eagles calling when I was shooting but I hadn’t seen them. To see them you will need to go to full resolution image and click large view – and even then they are small and blurry. But they are there. Also on the left of the image about ¼ of the way down there is an eagle nest.

Because these hidden things are not the focal point of the image, I don’t usually tell people about them. I leave them to discover (or not) on their own.

Sometimes hidden things are in my writing, painting as well. These are often patterns, colour or word usage, and perspectives that others have observed. I might not even be aware of these elements. I find it useful to ask what others have noticed in my work to discover aspects of my creative process that I might be hidden things to me.

Sprout Question: When was the last time you asked someone whose opinion you value and trust what they notice in your work?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Afternoon Delight painting

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In keeping with Creative Everyday’s 2010 challenge theme for January of “body,” I have chosen to revisit this 1993 water-colour painting Afternoon Delight.

The image of the original water-colour painting  is now rendered in oils for printed on canvas. The original painting has had three standing offers on it for years but I have been unwilling to part with it. Now I can offer a print of the image that I am sure will please those desiring to purchase the original… not the same but close.

My first paintings were in oils. I switched to water colours when my children were small because the medium was less toxic and had a faster drying time. I am thinking of going back to using oils or maybe one of the newer acrylic brands. Revisiting this image and using new technologies has again inspired me to venture into other painting mediums.

Sprout Question: Of your creative work, what can you revisit to inspire your current creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Sun pressing through

The sun waits for no one. My plan was to paint today. However, I awake to a frosty cool soft winter-blue sky with the sun pressing its way through the firs. We have had rain and fog for days. Change of plan. I shall be devouring a late breakfast and then out trek around with camera over my shoulder. (First figuring out why my camera won’t download today’s image, leaving me to use a photo from about the same time of year and day from last season – we have no snow today.)

View full resolution image here.

[updated 11:58 am adding this morning’s image that has now download after much tinkering]

View full resolution here.

Sprout Question: When are you most inspired to seize the moment?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Potatoes to Potato Salad

January rains keep the mist close to our strawbale, timberframe house here on Mayne Island. Daylight feels like it may never arrive today on the Southwest Coast of British Columbia, Canada. I hardly notice. Early this morning, I set off on a memory journey to a hot July day in a more northern part of the province. The year is 1966. I will soon be eight, as my birthday is near the end of August. My younger brother and I are staying with our grandmother Mona (Granny) at the family homestead on the Stuart River.

It is early morning and haying time. My grandfather has already left for the fields. We are in the garden with Granny gathering vegetables for potato salad. Already the sun has licked the dew off vibrant green broccoli leaves as they reach skyward from their well-spaced rows. Butterflies loop their way from one plant to another searching for any hidden dampness. Thankfully, it was too warm for the multitudes of mosquitoes which would savagely dive bomb our skin again come evening. I hear bees buzzing in the tall borage plants that are leaning their fuzzy foliage out into the path near the entrance to the garden. Keeping my bare legs clear so as not to get accidently stung, I follow barefoot behind my Granny as she thins, picks, prunes and digs things up to go in her large basin that we will then take down onto the wharf in the river and wash for slug, cut worm and aphid expulsion.

My brother went directly to the carrot patch pulling up one carrot after another. The ones that are too small he pokes back into the ground – until my grandmother turns around and catches him.

“Ack!” She exclaims. We always froze mid-movement when she (or our mother) made this sound.

“If you pull them out you have to eat them.” She pauses to ensure my brother is looking at her and really listening. He is only five.

Her voice softens as she continues “When you pull up the carrot it won’t grow anymore even if you put it back in the ground. Look for the bigger ones and only pull what you are going to eat.” He nods and following her example, begins to look for the fatter tops of the carrots showing slightly above the dusty soil.

We gathered new potatoes, carrots, peas, radishes, a few green beans, small onions, parsley, and sprigs of dill. Having washed everything in the river, our wet feet prints follow my grandmother’s up the wood dock towards the house. We now had all the makings for a potato salad. We were going to have a picnic, complete with Tang orange juice and lettuce with sugar on top for dessert. The older eggs (as they were easier to shell than fresh eggs) had been boiled earlier and were cooling in cold water. The fresh cow’s cream had soured on the counter overnight and Granny had made mayonnaise from scratch.

Using the propane stove, she steamed the vegetables and drained them to cool. The wood cook stove had been allowed to go out after Granny had made us pancakes and moose burgers for breakfast. The rest of the day she would use the propane stove to try and keep the house cool.

Laying newsprint out on the kitchen table we helped to shell hard boiled eggs. My first one got grey and grungy from the ink off the newsprint. But dipped in the pot of water beside us, it came out shiny white again. My brother’s eggs broke in half but that was okay. Chopped up no one would notice. Granny rubbing the inside of her large heavy mixing bowl with fresh garlic and began to slice the soft fragrant items into its smooth surface. With our knees on our chairs and our noses close to the bowl, we watched. First, the potatoes with their jackets still on, then the eggs (with three eggs set aside for later), then the carrots, then the pebbly peas and snapped green beans. They were all sliced into a pile one-on-top-of-other into the bowl. The crisp red radishes and onions were next adding to the mountain of colour and smells.

In a measuring cup, equal amounts of mayonnaise and sour cream are combined with a dash of dried mustard, salt, pepper, lemon juice and shopped dill and parsley. With a twist of the spatchula, the whole works is plopped onto the pile already in the bowl. We are in awe. What a mountain. What a bowl. This is going to be a great picnic. Squirming around we keep our itching fingers out of the mixing. Once folded and mixed, the salad was flattened with the base of the big spoon. The three eggs that had been set aside were sliced and placed on top. Then the whole shebang was sprinkled with paprika – beautiful.

Our Potato salad was taken to the root cellar and set in the ice box to cool and let the flavour mount. The ice had been harvested from the frozen river during late winter and cut into large blocks. The blocks were then placed in the root cellar and covered with sawdust for cold storage during the summer. There was no refrigeration.

We had two whole hours to wait until it was time to pack up the picnic. After stopping to inspect the baby garter snakes sunning themselves on the top of the root cellar, we came back to the house and slide up to the table again. Taking paper, pens, pencils and crayons, we drew mountains of potato salad. Page after page filled with squiggles, circles, and colours depicting how potatoes became potato salad. My brother even had talking potatoes in his drawing.

Sprout Question: What delights and inspires your child-like creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Butterfly mornings writing “Mona’s Work”

With my toes wiggling under the same wool blanket that my mother made me for my birthday one year, I look at the photo of my painted toes from several summers ago. From present, to mid-life to childhood, I’m drawn back into my memories of my grandmother Mona. I began writing Mona’s Work in September 2007. I need to finish it. Today is a writing day.

I allow the blanket made in colours gathered from one of my gardens to drift me back to a place full of butterfly mornings…and wild flower afternoons.

I’m back where the hay is being cut in the field and I am making potato salad with my grandmother using new potatoes, radishes and green onions from her garden. I leave you here to enjoy this beautiful song by Hope Sandoval & The Warm Inventions off of “Bavarian Fruit Bread”, as I go off to my day of writing.

Sprout Question: What objects and memories do you keep close to spark your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Surprised Oil Painting

My photo shoot yesterday produced mixed results in the low and uneven afternoon light. However, sitting quietly with one of the images, during the editing process, lead me down an interesting path. After several turns, a shoreline photo is transformed  into a black and white oil painting of Bennett Bay on Mayne Island.

View the full resolution of Bennett Bay Mayne Island  here.

When we are prepared to be surprised and allow an image to call us forward, not just in the beginning of the creative process but all the way to the end, sometimes magic happens. I almost through this original photo image away even though I liked the composition because the mood was different than I wanted. But I just couldn’t get myself to press the delete button and I started to play with the image instead. First, I made the image black and white (as it was almost there already). Then I used a simple program to change it into an oil painting – nothing complicated, just editing tools I had at hand. With a bit more fine tuning, I now have an image that is no longer “really” a photo or ‘really” an oil painting. Setting these judgments aside – I am happy with the end results.

Sprout Question: What creative process might you try if you set your initial judgment about what is legitimate “creative work” aside?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.