Painting

Home becomes Gallery

/ Terrill Welch / 24 Comments

The transition is just about complete. For Saturday November 13th and Sunday November 14th our home will become a studio gallery for my:

* oil paintings

*large photography canvas prints

*2011 Sea, Land and Time Mayne Island calendars

*and, lots and lots of cards.

Would you like to tip toe through and have a wee peek? I thought you might. Leave your shoes at the door. The floors are heated and so cozy to walk on. Go on down the curved hall into the great room.

Feel free to stop and look on your way.

The sunroom area is not quite finished yet. The bed will be covered in cards by tonight, with a large canvas print resting on the headboard after I remove the pillows.

Now come up into “the private area” which is where we will have our breakfast…

and opposite of where my working studio is located.

Let’s look over the loft railing.

Well this is it. The cards are not out yet and there are still a few more pieces to hang but this gives you the general idea.

For those of you that are too far away to get any closer than this blog to these open studio days, you don’t need to miss out. Remember? Redbubble has a 15% sale on all my work in their online storefront. You can only get this deal if you order online. So there you go. Something for everyone.

Sprout question: When are you next presenting your creative work?

Have a wonderful weekend.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Emily Carr Mystery Solved

/ Terrill Welch / 6 Comments

View and purchase full resolution image here.

Yesterday’s “Can you Guess?” post was so much fun. Yes?

It is indeed Emily Carr.

The statue is located in the Victoria, British Columbia harbour near the Empress Hotel which you can see in the back ground. The specific location is on the corner of Government and Belleville Street diagonal to the legislative buildings.

Looking up is Emily’s dog Billie. He is looking at Woo Emily’s monkey who is sitting on her shoulder.

The artist/sculptor who was commissioned to create the Emily Carr statue is Barbara Paterson.

I took these photographs the day after the unveiling of the oversized Carr statue. People were still frowning at it as they passed on their way to work in the morning. I didn’t take their pictures as they were so unguarded in there peering at this statue of a strange woman with a monkey on her shoulder. I didn’t want to embarrass anyone. I believe it is safe to say that most of them couldn’t have guessed who the statue represented either and they live in Emily’s home town.

The evening before we had seen a screening of a new documentary film Winds of Heaven: Emily Carr, Carvers and the Spirits of the Forest by Michael Ostroff which I reviewed on the “Emily Carr My Kindred Spirit” post in October. I was in full Emily Carr remembering when I took these photographs. I have read her diaries, her stories and viewed her art work for much of my life. I regard her as a mentor.

Why did I wait so long to post the photographs of the statue? It is because my heart sank when I saw the statue. I was filled with a deep sadness – not because of the statue itself. The statue is beautiful, thoughtful and skillfully created. I was sad because the location chose for the statue presented a mystery for me. Emily would hate it. I just know she would. Stuck in the buzz of city traffic and tourists, with people peering at her while she is left sketching one miserly branch of the great forest she loved would have been torture.

Why would anyone choose to put a statue of Emily Carr in such a counter position to her whole being? I thought and mused as I invited Emily to walk with me out of the noise and commotion down a path along the harbour shore. I am sure her feelings were hurt as much as she was angry.

I know because as we stopped to look up at the totem pole along the path, she seemed to be saying:

“Why couldn’t they have just tucked me a little ways into the peace of the rose garden where at least the birds visit?”

“Why didn’t they put me in Beacon Hill Park where it is quiet and the glorious big pines still stand?”

“Oh bother! Why didn’t they just forget about this old fool?”

I feel compelled to tell her that she is important to art history in Canada and especial in British Columbia. Though people may have not chosen the best spot for her statue in relation to her love of the woods, their hearts were in the right place. They loved her. She sagged a bit under the weight of it all and seemed to weary to fight the mistake… for surely it had to be a mistake, wasn’t it?

After weeks of considering, my conclusion is no, it is not a mistake. It was the right decision even as heartbreaking as it is to think of Emily sitting there stuck so far from the peace of her woods. It is the right decision because the statue isn’t for Emily Carr. She lived her life, created her art, wrote her stories and her spirit is free to be where it chooses – which is not on the corner of Government and Belleville Street I can assure you. The statue is for those of us who have yet to discover Emily Carr. For those that do not know of her great art and her books. The statue is a clue to a mystery that waits to be discovered by tourists, workers going to work and the three year old on a walk with her dad who draws him into the world of Emily as the child pets Billie and they both smile up at Woo. Maybe then they will seek out Carr’s paintings and wander into the great forest to see the trees as she saw them. I hope so because this is where they will find her spirit joins them as they sit on a log in wonder at one of the greatest mystery of all – the forest.

The statue is only a clue to solving a great mystery. Maybe someday the world will know Emily Carr and her woods well enough that this clue can be removed deep into the forest where we can sit together with her as kindred spirits around a small fire discussing other creative mysteries.

Sprout question: How do you resolve creative sadness and disappointment?

Or an even better sprout question offered to us by Leanne Dyck: What artist of the past would you like others to discover today?

Thank you Leanne:)

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Mortally Wounded

/ Terrill Welch / 18 Comments

Two days after Halloween, reporting from an unnamed city, I bring you a story about a mortally wounded SWAT Team member.

Looking very dead, this SWAT Team member is down.

The night started when the police officer turn ghostly white.

Fake skin was then attached and makeup applied to create and color the wound.

Lastly the blood is applied while the officer lies on the floor.

From there, things went from bad to worse when part way through the evening he ran into his comrades – not even bullet holes and the steady rain stopped them performing their duties.

However, no one saw the robber. She got away due to her uncanny ability for camouflage.

The names of all police officers and the robber will remain anonymous to protect their identity. Yes at Halloween, even robbers are given special treatment.

Halloween is a creative feast. People who may not do any other painting, drawing, sculpturing or designing are willing to tap into their creative well and come up with a costume.

 

Sprout question: What is your favourite costume ever?

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

Emily Carr my kindred spirit

/ Terrill Welch / 23 Comments

It is morning on Wednesday October 13, 2010. We pack quickly to leave our Mayne Island home and stay overnight in Victoria. We are going to see a screening of a new documentary film Winds of Heaven: Emily Carr, Carvers and the Spirits of the Forest by Michael Ostroff. The write up about the film was one of the few items noteworthy in our withering Saturday addition of the Globe and Mail national paper –which recently went glossy and appears to have dumped the last of its journalistic content. Finding reference to my kindred spirit, Emily Carr, has however, saved one of its pages from the recycling box.

Emily Carr, a larger-than-life icon of Canadian west coast art was born in 1871 and died at age 74 in 1945. How dare I be brass enough to call her my kindred spirit? It is because of her ordinariness along with her greatness. She often speaks in humble frustration in her reflections about her paintings and writing.  There are only a few exceptions in diary entries when she allows herself a quiet moment of pride for her accomplishments. One glance at her paintings tells another story. She held nothing back in her paintings.

Carr’s powerful strokes and clarity of vision bring large cedars and western landscapes to their knees at the feet of her brush, only to release them again to push skyward across the breadth of her canvas. It is within my experience of this contradiction, and her visceral struggle with her art, that I call her my kindred spirit.

“If the work of an isolated little old woman on the edge of nowhere, is too modern for the Canadian National Gallery, it seems it cannot be a very progressive institution.” Emily Carr, On the Edge of Nowhere Gallery quote

When doubts and fears about my ability as an artist threaten to keep my brushes from the paint or my fingers from pressing the camera shutter down, I read the diary pages of Carr. I know if my tears leave stains on the pages she will understand and that we will both be out of bed again in the morning, giving it another go – together.

I now have a new reference point to breathe vitality into Carr’s life and work. It is Michael Ostroff’s documentary film Winds of Heaven. Michael spoke about the difficulty of finding a fresh approach within the many fingerprints that traipse across all primary source documents of Carr’s writing and the many eyes that have critically gazed at her sketches and paintings. Well, in my opinion, he has brought the spirit of Emily Carr alive with the same strong powerful impressions, skillfully tethered together, as Carr did in her paintings. The documentary is being screened across the country and will be released in March. I plan to add one of the DVD’s to my library shortly thereafter. I want it close by so it is within reach when doubts raise their sneering heads in the corners of my studio. Then I will then count my blessings.

“I think I have gone further this year, have lifted a little. I see things a little more as a whole, a little more complete. I am always watching for fear of getting feeble and passé in my work. I want to pour till the pail is empty, the last bit going out in a gush, not drops.” Emily Carr, On the Edge of Nowhere Gallery quote.

Carr had no digital camera and sketched quickly with oil on paper before working up her paintings back at the studio. I can both sketch and take a photograph for reference. Carr had no community of contemporary artists to muse with her through her blog, twitter and facebook. She had to write letters and send them by post to her friend Lawren Harris. He had to reply in the same manner. Something I would find too tedious for daily inspiration. In poetry she had Walt Whitman where I have both Whitman on Mary Oliver. She was isolated in her work as much as she was in her geography.

When, even now women represented in museums around the world is only about 5%, she would not likely have called herself a feminist or a ground breaker for women’s art. She would likely have said that she was an artist who just happened to be a woman. Indeed, if a showing a few years ago at the Vancouver Art Gallery of women artists who were her peers are any indication, she would be right. Her work left those of other women artists in a shadow of insignificance. To be fair, gender may not be the deciding factor of what art work is left in her shadow.

Next, I will give thanks for each diary entry, and each story in the 893 pages of her writings. Finally, I will bow my head in gratitude for the dedicated work of Ira Dilworth, Doris Shadbolt, and now Michael Ostroff for ensuring that I have these unique views and access to the life and work of Emily Carr.

After the screening, Michael Ostroff commented during the discussion, that he wanted to “put Carr in the context of her time.” He has done more than that. He has put British Columbia in the context of its time. He shared her struggle to create a vision as it took him five years to find the funding and complete this incredible film which includes our experience with rugged wilderness and history of unsettled land claims.

Through my life as an artist going right back to childhood, Carr has always been just out of sight, leaving me marks to follow as I forge my own artistic path. I feel Carr’s kindred spirit as I work – not in her brush stroke but in the strength and reverence for her west. I am not a scribe for what is before my eyes but rather that which is before my heart. My Emily understands this. I can tell you facts about her life – such as her breakdown while going to art school in Europe or the 15 fallow years when she lost her will and only painted seven works and stopped writing in her diary. I can tell you that her best work came after this time while she was in 50’s. I can tell you that she was loved but never married. I can tell you these things but it will be far more meaningful if you read her writings for yourself and if you browse the pages of Doris Shadbolt’s The Art of Emily Carr or if you go to The Greater Victoria Art Gallery and stand in front of her paintings and see the trees swaying as they reach skyward or if you watch Winds of Heaven by Michael Gostroff – a documentary that adds value and depth to all other experiences of a Canadian artist, a great artist, a woman artist, Emily Carr. May you also know the life and art of the Emily who sits beside me as I work.

References are linked within the post.

Sprout question: What great artist encourages you while you work?

And you might like this later post as well “Emily Carr Mystery-solved” https://creativepotager.wordpress.com/2010/11/09/emily-carr-mystery-solved

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Rising

/ Terrill Welch / 7 Comments

From dark thick beginnings “Rising” has been sculptured into existence as the sea gives way to the rising sun. An 8 X 10 inch water miscible oil painting on gessobord with two-inch birch cradle.

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Sprout question: What has you flying with your intuition for wings?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Whisper

/ Terrill Welch / 17 Comments


(prints of this painting may be purchased HERE)

I’m calling all sages to the edge of the sea. Rest your weary mind and nurture your soul as these rollers roll towards shore. Softly the whisper breaks your inner silence. Softly it calls and becomes the only sound that is heard – outside and inside. Softly… softly… softly… softly….

A 12 X 12 inch gessobord with two-inch birch cradle water miscible oil painting. More background about this oil painting can be found at Beginnings of a Whisper.

UPDATED MARCH 3, 2011: This painting is now SOLD

Sprout question: What softly calls your creativity?

Last day for….

SEA, LAND AND TIME MAYNE ISLAND calendars . For a week at redbubble, until 11:00 pm Thursday, October 14th London time, there is a promotional sale. Get three calendars for 15% off or six for 25% off. Retailers can contact me directly to order at wholesale price for more than six calendars.

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Where Line and Paint meet with Jerry Shawback

/ Terrill Welch / 29 Comments


Jerry Shawback is the most dedicated artist I know. His daily practice can rack up 500 sketches a week. Add to this his paintings, and we have ourselves a full-time talented artist. His line drawings capture depth and powerful expression with the strength of their minimalism. His self-portrait paintings always leave me craving to know more. As I flip through his flickr site I often ask “who is this artist – really?”

Then sometime over the summer, I notice something different happening in Jerry’s paintings. Lines familiar to me in his drawings started to appear in his paintings. I was hooked. I kept slipping back and spying from just off the side of the screen to see what he would do next. Finally, I mustered up my courage and asked if I could interview him for a dedicated feature here on Creative Potager. To my delight he said yes. So get your favourite cup of something warm and pull up a chair….

Born in small town Streator Illinois about 80 miles outside Chicago, Jerry lived in town but there was also a family farm. After the divorce of his parents when he was eight years old until he was sixteen, South Florida was home. This was followed by some time in North San Diego country where he completed high school.

Los Angeles is the only long-term love Jerry shared with me and the city has been his adult home since college though he spends a chunk of time in Nevada where he has few distractions and gets most of his painting done these days.

Jerry Shawback’s art:

Q. What is your training and background?

A. I went to Otis Art Institute of Parsons School of Design, a division of the new school for social research and studies communication design and illustration. Otis had a great foundation year program where all the students from different disciplines all took the same classes giving everyone a solid understanding of the basics of art as well as forming relationships between the different departments.

Q. Is there any particular aspect of your formal training which is fundamental to your current creative process?

A. Only one class in art school really stands out. History of graphic design was a brutal course. In 3 hours there were 200 slides and continuous lecturing. The following class there was a test on one of the slides. We covered the entire history of design and how it related to the broader world of art. When I got out of art school is when I really started focusing on my drawing. I found some great workshops and spent most of my available time drawing.

Q. I am curious about what got your thinking about drawing with paint? Do you remember what got you thinking about this?

A. There can be a disconnect between painting and drawing. I see it in the work of artists all the time. There are some artists whose finished pieces I find lifeless and uninteresting but when I can find an oil sketch or rough drawing it is just delightfully.

I went to the national Gallery in washington DC and saw several pieces by Toulouse-Lautrec. These oil on cardboard drawings, of women in various stages of undress are, for me, one the most thrilling experience viewing art I have ever had.  The Lucian Freud show which brought me back to painting again after a long hiatus would be another. I may do up to 500 drawings in a week in many different styles. This allows for experimentation and results in some very spontaneous work.

Q. How did they end up separate in the first place?

A. Unfortunately I think they have always been separate for me and what I am working on now is trying to integrate the two.

Q. What process or guides do you use in choosing your colours when painting.

A. Painting a color and drawing the colors I see with line are very different things.

I never put a color on the canvas that I do not think is wonderful on its own. That does not guarantee that it will work with the other colors on the painting. But it is a good start. I enjoy the process of mixing colors almost as much as I like making the marks with them.

Q. What has life taught you about your creative work?

A. All of our experiences good or bad make us who we are and, if we are open to it, will come out in our work. Art, just like any other kind of work, requires effort and discipline and is not something that just happens on a whim.

Q. I often experience a sense of loss or sadness edging into your work. Can you tell us a little about this?

A. We often hold our emotions just below the surface in a very quiet way. This is revealed when we are less guarded. I try to capture this. I think every one has a certain amount of sadness and loss as well as joy and hopefulness. If you are sincere as an artist, it comes out in your work. I work with the human form so it may seem more obvious but this would show if I was painting landscapes as well.

Jerry Shawback’s plans:

Q. What is next?

A. Continuing to learn and grow as an artist.

Q. Five years from now?

A. It would be nice to be involved with a gallery who could market my work a year out and the most difficult thing would be getting the work done in time for the shows.

Q. Ten years from now?

A. It would be great to have an exhibit / workshop space so I could have an environment for developing artists to show as well access to space to work.  I have come across so many terrific artists that could benefit from somewhere to work in a group environment  with other artists on occasion as well as show their work.

Thank you Jerry. It is always a pleasure to have you here on Creative Potager.

Jerry Shawback’s Sprout question: What two things are you working to integrate in your art or life?

Pssst! dear readers, to do your own spying on Jerry Shawback in the corners of cyberspace, you can find him:

On flickr at http://www.flickr.com/photos/shawback

And at http://www.thewhole9.com/jerryshawback

And you can  follow him on twitter at http://twitter.com/jshawback

GOOD LUCK! 🙂

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

A Compliment Nothing Special

/ Terrill Welch / 13 Comments

This past Saturday, October 2, 2010, Creative Potager was written up as “nothing special” in the best possible way by Dr. Peter Renner (dashin) a practicing Zen lay-monk and a delightful, engaging and thoughtful host of Living and Dying with Eyes Wide Open. He muses about what he calls amazing photographs about the ordinary around her. He concludes “perhaps that’s what I find most comforting in Terrill’s posts: she directs attention to that which is there all the time, just being, waiting for us to see.” He goes on to quote Marcel Proust’s observation that “The real voyage of discovery consists not in seeking new landscapes but in having new eyes.”

This past Sunday, October 3, 2010 Annie Q. Syed wrote about one of Creative Potager’s sprout questions as part of her “Still Sunday” post. She tells of amazing photographs and paintings in a safe harbor drenched in creative magic.

In addition, my paintings were featured yesterday on Art of Day in “Impressionist Painting of Nature by Terrill Welch” Go ahead and drop by. Leave a comment if you are so inspired.

Thank you, dear readers for your continued support and encouragement. I hope you leave with the same sense of value and commitment to your work as what I receive from you.

Sprout Question: What is your favourite story about someone who has admired your work?

Important: If you want gift cards, calendars, photographic prints before Christmas, October is the time to place your order at http://www.redbubble.com/people/terrillwelch.

Original oil paintings can be purchased directly from me by sending an emailing to tawelch@shaw.ca .

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Over eighteen thousand visitors

/ Terrill Welch / 20 Comments

Yes, over eighteen thousand creativity seeking visitors have been to see Creative Potager since the beginning of the 2010. To be exact, there had been 18,086 when I checked and 8:00 am PST this morning. After 141 posts and 2, 262 comments it is time to pause, celebrate and offer thanks to these regular Creative Potager supporters…

Laurie Buchanan: I don’t think Laurie has missed even one sprout question. She has faithfully come by and offered her heartfelt answer no matter what the question. Laurie has cheered, encouraged, engaged and inspired me to reach and stretched. We have been connecting online even before Creative Potager existed – in fact for years now. I consider Laurie a colleague and a friend though we have never sat across a table from each other in the same time and space. Thank you Laurie for being Creative Potager’s most regular sprout responder. You can read Laurie’s even day posts at Speaking from the Heart where there is a Colour of Wellness class under way.

Jeff Stroud: Jeff is here leaving comments and sharing almost as often as Laurie. He is a soulful and thoughtful photographer that never takes the easy road just because it is there. Jeff introduced me to the redbubble storefront through his photography a couple of years ago. Jeff has his own growth question for contemplation on each of his post at The Reluctant Bloger that will add another boost to your creativity.  He is a passionate practitioner of Julian Cameron’s The Artist’s Way.

Kathy Drue: Kathy is a blogger extraordinaire with her Lake Superior Spirit blog receiving 64,311 visits since the beginning of the year. She often appears on the front page of WordPress and is interviewed from time-to-time about her blogging experience. Writing is Kathy’s passion and photography her supporting anchor. I am proud and thrilled that she finds the time and interest to drop in to Creative Potager.

Sam Juliano: Sam, like Kathy, is part of the blogosphere elite with his Monday Morning Diary posts at Wonders in the Dark sometimes receiving over 2,000 visitors in one day. Oh! Fair warning, horror films are the focus of current reviews. Remember it is make up. Each week, from almost the beginning, Sam has visited Creative Potager and reported back with a live link to his readership. Not only that, he did a full interview post Artist and Nature-Lover Terrill Welch: Mayne Island’s resident ‘Creativepotager” this past August. Sam will always be noted in Creative Potager’s hall of fame for his generosity, warmth, intellect, and inspiration for the arts and in particular film.

Jerry Shawback: A self-portrait artist, Jerry doesn’t always leave one of his reflective and thoughtful sprouts but I find him everyday in my tweet stream. He is passing along the latest post or just mentioning Creative Potager as he goes about retweeting from his outstanding list of artist and writers. Jerry is one of the reasons that about 40% of Creative Potager visitors come from Twitter. Some of these visitors leave comments but many more simply read, then tweet the link out to their tweet friends. Jerry is an important part of that exchange. Jerry is another artist and painter that I feel a deep resonance with and you can see some of his work at his profile on TheWhole9 website. His dedication is inspiring and his work shows this commitment to daily practice.

Leanne Dyck: Leanne is a fellow Mayne Islander who takes every possible opportunity to send a “shout out” on her website OKnitting.com or on her blog Author Leanne Dyck about Creative Potager or my recent solo art exhibition. She leaves sprout comments as time permits as she is a full-time writer meeting deadlines for manuscripts and revisions with publishers. It is a joy and a pleasure to have someone who lives just down the street drop in online, connecting my virtual home with my physical home.

Kimberly Grady: Kim is a butterfly sprout responder that brings her transforming presence as she is inspired. It might be here or it might be a comment on Facebook but wherever she shows up, I am always glad to see her and enjoy her unguarded reflections. She may visit her blog Butterflies Are Blue if you leave a comment…but again, she just might drop by and comment on your blog instead. Whatever, happens I know Kim will be inspire you to be genuine, to be yourself and to be creative.

May I request dear readers is that you visit these generous and gracious  individuals and leave them a comment of thanks for helping make Creative Potager the inspiring garden of creativity that it is?

Thank you, dear friends, for hanging out with me in my creative kitchen garden.

Sprout Question: Who would be the top seven on your list of creativity supporters?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Bring your cheque book

/ Terrill Welch / 26 Comments


There is something I forgot to tell you about my solo art exhibition, Sea, Land and Time, opening this coming Friday, September 3, 2010 at 7:00 pm. Bring your cheque book or cash. There are a few smaller pieces, such as cards and calendars and small photographs printed on canvas, but some of the larger oil paintings are over a thousand dollars. I personally recommend you bring your cheque book. I do not accept credit cards and I wouldn’t want you to leave disappointed.

I have heard from many of you and I am extremely excited to see your smiling face. It is a busy long weekend on Mayne Island so you will want to secure your sleeping arrangements in advance. Hum, that does sound like an interesting proposition doesn’t it?

Here are a few of links that you may find useful in your planning.

BC Ferries http://www.bcferries.com (read the ferry schedule carefully it is the most complicated schedule in the world changing with each day)

Mayne Island Accommodations http://www.mayneisland.com/accommodation/index.htm

Specific information about SEA, LAND AND TIME https://creativepotager.wordpress.com/2010/08/09/sea-land-and-time

Just to let you know, two oil paintings have already sold during the publicity for this show. Come early for the best selection.

If you are not able make it, leave a sprout anyway and wish me happy birthday. I always love to hear from you. Yes it is my birthday today or rather that would be yesterday in blogging time 🙂

Sprout Question: What sprout question are you asking yourself today?

P. S. I am away all day Tuesday. The next post will be on Thursday. Sorry for the inconvenience.

Note: Creative Potager has a new page Artist Biography .

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada