inspiration

The Distance Between

/ Terrill Welch / 14 Comments


The distance between summer and winter is the glorious colours of fall. The leaves on Mayne Island make for very subdued frocks compared to other parts of the world. Still we are not left out.

The maple trees are the biggest and brightest dancing and spinning before the winds and rains undress them.

Thank you to everyone who has purchased my redbubble calendars this week. You know who you are and I hope you enjoy looking at them as much as I did creating them. For those that are still interested, take your time, there is no rush yet. It is still a couple of weeks before redbubble sends me a notice to say they can’t be sure that a delivery will get to its destination before Christmas.

Speaking of redbubble, they just had a major re-design. Here is a link with a thumbnail of my All-Time-Popular images shown together http://www.redbubble.com/people/terrillwelch/portfolio/art . Very cool.

 

Sprout question: What creative seed are you planting so it will sprout for spring?

 

Best of the weekend to you!

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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The Duck That Came Wagging Its Tail

/ Terrill Welch / 13 Comments

Yesterday we went for our usual afternoon walk and were greeted by an unexpected new friend.

The duck came talking and wagging its tail up to the property fence to say hello. I am sure one of the regular passersby must have offerings in their pocket. I was sorry we didn’t. What a delight. The duck had the softest voice and the most pleasant desire to have a good tongue wag – or rather tail wag…. bringing new meaning to the jingle “it’s not the size of the tail that matters but how you wag it.”

Of course we stopped to visit for a bit.

 

Sprout question: What unexpected creative guest has come wagging its tail lately?

 

Psst! Sam let us know on yesterday’s post that he has purchased a calendar – says he doesn’t think he will write in his either. Laurie said she isn’t either. I suggested that the large images on the heavy card stock can likely be framed for years of enjoyment – or as Sam and Laurie suggest the calendar can be kept as a piece of art in itself. Such fun!

If you are still thinking about ordering a calendar, here is a quick link to all three http://www.redbubble.com/people/terrillwelch/shop/calendars

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

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Mayne Island Tree Spirits

/ Terrill Welch / 28 Comments

Mayne Island is a magical place and in the rolling fog off the water it is even more magnificent. The dryads, fairies, nymphs and tree spirits are just out of sight or maybe not? Let’s have a look.

The fog is thick and little can be seen along the shore trail.

The pine seems to bend back to let us past.

One branch reaching forward with pine needles harboring hope of something special… do you see anything?

Let’s head inland for a bit.

Light in coming through the mist.

A sense of missing.

Resting.

Reflections of trees caught in webs.

Watchful. Present.

Distant beauty.

Traveling into the mist.

Together.

Trees  growing together.

Tall wonder.

Many of these images are part of Mayne Island Tree Spirits 2011 calendar.

Shall we stay awhile, wondering back through the trees to the shore? Maybe the old crone will be out on the point with her camera. She is often here – squinting when the light is bright.

Have a great weekend!

Sprout question: Do you know of a place that is filled with tree spirits?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Three Bandits Spotted

/ Terrill Welch / 12 Comments

View and purchase full resolution image here.

These three bandits were spotted on the southwest side of Mayne Island on Sunday. It appears to be a mother and her two offspring but this has yet to been confirmed. Eye witnesses state that the three were relaxed and showed no signs of agitation. No looting was evident at the scene. Nothing much in particular seemed to be amiss as the three masked characters strolled away into the trees.

Sprout question: Are there any creative bandits in you midst?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Emily Carr my kindred spirit

/ Terrill Welch / 23 Comments

It is morning on Wednesday October 13, 2010. We pack quickly to leave our Mayne Island home and stay overnight in Victoria. We are going to see a screening of a new documentary film Winds of Heaven: Emily Carr, Carvers and the Spirits of the Forest by Michael Ostroff. The write up about the film was one of the few items noteworthy in our withering Saturday addition of the Globe and Mail national paper –which recently went glossy and appears to have dumped the last of its journalistic content. Finding reference to my kindred spirit, Emily Carr, has however, saved one of its pages from the recycling box.

Emily Carr, a larger-than-life icon of Canadian west coast art was born in 1871 and died at age 74 in 1945. How dare I be brass enough to call her my kindred spirit? It is because of her ordinariness along with her greatness. She often speaks in humble frustration in her reflections about her paintings and writing.  There are only a few exceptions in diary entries when she allows herself a quiet moment of pride for her accomplishments. One glance at her paintings tells another story. She held nothing back in her paintings.

Carr’s powerful strokes and clarity of vision bring large cedars and western landscapes to their knees at the feet of her brush, only to release them again to push skyward across the breadth of her canvas. It is within my experience of this contradiction, and her visceral struggle with her art, that I call her my kindred spirit.

“If the work of an isolated little old woman on the edge of nowhere, is too modern for the Canadian National Gallery, it seems it cannot be a very progressive institution.” Emily Carr, On the Edge of Nowhere Gallery quote

When doubts and fears about my ability as an artist threaten to keep my brushes from the paint or my fingers from pressing the camera shutter down, I read the diary pages of Carr. I know if my tears leave stains on the pages she will understand and that we will both be out of bed again in the morning, giving it another go – together.

I now have a new reference point to breathe vitality into Carr’s life and work. It is Michael Ostroff’s documentary film Winds of Heaven. Michael spoke about the difficulty of finding a fresh approach within the many fingerprints that traipse across all primary source documents of Carr’s writing and the many eyes that have critically gazed at her sketches and paintings. Well, in my opinion, he has brought the spirit of Emily Carr alive with the same strong powerful impressions, skillfully tethered together, as Carr did in her paintings. The documentary is being screened across the country and will be released in March. I plan to add one of the DVD’s to my library shortly thereafter. I want it close by so it is within reach when doubts raise their sneering heads in the corners of my studio. Then I will then count my blessings.

“I think I have gone further this year, have lifted a little. I see things a little more as a whole, a little more complete. I am always watching for fear of getting feeble and passé in my work. I want to pour till the pail is empty, the last bit going out in a gush, not drops.” Emily Carr, On the Edge of Nowhere Gallery quote.

Carr had no digital camera and sketched quickly with oil on paper before working up her paintings back at the studio. I can both sketch and take a photograph for reference. Carr had no community of contemporary artists to muse with her through her blog, twitter and facebook. She had to write letters and send them by post to her friend Lawren Harris. He had to reply in the same manner. Something I would find too tedious for daily inspiration. In poetry she had Walt Whitman where I have both Whitman on Mary Oliver. She was isolated in her work as much as she was in her geography.

When, even now women represented in museums around the world is only about 5%, she would not likely have called herself a feminist or a ground breaker for women’s art. She would likely have said that she was an artist who just happened to be a woman. Indeed, if a showing a few years ago at the Vancouver Art Gallery of women artists who were her peers are any indication, she would be right. Her work left those of other women artists in a shadow of insignificance. To be fair, gender may not be the deciding factor of what art work is left in her shadow.

Next, I will give thanks for each diary entry, and each story in the 893 pages of her writings. Finally, I will bow my head in gratitude for the dedicated work of Ira Dilworth, Doris Shadbolt, and now Michael Ostroff for ensuring that I have these unique views and access to the life and work of Emily Carr.

After the screening, Michael Ostroff commented during the discussion, that he wanted to “put Carr in the context of her time.” He has done more than that. He has put British Columbia in the context of its time. He shared her struggle to create a vision as it took him five years to find the funding and complete this incredible film which includes our experience with rugged wilderness and history of unsettled land claims.

Through my life as an artist going right back to childhood, Carr has always been just out of sight, leaving me marks to follow as I forge my own artistic path. I feel Carr’s kindred spirit as I work – not in her brush stroke but in the strength and reverence for her west. I am not a scribe for what is before my eyes but rather that which is before my heart. My Emily understands this. I can tell you facts about her life – such as her breakdown while going to art school in Europe or the 15 fallow years when she lost her will and only painted seven works and stopped writing in her diary. I can tell you that her best work came after this time while she was in 50’s. I can tell you that she was loved but never married. I can tell you these things but it will be far more meaningful if you read her writings for yourself and if you browse the pages of Doris Shadbolt’s The Art of Emily Carr or if you go to The Greater Victoria Art Gallery and stand in front of her paintings and see the trees swaying as they reach skyward or if you watch Winds of Heaven by Michael Gostroff – a documentary that adds value and depth to all other experiences of a Canadian artist, a great artist, a woman artist, Emily Carr. May you also know the life and art of the Emily who sits beside me as I work.

References are linked within the post.

Sprout question: What great artist encourages you while you work?

And you might like this later post as well “Emily Carr Mystery-solved” https://creativepotager.wordpress.com/2010/11/09/emily-carr-mystery-solved

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Where Line and Paint meet with Jerry Shawback

/ Terrill Welch / 29 Comments


Jerry Shawback is the most dedicated artist I know. His daily practice can rack up 500 sketches a week. Add to this his paintings, and we have ourselves a full-time talented artist. His line drawings capture depth and powerful expression with the strength of their minimalism. His self-portrait paintings always leave me craving to know more. As I flip through his flickr site I often ask “who is this artist – really?”

Then sometime over the summer, I notice something different happening in Jerry’s paintings. Lines familiar to me in his drawings started to appear in his paintings. I was hooked. I kept slipping back and spying from just off the side of the screen to see what he would do next. Finally, I mustered up my courage and asked if I could interview him for a dedicated feature here on Creative Potager. To my delight he said yes. So get your favourite cup of something warm and pull up a chair….

Born in small town Streator Illinois about 80 miles outside Chicago, Jerry lived in town but there was also a family farm. After the divorce of his parents when he was eight years old until he was sixteen, South Florida was home. This was followed by some time in North San Diego country where he completed high school.

Los Angeles is the only long-term love Jerry shared with me and the city has been his adult home since college though he spends a chunk of time in Nevada where he has few distractions and gets most of his painting done these days.

Jerry Shawback’s art:

Q. What is your training and background?

A. I went to Otis Art Institute of Parsons School of Design, a division of the new school for social research and studies communication design and illustration. Otis had a great foundation year program where all the students from different disciplines all took the same classes giving everyone a solid understanding of the basics of art as well as forming relationships between the different departments.

Q. Is there any particular aspect of your formal training which is fundamental to your current creative process?

A. Only one class in art school really stands out. History of graphic design was a brutal course. In 3 hours there were 200 slides and continuous lecturing. The following class there was a test on one of the slides. We covered the entire history of design and how it related to the broader world of art. When I got out of art school is when I really started focusing on my drawing. I found some great workshops and spent most of my available time drawing.

Q. I am curious about what got your thinking about drawing with paint? Do you remember what got you thinking about this?

A. There can be a disconnect between painting and drawing. I see it in the work of artists all the time. There are some artists whose finished pieces I find lifeless and uninteresting but when I can find an oil sketch or rough drawing it is just delightfully.

I went to the national Gallery in washington DC and saw several pieces by Toulouse-Lautrec. These oil on cardboard drawings, of women in various stages of undress are, for me, one the most thrilling experience viewing art I have ever had.  The Lucian Freud show which brought me back to painting again after a long hiatus would be another. I may do up to 500 drawings in a week in many different styles. This allows for experimentation and results in some very spontaneous work.

Q. How did they end up separate in the first place?

A. Unfortunately I think they have always been separate for me and what I am working on now is trying to integrate the two.

Q. What process or guides do you use in choosing your colours when painting.

A. Painting a color and drawing the colors I see with line are very different things.

I never put a color on the canvas that I do not think is wonderful on its own. That does not guarantee that it will work with the other colors on the painting. But it is a good start. I enjoy the process of mixing colors almost as much as I like making the marks with them.

Q. What has life taught you about your creative work?

A. All of our experiences good or bad make us who we are and, if we are open to it, will come out in our work. Art, just like any other kind of work, requires effort and discipline and is not something that just happens on a whim.

Q. I often experience a sense of loss or sadness edging into your work. Can you tell us a little about this?

A. We often hold our emotions just below the surface in a very quiet way. This is revealed when we are less guarded. I try to capture this. I think every one has a certain amount of sadness and loss as well as joy and hopefulness. If you are sincere as an artist, it comes out in your work. I work with the human form so it may seem more obvious but this would show if I was painting landscapes as well.

Jerry Shawback’s plans:

Q. What is next?

A. Continuing to learn and grow as an artist.

Q. Five years from now?

A. It would be nice to be involved with a gallery who could market my work a year out and the most difficult thing would be getting the work done in time for the shows.

Q. Ten years from now?

A. It would be great to have an exhibit / workshop space so I could have an environment for developing artists to show as well access to space to work.  I have come across so many terrific artists that could benefit from somewhere to work in a group environment  with other artists on occasion as well as show their work.

Thank you Jerry. It is always a pleasure to have you here on Creative Potager.

Jerry Shawback’s Sprout question: What two things are you working to integrate in your art or life?

Pssst! dear readers, to do your own spying on Jerry Shawback in the corners of cyberspace, you can find him:

On flickr at http://www.flickr.com/photos/shawback

And at http://www.thewhole9.com/jerryshawback

And you can  follow him on twitter at http://twitter.com/jshawback

GOOD LUCK! 🙂

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Stuffed Ambercup Squash with Champagne

/ Terrill Welch / 15 Comments

The last day of September has arrived. Golden afternoon sun moves into the long shadows of the fir trees outside her window. Leaving the bed with its crumpled woolen throw and Barbara Kingsolver’s Orange Prize The Lacuna, she climbs the shallow steps up to the kitchen and looks at the orange Ambercup squash on the counter. She hadn’t planned to cook this harvest poster vegetable yet but there are shallots in the wicker basket beside it. She muses about the great handfuls of parsley in her kitchen garden. Then there is that beautiful plump sage over by the fence. Of course it will need some thyme and just a bit of rosemary. By now she has put on her oversized apron and garden clogs and is out in the potager gathering the herbs.

“We are having stuffed squash with shallots, apples and pumpkin seeds” she shouts up to where her husband is working on securing another deer fence at the back of the yard.

He straightens up with a grin that reaches right to the back of his soft brown eyes. He knows that she knows that squash is his favourite food. She grins back.

With a fist full of herbs she is back at the kitchen counter. There is only one way to safely take the head off of a squash. It is with a large heavy cleaver. If hitting the cleaver with the back of her hand doesn’t slice the tough hide of the squash, she resorts to using the rubber mallet from the tool shed to pound it through. This method has never failed her. Today no rubber mallet is necessary.

With the insides of the squash composted, she is ready to make the house smell like savory heaven. She is sure there is a garlic clove over in the garlic holder. Yes, there it is. Butter, lots of butter – well, first a little olive oil is drizzled into the well-seasoned cast-iron skillet. The garlic, shallots and herbs are chopped and ready. A few slices of that heavy multi-grain bread filled with seeds cubed will do nicely. Two small this-year Macintosh apples are sliced and added unpeeled. She eats three pieces of their tart flesh before they make it into the mix. Fresh ground nutmeg and some of that fresh ground allspice too.  Now let’s see… a few pumpkin seeds, maybe a handful. Finally some sea salt and pepper ground with wrist snapping vigor.

“That about does it,” she mutters to the kitchen wall.

Hanging up her apron she remembers wine. She has forgotten to buy wine.

Well, there are a couple of small bottles of champagne chilled that she was given by a friend in August for her birthday. Squash with champagne it will be.

Stuffed and the lid pinned on with large tooth picks, she places the squash on an old pie plate with a bit of water in the bottom and a piece of tinfoil loosely over top. The oven has been warmed to 350 degrees Fahrenheit and the timer is set for an hour even though she knows it will likely take a bit longer.

She thinks that maybe she should write out the recipe but what would she say? Seize a medium sized winter squash and a few shallots. Then keep adding ingredients until you find that you have closed the oven door. Done!

Sprout Question: Can you share your creative recipe?

Best of the weekend to you!

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

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Baby O

/ Terrill Welch / 23 Comments

We have, as many of you know, many children. We also had a few weddings this past summer. One of these weddings has resulted in what used to be a common place event – the arrival of a bump.

With only a simple request, I was able to talk this lovely young woman into a photo shoot to capture these early days of the development of baby O.

In silhouette.

By the water.

Next the rocks with her natural blonde streak more pronounced than usual.

And just hanging out at the beach.

These photos were then sent to the soon-t0-be dad’s parents who are far away.  The due date for baby O is March 4th but we all know babies are born when they are ready.

There are many reasons why I might hesitate to post this time of wonder and celebration. However, I feel compelled to push forward anyway. I am happy to share with you, that I am looking forward to being a grandmother again.

Sprout Question: What sprouts new life into your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Over eighteen thousand visitors

/ Terrill Welch / 20 Comments

Yes, over eighteen thousand creativity seeking visitors have been to see Creative Potager since the beginning of the 2010. To be exact, there had been 18,086 when I checked and 8:00 am PST this morning. After 141 posts and 2, 262 comments it is time to pause, celebrate and offer thanks to these regular Creative Potager supporters…

Laurie Buchanan: I don’t think Laurie has missed even one sprout question. She has faithfully come by and offered her heartfelt answer no matter what the question. Laurie has cheered, encouraged, engaged and inspired me to reach and stretched. We have been connecting online even before Creative Potager existed – in fact for years now. I consider Laurie a colleague and a friend though we have never sat across a table from each other in the same time and space. Thank you Laurie for being Creative Potager’s most regular sprout responder. You can read Laurie’s even day posts at Speaking from the Heart where there is a Colour of Wellness class under way.

Jeff Stroud: Jeff is here leaving comments and sharing almost as often as Laurie. He is a soulful and thoughtful photographer that never takes the easy road just because it is there. Jeff introduced me to the redbubble storefront through his photography a couple of years ago. Jeff has his own growth question for contemplation on each of his post at The Reluctant Bloger that will add another boost to your creativity.  He is a passionate practitioner of Julian Cameron’s The Artist’s Way.

Kathy Drue: Kathy is a blogger extraordinaire with her Lake Superior Spirit blog receiving 64,311 visits since the beginning of the year. She often appears on the front page of WordPress and is interviewed from time-to-time about her blogging experience. Writing is Kathy’s passion and photography her supporting anchor. I am proud and thrilled that she finds the time and interest to drop in to Creative Potager.

Sam Juliano: Sam, like Kathy, is part of the blogosphere elite with his Monday Morning Diary posts at Wonders in the Dark sometimes receiving over 2,000 visitors in one day. Oh! Fair warning, horror films are the focus of current reviews. Remember it is make up. Each week, from almost the beginning, Sam has visited Creative Potager and reported back with a live link to his readership. Not only that, he did a full interview post Artist and Nature-Lover Terrill Welch: Mayne Island’s resident ‘Creativepotager” this past August. Sam will always be noted in Creative Potager’s hall of fame for his generosity, warmth, intellect, and inspiration for the arts and in particular film.

Jerry Shawback: A self-portrait artist, Jerry doesn’t always leave one of his reflective and thoughtful sprouts but I find him everyday in my tweet stream. He is passing along the latest post or just mentioning Creative Potager as he goes about retweeting from his outstanding list of artist and writers. Jerry is one of the reasons that about 40% of Creative Potager visitors come from Twitter. Some of these visitors leave comments but many more simply read, then tweet the link out to their tweet friends. Jerry is an important part of that exchange. Jerry is another artist and painter that I feel a deep resonance with and you can see some of his work at his profile on TheWhole9 website. His dedication is inspiring and his work shows this commitment to daily practice.

Leanne Dyck: Leanne is a fellow Mayne Islander who takes every possible opportunity to send a “shout out” on her website OKnitting.com or on her blog Author Leanne Dyck about Creative Potager or my recent solo art exhibition. She leaves sprout comments as time permits as she is a full-time writer meeting deadlines for manuscripts and revisions with publishers. It is a joy and a pleasure to have someone who lives just down the street drop in online, connecting my virtual home with my physical home.

Kimberly Grady: Kim is a butterfly sprout responder that brings her transforming presence as she is inspired. It might be here or it might be a comment on Facebook but wherever she shows up, I am always glad to see her and enjoy her unguarded reflections. She may visit her blog Butterflies Are Blue if you leave a comment…but again, she just might drop by and comment on your blog instead. Whatever, happens I know Kim will be inspire you to be genuine, to be yourself and to be creative.

May I request dear readers is that you visit these generous and gracious  individuals and leave them a comment of thanks for helping make Creative Potager the inspiring garden of creativity that it is?

Thank you, dear friends, for hanging out with me in my creative kitchen garden.

Sprout Question: Who would be the top seven on your list of creativity supporters?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Red Umbrella and Wedding Photography

/ Terrill Welch / 18 Comments

Wedding photographer, Federico Vanoli, effectively uses a red umbrella to draw our eye across the frame and back into the gaze of the wedding couple.

Federico has graciously provided a few images for Creative Potager of my daughter Josie and her husband Ryan’s wedding. You see, I was too busy to take photographs that day.

There was the overseeing of the set up for the ceremony.

There was the strengthening of the thin thread for the clasp at the top of the wedding dress.

Just to name a few. But thanks to Federico and his assistant Jo-Ann, we do have some outstanding photographs. I am going to intersperse comments from Federicio (Fede) and then from Josie in between the images so we can savor the experience.

bridesmaid and estition with Josie

When Terrill asked me to write a bio as an introduction to the pictures that I took at her daughter Josie’s wedding, I went for: born in Italy, moved to Canada, living in Victoria. Surprisingly, that did not make the cut, so now I have to redo my homework.

Born in Italy, correct. I’m from a small town in the north, close to Milan. Love brought me to Canada.

I’ve been interested in photography since I was a teenager. I set up a darkroom (which means a room to work when it is dark out) in my parents’ home. I still find magic seeing a picture coming from a white sheet of paper. I’m still using black and white film for my personal work even if it is getting quite difficult to find places to develop it.

Josie with her brother Kris walking her down the aisle photo by Jo -Ann

Self taught, I then attended the Western Academy of Photography in Victoria, in 2009. That experience showed me how complex photography is. From a friendship with one of the teachers, the photographer and gallery owner Quinton Gordon, I got interested in documentary photography. Being an unobtrusive observer and a witness but at the same time having the freedom to give my personal interpretation, be part of a moment but not manipulate it—with this kind of approach I started taking pictures of weddings.

'the kiss"

Being part of a special and joyful moment is extremely satisfactory and rewarding. I like the intensity and the variety of the events, the emotions and the “real” moments.

Josie gives her bouquet to her grandparents who have been married 54 years

I would like to thank Terrill for giving me this opportunity to show some of my work and writing more than a sentence about myself.

Josie has this to say….

There are many aspects of Fede’s approach to our wedding photography that I liked. Before the wedding, he asked a lot of questions, listened well, and made notes.


Fede is quick, and stealthy, and I actually didn’t even notice he was there during the ceremony (but I saw him in other people’s pictures later). He is confident, but humble, and this combined with his happy demeanor was very reassuring (almost soothing) during a very busy day.

So if you have a wedding coming up and you are considering a wedding photographer, I recommend Federico Vanoli and you can reach him by email at balores17@hotmail.com

Sprout Question: If you were to write a biography about your creativity what would it say?

Note: Creative Potager has a new page Artist Biography and a post announcing my solo exhibition “SEA, LAND AND TIME.” Please share both as appropriate.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada