A More Contemplative Year Ahead

My best guess is that I shall paint fewer paintings in 2014 and release more photographs and painting sketches. This will be partly due to three months traveling and living in Europe. We plan to leave sometime near the beginning of April. The tickets will likely be purchased by the end of the week.

The 2013 year was a good solid success for my paintings but I want to go deeper into the learning curve of how my specific historical experience impacts my work. I want to go deeper into how I can paint the spaces in between light and shadow. I want to find ways to bring you, the viewer, farther into my work until you can clearly formulate the poetry of landscape. I want us to know and understand our embeddedness in our natural environment.  Human life, as we know it, may depend on strengthening that one relationship. I suspect that my trip to Europe and its museums and countryside combined with my camera and brushes is going to help me find answers to these searches.

Oh, there will always be new work to release in my Artsy Home online gallery, such as the two new paintings entered over the weekend. But I find it is not really important but rather a task similar to organizing the books on the bookshelf for a research project.

What is important then?

There is quote attributed to Buddha that I saw this morning which seems most succinct:

In the end only three things matter: how much you loved, how gently you lived, and how gracefully you let go of things not meant for you.

My only commitment today is a long walk. With the heavy rains water is rushing to the sea.

Rushing to the Sea by Terrill Welch 2014_01_12 037

Quite possibly it is a stone in a stream that will hold most of my attention today.

Stones in Stream by Terrill Welch 2014_01_12 016

This , and a few of the lines from the Mary Oliver “Morning Poem”

If it is your nature

to be happy

you will swim away along the soft trails

for hours, your imagination

alighting everywhere.

And if your spirit carries within it

the thorn

that is heavier than lead –

if it’s all you can do

to keep on trudging –

there is still

somewhere deep within you

a beast shouting that the earth

is exactly what it wanted –

reference; p. 106/7 of New And Selected Poems volume one (1992) by Mary Oliver

What are your focus and intentions for the year ahead?

© 2014 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Why I hung a $2,420 original oil painting for sale at our local Farm Gate grocery store.

Does it seem odd to you that I would accept an invitation to hang one of my large fine art original oil paintings in a grocery store? Well, let me explain. The Mayne Island Farm Gate store is not just any old place you go to get your fruit, vegetables, dairy meat, eggs and other delicious goods. Farm Gate has the finest of fine of everything that is local or just plain excellent.

Take the frozen meat cooler for instance stocked with local organic grass-fed beef, succulent lamb, decadent chicken and more.

A stew for Farm Gate with its delicate vegetables fresh from the garden is a stew to remember.

But the Farm Gate story is not just about what is good to buy. Farm Gate is about what is good about us. Most places on Mayne Island are friendly and helpful but Farm Gate takes community, friends and family to the very heart of our experience.

A coffee anyone?

Or maybe you would like to take a pound of this micro-roasted organic, fair-trade, shade-grown, bird-friendly black gold home instead?

How many of you actually know the person who makes the hummus in your local grocery store? How many of you would be delighted rather than surprised when that same person saw your vehicle in the parking lot and came in to say ‘hello” complete with an island-size hug?

Since we were both there it was a great photo opportunity. Just in from gardening here is Barbara at her working best.

Barbara McIntyre of Nomadic Routes Inc. is the same Barbara that is showing her photography at the Green House Restaurant with me. By the way, we are hanging a new show this afternoon if you want to drop in, have a bite and say hello. But back to hummus – Barbara’s organic Moroccan Hummus is a reason all by itself to stop by Farm Gate. Or you may prefer one of her kayak-travel-proof-decorated-wax-covered-chocolate-truffles. Delicious! Sssssppttt! There on the left end of the checkout counter – an easy reach. No one will say anything if you buy three.

In fact, some things at Farm Gate are so good they have to be shared with friends far away. On Laurie Buchanan’s Speaking from the Heart blog post today she tells about receiving a package from me in the mail. For those of you that know us both, it is no surprise that we have an equal passion for the precious cargo sent by air mail and arriving in a plain brown package.

When Don and Shanti, the owners of Farm Gate, asked if I would be interested in hanging some of my original oil paintings I hesitated for a second. Not because it was a grocery store but because it was such a fine grocery store. The walls are spacious with high ceiling and already well appointed with their own collection of fine art. So I thought about the work I had available at the close of the STUDY of BLUE solo exhibition which was showing at the Oceanwood Restaurant and Inn. I decided I had two pieces that were large enough and would fit well in the store. There was the painting ONE shown here and KEEPING WATCH a painting of the same size (and same price) – but it sold that same week. So when I brought ONE to hang in the spot we had agreed, even though it is 24 X 36 inches, it looked rather lost in the large space above the door next to the 25 pound bags of floor on the back wall.

Don came by as I was finishing up and said “I think you are going to need a bigger sign than that – something that actually says in big letters FOR SALE. You need to catch people’s attention.”

Don was right. The small gallery sign I had was not going to do it. So off I went to make a new sign. When I came back my painting had been upgraded. Yes, just like in a fine hotel, it now had the premium suite. They had moved one of their own collector pieces to the original location of my painting and placed ONE front and centre in the best light, with the best exposure. I was overwhelmed by the gesture. Imagine someone taking the time and creativity to think through what would work best to show my work.

That is the kind of place Farm Gate is. Besides fine groceries and fine art, the Farm Gate store is about being fine people –where your best interests are their best interests. Friendly and caring does not adequately describe this kind of lived intention. It is with great pleasure and equal honour that my original oil paint ONE hangs for sale at the Farm Gate Store.

I am sure that along with your freshly picked white cucumbers, basket of raspberries and lamb burgers for the BBQ, Erin would be happy to accept a cheque made out to Terrill Welch for the sum of $2,420 and help you package ONE for safe transport to your own fine Mayne Island retreat or other far away destination of equal fine taste. But those two little packages on the bottom far left. You can’t have those. That is David and mine’s lunch – grill zucchini, onion, and red pepper with goat cheese on a freshly baked organic croissant.  Huuuttt! I see you! Okay, you can have a bite.

There is a verse in one of Muriel Rukeyser poem’s “The Speed of Darkness” that comes to mind:

Time comes into it.

Say it.       Say it.

The universe is made of stories,

not of atoms.

I am so pleased to be part of the Farm Gate story.

Sprout question: What stories are you pleased to be part of?

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island ,British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Held Over by Popular Demand

Thank you everyone for your support. The show has been a whopping success and it is not over yet!

The STUDY of BLUE solo exhibition was extended at the request of the venue until tomorrow August 2, 2011. However, SEVEN of the original fifteen paintings are now SOLD. I have replaced some of paintings at the end of the original close date so that they can be delivered to buyers. The Oceanwood Restaurant & Inn has also asked to hang paintings in their luxury B&B rooms so their customers will get another chance to purchase them. This is a lovely offer particularly for some of the larger paintings.

Here are quick links to my seven original oil paintings from the show that are still available for purchase at the ART OF DAY online gallery:

ONE 24 X 36 inch oil on canvas BUY NOW.

OWL’S VIEW 24 X 18 inch oil on canvas BUY NOW.

SALISH SEA FOUR 24 X 48 inch oil on canvas BUY NOW.

EAST POINT CLIFFS 24 X 18 inch oil on canvas BUY NOW.

BREAKING THROUGH 36 X 48 inch oil on canvas BUY NOW.

WINTER SUN 18 X 24 inch oil on canvas BUY NOW.

And the very last of the smaller paintings still available…

STORM COMING 8 X 10 inch on canvas BUY NOW.

 

Sprout question: What creative accomplishment are you celebrating this week?

 

p.s. I have a surprise that I hope to share by the middle of August… once I review the proof. I think you are going to like it.

 

STUDY OF BLUE  solo exhibition extended to August 2, 2011.

 

© 2011 Terrill Welch, All rights reserved.

 

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

Mountain Stands Alone

It was a good weekend for art sales here at Creative Potager but I will tell you more about that later. Right now I am going to share with you how I use photography as study for future painting. When I tell people I sometimes take up to 150 reference images for one painting and that I use them in place of sketches, I can see the confusion slip into the corners of their eyes as they try and understand what I am talking about. Let’s use my fascination with Mount Baker for an example.

In fact, Mount Baker may be the single most motivating factor for me to buy a 70 – 300 mm lens with an image stabilizer. I do alright with my 17-85 mm lens which also has an image stabilizer for most things. But that mountain is too far away from Mayne Island and I don’t think it is going to get any closer anytime soon – at least I hope not.

A photo study of a subject for a future painting is not about standing fixed in one spot taking one shot after another. It is about getting to know the subject in its context. It is about feeling my way into the frame. It is intuitive observation. This is what I call discovering a realism of subject rather than of object. There is a difference and I will expand on this in a future post.

Most times I go back to the same places at different times of day, during different seasons. Each time these memories and images get stockpiled as internal references for the work that will come later with paint on canvas.

I am finding that these studies seem to offer more in-depth of understanding of my subject  than en plein air painting which I had assumed would be the ultimate in painting my subject in its context. This is a surprise to me. Maybe it is that I haven’t done enough en plein air painting recently. I would love to hear from other painters about what their experience as been.

Of this particular photo engagement with Mount Baker, this is my personal favourite frame.

(image available for purchase here.)

I like the soft focused foreground drawing our attention to Mount Baker yet somehow still reminding us that a pile of rocks – is still just a pile of rocks.

So there you have it. A few images from my latest study of Mount Baker and the mountain stands alone.

Oh I didn’t forget – you want to know about the art sales over the weekend.

The first of the large original oil paintings KEEPING WATCH in the STUDY of BLUE solo exhbition has sold to a collector inVictoriaB.C.Canada. This means six of the fifteen paintings in this show are now sold.

Also, large canvas print of the photograph of GOING, a medium canvas print of FOGGED IN and eight cards of photographs and paintings sold to an unknown buyer on redbubble. Thank you whoever you are. Your support and interest in my work is most appreciated.

And thank you to all of you who are part of my creative journey.

Sprout question: What mountain in your creativity stands alone?

STUDY OF BLUE  solo exhibition open until Wednesday July 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Art Opening

The large canvases are wrapped in sheets and plastic and stacked with even larger pieces of cardboard lying in between. We ceremonially carry each painting and place them into the back of my rather tired old ford pick up. The plywood dry box is already carefully stuffed with smaller canvas oil paintings. Now ready to drive the short distance to the exhibition venue I realize Miss Prissy’s cargo is worth many times more than she. But as usual, she doesn’t seem to mind. I am sure there isn’t a snobbish piece of metal in her paint-chipped body.  Tomorrow, STUDY of BLUE will open.

The Oceanwood Restaurant and Inn has done a fantastic job of creating gallery space.

We take our time, deciding on the best location for each piece of work.

The next evening, with toes sparkling new polish, finger nails buffed and decked out in a very fun balloon dress I open the show.

I handed my camera to my daughter Josie who did her best to capture the evening. However, she said people kept looking like deer in the headlights so she stopped taking photos after a while.

We do have a few though.

The food was extra delicious, delicately flavoured and served with elegance.

And there is nothing quite like seeing a painting through a grand piano.

Somewhere between 40 and 50 art-loving individuals wandered around looking at each painting.  Stepping forward. Then back. Then on occasion bringing a friend over to have a look as well. Sometimes eyes would snap with excitement and an intrigued viewer would say: “That one! That one is my favourite.”

My favourite comment of the evening was from a long-time resident who came by near the end of the evening to thank me for putting on the exhibition.

“It is good, very good. We now have culture right here on Mayne Island.”

I don’t think there was ever any doubt but it was a pleasure to be a spark for such sentiments. I would like to thank the Oceanwood Restaurant and Inn because they are ultimately responsible for orchestrating such a classy event which then garnered this comment.

At the end of the evening FIR TREE SKY sold to a lovely couple from Michigan, bringing the total sales so far for this exhibition to four original oil paintings. Considering our economic climate, I am pleased with these early results.

What is next? I have an offer to show at a venue on Salt Spring Island. I have an invitation to hang a piece or two in another local venue. There is a restaurant in Vancouver that is accepting original art work. I have also been asked to provide a cover image and feature interview for a regional magazine’s September issue. But I am wondering, is it time to seek gallery representation? If so, where might be a good place to start? Or do put my focus into building my direct relationships with buyers? Or is it both? Possibly both but I am still thinking. While I think I shall paint.

Thank you for your special part in the STUDY of BLUE journey with me here on Creative Potager, and on twitter and facebook.

Sprout question: What is creatively next for you?

STUDY OF BLUE solo exhibition is up until July 27, 2011.

Note: Current paintings available can be viewed and purchased at http://www.artsyhome.com/author/terrillwelch  

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

An invitation to buy a painting

I am as giddy as a bee nose-first in a newly opened rose. Only 18 more sleeps.

Yes, I am inviting you to my art opening on June 30th at 7:00 pm. Yes, I would love to see you. Yes, I will give you a glass of wine, slivers of local cheeses along with dozen other tasty nibbles and a personal tour of my work. Yes, I have made it possible for you to buy these paintings online without coming to my solo exhibition STUDY of BLUE. It is a big world. Not all of you can travel the distance to arrive here on Mayne Island. I do this because I am selling my paintings. This is my personal invitation to you. I am inviting you to buy one of my original oil paintings. There you have it – right smack dab between the eyes 🙂

No matter how carefully a gallery or artist dresses up an invitation to an art exhibition, the price tag always seems to be visible. Yet, we both know the paintings must be sold, if not today, then someday. This is the practical side of Art.

To be practical something must be straight forward and if possibly – easy. Therefore, I am going to make it as easy as possible for you to research and decide on a painting to buy. I have prepared a special post on my gallery site which includes an essential link to all of the painting images with a “buy button,” a link to the price list, a link to tips for buying original paintings and a link to directions. If you need anything else, let me know and I will be glad to assist.

Ah! There! It wasn’t so bad was it? At least I hope it wasn’t. It had better not have been. Maybe it was? Oh heck Terrill! Just click post.

Please feel free to share with others who love and collect art, in particular original oil paintings.

Sprout question: What creative reality is hitting you smack dab between the eyes?

STUDY OF BLUE solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The nuts and bolts of buying an original painting

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Apple Blossom Special

I am so close to, but not quite, finished my last painting KEEPING WATCH of the 15 that will be in my solo exhibition, STUDY OF BLUE, opening June 30, 2011. You are going to have to wait – maybe Friday, depending on how my week goes.

To sustain you until then, I have some lovely apple blossom photographs.

and another….

and another….

and another….

until finally, they are dancing on the branch….

(image may be purchased here)

By the way, I had the most amazing Friday the 13th. Two of my original oil paintings were sold in pre-sales and will be off to new homes July 27, 2011 at the close of my upcoming show.

ORANGE SEA will be off to a collector  in Victoria, B.C. Canada.

HEAVY CLOUD will be off to a collector in the United States.

May the pieces enrich and bless their new owner’s lives for years to come.

Friday must be one of my good luck kinds of days!

This now means that three of the fifteen paintings to be shown are already sold. A very good beginning – don’t you think?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

Sprout question: If you could choose anyone of the STUDY OF BLUE paintings to hang on your wall which would it be and why?

(and please don’t say the one I haven’t finished yet, it just might hurt my feelings)

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

WATCHING original oil painting of a cougar by Sue Wiebe

I have a treat for us today with a feature post and a painting by another artist. I hope you enjoy the adventure.

Do you ever get that feeling that you are being watched? Then you turn around, slowly, and sure enough you are being stalked? In this case, artist Sue Wiebe’s daughter, Courtney, found that it was a cougar and was able to take a photograph of it that Sue used as a reference for her original oil painting WATCHING.

Fortunately for us, Sue took some photographs of her painting in progress. We will start with a look at the underpainting.

Next we see the painting building and coming alive.

In the finished work it feels like the cougar is ready to spring from her hiding spot under the edge of the log – those ears slightly flattened, attentive, watching.

WATCHING 20 X 30 inch original oil painting by Sue Wiebe.

I asked Sue if she could tell us about her experience of painting this incredible painting:

It is the biggest oil on canvas I have done so far.  It taught me to painting standing up so I had a better range of motion.  But the truth of the matter is, I think, the name says it all.  The cougar watched me through the whole painting.  I would set her aside, sometimes for long periods of time, as other aspects in life needed to be attended to or I puzzled over achieving the effect I wanted, but she was always watching and waiting.  Sometimes, even demanding, that I take the time to finish.  She is finished, and yet, she watches.

If you remember from time to time over the winter Sue would comment on Creative Potager about the hours it was taking to paint fur. Well now you know the rest of the story.

Sue has been featured on Creative Potager in the past but for those of you who didn’t know she is my sister. Painting is something that we share with equal passion. On Friday I have two more of her paintings that I will post for you to see. They are a still life with the most stunning shades of orange AUTUMN BOUNTY and a limited palette painting called COURTNEY IN THE MOONLIGHT.

Sprout question: What is a creative passion you share with a sibling or other family member?

STUDY OF BLUE  solo exhibition opens Thursday June 27, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com