Painting

New homes for Art and other studio musings

/ Terrill Welch / 21 Comments

Yes, a handful of  new photography prints and original paintings  have found homes recently. Let’s have a look at a few of these and just for fun, you can use the voice of the auctioneer as the gavel is slammed down if you like…

SOLD! Extra Large 20 x 26.6 inch Lustre photography print of “Arbutus Strait of Georgia”

Prints continue to be available at redbubble HERE.

SOLD! To the lovely buyer in Ontario Canada the 12 x 12 inch oil on canvas seascape “Gray on Gray in Blue.”

SOLD! To the nice couple from British Columbia Canada the 12 x 16 inch canvas print of “Orange Sun on the sea” paintography image.

Prints in various formats continue to be available on redbubble HERE.

Okay, now for the big one. Drum roll please!

SOLD! To the lucky buyer in British Columbia Canada the 36 inch or three feet square “Sea and Clouds” oil on canvas painting by Terrill Welch.

It often takes awhile to find the perfect home for my larger paintings as they are in the thousands of dollars to purchase. But it does happen, eventually. This is the largest in my series of “Squared to the Sea” series and was completed a little over a year ago. I will be sad to see it go but I am happy that it has found the perfect home.

Other paintings currently available can be viewed at the Artsy Home online gallery. And do try out the magnifying glass that is available. Most fun.

 

The past seven weeks have seen me away for from the studio for more than thirty days. My attempted solution of a new iPad with keyboard did not result in keeping us up to speed here at Creative Potager. My apologizes.

Thank heavens for Facebook, Twitter and Google Plus!  Which brings me to some musing and contemplation about the purpose and future of this blog. So many regular Creative Potager readers are also connected to my work on these other social networking platforms which leaves me asking myself this – what unique purpose of intent does Creative Potager fill that is not happening on these other sites? Here are three observations I believe to be true:

1. Posts are easier to find and have a longer shelf-life on Creative Potager.

2. Images are more quickly and likely to show up in an image search when posted on Creative Potager so there is greater exposure of the work for new viewers to find.

3. Creative Potager offers a more friendly platform for longer posts and to profile new work, projects or initiatives.

But the most powerful pull to Creative Potager is it that pleases me to post here! I have a chance to engage with all of you in what feels like a more relaxed-tea-sipping pace than on the other platforms.

So we shall continue in a rather loose, as desired, kind of posting pattern. Yes, subscribing might be best if you don’t want to miss anything. For example, I am starting to plan a new version of the Salish Sea Sunday Savings events to begin before the end of October. These events are not to be missed as they only come around for a few weeks a each year – kind of like these golden plums in a new painting that was released today in the Artsy Home online Gallery…

FRUITS OF LABOUR  is a 12 x 12 inch oil on mounted gessobord – available HERE.

For me, this still life holds the sweet warmth of summer sun and fresh pick fruit. One of my photography clients had asked that I photograph their farm and I have been observing and capturing the golden plums in this painting since they were blossoms on the plum tree. Though I primarily paint land and seascapes, still life and even some figurative paintings will sometimes show up in my work. In fact, expect to see more small still life studies in the months ahead. They offer a nice change from the cooler shades of the sea.

 

SPROUT:  What creative musings are colouring your autumn foliage?

 

All the best of a Canadian Thanksgiving holiday Monday to you!

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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In the PINKS and other rose painting efforts

/ Terrill Welch / 9 Comments

When I blinked my eyes open just before 5:00 am they met the moon smiling down on us in the soft hues of a clear dawn. I could have gone and got my camera to capture its deep yellow-orange but instead we just gazed at each other until the moment passed.

Now, still early, the day is well underway and I believe with a bit of luck it will be a painting day. Yesterday, in a 20 minute window, I did up this quick 5 x 7 inch study “in the pinks.”

The study is to assist me with what I need to do on a larger 24 x 36 inch canvas “Always Roses” that is in progress.

I wanted to try a new red that I thought might make a better pink for my roses. But I am not sure I am convinced. None the less, my sweetie is taken with this study so I thought I would share it with you.

Each colour has its own learning curve and it seems an infinite set of possibilities as we often discover when we go to paint a wall. I remember watching Mr. Blandings Builds his Dream House (1948) a few years ago and the wife in the movie was trying explain to the painters the colour she wanted in the kitchen or something. She is going on and on about how it was the yellow of fresh butter she was looking for but not quite. She gets more and more specific with her description in her attempt to request the exact colour she is wanting. The lead contractor final turns to his side kick who has the pencil and paper and says “you got that!” The other guy is looking at his paper and nodding as he replies “uh-um, yellow!”

In this painting I feel like the wife in the movie in search of just the right pink and my palette is recording my desire about the same as the guy with the pen and paper in the movie “uh-um pink!”

For the larger painting, I had found the perfect light one afternoon but of course the day I started painting it  is different and my squished studio space doesn’t offer anything close. So I did the best I could in combining my painting day  with the light from the day before. The lighting is completely backwards. However, I wanted to paint so we just went with it.

I decided on an approach of working from the outside in until my subject revealed itself out of necessity. You can get an idea about how this works in these two images.

But is there anything left to say about a still life vase of flowers with roses? After hundreds of years of paintings of this subject it doesn’t seem like there is much. Yet, I cannot resist. I must! In fact all of the other “to do” items have been shoved aside – including getting some food in the house to eat. Well I did find a chunk of cheese and a pear. Not starving – just limited in choices.

 

 

 

 

 

 

I notice now how I shifted the shape of the vase to fit the compositional differences in the frame dimensions I am for the painting. That definitely wasn’t a conscious choice.

 

 

 

 

 

 

 

 

 

 

Let’s see what the painting in process looks like now though the glow of wet paint is making some parts look lighter than what is actually on the canvas. I am fascinated how the image changed perspective so that the viewer is looking slightly down down on the arrangement. This is not the case with my set up. However, the canvas is so tall that I had to reach way above me to paint.

So here is a canvas that rest while humming an old familiar song of roses and other flowers arranged in a vase. It was painted just for the joy of it and to please me. Thanks for tagging along with me 🙂

Now I am off to see if I can find us the perfect pinks and see if I can finish it with some measure of success!

SPROUT: What colour have you most wanted for something and had the least ability to describe?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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An interview with Terrill Welch by Charles van Heck

/ Terrill Welch / 4 Comments

Every once in a long while someone reaches out and gently grasps your elbow to steer you over to a quiet spot where they can ask evocative questions. Such has been my experience in being interviewed by writer Charles van Heck! When someone is really listening in a deep and meaningful way I often have lots to say – so this in not a short read. However, I hope you will find it an interesting one. Enjoy!

Impression and Perspectives from Mayne Island
An Interview with Terrill Welch

at Whitman Pond Charles van Heck – Woodhull Arts Journal

Whitman Pond is the website of poet and author, Charles van Heck. Welcome to Whitman Pond, a fictional place that has had a long gestation.

I know that for those of you that regularly visit here you will enjoy discovering Charles van Heck’s website and his writings and interviews.

SPROUT: Who recently asked you such good questions that you didn’t realize until afterwards how much you had to say?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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PEARS BY THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 15 Comments

A strange relationship really, pears and the sea. However, it was a joyful occasion on the day they were wedded in my en plein air painting. How did this all come about you might ask?

Well, one day not too long ago I got to thinking how the lovely pear has been painted and photographed for what seems like forever. They are a powerful symbol of abundance, cultivation or agriculture and culture. I want to marry them – at least for a while – with the sea because the sea is, at least for me, a symbol of eternal change and continuity. My desire is to go more deeply into our human relationship to our environment. A study of pears by the sea seems like a good place to start as any.

I set up my easel as the light changed quickly.

It was a grand day by the sea!

As the sea embraces the sky – and my pears of course!

Would you like a peek at the work in progress before I show you the completed painting? Yes? I thought you might…

I may paint another still life of pears by the sea but for now – this 12 x 12 inch oil on canvas is it…

(Updated October 29, 2012: this painting is no longer available)

SPROUT: What is your most favourite unlikely relationship?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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ALONE BY THE SEA original oil painting by Terrill Welch

/ Terrill Welch / 14 Comments

Don’t even ask what I was supposed to be doing this Friday because whatever it was it isn’t done. Instead, I worked on this new 20 x 20 inch oil on canvas painting that is of East Point on Saturna Island and one of Canada’s newest national parks. I took some artistic license and made the building slightly taller than it is in real live. Other than that the scene would be most recognizable to anyone who had walked out to the end of the point during a low tide and then looked back towards land.

This painting is in answer to a request by an admirer of my paintings. She asked if I could paint something with bright colours and maybe more contrast. We exchanged several posts as I remarked on how my subject – the southwest coast of Canada, is often quiet and the contrasts subtle. But I accepted her request as a challenge and asked that she leave it with me. I have been wanting to paint this particular scene for a while and I thought it would be a perfect with its deep shadows under the bank and in the crevices of the sandstone. It was a good painting problem and I greatly enjoyed saying one of artist Gabriel Boray pieces of painting advice over and over as I worked – exaggerate,  exaggerate exaggerate! This led to a whole other internal dialogue about my propensity to understate. So when all the tensions, struggles and musings had finished playing themselves out on the canvas this is what I am left with. Oh I might play a little with it yet but mostly I think it is ready to be set aside to rest. Enjoy!

UPDATE June 10, 2012: I played with the painting more than just a little based on the following feedback from colleague and artist Lena Levin –

In your painting, the building looks a bit like a child drawing. I think it fits, in a way, — in that it kind of conveys your feeling of it sticking out, as though a man has been childishly modifying the nature, which looks mature and much more solid and eternal.

But just in case this look wasn’t intentional and you want to change it, it is due mainly to distortion of perspective (horizontals of the building don’t converge on the horizon line) and, as far as I can see from the photo, the lack of variation in the red of the roof (also probably the fact that two planes of the building are of the same value, as though it’s flat).

I did want the building to enhance that feeling of temporary tension between human habitation and the landscape. However, I also wanted the building to be somewhat believable. So I went back in this morning and made some minor adjustments which then led to a few other changes leaving us with what I hope is now the final painting. The building now looks much more like the actual building on this historic site. My thanks goes out to the Lena for her critical observation.

I also had a nice surprise this week. One of my small paintings “Morning” sold at the Green House Bar and Grill. I hadn’t even had a chance to show it to you yet.  However, I am going to do a separate post showing just the small paintings and will include it with these.

SPROUT: When was the last time you were glad your Friday went sideways?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Midday in Navy Channel oil painting by Terrill Welch

/ Terrill Welch / 13 Comments

The day was bright with shifting clouds. I was asked by a student if I would paint something in our private lesson so she could see how one might start and then work a painting through to completion. A visual and tactile learner I felt compelled to honour her request. So we worked through the usual coaching process for her to choose what she was going to paint and her learning goals. Once she was underway I set up by the open door and began to work on this piece. We broke up the session with conversation and observation of the development of each painting which were of different subject matter. I punctuated our conversation with the need to honour and develop ones own painting fingerprint even while learning technique and painting processes. Time drifted at warp speed and this small 5 x 7 inch painting study emerged from the afternoon.

I am pleased with the piece. The questions asked by the student in this interchange influenced steps that I took in its creation. For this I am thankful and appreciative because as a teacher we are also forever a student.

 

SPROUT: What is your best experience of sharing a creative “how to” where you learned something in a new way? 

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Painting the Desperation of Wanting to Stay Alive

/ Terrill Welch / 17 Comments

Claude Monet is quoted from a conversation with an American neighbour in Giverny as follows:

When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever…. merely think here is a little square of blue, here an oblong of pink, hear a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives you your own naive impression of the scene before you. (reference Claude Monet 1840-1926 by The Art Institute of Chicago catalog published 1995)

I suppose you think I am going to argue with this sound advice!? No I agree and my brushes feel the same. Yes, of course I consulted my brushes and they spoke to the canvas and we are all in the same painting with Monet. However, as we conferred we also notice that Monet had left something out in his recipe for painting. It is not enough to get the colour just right or the shape just so.

A painter must paint the desperation of wanting to stay alive.

Here is a very wet detail from my painting today where I worked on this “must.”

Image

No matter how beautiful and accurate the painting of the light or interesting the composition, the painting must leave the viewer with an understanding that the painter knows that the moment in the painting is a gift in time – one worth being alive to experience. This must be said in every brushstroke, every slice of the palette knife, every squeeze of the paint tube and in absolutely every decision the painter makes to execute her vision into that brief second of a moment on a canvas.

SPROUT: How do you create with the desperation of wanting to stay alive?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Waving at you from Mayne Island with Monet

/ Terrill Welch / 14 Comments

My morning is very French here off the southwest coast of Canada. I slept late (9:00 am) hand ground my coffee beans, made espresso and baked the chocolate croissants. The sun is shining.

Wave photographs are almost the equivalent of my warm up sketches in a figure drawing session. The process gets me stretched down low to the ground in odd angles and into that place where my eye starts to relentlessly compose and frame the world around me. Waves also feed an acceleration that pulls up any lazy cells in my being that thought they might just coast along through the photo shoot. NOT! We are here to capture the movement of light. Time to get to work.

Good morning and Happy Thursday to you!

SEED:  Speaking of the French, I made a most treasured purchase a few days ago. It is the 282 catalogue (or catalog) published  by The Art Institute of  Chicago for the 1995 exhibition of Claude Monet‘s (1860-1946) art work. Did you know that he used to get angry and slash his canvases and may have personally destroyed over 500 paintings? His art career was 60 years long but he is best known for his earlier paintings during the impressionism hay-day and of course his lilies. Though my paintings and even my photography have often been said to remind people of Monet I have never studied his work – rather I reclined into embarrassment and pride at being compared to such a great artist, too scared to even give it serious consideration. I personally had felt my work may have more in common with Camille Pissarro but that is another story. But over the next few weeks and months I am going to read about and study Monet’s work closely and see if I can see what it is that has people so often making this connection.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

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Mayne Island Rain Wind and Snow

/ Terrill Welch / 12 Comments

How quickly it all changes. Yesterday’s winds have given way to rain. How those branches did bend for fear of snapping as others had in the past.

We did not go out to the shore. I get too nervous in high winds to hardly leave the house. This photograph of the valley was taken while stood at the kitchen sink preparing lunch and being thankful that the electricity was still on.

The day before however we did venture out into the blustery weather. The sandstone shore of Georgeson Island was particularly lovely in the soft light of the winter afternoon.

(image available for purchase HERE)

But this morning it is raining. I sit quietly hunkered down under a down quilt on the old couch in the loft marveling at how different each day can be from another. It was only four days ago I overheard these daffodils muttering in the snow “I told you it was too early.”

The snow is now long gone for this  young deer that browsed under the trees by at the edge of the forest, hunched up in the damp cold. I wonder where it sought shelter yesterday as the winds howled like jet planes crossing over the top of the cliffs?

A flicker had called from the beam on the covered deck to ask if I might come out for awhile.

I did. But even the oregano was snow bound.

However, it was the day I captured winter by the pond

(image available for purchase HERE) 

and enjoyed the grass against the snow…

I noticed that which was undisturbed.

This is the noticing that comes with the sudden change of snow covering much of our dark greens, grays and browns during the overcast west coast winters.

Much is still dreary though.

I thought of lighting a fire in the outdoor fireplace but then went back inside to paint – as I did yesterday. I painted on the ample 30 X 40 canvas. I wonder how the weather will be evident in my brushstrokes? We shall see on Wednesday I think. Here is a snippet of a small detail I liked that no longer exists.

The painting is almost complete. A couple of wayward blustery brushstrokes to tame and it will be done.

SPROUT: How might the weather be impacting your creativity?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

 

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A painting starts with a humble beginning – reminding me of Séraphine

/ Terrill Welch / 12 Comments

Darkness is settling heavily down on an already soggy afternoon. I have worked with my daylight lamp most of the day, finishing a painting and then touching up a new one and an older one. Now, I am roughing in a 30 X 40 inch oil on canvas tentatively called REACHING THE SEA. Each painting starts with a humble beginning, filled with hope and possibility. I love this stage. It is easy to put expectations aside. Later I will have to be firm about staying in the process but not now.

It doesn’t look like much yet and as I struggled to get quick shot of it to share with you, I wished for more light. For some reason, this reminded me of the French Artist Séraphine Louis, also know as “Séraphine de Senlis,” who would work during the day as domestic worker – and then she would paint by candle light late into the night. She also had to find and buy the ingredients to mix her own paints. At this moment, I hug my digital camera and give thanks for my daylight lamp, my prepared paints and canvas, and the luxury of being able to focus just on my art.

SEED: Who is Séraphine de Senlis? I first became acquainted with her through the 2008 French film Séraphine directed by Martin Provost. Sam Juliano from Wonders in the Dark was the first to bring the film to my attention. Yolande Moreau is brilliant as Séraphine and the film won seven French Cesars (Oscars). But who is Séraphine – the artist born in 1864 and who died in a mental institute in 1942? I am off to find out!

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Related articles