SPILLING OVER original oil painting by Terrill Welch

Do you remember back in early September when a following sea was making a grand entrance onto the shore? We had taken a long walk together admiring the arbutus trees and then the sea.

Well one of those photographs kept nudging at me to put it on canvas. So here we go.

From some very dark beginnings

I sketch in some guiding marks for the composition.

I begin to work in the primary forms.

If we look a little closer you can see these are easy and free strokes suggesting rather than predicting what is to come.

I build up the paint and enjoy the movement of water coming into the canvas.

At this point the canvas is getting too wet to do anymore.

Besides it had started to snow outside.

So I left the painting to rest and stuck it where I could keep an eye on it. Over the next week or so I would pick it up and work on it some more as it became clear what it was it was asking for. Finally, here is the finished piece.

SPILLING OVER 12 X 12 inch original oil on canvas painting by Terrill Welch

The painting is available for purchase in a new online gallery Artsy Home along with some of my other original paintings. Yes, you can now buy my work directly from this site using all sorts of means. Isn’t this grand? I will be adding more pieces very shortly.

Sprout Question: What is spilling over in your creativity?

Please note: It is December and I shall be on a vacation from regular blogging. You will still hear from me such a special holiday post and near the end of December I will be post a two year anniversary post for Creative Potager. Regular scheduled posts will then begin again the first week of January.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The nuts and bolts of buying an original painting

I often get asked for advice on what to consider when buying original paintings. Not an easy position to be in for an artist but I get that you want to know that you have made a good decision. Original work can be an expensive purchase and I know you want to make sure you are making the best choice. So here are my nuts-and-bolts considerations for buying an original painting.

Please note: all the paintings shown in this post are SOLD to patrons on Mayne Island, and in Victoria British Columbia, as well as in New York City, the state of Illinois and in Switzerland. For my original oil paintings currently available please visit the Art of Day online gallery store.

Buy what you love. Yes, a painting can be considered an investment but that should not be the primary reason it is enhancing your walls. Many times paintings do substantially increase in value but there is always a possibility that they won’t. When purchasing a painting, my suggestion is that you can imagine continued enjoyment of the work for the rest of your life.

Think about where the painting is going to “live.” What room will it be in? What will it add to that room? What purpose is the painting going to serve? For example, I often suggest a seascape on a wall where I feel the room needs opening up or some movement. Conversely, I will suggest a dense forest painting on a wall in a room that needs a feeling of warmth or privacy. However, sometimes we just fall in love with a work and will create or organize a room or space to enjoy its company.

Stick to your budget with creative vigor. No one needs to be art poor. However, there is usually a way to have a few carefully chosen original pieces in your possession. First, decide on your budget. Next decide if you need to save for your painting or if you are ready to purchase now. If you are saving for an original piece, can you buy a card or a small print of the artist’s work to help focus your intention? This is a great way to support an artist and a successful strategy to eventually being able to purchase an original painting. Also, if there is a specific painting you just can’t live without but it is beyond your current budget – ask about purchasing on lay-away. I have done this with many buyers on what I call a three-payment-lay-away-plan. The buyer makes 3 equal payments on pre-agreed dates and when the final payment is received they take the painting home. Finally, consider making the artist a fair offer within your budget. Pricing is partially subjective and many factors are taken into consideration. I have been known to accept a reasonable offer below a ticket price simply because I knew the work was going to be appreciated. Often, I make a counter offer that adds value without reducing the price significantly such as delivering and helping to hang the painting or paying for part of the shipping costs.

Ask to take the painting home on trial. Sometimes it is just too hard to decide if a painting is right for your home or office space. You are almost sure but you need to “see.” Many artists and galleries will let you take a painting home on trial for a few days. You pay for the painting by cheque or by leaving credit information and it is not processed unless you go through with the sale. Further, with online purchases I offer a 30 day satisfaction guarantee. If you are not completely satisfied with your purchase it will be fully refunded if the painting is returned to me unharmed at the buyer’s expense within 30 days.

Know the quality of what you are buying. By this I mean the physical quality of the products used to create the painting. For example, I use premium quality canvas or mounted boards and good quality water-miscible oil paints. Sometimes artists, out of necessity, will use economy grade or poor quality materials. If it is not obvious what was used – ask. A painting on good quality material using good paint should offer more than one life time of enjoyment. However, poor quality products can be fragile and a painting will need extra care for preservation. You still may choose to buy it but it is best to know ahead of time the quality of the materials used.

Take your time. Be prepared to wait for “your painting.” I have often told this to patrons of my work. It has sometime taken months and even years until “their painting” was painted. The deep smile of knowing “this is the one” is worth the wait. Of course some buyers become collectors and they have purchased a handful of paintings. For some reason it seems to get easier after the first purchase.

If you don’t see exactly the painting  you want, ask about commissioning a piece. I have only one word of caution. Do not ask the artist to paint something just like the one they have for sale only in colours to match your couch. I once had a buyer do this and my response was “have you considered buying a new couch to go with the painting?” Also, not all artists do commissioned work. This is always a good first question to ask before making a request. Sometimes you may be looking for a larger or smaller piece than what is being exhibited and the artist will have what you are looking for in their inventory. So ask for what you want because you just might be able to get it.

There you have it! Good luck with your original painting purchases.

Again, for my original oil paintings currently available please visit the Art of Day online gallery store.

Sprout question: What nuts-and-bolts considerations are part of your art purchases?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

FromMayne Island,British Columbia,Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

KEEPING WATCH original oil painting by Terrill Welch

Here it is! The last painting, KEEPING WATCH, of the 15 that will be in my solo exhibition, STUDY OF BLUE  solo exhibition opening June 30, 2011 is complete.

The painting started out in the usual Terrill-Welch-fashion with an underpainting ready to start working up into a painting.

The large upright canvas did not fit on my easel so I painted down in the sun room which is a deliciously bright place to work.

The canvas had held the movement in the scene from the beginning of the underpainting and I can see that one of my jobs will be to retain that energy right through to completion.

You may guess by now that I am painting my very most favourite arbutus tree overlooking the Strait of Georgia by the light house at Georgina Point. This tree will be featured in one of my photographs on the front cover of this year’s Mayne Island Community Chamber of Commerce brochure and be distributed up and down parts of the west coast of Canada and the United States.

The painting is now starting to breathe on its own, talking back quietly to me as I work.

Now I am close. It is not finished but I am undecided as to what to do next.

I let it rest for a few days and then I finish it up.

KEEPING WATCH 36 X 24  by 1.5 inch original oil painting by Terrill Welch

If you want you can use your inspection skills and see if you can discover what I changed. One change is particularly obvious. The others not so much so.

Please NOTE: I am taking a week off from blogging. The next Creative Potager post will be Friday May 27, 2011. It is time for a little creative downtime before shifting gears into the final preparations for the opening.

Sprout question: What does creative downtime mean to you?

STUDY OF BLUE  solo exhibition opens Thursday June 30, 2011.

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

A Week Painting

Following my intentions on a sunny Monday morning, I have my inspiration image set up and I am ready to squeeze out a few colours.

But the shadows! Gurrr!

I usually can move a smaller canvas around to avoid such things. This large 36 X 48 inch canvas has no room to move in my small studio space. Well, nothing to do but get started. I will see if I can work with it at least to get the underpainting done.

There is something absolutely exhilarating about putting those first strokes of paint on a canvas. The fact that this is a $72.00 canvas only has me swallow hard twice and mutter “be BOLD!” I work away fighting the shadows every step of the way until I have the painting roughed in.

This is about as much as I can do between holding a portable light that has a yellow glare and the shadows. I have come to the end of what I can do in the studio with natural light.

Note the bottom right hand corner and how heavily it is in shadowed. Not good I tell you. It is not good. What to do? I sleep on it – for two sleeps while the underpainting sets up.

It is cool outside on Wednesday but above freezing. I decide to move outdoors to the covered deck overlooking the valley.

It is a lovely place to work. No shadows here.

But it is rather cool and the water miscible oil paints are stiffer than I would like. I decide to keep working.

Here you can see the results from working in the studio with the heavy shadow on the bottom right hand corner. But it is only paint and fixable. I am now starting to lose my light. Where did the day go?

I am pleased. There are lots of problems still to resolve – like my cold fingers. But it is a good start.

Thursday I wake to heavy rains. I wait hoping it will brighten up. At 10:30 am I go upstairs to the studio thinking I will write instead of paint. But you see, the brushes and paint and painting are right there. I start dabbing away. Pretty soon I have the painting hauled back out on the deck. Four hours later I stop.

It is not finished but needs to rest for awhile. I will work on another painting next week and look at it out of the corner of my eye – with satisfaction.

Sprout question: What is encouraging you to smile with satisfaction?

Oh! We have a party invitation for Monday January 10, 2011 over on Leanne Dyck’s Blog at http://sweatercursed.blogspot.com Leanne is throwing a virtual bash to celebrate the e-book publication of her thriller The Sweater Curse. Please drop over leave a comment, share your favourite party food or punch recipe and a link to a great tune. Congratulations Leanne!

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Rising

From dark thick beginnings “Rising” has been sculptured into existence as the sea gives way to the rising sun. An 8 X 10 inch water miscible oil painting on gessobord with two-inch birch cradle.

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Sprout question: What has you flying with your intuition for wings?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Whisper


(prints of this painting may be purchased HERE)

I’m calling all sages to the edge of the sea. Rest your weary mind and nurture your soul as these rollers roll towards shore. Softly the whisper breaks your inner silence. Softly it calls and becomes the only sound that is heard – outside and inside. Softly… softly… softly… softly….

A 12 X 12 inch gessobord with two-inch birch cradle water miscible oil painting. More background about this oil painting can be found at Beginnings of a Whisper.

UPDATED MARCH 3, 2011: This painting is now SOLD

Sprout question: What softly calls your creativity?

Last day for….

SEA, LAND AND TIME MAYNE ISLAND calendars . For a week at redbubble, until 11:00 pm Thursday, October 14th London time, there is a promotional sale. Get three calendars for 15% off or six for 25% off. Retailers can contact me directly to order at wholesale price for more than six calendars.

 

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Only the SEA


View full resolution and purchase print of painting here.

The original has been sold to Annie Q Syed and now hangs in a sun-filled apartment in New York City. To learn more go to Annie’s post “The Soul of the Sea.”

It’s me. It’s me. The sea, it’s me, it’s me.

Calling, calling, calling.

Winds blow clarity into my being, while the sea continues to call. Every ounce of my earthly body is drawn forward… heaven-ward. I remind myself – it is only the sea.

This wee painting of a mere 8X8 inches on gessobord mounted on a 2 inch birch cradle has only one image… the final image. The painting spilled onto the surface like a wave coming to shore. No effort really. A simple whuuwwwwiiisssshhh! There it was. Well, actually hours had passed but I didn’t notice. I didn’t stop. I painted. I remembered to breathe. That was all.

Sprout Question: What will mesmerize you?

Note: Creative Potager has a new page Artist Biography and a post announcing my solo exhibition “SEA, LAND AND TIME.” Please share both as appropriate.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Salish Sea painting series

I’ve never been one to do a series of paintings on any subject. But I find myself wanting to now. I have three water miscible oil paintings in what may become a lengthy series of seascapes about the beautiful and mysterious Salish Sea.

The first oil painting in the series you have already seen as it is “Winter Sun

The second is painted on a 16X20 inch gessobord in a birch wood cradle 2” deep. It is the first time I have painted on a hard surface other than finished plywood. I used a palette knife and was so involved in the painting there are very few shots of the progress.

A start…

working to bring the blue forward…

And now for the finished painting…

View and purchase full resolution print of painting here.

For now and maybe forever it is called “Salish Sea 2

On Thursday I will show you “Salish Sea 3” which is an 8X8 inch gessobord in a birch wood cradle 2” deep that is an abstract oil painting… or at least more abstract than most of my other work…. You will have to wait until Thursday to see though.

Sprout Question: If you could sail the Salish Sea with me what might you like see?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

A painting only the artist can love

Sometimes it happens. From vision, to brush, to canvas a painting develops in large free strokes, dancing across the canvas engaging me in the swirling energy transferred in a sequence of creative exchanges. I stop. I rest my eyes upon the painting. I put my brush down. This is what occurred with “Cabin on Shore” It is a large brushed impressionist-style painting that maybe only the artist can love.

View and purchase high resolution print of “Cabin on Shore” original here.

18” x 24” by two inch 100% natural cotton gallery quality canvas water miscible oil painting

Below are a series of slideshow images capturing the creative process and detail.

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Sprout Question: Has your heart ever stopped your head in a creative process?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

If I were an owl

If I were an owl I would spend a lot of time looking at the middle of trees, as I dozed away an afternoon. The view we have of our big fir trees is like that. I set my easel up on the west deck and decided to paint an owl’s view.

The big easel I’m using was a gift from my parents the year I graduated from high school. That was awhile ago. I’ve packed and moved it so many times I don’t even care to count. It’s a treasure.

Now back to an owl’s view….I started with one of my favourite yellow-orange underpaintings but neglected to take that first photo when it was set aside to dry. Here is the next pause in painting.

And the next.

Then I made a mistake. I didn’t let it cure long enough… only a couple of days. I just couldn’t wait. So I painted. And I painted. And I painted some more….

It was okay but the painting had lost its life. The darker and more vibrant colours had lifted and mixed in with the lighter ones I was painting. Basically, I had a muddy gray mess. I was pretty sad and I felt kind of silly. I knew I couldn’t work the painting that hard so soon and I stubbornly did it anyway. So this time I left it sit for a couple of weeks. I looked at. I mused and I considered.

Did I want to try and breathe life back into it or should I just leave its carcass on the canvas?

Ah, what the heck nothing much too loose. I gave it another try.  Here are the results.

View and purchase print of original here.

18X24 by 2 inch 100% cotton canvas water miscible oil painting.

Now I am happy. I love painting trees. Just for fun, here is a close up of one of my favourite parts of the painting. I decided it would make a nice card or print in its own right.

View and purchase print of original here.

Sprout Question: Do you have a favourite subject that has kept you creative company for years?

Note: these images are available at my online store front http://www.redbubble.com/people/terrillwelch for viewing and purchase. But they seem to be having some website issues this morning so I will go back and make direct links for you later today.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada