What do original paintings of Emily Carr, A.Y. Jackson, Lawren Harris and Terrill Welch have in common?

What do original paintings of Emily Carr, A.Y. Jackson, Lawren Harris and Terrill Welch have in common? The answer is almost beyond belief – paintings by these Canadian artists are owned by the same art collectors! There I have said it out loud. I am guessing you might want to hear more about this story, yes? I thought so….

The buyers who recently purchased my large 36 x 36 inch oil on canvas seascape, “Sea and Clouds,” had mentioned in our email exchanges that they trusted I would be impressed about the company my painting would be keeping. I made a mental note from this comment that they were art collectors. I have been selling my work to art collectors of contemporary art since I was fourteen years old. Often, my paintings sell before they are even eligible for varnishing and sometimes even before the painting is dry to the touch. So this is not something new for me. But I never suspected that my painting would be rubbing corners with other such valuable collectable paintings in Canadian art as mentioned above.  The thought never even crossed my mind. I wouldn’t even have been able to imagine it. Never! I paint. I muse and have imaginary conversations with these historic painters about painting problems, life as a Canadian artist and so on. But that is about it. It is all imaginary. Their paintings themselves seem very distant from my daily work as an artist.

When I arrive at the buyer’s home we go through the usual pleasantries and meeting of the dogs and so on. I give them a portfolio for their records with a signed copy of my art book, the receipt and a copy of the blog post where I shared the painting’s development. I then bring in the wrapped painting. I focused on meeting the new owners and getting my bearings. I am always a little nervous meeting new people and new buyers of my work. I have decided it is a perfectly normal human response. Though admittedly, the nervousness could have something to do with the days and weeks I spend working alone in my studio on an island and seeing few others in person beyond my husband.

The new owner of “Sea and Clouds” helped to take the coverings off the large painting.

“Ah!” he said, never taking his eyes off the canvas “It is just as I remembered it when we first saw it!”

Though the painting was back in my studio when the couple contacted me, it had been shown over the summer at the Bennett Bay Bistro in the Mayne Inn. This is where they had first seen and admired the work.

Sold! Sea and Clouds 36 x 36 inch oil on canvas

Then the art collector walks across the living room with the painting and leans it safely against a cabinet on the far wall.

At this point, he turns to me, loosely waves his arm around the room and says “so these are a few of the paintings in our collection. This one here, as you will know, is an Emily Carr and these….”

I didn’t hear the rest of what he said. I am stunned. I look up to the painting above where he had set my painting and there was a large Emily Carr Painting – Emily Carr! The same Emily Carr who is my personal muse and mentor. The same Emily Carr who is the painter whose art journal I read regularly whenever I feel isolated and doubtful about my work. It is the same Emily Carr who is a prominent part of Canadian Art history. It is the Emily Carr whose painting sold at auction last year for an unmentionable number of dollars. It is that Emily Carr – the same one. Emily Carr my kindred spirit. Her painting is now hanging just above my painting that is leaning against the cabinet in the art collectors’ home.

It took me several moments to gather my wits about me as the art buyers showed me other Canadian works by painters from the same period. I finally seemed to be able to engage my stunned brain by the time the buyer handed me a small A.Y. Jackson study to have a look at. At this point, we talked about painting studies, process and brushstrokes. The couple told me about the Lawren Harris painting they have and how it didn’t look like much until a person stood back from the painting. It looked like just paint up close. They tell me it is an artist’s vision not the number of brushstrokes that makes a quality painting. I could have reached out and hugged them both for that comment. I knew my painting was going to be in a good home with this lovely, warm and generous couple.

As a Canadian landscape and seascape painter, there is nothing I ever want for one of my paintings than to be bought because the buyers love it – such as it is with this painting. It is an unexpected and pleasant bonus to have one of my paintings collected by those who also love and enjoy the most prominent historical Canadian art work that also has influenced my own painting, not so much in style but as in preferred choice of subject matter – the Canadian landscape. It was a good day for this artist. A very good day indeed.

I am taking a bow for the love of Art and the Canadian Landscape. Will you join me?

Now I am back to painting and preparing the underpainting for a new 4 x 5 foot canvas. More on this in the near future.

Thank you to all of you who continue join me on my painting and photographic journey here at Creative Potager and elsewhere. You are the best and a big part of what adds value and connection to my everyday life as an artist living on a small island off the southwest coast of Canada. May your today bring with it creative abundance.

If your creative work could enjoy the company of other historical prominent mentors, in your wildest dreams, who would it be?

Update April 2015: These collectors have now added a second “Terrill Welch” original oil painting to their art collection shown below…

Sold! Point No Point Mid-storm 16 x 20 inch walnut oil on canvas

Point No Point Mid-storm 16 x 20 inch walnut oil on canvas by Terrill Welch 2015_04_25 137

© 2012 – 2015 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Creative Potager – Visit with painter and photographer Terrill Welch

From Mayne Island, British Columbia, Canada

For gallery and purchase information about Terrill’s photographs and paintings go to http://terrillwelchartist.com

Autumn Sliced with a Tear

Just the highlights from a painter and photographer’s last five days…

Sunday – Today is one of those slow-baked, melancholy west coast Sundays, so moist and tender you can slice it with a tear.

Autumn Sliced with a Tear

(available in my redbubble store at HERE)

Monday – new painting.

To see at a glance the cliffside, the sea and the movement of light across the canvas. This unframed 16 x 12 inch oil on canvas is a studio-finished plein air impressionist painting of one of the most beautiful location on the southern most gulf Island off the west coast of Canada.

Fiddlers Cliffside Saturna Island  – oil painting

This painting is now in a private collection.

Tuesday –  After an appointment this morning I slipped off to the sea – for no reason other than to say “hello” to the sea, the sun and today.

Here is Today

Wednesday – Perfect for today…. Moroccan Harira Soup

Every time I make this soup I do something a little different. Today it was 1/2 cup of dried organic French du Puy Lentils instead of the ready-to-go canned ones. Just add the dried lentils at the same time as the carrots. Enjoy and feel free to add and delete veggies… it all works. No potatoes or cabbage in mine today 🙂

Thursday – Seagull Cry Mayne Island

These gray days are as much a part of west coast life as the gulls. Loneliness and aloneness are so close that they whisper to each other and can be heard above the wind and pelting rain.

There is a Haiku poem by Alexis Rotella that came to mind as I closed in on framing this image….

The Gull
giving loneliness
sound.

SPROUT: What are some of the high lights of your creative week?

P.S. I left out the event of locking my keys in the car over by the daffodil garden. It was not a highlight. Thankfully, because the kindness of one of our Mayne Island residents, it was only a minor bleep in the week.

Today I have a long list of tasks in preparation to leave for the big city Vancouver B.C. on Friday morning. I wish all the best for today and the weekend.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

New homes for Art and other studio musings

Yes, a handful of  new photography prints and original paintings  have found homes recently. Let’s have a look at a few of these and just for fun, you can use the voice of the auctioneer as the gavel is slammed down if you like…

SOLD! Extra Large 20 x 26.6 inch Lustre photography print of “Arbutus Strait of Georgia”

Prints continue to be available at redbubble HERE.

SOLD! To the lovely buyer in Ontario Canada the 12 x 12 inch oil on canvas seascape “Gray on Gray in Blue.”

SOLD! To the nice couple from British Columbia Canada the 12 x 16 inch canvas print of “Orange Sun on the sea” paintography image.

Prints in various formats continue to be available on redbubble HERE.

Okay, now for the big one. Drum roll please!

SOLD! To the lucky buyer in British Columbia Canada the 36 inch or three feet square “Sea and Clouds” oil on canvas painting by Terrill Welch.

It often takes awhile to find the perfect home for my larger paintings as they are in the thousands of dollars to purchase. But it does happen, eventually. This is the largest in my series of “Squared to the Sea” series and was completed a little over a year ago. I will be sad to see it go but I am happy that it has found the perfect home.

Other paintings currently available can be viewed at the Artsy Home online gallery. And do try out the magnifying glass that is available. Most fun.

 

The past seven weeks have seen me away for from the studio for more than thirty days. My attempted solution of a new iPad with keyboard did not result in keeping us up to speed here at Creative Potager. My apologizes.

Thank heavens for Facebook, Twitter and Google Plus!  Which brings me to some musing and contemplation about the purpose and future of this blog. So many regular Creative Potager readers are also connected to my work on these other social networking platforms which leaves me asking myself this – what unique purpose of intent does Creative Potager fill that is not happening on these other sites? Here are three observations I believe to be true:

1. Posts are easier to find and have a longer shelf-life on Creative Potager.

2. Images are more quickly and likely to show up in an image search when posted on Creative Potager so there is greater exposure of the work for new viewers to find.

3. Creative Potager offers a more friendly platform for longer posts and to profile new work, projects or initiatives.

But the most powerful pull to Creative Potager is it that pleases me to post here! I have a chance to engage with all of you in what feels like a more relaxed-tea-sipping pace than on the other platforms.

So we shall continue in a rather loose, as desired, kind of posting pattern. Yes, subscribing might be best if you don’t want to miss anything. For example, I am starting to plan a new version of the Salish Sea Sunday Savings events to begin before the end of October. These events are not to be missed as they only come around for a few weeks a each year – kind of like these golden plums in a new painting that was released today in the Artsy Home online Gallery…

FRUITS OF LABOUR  is a 12 x 12 inch oil on mounted gessobord – available HERE.

For me, this still life holds the sweet warmth of summer sun and fresh pick fruit. One of my photography clients had asked that I photograph their farm and I have been observing and capturing the golden plums in this painting since they were blossoms on the plum tree. Though I primarily paint land and seascapes, still life and even some figurative paintings will sometimes show up in my work. In fact, expect to see more small still life studies in the months ahead. They offer a nice change from the cooler shades of the sea.

 

SPROUT:  What creative musings are colouring your autumn foliage?

 

All the best of a Canadian Thanksgiving holiday Monday to you!

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Morning walk along the Stuart River – a tribute to my grandfather

It has been more than ten days since you have heard from me here on Creative Potager. There is a good reason for this. My grandfather passed away and I have again just returned from Vanderhoof.  Though this post is a tribute to my grandfather it is really not about him much at all. Sometimes the best way to honour a person’s life is to do what they taught you and what they most loved to do. So this is what we are about to do – take a long walk along the Stuart River on my parents’ farm with my mother leading the way.

It was a gorgeous early fall morning. The sun was just catching the old cabin near the cow pasture that is now used for storage.

Thick fog is still clinging to the river.

The night before it had frozen. We had arrived home to the farm shortly after dark with clear skies and a temperature that was just above freezing. Like a family raccoons we headed to the garden and greenhouse to pick corn, cucumbers, tomatoes and melons. The only difference was we had headlamps and flashlights.

Before it got so warm that the foliage wilted, I wanted to catch a few of the beauties still blooming in the garden. This is one of the prize sunflowers with its face up to the September dawn.

Then there were the smokey rose gladiolus…

And the Joe Pie plant…

To be very honest with you, my grandfather appeared to care less about flowers and I can be fairly certain if he was walking with us he would have headed out without so much as a pause in front of these cultivated beauties. But I like them.

How we got started on this adventure was because I wanted to take some reference images of the tall lean poplar trees for painting when I get back to the studio. My sister asked if it would be okay if she tagged along. Of course it would be and then I asked mom if she wanted to bring her camera too and join us. My daughter looked from one to other of us and slipped into a pair of my mother’s rubber boots and we headed out.

I got my reference shot.

As you can see, it is nothing special. I just wanted the structural bones of the tree. I announced with satisfaction that all I had intended was accomplished and I was happy to follow along with whatever everyone else wanted to do. My mother got that thoughtful look – the one I have seen on her face for all of her almost 75 years. It means she is mulling something over but that it has already been decided.

The morning is stunning. With a slight shrug she turns and heads out across the top of the pasture towards the river on the far side.

I am pretty sure at this point that we are headed out around Sturgeon Point which is about a mile of river frontage on the home place. It is a beautiful walk but on years such as this that the river floods it is unusable during the summer. Also parts of the banks are sometimes  washed away and there is a fair bit of brush that will cover the trail. As mom looks up river to see what she can see, I am certain that, if the trail is dry enough we are taking it.

I look down at my waterproof garden clogs sensing their inadequate though comfortable structure. I should have grabbed the other pair of rubber boots – too late. If one is to dawdle it is to find yourself following glimpse of the others through the underbrush.

Several times I pack my camera back into the backpack camera bag as I poke it through the brush in front of me or slide through a mucky spot along the river-bottom land. My sister looks back as if to say – are you coming?

Mom points of things along the trail such as wild mint that we should pick if we want it for tea later. She scans her way along the area keeping an eye out for moose, bear or maybe a beaver or muskrat on the water. She warns us to follow her footsteps so we stay on reasonably solid ground.

As usual I at one point do not heed this warning and end up with my clog stuck in the mud. I step back in my sock foot pick it up then scrape out the mud and wipe my sock foot on the grass, reunite the pair and continue on.

My sister spots some mist rising on the creek across the river.

While she is changing lenses I take this and it is a good thing because the mist is gone by the time she is ready.

I coax my daughter into standing for a moment in the warmth of the morning sun.

“Baby Too” is due in the third week of November.

With my pockets stuffed with wet wild mint leaves we are almost around the point and ready to head back along the old trail. However the water is still a bit high in the draw so mom takes us out to continue along the riverbank trail instead. I get her to hold up while I capture the natural riverbank on the far shore.

And another photograph of Fishing Creek.

We are wet and muddy almost to our knees.

But happy.

We can hear the tractor running as dad sorts cattle. Mom comments that her trail is now well packed for the fall. Above all, we know we have done the most important thing we needed to do this morning.

I take one more photograph of the poplar trees that I had come out to capture.

All is right in the world for another day.

My grandfather, Charlie Baxter Davidson, was born May 29th in 1916 weighing 3.5 pounds. His twin did not survive. During these fragile first days of his life his mother kept him in one of her shoe boxes inside the warming oven of her wood cook stove feeding him with an eye dropper. He was so small that her wedding band fit around his wrist. With such a strong heart and will to live, it is not really surprising that he was 96 years old when he passed away on September 9, 2012.

He arrived on the Stuart River with his parents to homestead when he was five years old. This is where he lived until he was ninety-one years old making a living as a guide to hunters, trapping furs, raising cattle and doing seasonal work such as hand falling trees. His children, step-children, grandchildren, great-grandchildren and great-great grandchildren have had the good fortune to inherit through the generations an appreciation and respect for the outdoors. This walk I share with you today may even seem familiar in some ways for those of you who have been taking walks with me in the southern gulf islands over past few years. Walking in the woods or along the water is a strong thread in my life which has its roots with this man and his daughter – my mother.

The photographer for the photograph I share with you of my grandfather is unknown but my aunt, Anne Davidson, has taken the time to scan many of the old photographs in recent years. My thanks go to her for printing me a copy of this one which I have rendered as a black and white digital image.

SPROUT: If you were to give a tribute to a family member who has greatly influenced your life, who would it be?

P.S. I know this post is long but it seems to me necessary. I hope you have enjoyed the adventure…. My mud-soaked garden clog was dried out in front of the wood stove and is as good as new.

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

The Nurse’s Place Clinton B.C. – Plein Air painting

There is something extremely companionable about a painter with all her gear packed in the car, a partner who likes to sleep in and an overnight stop in the small village of 740 residents in Clinton, British Columbia.  As the darkness gathered tightly around a warm late-August evening, I scouted my morning plein air location. I wanted some place a little off the beaten path but not so far I couldn’t carry my french box easel and camera. This is what I found. I was standing here ready to set up to paint at just after 8:30 in the morning…

With a blank canvas on the easel

I had about an hour to capture all I was going to capture.

What was most important? What shall I leave out? How shall I begin? With a large brush, I start to answer these questions as I rough in the view.

Notice the top of the painting and how the clip is not holding the painting in place. When plein air painting the light and the weather often change quickly. About 45 minutes into my painting session this oversight of that loose top clip becomes a grave error.

Yes, you guessed it. A large gust of wind came tearing down the valley and, to my horror, flipped this small painting off the easel and smack on its face in the gravel bits on the road. Disappointed, I pick it up and secure things a little better for next time.

While I was still assessing the damage and deciding what – if anything – I could do next, the neighbour from the place on the other side of the road behind me came up and asked if I minded if he had a look. This is when I learned that I was painting “The Nurse’s Place.” With a promise to give him a call when the painting was completed, I conceded that my time was up. I started to pack my gear and with the painting tightly secured to the easel headed back to the Cariboo Lodge where my dear sweet husband proclaimed that he loved the painting, gravel and all. I gave a grim half smile while silently saying a small prayer to the gods that look after plein air painters and their paintings to allow the gravel bits to roll off the canvas once it had dried.  Then we went for a late breakfast and I refused to look at the painting again until today.

To my delight, the small bits of gravel rolled off the canvas and I was able to finish up the painting in the studio.

THE NURSE’S PLACE CLINTON B.C. 9 x 12 inch oil on canvas by Terrill Welch

Update June 2023: This painting is now SOLD

Well, at least most of the gravel is gone. If a person looks very closely there is still a little Cariboo grit on that canvas. But I think that is only as it should be. I am calling it DONE! My next task is to place a call to the wonderful neighbour who dropped by to see how the painting was coming along.

SPROUT: When was the last time you courted disaster only to have it give you a good hard flip?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Psssst! Today is The Artist Studio Floor Show

It is here – one day only The Artist Studio Floor Show.

World Clock for this Event
09:00 (9:00 AM) CDST Aug. 31, 2012 through 09:00 (9:00 AM) CDST Sept. 1, 2012
What is a the Studio Floor Show?

Artists paint.  Artists accumulate work.  A lot of work.  It’s that simple.

Sometimes that work never finds its way to a gallery or exhibition and sits on the artist’s studio floor.  That inventory can become unmanageable, taking up valuable creative space and the artist must do something.  Throughout the years, artists would open their studios to the public and sell their work at a sacrifice in order to make room.  The art is usually stacked and leaning against walls, on the floor… hence the name.  As one patron once told me, “It’s like mining for gold”.

Historically, these shows are held in brick and mortar studios, but with the advent of the internet, it is now possible for you to enjoy the excitement of attending one of these shows… right from the comfort of your home.

The Artist Studio Floor Show will present these virtual shows on the same premise as in the real world.  They will be for one day only, for twenty-four hours from the posted start date and time.  Each participating artist will exhibit their work on this site with a link to their respective websites.  You will be able to purchase your art directly from the artist… from their studio.

 Note:  Sales at floor show prices cannot be completed until Aug. 31st, per the published time (above), and for a 24 hour period only.

Floor Show Presentation

C. J. Shane

Yuma by C. J. Shane

Yuma,   Oil on Canvas,   30″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.


C. J. Shane

Desert Home by C. J. Shane

Desert Home,   Pastel on Paper,   18″ x 24.5″ (24″ x 30″ matted)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

C. J. Shane

Dunes by C. J. Shane

Dunes,   Oil on Canvas,   16″ x 20″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Centered by Maude McDonald

Centered,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

Trees III by Maude McDonald

Trees III,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Maude McDonald

5:59 P.M. by Maude McDonald

5:59 P.M.,   Oil on Canvas,   24″ x 30″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Happy Hour by Melodie Douglas

Happy Hour,   Acrylic on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Oriental Solitude by Melodie Douglas

Oriental Solitude,   Pastel on paper, 11″ x 14″ (Matted for 16″ x 20″ framing)

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Melodie Douglas

Vessels by Melodie Douglas

Vessels,   Acrylic on Canvas, 24″ x 36″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

At the Beach by Terrill Welch

At the Beach,   Oil on Canvas,   12″ x 12″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Cabin on Shore by Terrill Welch

Cabin on Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.

Terrill Welch

Far Shore by Terrill Welch

Far Shore,   Oil on Canvas,   18″ x 24″

The show has closed.  If you are interested in this artist’s work, please click on “participating artists” on The Artist Floor Show menu bar above and visit their site.  See you next time.
For more about this event and other Artist Studio Floor Shows in the future please go to The Artist Studio Floor Show .

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Early November Sea oil painting by Terrill Welch

Terrill Welch's avatarTerrill Welch

The light changes fast over the sea in the early November afternoon – warm light reflected the blues of the sky across the water. I want to stay forever and now I can come back often….

Updated: July 1, 2014: This painting is now SOLD.

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Mayne Island en plein air painting morning

August is my favourite month of the year and the weather is finally spectacular – feels like summer at last. However, I am not good at beach-sitting but rather prefer to be beach-doing with either my camera or french box easel or both. Such is the case on this fine morning down on Reef Bay, Mayne Island…

I am feeling fairly pleased with myself. I have the 12 x 16 inch canvas blocked in and the sea is singing away as I work away for about 45 minutes. But after awhile I take and good look. It seems nothing is quite right.

The parts in the painting are separate and seem unrelated to each other. I frown and I stall by signing the work. I look out at the scene before me. I walk around eating a golden plum I had brought with me for a snack.  After awhile I acknowledge that I am still undecided and unsure about what to do next. But who can fuss on such a find day? I shrug and I set the canvas aside. I picked up my second blank canvas, slightly smaller at 9 x 12 inches and turn to the view just to my left.

This time I set to painting looking quickly and briefly at the scene as waves roll softly over and over again onto side of the reef. We seem as one – the sandstone, sea and me.

Swish, swish, swish. My brush responds with ease, leaving out the freighter and the driftwood as it focused on the relationship between the sandstone, the sea and the sky. After awhile, my bare arms begin to tingle from the heat of the sun and I am thankful I had decided to put a hat on my head. Stopping to take a long sip of cool water I squint at the painting.

It is done. Complete. Finished – and so am I 🙂

I pack up and head home. My en plein air morning is no longer morning.

Of course, you know, there is that other painting right? Well I sleep on it and get up in the morning to see what I can do with in the studio. Hum! I am not sure this helped much.

Though it is starting to come together, the overall painting is muted and lacks strength and conviction. Now what? I go back to my some reference images  I had taken and look closely at the first photograph that I showed you here. I walk away and do a few chores. Then I take another run at it – or rather brush at it. I am determined though unattached to the outcome.

Now let’s see – yes, there! Now I think we have it.

The day is shot. It is well after six o’clock. I missed lunch and am not up to cooking us dinner. We decide to slip out to the Green House Bar and Grill. I ask David if I had any paint on my face. He said “no darling you look fine.” Off we go.

The first thing the owner says to us as he hands out the menus is “hey Terrill, you have paint on your nose.”

Not only that, some how I had managed to get three different splashes of colour on the front of my t-shirt as well. But they let us in anyway 🙂
Once these two oil paintings are dry and I am satisfied that no further adjusting is needed they will be available in the  Artsy Home online gallery along with my other paintings that are currently available. However, if you are interested in having one of these hanging on your wall and you email me at tawelch@shaw.ca no later than 6:00 am PDST tomorrow, Friday August 17, 2012 I will cover the shipping for you to anywhere in North America. The 9 x 12 by 3/4 inch “Late morning in August by the sea” is currently $430. The 12 x 16 by 3/4 inch “August morning Reef Bay” is currently $675.

SPROUT: What keeps you coming back to  something until you get it the way you want it?

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com

Mayne Island Backyard Bandit Capers

 

 

Mayne Island is a quite rather bucolic southern Gulf Island off the west coast of Canada. But this island has also been known to have its share of mischief. There are roving masked bandits during the night that frequently get up to no good. It is worth keeping an eye out for them just to be on the safe side. Let’s see if I can assist you in knowing what you are looking for. Ah yes, here comes one now…

“Who me?” she says.

Yes you! We are talking about you Miss Curious Cat.

“Well how interesting” she softly growls.

But then she thinks “what else could I possibly expect with such frequent trips through their property?”

“Lovely evening isn’t it?” and she almost smiles before looking farther up the tree to make sure the children safe.

Three of these are hers and one is the baby of a good friend of hers who is guarding the bottom of the tree and too hidden by the underbrush to get an identifying mugshot. The tree is like a raccoon hotel at the moment with the guests swinging from the rafters.

I suspect that they stopped at the compost fruit and salad bar before coming up because they sure know how to be entertaining and silly. Raccoon tail hat anyone?

 

If you do see any of this masked bandits do keep your distance. These photographs were taken with a telephoto lens so you can get good look at them. They may look cute but are fierce and can be aggressive if cornered. If you note those powerful back legs it is easy to see why they can spring a good distance to attach if they feel threatened or their young are in danger.

SPROUT: Who have you recently caught roaming around your yard at night?

 

© 2012 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

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Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Terrill Welch online Gallery at http://terrillwelchartist.com