Stuck

I’m stuck. The painting above is about half to three-quarters finished and somehow I have become attached – invested. The arbutus driftwood, sandstone and tide pool have drawn me into a deadly web of “don’t touch it!” When I’m painting with watercolours, more than with any other of my creative processes, I must work from a place of detached emotional clarity. Watercolors are transparent like steps in the sand. Every move shows until you start a new sheet (or the tide comes in).

Sometimes, if I wait for a few days the next step will become clear and release me from the fear of “ruining everything.” I’ve waited two weeks. Nothing. Sometimes, if I move the painting to a new location and see it in different light I can decided what is next. Still nothing. In fact, I’m even more attached than before I took the darn thing out of the studio. Yet, I know the painting is not finished. This means only one thing. I must push through allowing my intuition to guide me into new learning.

I must firmly say to my self: “It is water, colour pigment, and paper. That is all.”

If a muddy puddle of coloured water with mushy paper is all that is left by tomorrow, I shall compost it in the flower bed. If I end up with a finished painting, I will consider it the first in an exhibit I’m building about the arbutus tree. Either way, I shall take a photo of the results and share them with you.

Sprout Question: Has there ever been a time when you were stuck and finding it difficult to finished a creative piece? What did you do?

p.s. If you hear little from me until late tomorrow, I’m painting…or possibly composting.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Reflect

View image in full resolution here.

To reflect or “cast back from a surface” is a large part of my photography, writing and painting. As a self-proclaimed storyteller, it is the art of reflection that is “the brand” of my creativity. My desire is for you to be with me – seeing what I see. I want you to smell the damp earth as you look at the trees reflected in the pooled water from resent heavy rains. I want you to hear the small winter birds and feel the sun as it finds its way through the forest canopy. I want you to notice how blue the sky is through the trees in the image reflected on this surface.

My desire is to be with you in this sharing. This is what motivates me to post, to have a blog and to specifically have the Creative Potager blog. It is my kitchen garden of creative thoughts and moments for us to enjoy. I am thrilled when you stop by to plant an answer for the Sprout Question or add an idea or appreciation in the comments. I love the easy gathering that happens with each of these posts. I am fed and nourished in ways I find hard to describe by our shared reflections.

For this I thank you.

Sprout Question: What are you casting back to the world from your creative surface?

Note: I am traveling on Monday so posting today, Sunday, before I leave.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Fan Your Creativity

When we live a creative life, we create, we manifest and we pour out our inspirations day after day. In the language of Julia Cameron the creative well needs to be refilled – an “artist’s date” is what she prescribes.

We need to fan the flame of our creativity with cushy pampering. My “artist’s dates” often include enjoying the creativity of others.

Going to the city is a great place for tapping into rare creative gifts. We dined at Café Ceylon. Chef Tamara Bailey, a native of Sri Lanka – uses principles of Ayurveda in her cooking and prepares the most delicate dishes I have ever tasted. We seldom get to take in Chef Tamara Bailey’s masterful art work because of ferry schedules. Last evening I feasted under her talented palate on blackened coconut curried prawns – the sauce takes five hours to prepare. My creativity is stoked.

Later back at our room in the Humbodlt House Bed and Breakfast, following a lengthy lounge in an oversized soaker tub (we only have a shower at home), I browsed through my blogroll to see what other creative souls had been doing. Leah Piken Kolidas of Creative Every Day is featuring creations by amazing CED participants.

Ahhhhhh! See you back at the studio next week. Friday happy dance to you.

Sprout Question: How do you pamper and fan your creativity?

Note: I have limited computer access today but shall be on-line again this evening.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Time Found

View full of resolution of image here.

Today is a sketching and painting day. While I work in the studio, I bring you a poem I wrote in October which may hold the treasure-chest of gray I live today.

Time Found

Run away with me –
I’m leaving now following a warm trail of imagination.
Slipping between – moist vapor swiftly moves,
trees appearing and disappearing – deception a namesake.
Moments pass quickly when noticing the slice of moon
sliding across night’s gateway to tomorrow.

Darkness settles into the corners of the room as lamps are silenced.
Be my imagination not that of Goya’s ghosts –
I seek a warmer, friendlier, more hopeful place.
Lifting evening’s gentle cover close under my chin,
time greets me as familiar as an old friend –
one I have been missing.

On this West Coast, mid-January day … as dawn carries the rain into rivulets down earth’s spine – I shall live each moment of each day to my fullest.

Sprout Question: What creativity might be hidden in your shadow?

Additional reading for the unwilling explorer of darkness: a powerful article by Lissa Rankin –  Owning Darkness: Accepting The Shadow

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Stand with Haiti

View full of resolution of image here.

Yesterday, in a sea of compassion and despair for Haiti, I went for my usual walk with camera in hand. The image Stand with Haiti symbolizes renewal and hope. The rose-hip is the brightest element in our gray, wet, January, West Coast landscape. One can be consumed by the gloom, if it were not for the rose-hip hanging from a leafless branch drawing attention to the new shoots starting to sprout. As the waves washed the sandstone with rhythmic regularity behind me, I discovered the possibility for renewal and hope for Haiti in this rose-hip.

Sprout Question: Is your creativity ever a call to inspire action?

(I have a very special connection to Haiti as my step-daughter, Nikki, volunteered twice for Clean Water for Haiti. But even if I didn’t have familial insight into Haiti, I would want to do something. For those interested in donating, here is the link to AVAAZ Stand with Haiti: http://bit.ly/7t0CN6 )

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Path of No Return

View image in full resolution here.

Yesterday I wrote about redefining the concept of “underpainting” and “overpainting” to include moving from a digital photo through digital processes leading to depicting other art forms such as oil painting and ink drawing.

Today, the image I share with you has little resemblance to the original digital image. Yet it feels more like what I experienced in that moment than the original photograph. With rising tension, I digitally worked to create this image, changing one thing, then another and yet another. Like the children in the fairy tale, I was so delighted and excited about what I was doing that I place no marks on the path for my return. Yes, I have the original photograph. But the here-to-there is lost in the same mental processing as happens when I physically paint.

In the image above, Cedar in oil, I now have only the one image left that is the voice of what I want to express.

Dr Bob Deutsch states “The creative communicator is an alchemist of thought, attending to the reasoning of emotion” in “Marketers Need to Better Understand Creativity” This statement seems right – validating. (Note: this reference is to incredible well-written article about creativity published today January 13, 2010)

Sprout Question: Accepting that you are a creative alchemist, what do you want to express in your art that isn’t available before you start?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Afternoon Delight painting

View image in full resolution here.

In keeping with Creative Everyday’s 2010 challenge theme for January of “body,” I have chosen to revisit this 1993 water-colour painting Afternoon Delight.

The image of the original water-colour painting  is now rendered in oils for printed on canvas. The original painting has had three standing offers on it for years but I have been unwilling to part with it. Now I can offer a print of the image that I am sure will please those desiring to purchase the original… not the same but close.

My first paintings were in oils. I switched to water colours when my children were small because the medium was less toxic and had a faster drying time. I am thinking of going back to using oils or maybe one of the newer acrylic brands. Revisiting this image and using new technologies has again inspired me to venture into other painting mediums.

Sprout Question: Of your creative work, what can you revisit to inspire your current creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Potatoes to Potato Salad

January rains keep the mist close to our strawbale, timberframe house here on Mayne Island. Daylight feels like it may never arrive today on the Southwest Coast of British Columbia, Canada. I hardly notice. Early this morning, I set off on a memory journey to a hot July day in a more northern part of the province. The year is 1966. I will soon be eight, as my birthday is near the end of August. My younger brother and I are staying with our grandmother Mona (Granny) at the family homestead on the Stuart River.

It is early morning and haying time. My grandfather has already left for the fields. We are in the garden with Granny gathering vegetables for potato salad. Already the sun has licked the dew off vibrant green broccoli leaves as they reach skyward from their well-spaced rows. Butterflies loop their way from one plant to another searching for any hidden dampness. Thankfully, it was too warm for the multitudes of mosquitoes which would savagely dive bomb our skin again come evening. I hear bees buzzing in the tall borage plants that are leaning their fuzzy foliage out into the path near the entrance to the garden. Keeping my bare legs clear so as not to get accidently stung, I follow barefoot behind my Granny as she thins, picks, prunes and digs things up to go in her large basin that we will then take down onto the wharf in the river and wash for slug, cut worm and aphid expulsion.

My brother went directly to the carrot patch pulling up one carrot after another. The ones that are too small he pokes back into the ground – until my grandmother turns around and catches him.

“Ack!” She exclaims. We always froze mid-movement when she (or our mother) made this sound.

“If you pull them out you have to eat them.” She pauses to ensure my brother is looking at her and really listening. He is only five.

Her voice softens as she continues “When you pull up the carrot it won’t grow anymore even if you put it back in the ground. Look for the bigger ones and only pull what you are going to eat.” He nods and following her example, begins to look for the fatter tops of the carrots showing slightly above the dusty soil.

We gathered new potatoes, carrots, peas, radishes, a few green beans, small onions, parsley, and sprigs of dill. Having washed everything in the river, our wet feet prints follow my grandmother’s up the wood dock towards the house. We now had all the makings for a potato salad. We were going to have a picnic, complete with Tang orange juice and lettuce with sugar on top for dessert. The older eggs (as they were easier to shell than fresh eggs) had been boiled earlier and were cooling in cold water. The fresh cow’s cream had soured on the counter overnight and Granny had made mayonnaise from scratch.

Using the propane stove, she steamed the vegetables and drained them to cool. The wood cook stove had been allowed to go out after Granny had made us pancakes and moose burgers for breakfast. The rest of the day she would use the propane stove to try and keep the house cool.

Laying newsprint out on the kitchen table we helped to shell hard boiled eggs. My first one got grey and grungy from the ink off the newsprint. But dipped in the pot of water beside us, it came out shiny white again. My brother’s eggs broke in half but that was okay. Chopped up no one would notice. Granny rubbing the inside of her large heavy mixing bowl with fresh garlic and began to slice the soft fragrant items into its smooth surface. With our knees on our chairs and our noses close to the bowl, we watched. First, the potatoes with their jackets still on, then the eggs (with three eggs set aside for later), then the carrots, then the pebbly peas and snapped green beans. They were all sliced into a pile one-on-top-of-other into the bowl. The crisp red radishes and onions were next adding to the mountain of colour and smells.

In a measuring cup, equal amounts of mayonnaise and sour cream are combined with a dash of dried mustard, salt, pepper, lemon juice and shopped dill and parsley. With a twist of the spatchula, the whole works is plopped onto the pile already in the bowl. We are in awe. What a mountain. What a bowl. This is going to be a great picnic. Squirming around we keep our itching fingers out of the mixing. Once folded and mixed, the salad was flattened with the base of the big spoon. The three eggs that had been set aside were sliced and placed on top. Then the whole shebang was sprinkled with paprika – beautiful.

Our Potato salad was taken to the root cellar and set in the ice box to cool and let the flavour mount. The ice had been harvested from the frozen river during late winter and cut into large blocks. The blocks were then placed in the root cellar and covered with sawdust for cold storage during the summer. There was no refrigeration.

We had two whole hours to wait until it was time to pack up the picnic. After stopping to inspect the baby garter snakes sunning themselves on the top of the root cellar, we came back to the house and slide up to the table again. Taking paper, pens, pencils and crayons, we drew mountains of potato salad. Page after page filled with squiggles, circles, and colours depicting how potatoes became potato salad. My brother even had talking potatoes in his drawing.

Sprout Question: What delights and inspires your child-like creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Butterfly mornings writing “Mona’s Work”

With my toes wiggling under the same wool blanket that my mother made me for my birthday one year, I look at the photo of my painted toes from several summers ago. From present, to mid-life to childhood, I’m drawn back into my memories of my grandmother Mona. I began writing Mona’s Work in September 2007. I need to finish it. Today is a writing day.

I allow the blanket made in colours gathered from one of my gardens to drift me back to a place full of butterfly mornings…and wild flower afternoons.

I’m back where the hay is being cut in the field and I am making potato salad with my grandmother using new potatoes, radishes and green onions from her garden. I leave you here to enjoy this beautiful song by Hope Sandoval & The Warm Inventions off of “Bavarian Fruit Bread”, as I go off to my day of writing.

Sprout Question: What objects and memories do you keep close to spark your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Surprised Oil Painting

My photo shoot yesterday produced mixed results in the low and uneven afternoon light. However, sitting quietly with one of the images, during the editing process, lead me down an interesting path. After several turns, a shoreline photo is transformed  into a black and white oil painting of Bennett Bay on Mayne Island.

View the full resolution of Bennett Bay Mayne Island  here.

When we are prepared to be surprised and allow an image to call us forward, not just in the beginning of the creative process but all the way to the end, sometimes magic happens. I almost through this original photo image away even though I liked the composition because the mood was different than I wanted. But I just couldn’t get myself to press the delete button and I started to play with the image instead. First, I made the image black and white (as it was almost there already). Then I used a simple program to change it into an oil painting – nothing complicated, just editing tools I had at hand. With a bit more fine tuning, I now have an image that is no longer “really” a photo or ‘really” an oil painting. Setting these judgments aside – I am happy with the end results.

Sprout Question: What creative process might you try if you set your initial judgment about what is legitimate “creative work” aside?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.