Soft light

Today heavy clouds filter the sun into a perpetual dawn. With rain tapping the roof now and again, I sleep late. No harm done – at least none that I have noticed. I remember our walk yesterday afternoon with its scattered clouds and soft light.

Walking a coastal trail…

Often looking towards the view but not going out to admire. We are smoked in. It seems as if someone is burning brush.

It is so pleasant under the trees. The air is heavy and still as we walk quietly through the soft light.

(image may be purchased here.)

 

Sprout question: How are you embracing what the day has to offer?

 

© 2011 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

 

Nothing but blue skies from now…

Sometimes it feels like nothing but blue skies from now on… when the grey clears in the winter and the blue is so intense. Here are a couple of photographs of an arbutus tree against the clear blue in the winter sky. Arbutus trees are difficult to catch on their own. They like company and often lean on other trees for support on their journey to meet the sun.

(view full resolution – available for purchase here.)

(view full resolution – available for purchase here.)

To help set the mood of the moment, let’s have Ella Fitzgerald do it up right with this beautiful rendition of  – Blue Skies…

Please note: Creative Potager will be on holidays beginning Saturday, December 11, 2010 and on its one year anniversary Monday, December 27, 2010.

Sprout question: What is your favourite blue sky experience?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Feminine Beauties


If I had painted their white ruffles and splashed them with a dash of fuchsia paint would you have believed their beauty? These feminine lovelies are ivy geraniums – white as a christening gown. I smile when I saw them dancing on the morning wisps as I sipped my coffee in the courtyard – seductive, sensual darlings.

Sprout question: How does sensual beauty appear in your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Slice of Sun


View and purchase full resolution image here.

Today being Friday, it is a good day to play with techniques and have a little fun. I am practicing the art of painting without a brush by using photo editing tools to paint for me. I have been doing this for awhile but it is starting to get easier to stretch into the resonance of what I am seeking.

View and purchase full resolution image here.

Please note that starting next week my posts will be Tuesdays and Thursdays until the beginning of September. But please come by for tea and a browse anytime.

The best of the weekend to you all.

Sprout Question: Where are the growing edges of your creativity?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

30 times Same, Same


View Karl Isakson’s 1918 painting “Nature morte” as part of Wikimedia Commons.

I posted the process I used to paint my first oil painting in 30 years yesterday. “East Point Cliffs” is a rugged painting and rough around the edges, however, it is done. I need to begin again as I trust that not all learning is accomplished on one canvas. Yet, I couldn’t even consider painting the exact same image again, and then again. It is just not in my nature. It is an esteemed practice though. I have on my bookshelf from many years ago Complete Course in Oil Painting: Combined Edition – Four Volumes in One (1960) by Olle Nordmark. On page 123 he states the following:

“Beginners are inclined to think that experienced painters get their effects easily, without travail. This is not so. Great masters are great because they are willing to take infinite pains and do the work over again an indefinite number of times at any stage of the painting. Willingness to erase, or to start all over again on a clean painting surface is essential to good painting, whether you are a beginner or an artist of established reputation.”

Nordmark provides an example of Swedish painter Karl Isakson (1878-1922) known for his exact precision of tone. Isakson often discarded as many as 30 paintings of one subject before he was willing to show anyone his canvas. Thirty times. Thirty times painting the same subject again and again until the artist felt he had mastered his subject. As someone who loves colour, the results take my breath away. The pieces are timeless.

View Karl Isakson’s  1919 Udsigt över Svaneke at ArtNet.

I have provided two examples. To see some of Isakson’s other work explore this Google image search here. I even noticed more than one painting that has survive of the same subject.

So… I am publicly making a commitment to paint 30 paintings by the end of 2010 on the theme of Sea, Land and Time. I will, as much as my vulnerability will allow, let you look over my shoulder as I do so.

Sprout Question: Whose creative work before 1940 do you admire and what have you learned from them?

Note: If you, as some of you I know do, have a practice of creating from the same subject many times please feel free to provide a link to your work and tell us what you have learned in the process.

Best of the weekend to you:) Terrill

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Why Women’s Day – Oscar or no Oscar?

Blossoms for courage and abundance on International Women’s Day.

View and purchase full resolution image here.

Today, March 8, 2010 is International Women’s Day. This year a lovely man told me that he appreciated women everyday not just on March 8th. I’m relieved this is the case. But International Women’s Day is about much more than appreciation. All the blossoms, appreciation and love in the world for women will not, by itself, effect the change necessary for women’s equality. The disparity between women and men is the motivation behind my by-donation services design for Terrill Welch – A woman behind Women. The disparity between women and men is part of my motivation for writing Mona’s Work.

Last night, for the first time, an Oscar was given to a woman film director, Kathryn Bigelow, in the 82 year history of the academy – for a war movie, which surprises people that it was directed by a woman. Need I say more? Yes?

In an interview on March 2, 2010 with Willa Paskin of Slate, Kathryn Bigelow says the following about creativity and being a woman….

“…I come from the art world, or that’s where I was creatively, aesthetically, and intellectually formed and informed.

Certainly at the time I was there, there was never a discussion of gender per se. Like, this is a woman’s sculpture or a man’s sculpture. There was never this kind of bifurcation of particular talent. It was just looked at as the piece of work. The work had to speak for itself. And that’s still how I look at any particular work.

I think of a person as a filmmaker, not a male or female filmmaker. Or I think of them as a painter, not a male or female painter. I don’t view the world like that. Yes, we’re informed by who we are, and perhaps we’re even defined by that, but yet, the work has to speak for itself.” Read the full interview here.

Do I disagree with Bigelow? No, I agree. This is the ideal we are striving for. The question is – are we there yet? Can women compete in creative fields beyond the styles and topics held in esteem by male colleagues? If they do, is their creativity then labeled as women’s art, or women’s crafts? These are thorny questions which have no easy quick answers – at least, no easy answers I have found in the twenty years I’ve been part of these discussions. Yet, today, International Women’s Day, I beg the questions for your consideration.

Sprout Question: Do you feel your gender influences your creativity?

HAPPY INTERNATIONAL WOMEN’S DAY to all women, and women artists! Congratulations to the men who appreciate their creativity.

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

From Mayne Island, British Columbia, Canada

Naked

With my nightgown hung on the line, I’m reminded that there is nakedness when I am home. Nakedness that usually has little to do with bare skin. Home is actually where we rarely entertain and seldom share the space with others. I think of it as the freedom to allow my energies to easily flow in the space around me. Home is sacred space… when we invite others in to our home – it is to share that sacred space with us.

On Saturday, I cleaned and cleared the cooking and eating utensils. I asked myself – how many people are we really going to have visit at one time? How much cutlery do we need? How many wooden spoons do we use?

The answer was: “far less than was actually in our stash.”

Hence, a great lovely bundle of goods are ready for the thrift store.

Then, the next afternoon, we went for a long walk in a Valentine’s Day Sunday sun. I realized that this too is part of what I considered “our home.” “Home” extended beyond our property. “Home” is Mayne Island a place where my energy flows easily within sacred space.

View and purchase full resolution image here.


View and purchase full resolution image here.


And, in honour of Valentine’s Day, the arbutus tango…

View and purchase full resolution image here.

Welcome to our home.

Sprout Question: Does your creative self have or need sacred space beyond your studio or writing desk?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Pulse

So close to Valentine’s Day, with hearts appearing everywhere, I offer you a view of one of my watercolour paintings from 2001. Today, I’m reading and collecting creative inspiration. I’m reading through blogs on my blog roll. I’m browsing through blogs in my Gaia community. I am picking up pebbles in my tweet stream on Twitter. Today is about me experiencing the pulse of your creativity…

At the heart of things we are all simply human.

View and purchase full resolution image here.


Sprout Question: If your creativity had a pulse, what would be the rhythm of its beat?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Path of No Return

View image in full resolution here.

Yesterday I wrote about redefining the concept of “underpainting” and “overpainting” to include moving from a digital photo through digital processes leading to depicting other art forms such as oil painting and ink drawing.

Today, the image I share with you has little resemblance to the original digital image. Yet it feels more like what I experienced in that moment than the original photograph. With rising tension, I digitally worked to create this image, changing one thing, then another and yet another. Like the children in the fairy tale, I was so delighted and excited about what I was doing that I place no marks on the path for my return. Yes, I have the original photograph. But the here-to-there is lost in the same mental processing as happens when I physically paint.

In the image above, Cedar in oil, I now have only the one image left that is the voice of what I want to express.

Dr Bob Deutsch states “The creative communicator is an alchemist of thought, attending to the reasoning of emotion” in “Marketers Need to Better Understand Creativity” This statement seems right – validating. (Note: this reference is to incredible well-written article about creativity published today January 13, 2010)

Sprout Question: Accepting that you are a creative alchemist, what do you want to express in your art that isn’t available before you start?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.

Unfolding Image

Do you too carry a tension between placing your bum-to-seat, setting to work, and that of placing yourself in the proximity to your inspiration and allowing your work to unfold? I find there is a place for both in creativity.

View the full resolution of Arbutus Puzzle here .

Like the image Arbutus Puzzle, the beauty and strength is in the over and under of the creative tension between purpose and approach.

What pulls this working tension into creative bliss is the certainty of what is not yet know. With either approach, I must show up – fully. I must be ready to set aside other distractions, and other thought processes. Yet, the cast-aside thoughts and emotions will appear deep in the images that are captured or created. They are the under workings of my muse. In that I trust.

Today is a bum-to-seat morning. I am clearing my painting table in the studio to paint when daylight comes.

[Updated 11:23 am PST with progress from inside the studio]

Many times in the creative process it is not about getting “it right” but rather about “getting it started.”

This afternoon I shall place myself under the trees be they wet or dry and allow the images to call me forth.

Sprout Question: What is your approach to an unfolding image today?

© 2010 Terrill Welch, All rights reserved.

Liberal usage granted with written permission. See “About” for details.

Purchase photography at http://www.redbubble.com/people/terrillwelch

Creative Potager – where imagination rules. Be inspired.